Hugh Pickens writes "The Independent reports that one of Mark Twain's dying wishes is at last coming true: an extensive, outspoken and revelatory autobiography which he devoted the last decade of his life to writing is finally going to be published one hundred years after his death. Twain, the pen name of Samuel Clemens, left behind 5,000 unedited pages of memoirs when he died in 1910, together with handwritten notes saying that he did not want them to hit bookshops for at least a century, but in November, the University of California, Berkeley, where the manuscript is in a vault, will release the first volume of Mark Twain's three-volume autobiography. Scholars are divided as to why Twain wanted his autobiography kept under wraps for so long, with some believing it was because he wanted to talk freely about issues such as religion and politics. Michael Shelden, who this year published Man in White, an account of Twain's final years, says that some of his privately held views could have hurt his public image. 'He had doubts about God, and in the autobiography, he questions the imperial mission of the US in Cuba, Puerto Rico and the Philippines,' says Shelden. 'He's also critical of [Theodore] Roosevelt, and takes the view that patriotism was the last refuge of the scoundrel. Twain also disliked sending Christian missionaries to Africa. He said they had enough business to be getting on with at home: with lynching going on in the South, he thought they should try to convert the heathens down there.' Interestingly enough, Twain had a cunning plan to beat the early 20th century copyright law with its short copyright terms. Twain planned to republish every one of his works the moment it went out of copyright with one-third more content, hoping that availability of such 'premium' version will make prints based on the out-of-copyright version less desirable on the market."

A recent report from a games industry analyst suggests that among a number of factors leading to the purchase of a video game — such as price, graphics and word of mouth — the game's aggregated review score is the least important measure. Analyst Doug Creutz said, "We believe that while Metacritic scores may be correlated to game quality and word of mouth, and thus somewhat predictive of title performance, they are unlikely in and of themselves to drive or undermine the success of a game. We note this, in part, because of persistent rumors that some game developers have been jawboning game reviewers into giving their games higher critical review scores. We believe the publishers are better served by spending their time on the development process than by 'grade-grubbing' after the fact."