At this weekend's Comic-Con, "Excitement has been high over the sneak peeks at Tron: Ares and Predator: Badlands," reports CNET. (Nine Inch Nails has even recorded a new song for Tron: Ares .)

A few highlights from CNET's coverage:

• The Coyote vs. Acme movie will hit theaters next year "after being rescued from the pile of scrapped ashes left by Warner Bros. Discovery," with footage screened during a Comic-Con panel.

• The first episode of Alien: Earth was screened before its premiere August 12th on FX.

• A panel reunited creators of the animated Avatar: The Last Airbender for its 20th anniversary — and discussed the upcoming sequel series Avatar: Seven Havens.

• A trailer dropped for the new Star Trek: Starfleet Academy series on Paramount+ ("Star Trek Goes Full Gen Z..." quips one headline.)

To capture some of the ambience, the Guardian has a collection of cosplayer photos. CNET notes there's even booths for Lego and Hot Wheels (which released toys commemorating the 40th anniversary of Back to the Future and the 50th anniversary of Jaws).

But while many buildings are "wrapped" with slick advertisements, SFGate notes the ads are technically illegal, "with penalties for each infraction running up to $1,000 per day," (according to the San Diego Union-Tribune). "Last year's total ended up at $22,500."

The Union-Tribune notes that "The fines are small enough that advertisers clearly think it is worth it, with about 30 buildings in the process of being wrapped Monday morning."

The only nuclear power plant still operating in Taiwan was shut down on Saturday, reports Japan's public media organization NHK: People in Taiwan have grown increasingly concerned about nuclear safety in recent years, especially after the 2011 nuclear disaster in Fukushima, northeastern Japan... Taiwan's energy authorities plan to focus more on thermoelectricity fueled by liquefied natural gas. They aim to source 20 percent of all electricity from renewables such as wind and solar power next year.
AFP notes that nuclear power once provided more than half of Taiwan's energy, with three plants operating six reactors across an island that's 394 km (245 mi) long and 144 km (89 mi) wide.

So the new move to close Taiwan's last reactor is "fuelling concerns over the self-ruled island's reliance on imported energy and vulnerability to a Chinese blockade," — though Taiwan's president insists the missing nucelar energy can be replace by new units in LNG and coal-fired plants: The island, which targets net-zero emissions by 2050, depends almost entirely on imported fossil fuel to power its homes, factories and critical semiconductor chip industry. President Lai Ching-te's Democratic Progressive Party has long vowed to phase out nuclear power, while the main opposition Kuomintang (KMT) party says continued supply is needed for energy security... [The Ma'anshan Nuclear Power Plant] has operated for 40 years in a region popular with tourists and which is now dotted with wind turbines and solar panels. More renewable energy is planned at the site, where state-owned Taipower plans to build a solar power station capable of supplying an estimated 15,000 households annually. But while nuclear only accounted for 4.2 percent of Taiwan's power supply last year, some fear Ma'anshan's closure risks an energy crunch....

Most of Taiwan's power is fossil fuel-based, with liquefied natural gas (LNG) accounting for 42.4 percent and coal 39.3 percent last year. Renewable energy made up 11.6 percent, well short of the government's target of 20 percent by 2025. Solar has faced opposition from communities worried about panels occupying valuable land, while rules requiring locally made parts in wind turbines have slowed their deployment.

Taiwan's break-up with nuclear is at odds with global and regional trends. Even Japan aims for nuclear to account for 20-22 percent of its electricity by 2030, up from well under 10 percent now. And nuclear power became South Korea's largest source of electricity in 2024, accounting for 31.7 percent of the country's total power generation, and reaching its highest level in 18 years, according to government data.... And Lai acknowledged recently he would not rule out a return to nuclear one day. "Whether or not we will use nuclear power in the future depends on three foundations which include nuclear safety, a solution to nuclear waste, and successful social dialogue," he said.
DW notes there's over 100,000 barrels of nuclear waste on Taiwan's easternmost island "despite multiple attempts to remove them... At one point, Taiwan signed a deal with North Korea so they could send barrels of nuclear waste to store there, but it did not work out due to a lack of storage facilities in the North and strong opposition from South Korea...

"Many countries across the world have similar problems and are scrambling to identify sites for a permanent underground repository for nuclear fuel. Finland has become the world's first nation to build one."

Thanks to long-time Slashdot reader AmiMoJo for sharing the news.

Rotten Tomatoes and Fandango are rolling out a new "Verified Hot" rating for users who actually bought a ticket to the movie being reviewed. "The designation is only given to theatrical movies that have reached an audience score above 90 percent among user ratings," adds IndieWire. From the report: Movie ticketing app Fandango is the parent company to Rotten Tomatoes, so if you bought your ticket through Fandango and then rated a movie using that same user info on Rotten Tomatoes, RT is able to confirm you bought a ticket and can filter out anyone else who may just be rating things blindly. A rep for RT tells IndieWire the goal is to work with other partners so that other people who don't use Fandango can still be considered verified.

Rotten Tomatoes also expanded its Popcornmeter designations. Anything with an audience score above 60 percent of people rating it as 3.5 stars or higher will be labeled "Hot," and movies below that 60 percent threshold are now "Stale." The "Certified Fresh" badge for movies that achieve a strong enough critics score has been around for a while, but in 2020 RT introduced a "Top Critics" feature such that you could filter out the dozens or hundreds of aggregated critics from unreliable sources who could be skewing a film's score. Anyone can vote or rate movies on Rotten Tomatoes if you're an audience member, but you can also filter out ratings from those not considered "verified."

Rotten Tomatoes made some other tweaks too under the hood: Both the Popcornmeter and Tomatometer need to meet a new minimum number of reviews published for a score to appear. Not everything gets reviewed widely, so the threshold varies depending on a film's total projected domestic box office forecast. A full list of "Verified Hot" films can be found here.

Movie exhibitors still face "serious risks," the Los Angeles Times reported Tuesday: Attendance was on the decline even before the pandemic shuttered theaters, thanks to changing consumer habits and competition for people's time and money from other entertainment options. The industry has demonstrated an over-reliance on Imax-friendly studio action tent poles, when theater chains need a deep and diverse roster of movies in order to thrive... It remains to be seen whether the global box office will ever get back to the $40 billion-plus days of 2019 and earlier years. A clearer picture will emerge in 2025 when the writers' and actors' strikes are further in the past. But overall, there's a strong case that moviegoing has proved to be relatively sturdy despite persistent difficulties.
Which brings us to this year's CinemaCon convention, where multiplex operators heard from Hollywood studios teasing upcoming blockbusters like Joker: Folie à Deux, Furiosa: A Mad Max Saga, Transformers One, and Deadpool & Wolverine. Exhibitors pleaded with the major studios to release more films of varying budgets on the big screen, while studios made the case that their upcoming slates are robust enough to keep them in business... Box office revenue in the U.S. and Canada is expected to total about $8.5 billion, which is down from $9 billion in 2023 and a far cry from the pre-pandemic yearly tallies that nearly reached $12 billion... Though a fuller release schedule is expected for 2025, talk of budget cuts, greater industry consolidation and corporate mergers has forced exhibitors to prepare for the possibility of a near future with fewer studios making fewer movies....

As the domestic film business has been thrown into turmoil in recent years, Japanese cinema and faith-based content have been two of movie theaters' saving graces. Industry leaders kicked off CinemaCon on Tuesday by singing the praises of Sony-owned anime distributor Crunchyroll's hits — including the latest "Demon Slayer" installment. Mitchel Berger, senior vice president of global commerce at Crunchyroll, said Tuesday that the global anime business generated $14 billion a decade ago and is projected to generate $37 billion next year. "Anime is red hot right now," Berger said. "Fans have known about it for years, but now everyone else is catching up and recognizing that it's a cultural, economic force to be reckoned with.... " Another type of product buoying the exhibition industry right now is faith-based programming, shepherded in large part by "Sound of Freedom" distributor Angel Studios...

Theater owners urged studio executives at CinemaCon to put more films in theaters — and not just big-budget tent poles timed for summer movie season and holiday weekends... "Whenever we have a [blockbuster] film — whether it be 'Barbie' or 'Super Mario' ... records are set," added Bill Barstow, co-founder of ACX Cinemas in Nebraska. "But we just don't have enough of them."

Star Trek: The Animated Series was a half-hour Saturday morning cartoon that premiered exactly one half century ago — yesterday. You can watch its opening credits sequence on YouTube — with its strange 1970s version of the theme song. CBS's YouTube channel also offers clips from various episodes.

Starting in 1973, it ran for two seasons — a total of just 22 episodes. But the BBC notes it kept Star Trek in people's minds after the original series had been cancelled in 1969: While The Original Series had struggled in the ratings during its initial run, the show thrived in syndication, and created the phenomenon of fan conventions (think Comic-con in the present day). Because of this, studios were interested in more Star Trek, but there was a problem: the sets had been scrapped, the costumes were gone, and it would have been cost-prohibitive to rebuild everything from scratch. NBC settled on a different approach: an animated series.

According to The Fifty-Year Mission by Mark Altman and Edward Gross (an oral history of Star Trek), Gene Roddenberry wasn't overly interested in an animated show in and of itself. However, he was willing to go along with it because he saw it as a stepping stone to another live-action show or a feature film. An animated show would energise fans, he thought, so he agreed on the condition that he would have full creative control of The Animated Series. After a fight, the network gave in. The full, regular cast returned, with the exception of Walter Koenig's Pavel Chekov, who was cut for budget reasons...

[I]t was very much conceived of as a continuation of The Original Series. Some of the episodes were direct sequels, such as More Tribbles, More Trouble, which is a continuation of the classic The Trouble with Tribbles, and featured the return of Cyrano Jones... [Another episode was a sequel to The City on the Edge of Forever.] Dorothy (DC) Fontana led a group of writers from the original show who mostly wrote for a traditional, adult Star Trek audience. That's why the show didn't catch on — while it was well-received by critics, it might have done better in prime time. The show won a Daytime Emmy for best children's series, but it was cancelled after two years because of low ratings. Roddenberry then moved on to work on another live-action series, called Phase II, which would eventually become Star Trek: The Motion Picture...

Whatever is decided regarding "the canon", The Animated Series sits firmly within Star Trek's guiding ethos: Gene Roddenberry's vision for a utopian future where humans coexist peacefully with aliens as part of a Federation, and there's no poverty or war.

schwit1 shares a report from Rolling Stone: It was a busy day for the live music industry in Washington [on Wednesday] as senators introduced multiple pieces of legislation aimed at improving transparency and competition in ticketing. One of the most common complaints among music fans in a long list of gripes about the modern ticketing industry is the hidden fees that get tacked on at the very end of a purchase, adding a deceptive extra costs customers won't even see until they've already selected their seats based on a different price. The Transparency in Charges for Key Events Ticketing, or TICKET Act, could end that annoyance. Introduced on Tuesday by U.S. Commerce Committee Chair Maria Cantwell (D-Wash) and committee ranking member Ted Cruz (R-Texas), the bill, if passed, would require ticket sellers for concerts and sporting events to disclose the total price of a ticket including fees right away. Fees themselves can be a significant addition for concert tickets, usually adding a 20 to 30-percent extra charge on tickets but sometimes well exceeding that. Joe Biden pushed for a reform on "junk fees" earlier this year.

While passing the new legislation wouldn't stop the actual fees themselves, it would certainly be a step forward in making the business more transparent for consumers. While the bill would pass all-in prices on a federal level, some states like New York already enacted the policy. "Right now, one company is leveraging its power to lock venues into exclusive contracts that last up to ten years, ensuring there is no room for potential competitors to get their foot in the door," Klobuchar said, seemingly referencing Ticketmaster but not mentioning it by name. "Without competition to incentivize better services and fair prices, we all suffer the consequences. The Unlock Ticketing Markets Act would help consumers, artists, and independent venue operators alike by making sure primary ticketing companies face pressure to innovate and improve."

On March 27th, Nintendo's eShop for its 3DS and Wii U consoles will be shut down. With many of the titles being original to those consoles and not available anywhere else, it's left archivists and historians scrambling to preserve them before it's too late. However, those preservation plans get complicated given Nintendo's litigious nature on matters of intellectual property. Techdirt's Timothy Geigner writes: Preventing the gaming public from continuing to buy games that rely on a company-operated backend infrastructure is one thing. After all, Nintendo can do what it wants when it comes to putting its products into commerce. But what really annoyed a ton of people, myself included, was how this would impact archivists and historians, or anyone else interested in preserving video game history and culture. With the impending shutdown, some of those entities are once again expressing concern: "While it's unfortunate that people won't be able to purchase digital 3DS or Wii U games anymore, we understand the business reality that went into this decision,' the Video Game History Foundation (VGHF) tweeted when the eShop shutdowns were announced a year ago. 'What we don't understand is what path Nintendo expects its fans to take, should they wish to play these games in the future.'"

Because Nintendo is litigious, utilizes DRM, and the DMCA exists, all of that combines to make it wildly unsafe for museums and archivists to actually retain copies of these games that will shortly no longer be found anywhere else. And, no, the exemptions built into the DMCA for content such as movies and literature simply don't exist for the video game space. [...] So what can be done? Not a whole lot, honestly, but some hobbyists are at least going to make a go of it: "In an effort to address this -- or at least address it in a single place on as few consoles as possible -- YouTuber The Completionist decided to sit down and spend almost a year of his life (328 days in total) buying his way through both libraries. He's now done, and the statistics are staggering. The dude bought 866 Wii U games and 1547 3DS titles, numbers that include DSiWare, Virtual Console releases and downloadable content. That adds up to 1.2TB of data for the Wii U, and 267GB for the 3DS. Or, for the 3DS purists reading, 2,136,689 blocks."

As part of this effort, The Completionist has said he plans to donate all of this digital media to the VGHF. What they can do with all of that content still remains to be seen. All of the same copyright and DMCA rules still apply, so what access it can grant to researchers, never mind the public, is in question.

Facing higher prices for natural gas, Germans are now embracing climate-friendly heat pumps, reports the New York Times. "So much so that heat pumps are often sold out, and the wait for a qualified installer can last months." The German government is among the fans. "This is the technology of the future," Robert Habeck, the minister for the economy, told reporters last month while announcing a government plan to promote heat pumps. "To achieve our goals, we want to get to six million customers by 2030," Mr. Habeck said....

The cost for the electricity needed to power a heat pump is about 35 percent cheaper than natural gas, according to Verivox, a company that compares energy prices for German consumers. The savings are even greater for those who can run their heat pumps off solar panels.... Sales of heat pumps in Germany have more than doubled in the past two years, especially as the price of gas has soared.... To encourage people to make the change, the government is offering subsidies that can cover up to a quarter of the upfront price of a unit, along with subsidies for other energy-efficiency improvements up to a total of €60,000.

Germany lags far behind its European neighbors, where imported natural gas was not as affordable or abundant. Residents of Finland and Norway, which rely more on electricity, have 10 times the number of heat pumps as do Germans, according to Agora Energiewende, a policy institute in Berlin. Even the Netherlands, which sits on its own wealth of natural gas but made a push for the more climate-friendly machines several years ago, has double the number of the units that Germany has.

Ticketmaster provoked ire with a botched sale of tickets to Taylor Swift's first concert in five years. NPR reports: On Thursday afternoon, the day before tickets were due to open to the general public, Ticketmaster announced that the sale had been cancelled altogether due to "extraordinarily high demands on ticketing systems and insufficient remaining ticket inventory to meet that demand." Taylor Swift broke her silence on Friday in statement on Instagram in which she said it is "excruciating for me to watch mistakes happen with no recourse." She said there are many reasons people had a hard time getting tickets, and she's trying to figure out how to improve the situation moving forward. "I'm not going to make excuses for anyone because we asked them, multiple times, if they could handle this kind of demand and we were assured they could," she wrote, without naming Ticketmaster.
America's Justice Department "has opened an antitrust investigation into the owner of Ticketmaster," reports the New York Times. But the investigation "predates the botched sale" and "is focused on whether Live Nation Entertainment has abused its power over the multibillion-dollar live music industry." The new investigation is the latest scrutiny of Live Nation Entertainment, which is the product of a merger between Live Nation and Ticketmaster that the Justice Department approved in 2010. That created a giant in the live entertainment business that still has no equals in its reach or power.... The debacle involving Ms. Swift's concert tickets this week has exacerbated complaints in the music business and in Washington that Live Nation's power has constrained competition and harmed consumers.
Or, as NPR puts it, "The frenzy has brought renewed scrutiny to the giant Ticketmaster, which critics have long accused of abusing its market power at the expense of consumers." Would-be concertgoers have complained vocally about recent incidents with near-instant sellouts and skyrocketing prices, and artists like Pearl Jam and Bruce Springsteen have feuded with it over the decades. One common complaint is that there doesn't seem to be a clear alternative or competitor to Ticketmaster, especially after it merged with concert provider Live Nation in 2010 (a controversial move that required conditional approval from the U.S. Department of Justice).

Now Tennessee's attorney general, a Republican, is opening a consumer protection investigation into the incident. North Carolina's attorney general announced on Thursday that his office is investigating Ticketmaster for allegedly violating consumers' rights and antitrust laws. And multiple Democratic lawmakers are asking questions about the company's dominance â" not for the first time.... "Taylor Swift's tour sale is a perfect example of how the Live Nation/Ticketmaster merger harms consumers by creating a near-monopoly," tweeted Sen. Richard Blumenthal (D-Conn.), one of several lawmakers who has long called for investigation and accountability into the company, especially after becoming a subsidiary of concert behemoth Live Nation.
The article also cites a Thursday statement from Ticketmaster: The company says that using Verified Fan invite codes has historically helped manage the volume of users visiting the website to buy tickets, though that wasn't the case on Tuesday. "The staggering number of bot attacks as well as fans who didn't have invite codes drove unprecedented traffic on our site, resulting in 3.5 billion total system requests â" 4x our previous peak," it said, adding that it slowed down some sales and pushed back others to stabilize its systems, resulting in longer wait times for some users.

It estimates that about 15% of interactions across the website experienced issues, which it said is "15% too many."
The Tuesday sale also broke Ticketmaster's record for most tickets sold for an artist in a single day," reports People, "selling two million tickets."

Thanks to long-time Slashdot reader SpzToid for submitting the story.

Esquire celebrates the 40th anniversary of the movie Blade Runner: Based on Philip K. Dick's 1968 novel Do Androids Dream Of Electric Sheep, Scott's film created a world so rich, so dirty and wet and worn out, so visually stunning, that imitation was an inevitability. Less gym-bro than The Terminator, less wacky than Terry Gilliam's Brazil, and less all-out apocalyptic than Mad Max, Blade Runner arguably defined not just 1980s science fiction, but in the forty years since its initial release, sci-fi films in general. From Ghost In The Shell, to Total Recall and Minority Report and even Black Panther, Blade Runner is owed a debt of gratitude.

Working from a formula he perfected in 1979's Alien, Scott brought his world of grimy industry and neon-lit shadows, rogue androids and put-upon protagonists to California, swapping Alien's body horror for the police procedural. Granted, Deckard isn't Ellen Ripley, but in its portrayal of the battered and bruised detective battling against the system, Blade Runner is a Chinatown of the future. That it was only Scott's third film as director makes it all the more impressive. (As an aside, has Harrison Ford's three film run of The Empire Strikes Back (1980), Raiders Of The Lost Ark (1981), and Blade Runner (1982) ever been beaten?).

Famously, the film was a critical and commercial flop in the U.S. with VHS sales and endless re-edits eventually leading to its cult status. (In 2004, it was even voted as the best science fiction film of all time by a panel of global scientists). Today, it's difficult to picture a sci-fi film that doesn't play homage. Would HBO's Westworld have updated its 1973 film version so successfully and stylishly without Blade Runner paving the way both visually and in terms of its musings on free will? And, decades before Elon Musk looked set to take over the world, Blade Runner's Tyrell Corporation (and indeed, Alien's Weyland-Yutani) was inspiring evil empires from Resident Evil's Umbrella Corporation to RoboCop's Omni Consumer Products and The Terminator's Cyberdyne Systems.
The article argues that Rutger Hauer's replicant character Roy Batty "delivers one of the greatest speeches in cinematic history in his 'Tears in rain' soliloquy."

And it points out that fans of Ridley Scott's prequels to Alien speculate those movies also exist in the same cinematic universe.

One compromised admin account led to two projects being scammed in a day. From a report: On Tuesday, December 21st, two NFT projects fell victim to the same attack. Like many projects in the crypto world, the NFT collection Monkey Kingdom and in-game asset marketplace Fractal both engaged heavily with their communities through Discord chat servers. Both projects were about to distribute rewards to their community members: Monkey Kingdom through an NFT presale on the day of the 21st and Fractal through a token airdrop -- essentially a free distribution to early supporters -- a few days later. Then, disaster struck. Posts appeared in the official "announcements" channel of each project claiming that a surprise mint would reward community members with a limited edition NFT. Hundreds jumped at the chance -- but for those who followed the links and connected their crypto wallets, a costly surprise was waiting. Rather than receiving an NFT, wallets were being drained of the Solana cryptocurrency, which both projects used for purchases.

In the space of an hour, a Twitter post, first from Monkey Kingdom and then from Fractal, informed followers that their Discord servers had been hacked; news of the NFT mints was bogus, the links a phishing fraud. In the case of Fractal, the scammers got away with about $150,000 worth of cryptocurrency. For Monkey Kingdom, the estimated total was reported to be $1.3 million. Neither attack targeted the blockchain or the tokens themselves. Instead, the thieves exploited weaknesses in the infrastructure used to sell the tokens -- specifically, the Discord chatrooms where NFT fans gather. It's a reminder of a persistent weakness in the growing NFT economy, where surprise drops have primed buyers to move fast or risk missing out. But the same techniques that hype up a sale can also open the door to hackers -- and in this case, a single compromise can end up spreading to more than one community at once. In this case, the NFTs thieves had targeted a feature known as a webhook. Webhooks are used by many web applications (Discord included) to listen for a message sent to a particular URL and trigger an event in response, like posting content to a certain channel. By gaining access to webhooks belonging to the Fractal and Monkey Kingdom Discord servers, the hackers were able to send messages that were broadcast to all members of certain channels: a feature meant to be used only for official communications from the project teams. This was where the fake "announcement" had come from and why it had pointed to a scam address. In hindsight, the content should have raised some red flags -- but given the distribution method, it looked just legitimate enough that many were fooled.

An anonymous reader quotes a report from The Verge: Chevy Silverado, one of the top-selling pickup trucks in the US, is going electric. General Motors CEO Mary Barra unveiled Chevy's answer to the Ford F-150 Lightning during a virtual presentation at this year's Consumer Electronics Show. GM hopes that the plug-in pickup's familiar nameplate will help it lure Silverado owners and other truck fans to the world of zero tailpipe emissions. The Silverado EV is the second electric truck for GM, succeeding the GMC Hummer EV, which went into production last year. But when it comes out in late 2023, the electric Silverado will be one of the flagship vehicles in the company's much larger $35 billion push into electric vehicles, as well as the first electric truck for the automaker's Chevy brand.

At launch, the Silverado EV will be available in two configurations: an RST First Edition and a fleet-oriented Work Truck (WT) model. Both models will get more than 400 miles of range on a full charge (though that number still needs to be certified by the Environmental Protection Agency). The base model work truck will start at $39,900, while the fully loaded RST First Edition, named because it will be first off the assembly line in spring 2023, will sell for the suggested price of $105,000. Chevy says that after production ramps up, various versions of the truck will be available for $50,000-$80,000. The automaker is already taking reservations.

Like most electric vehicles, the electric Silverado will be incredibly quick, able to sprint from 0 to 60 mph in less than 4.5 seconds. That's quicker than the RWD single-motor Cybertruck and about on par with the Ford F-150 Lightning and the tri-motor Cybertruck. (Tesla says the quad-motor truck will be able to hit 60 mph in 2.9 seconds.) The RST version sounds like it could easily knock the wind out of you, with 485kW of total power (664 horsepower) and 780 pound-feet of torque while in the Silverado's Wide Open Watts Mode. The RST First Edition of the truck will also feature a host of additional features, including: Four-wheel steering; Automatic Adaptive Air Suspension, enabling the vehicle to be raised or lowered 2 inches; Multi-Flex Midgate that expands the truck's cargo capability while maintaining seating for a rear row passenger Available Multi-Flex Tailgate with power release; 17-inch LCD infotainment screen paired with a neighboring 11-inch-diagonal reconfigurable driver instrument display and a multi-color driver head-up display with a field of view over 14 inches; and Trailering-capable Super Cruise, GM's hands-free driver assistance technology, allowing drivers to travel hands-free on more than 200,000 miles of compatible roads across the US and Canada. GM doesn't have its own charging network, so Silverado EV owners "will need to rely on a patchwork of third-party EV charging companies for most of their needs," notes The Verge. For onboard power, the Silverado bests the F-150 Lightning "putting out an incredible 10.2kW for all sorts of charging needs, including powering an entire home or charging another electric vehicle."

The vehicle will be built in Detroit at GM's Factory Zero EV plant.

Further reading:
Car and Driver: As Chevy Silverado EV Charges after Ford F-150 Lightning, How They Compare
The Drive: Here's What Comes in the $40K 2024 Chevy Silverado EV Work Truck
Engadget: Watch GM's Silverado EV Reveal In 10 Minutes

An anonymous reader quotes a report from Motherboard: The largest carbon capture facility in the world is slated to come online Wednesday in Iceland, amid growing skepticism over the technology's role in addressing the climate crisis. The Orca, a direct air capture plant constructed by Swiss carbon capture company Climeworks AG, with support from Microsoft, started running Wednesday around 20 miles southeast of Reykjavik.

The facility is made up of eight air collection containers, each holding several dozen cylindrical fans, which pull in ambient air and filter carbon dioxide from it using a filter, according to the Climeworks' press materials. What's trapped is heated, mixed with water, and pumped deep underground. The plant would pull 4,000 metric tons of carbon dioxide from the air per year in total, which the company anticipates would be stored for "thousands of years." Their process is proprietary, but it's part of a broader form of carbon capture called direct air capture (DAC), a method of geoengineering that's become controversial in recent years for its dubious efficacy and practicality. DAC proposes to slow climate change by sucking greenhouse gasses like CO2 directly from the atmosphere, DAC has splintered environmentalists, some of whom laud it as a potential savior, while others call it as a costly, risky distraction from meaningful emissions distractions.

"If you've ever dreamed of living 'a long time ago in a galaxy far, far away,' now is your chance — as long as you've got a spare four to six thousand dollars sitting around," writes SFGate: This week, Walt Disney World announced more details about its new Galactic Starcruiser hotel opening in the spring, an immersive, two-day "Star Wars" experience that evokes the feeling of being in the movies. The tech will be more advanced than any other Disney experience, including Rise of the Resistance at Disneyland and the Star Wars: Galaxy's Edge lands... "Star Wars: Galactic Starcruiser is a revolutionary new 2-night experience where you are the hero," according to Walt Disney World's website. "You and your group will embark on a first-of-its-kind Star Wars adventure that's your own. It's the most immersive Star Wars story ever created — one where you live a bespoke experience and journey further into a Star Wars adventure than you ever dreamed possible."

There are lightsaber experiences, interstellar entertainment, characters hanging around and an overall feeling that you're closer to being in Star Wars than you've ever been in your life. The idea is that you're staying on a luxury space cruise, so immersive that the hotel's windows look out into "space" and you never leave the property unless it's to "board a transport" to Batuu, the land where Star Wars: Galaxy's Edge takes place. Admission to Hollywood Studios is included in the price, as is all of your food and non-alcoholic beverages. But really, for $4,809 for two nights' accommodations for two guests in a studio, they could throw in a space beer or two...

But then again, for some Star Wars fans, you can't put a price on total immersion in the fandom, from cast members acting as though they're really intergalactic travelers to the ability to make infinite Wookee jokes free from the harsh judgements of people who wouldn't spend $4,000 to sleep in a "spaceship."

"This week, a 22-year-old self-described Bitcoin millionaire introduced the Freedom Phone, a $499 device meant to be completely free from 'Big Tech's' censorship and influence," reports PC Magazine.

"But it turns out the same smartphone is actually from China, and probably just a cheap knock-off." The Freedom Phone comes from Erik Finman, who unveiled the device earlier this week. He claims the product has everything Trump supporters could dream of, including an "uncensorable" app store, preinstalled conservative-friendly apps including Parler and Rumble, and even its own anti-surveillance operating system called FreedomOS... However, The Daily Beast noticed the Freedom Phone looks strikingly similar to a budget smartphone device from a Chinese vendor called Umidigi. The device is called the Umidigi A9 pro, and you can actually buy it over on the Chinese e-commerce site AliExpress starting at $119. Finman later told The Daily Beast that the Freedom Phone was indeed sourced from Umidigi, a company that's based in Shenzhen, China...

An uncensorable app store opens the door for hackers and shady developers to circulate malware and data-collecting programs to users. We're also doubtful Freedom Phone has its own operating system if it can run apps such as Parler and Rumble, in addition to Signal, Telegram and Brave
The Daily Beast adds this anecdote: The Freedom Phone's "Freedom OS" operating system is based on Google's Android operating system, according to Finman. But during a livestream video promoting the phone, right-wing activist Anna Khait was confused by her fans' basic questions about the phone. "Is it an Android?" Khait said. "I'm not really sure. No, it's a Freedom Phone."
Gizmodo calls the phone's web site "radically vague on the details." There is no information about the phone's operating system, storage, camera, CPU, or RAM capabilities. It has a list of features, but there are no actual details about them. Instead, under each feature, there's merely a "Buy it now" button which redirects you to the site's shopping cart. The phone's hefty price, combined with the company's total lack of transparency, is ridiculous — essentially asking the buyer to cough up half a grand in exchange for, uh, something...!
But Gizmodo also shares a philosophical thought: Before we get into the specifics of why this device probably sucks, let me just say that the desire to have a phone that is dedicated to protecting your autonomy and privacy is a reasonable one — and should be encouraged. That said, I don't think the Freedom Phone provides that. Actually, aside from its overt partisan bent, it's impossible to tell what kind of device this is because Finman and his acolytes haven't provided any information about it...

The funny thing is, if Trump voters are looking for a way to get off the "Big Tech" grid, there's no need for them to buy this sketchy shit. There are actually entire subcultures within the phone industry dedicated to escaping the Android/iOS paradigm. You can wade into the de-Googled phone sector, for instance — where Android phones are sold that have ostensibly been refurbished to rid the devices of code that will "send your personal data" back to the tech giant. There's also the Linux-based Pinephone, which sells at a fraction of the Freedom Phone's cost (between $150 and $200), and is a favorite of those in the privacy community. All of these come with caveats, obviously, but the point is that there are much more transparent and affordable options than the Freedom Phone...

It'd be nice if Americans could actually come together around the issue of privacy since it's an area where — regardless of political party — we're all collectively getting screwed.

Spotify's $100 million-plus Anchor acquisition is seemingly paying off. From a report: In data released today as part of its annual Wrapped look-back on the year, the company says Anchor, which makes podcast creation software, powered 80 percent of new podcasts on Spotify this year, meaning the software contributed more than 1 million shows to Spotify's catalog in 2020 alone. Overall, Anchor powers 70 percent of Spotify's total podcast catalog, or around 1.3 million out of over 1.9 million shows. People also seem to be listening to that content. Spotify says Anchor shows account for more consumption, in terms of time spent listening, than any other third-party podcast hosting or distribution provider on its platform. (Not counting shows owned or operated by Spotify.) This sounds surprising, at least to me, especially given that big networks like NPR, The New York Times, and Wondery all put their shows on Spotify. But Mike Mignano, head of podcast mission at Spotify, says the data point speaks to the large global podcasting ecosystem that people might not know exists. With more than a million Anchor shows on the platform, listening time adds up fast, even if some shows only have a small group of dedicated fans.

An anonymous reader shares a report: The pandemic is helping Japan's demon slayers, monsters and robots make the leap to the global market. Animated video in the Japanese style -- aka anime -- has long been a niche taste for fans in the U.S. and elsewhere, and some anime films such as those by Hayao Miyazaki have become mainstream hits. Now, with the pandemic putting a premium on escapist video content, the business is getting hotter. Streaming services such as Netflix and Amazon Prime are scouring the globe for fresh content, from documentaries to calming videos, and anime has an advantage over live-action content because it doesn't require actors and crew to expose themselves to virus contagion. With the latest anime hit bringing in hundreds of millions of dollars in Japan, industry players say the next year is likely to bring more deals and more content for the U.S. "I used to have the sense that the anime category was spreading widely around the world, but what we're seeing these days is a big leap beyond that," said Taiki Sakurai, Netflix's chief anime producer. "The global anime fan base is expanding rapidly." Last month, Netflix said it had 16 projects in the works at its Tokyo-based anime production hub, including "Godzilla" and "Transformers" titles, with plans for global distribution that it said were pushed forward by the evidence of higher demand.

Netflix, which hired a creative team dedicated to anime production in Tokyo four years ago, said more than 100 million households around the world watched at least one anime title on the streaming site in the year to September 2020, growing by 50% from a year earlier. Anime titles have appeared in the top-10 list in nearly 100 countries this year, it said. Amazon Prime also features a wealth of anime titles. The financial reports of Tokyo-based Toei Animation, the studio responsible for anime such as the "Dragon Ball" and "Sailor Moon" franchises, give a glimpse into how the industry is changing. Four years ago, revenue received from outside Japan accounted for one-third of Toei Animation's overall revenue. The overseas portion rose to half of the total in the year ended this past March, and overseas revenue more than doubled to the equivalent of $243 million, with "Dragon Ball" programs available on streaming services such as Hulu in the U.S. In the most recent six months, overseas sales rose to nearly three-fifths of the total.

It was 116 degrees Fahrenheit in the shade outside the new Al Janoub soccer stadium, and the air felt to air-conditioning expert Saud Ghani as if God had pointed "a giant hair dryer" at Qatar. From a report: Yet inside the open-air stadium, a cool breeze was blowing. Beneath each of the 40,000 seats, small grates adorned with Arabic-style patterns were pushing out cool air at ankle level. And since cool air sinks, waves of it rolled gently down to the grassy playing field. Vents the size of soccer balls fed more cold air onto the field. Ghani, an engineering professor at Qatar University, designed the system at Al Janoub, one of eight stadiums that the tiny but fabulously rich Qatar must get in shape for the 2022 World Cup. His breakthrough realization was that he had to cool only people, not the upper reaches of the stadium -- a graceful structure designed by the famed Zaha Hadid Architects and inspired by traditional boats known as dhows. "I don't need to cool the birds," Ghani said.

Qatar, the world's leading exporter of liquefied natural gas, may be able to cool its stadiums, but it cannot cool the entire country. Fears that the hundreds of thousands of soccer fans might wilt or even die while shuttling between stadiums and metros and hotels in the unforgiving summer heat prompted the decision to delay the World Cup by five months. It is now scheduled for November, during Qatar's milder winter. The change in the World Cup date is a symptom of a larger problem -- climate change. Already one of the hottest places on Earth, Qatar has seen average temperatures rise more than 2 degrees Celsius (3.6 F) above preindustrial times, the current international goal for limiting the damage of global warming. The 2015 Paris climate summit said it would be better to keep temperatures "well below" that, ideally to no more than 1.5 degrees Celsius (2.7 F).

[...] To survive the summer heat, Qatar not only air-conditions its soccer stadiums, but also the outdoors -- in markets, along sidewalks, even at outdoor malls so people can window shop with a cool breeze. "If you turn off air conditioners, it will be unbearable. You cannot function effectively," says Yousef al-Horr, founder of the Gulf Organization for Research and Development. Yet outdoor air conditioning is part of a vicious cycle. Carbon emissions create global warming, which creates the desire for air conditioning, which creates the need for burning fuels that emit more carbon dioxide. In Qatar, total cooling capacity is expected to nearly double from 2016 to 2030, according to the International District Cooling & Heating Conference. And it's going to get hotter.

The Monty Python character known as the Gumby would often be found saying "My brain hurts". Now Reuters reports: In what is billed as an "extremely silly" event, hordes of Monty Python fans will gather in full Gumby attire in London on Saturday to celebrate the British comedy troupe's 50th anniversary. Kitted out in rubber boots, sleeveless sweaters, rolled-up trousers and with knotted handkerchiefs on their heads, they will attempt to set a Guinness World Record for the Largest Gathering of People Dressed as Gumbys. "It's all so excitingly pointless," said Python Terry Gilliam, who will host the event.
Meanwhile, the Guardian reports on recently-rediscovered documents from the BBC's archives about the show's launch in 1969: The BBC response, the archives make clear, was far less positive. At the weekly meeting where senior managers discussed the output, the head of factual had found Python "disgusting", arts had thought it "nihilistic and cruel", while religion objected to a Gilliam animation in which "Jesus... had swung his arm". The BBC One controller sensed the makers "continually going over the edge of what is acceptable".
The Guardian also tracked down 69-year-old Doug Holman who remembers John Cleese giving him tickets to watch a filming of the show when he was 19. ("Doug, boldly, writes back, saying he is part of a large group of friends who want to go. Cleese contacts the BBC to request a further 14 tickets...")

50 years later, Holman seems to remember the filming as being wonderfully chaotic. "There was a restaurant scene but I think the producer abandoned it when Cleese -- seemingly unhappy about having no lines -- disrupted each take by performing random Tourette-like impressions of a mouse being strangled by a psychotic cat. I remember it being total anarchy yet excruciatingly funny, in the literal sense. We all experienced genuine pain from extended bouts of uncontrollable laughter."

The long-awaited Mac Pro is here. From a report: The new Intel Xeon processor inside the Mac Pro will have up to 28 cores, with up to 300W of power and heavy-duty cooling, "so it can run unconstrained at full power at all times." System memory can be maxed out at an eyebrow-raising 1.5TB, says Apple. There are eight internal PCI Express slots, with four of them being double-wide. Two USB-C and two USB-A ports will grace the front of the system, which is at least one more USB-C port than you'll find on a majority of desktop PC systems and cases today. With this Mac Pro, Apple is launching a custom expansion module it calls an MPX Module. This is a giant quad-wide PCIe card that fits two graphics cards, has its own dedicated heatsink, and also has a Thunderbolt 3 connector on the bottom for extra bandwidth / power / display connectivity. Apple says you can spec that out with AMD's Radeon Pro Vega 2 or Radeon Pro Vega 2 Duo, the latter of which would get you four GPUs in total. The power supply of the new Mac Pro maxes out at 1.4kW. Three large fans sit at the front, just behind the new aluminum grille, blowing air across the system at a rate of 300 cubic feet per minute. It starts at $5,999.