An anonymous reader quotes a report from Gizmodo: It appears that Neom -- Saudi Arabia's hugely expensive, architecturally bizarre urban development project -- is floundering and close to collapse. A new report from the Financial Times cites high-level sources within the project to paint a picture of dysfunction and failure at the heart of the quixotic effort. Neom was envisioned as a vast series of fantastical urban developments spread across the coast of the Red Sea. At the center of the project is The Line -- a proposed 105-mile-long city which developers had initially projected could house as many as 9 million people by the year 2030.

The Line is defined by bizarre architectural flourishes that, as the story notes, have seemed impossible even to the execs tasked with making them a reality. One such addition is an upside-down building, dubbed "the chandelier," that is supposed to hang over a "gateway" marina to the city: "As architects worked through the plans, the chandelier began to seem implausible. One recalled warning Tarek Qaddumi, The Line's executive director, of the difficulty of suspending a 30-story building upside down from a bridge hundreds of metres in the air. 'You do realize the earth is spinning? And that tall towers sway?' he said. The chandelier, the architect explained, could 'start to move like a pendulum,' then 'pick up speed,' and eventually 'break off,' crashing into the marina below."

Yes, that doesn't sound great. Now, according to those sources the FT talked to, the project is looking more and more like a hugely expensive pipe dream that will never come to pass: "Today, with at least $50 billion spent, the desert is pock-marked with piling, and deep trenches stretch across the landscape. But Prince Mohammed, who chairs Neom, has dramatically scaled back the first phase of the plans. Neom told the FT that The Line remained 'a strategic priority' that would ultimately 'provide a new blueprint for humanity by changing the way people live.' But they described it as a 'multi-generational development of unprecedented scale and complexity.'"

The outlet interviewed workers on the project who seem to feel that it's only a matter of time before the project is declared DOA: "While Neom employees say that much of The Line might still be technically buildable, they are not convinced anyone is ready to pay for it. Construction work across Neom has slowed, with the desert ski resort Trojena, the intended venue for the 2029 Asian Winter Games, one of the few sites still moving ahead at pace ... one former employee has said that everyone knows the project won't work; it is now just a matter of letting MBS down gently."

Chief among the project's problems is the fact that, as Neom's bizarre developments have failed to materialize, it has become increasingly difficult to encourage investors to put up money for the absurdly expensive project. FT notes: "Senior executives were constantly asking for more money, but The Line was competing with other Neom projects. Some wealthy Saudi families put modest sums into the project, but the large investments Riyadh hoped to lure from foreign backers never materialized." The lack of adequate funding coming in has led a senior construction manager to tell FT that he feels the Line will never be built.

On the International Space Station, air has been slowly leaking out for years from a Russia-controlled module, reports CNN. But recently "station operators realized the gradual, steady leak had stopped. And that raised an even larger concern." It's possible that efforts to seal cracks in the module's exterior wall have worked, and the patches are finally trapping air as intended. But, according to NASA, engineers are also concerned that the module is actually holding a stable pressure because a new leak may have formed on an interior wall — causing air from the rest of the orbiting laboratory to begin rushing into the damaged area. Essentially, space station operators are worried that the entire station is beginning to lose air.

Much about this issue is unknown. NASA revealed the concerns in a June 14 statement. The agency said it would delay the launch of the private Ax-4 mission, carried out by SpaceX and Houston-based company Axiom Space, as station operators worked to pinpoint the problem. "By changing pressure in the transfer tunnel and monitoring over time, teams are evaluating the condition of the transfer tunnel and the hatch seal," the statement read.

More than a week later, the results of that research are not totally clear. After revealing the new Wednesday launch target Monday night, NASA said in a Tuesday statement that it worked with Roscosmos officials to investigate the issue. The space agencies agreed to lower the pressure in the transfer tunnel, and "teams will continue to evaluate going forward," according to the statement... The cracks are minuscule and mostly invisible to the naked eye, hence the difficulty attempting to patch problem areas.
Axiom Space launched four astronauts to the International Space Station on Wednesday.

But its four-person crew had previously "remained locked in quarantine in Florida for about a month, waiting for their chance to launch," notes CNN, as NASA and the Russian space agency Roscosmos "attempted to sort through" the leak issue.

Doom: The Dark Ages just launched on May 15. But it's already received "difficulty" balance changes "that have made the demons of Hell even more dangerous than ever," writes Windows Central: According to DOOM's official website Slayer's Club, these balance adjustments are focused on making the game harder, as players have been leaving feedback saying it felt too easy even on Nightmare Mode. As a result, enemies now hit harder, health and armor item pick-ups drop less often, and certain enemies punish you more severely for mistiming the parry mechanic.
It reached three million players in just five days, which was seven times faster than 2020's Doom: Eternal," reports Wccftech (though according to analytics firm Ampere Analysis (via The Game Business), more than two million of those three million launch players were playing on Xbox, while only 500K were playing on PS5.") "id Software proves it can still reinvent the wheel," according to one reviewer, "shaking up numerous aspects of gameplay, exchanging elaborate platforming for brutal on-the-ground action, as well as the ability to soar on a dragon's back or stomp around in a giant mech."

And the New York Times says the game "effectively reinvents the hellish shooter with a revamped movement system and deepened lore" in the medieval goth-themed game... Double jumping and dashing are ditched and replaced with an emphasis on raw power and slow, strategic melee combat. Doom Slayer's arsenal features a brand-new tool, the powerful Shield Saw, which Id Software made a point to showcase across its "Stand and Fight" trailers and advertisements. Used for absorbing damage at the expense of speed, the saw also allows players to bash enemies from afar and close the gap on chasms too wide to jump across. While previous titles allowed players to quickly worm their way through bullet hell, The Dark Ages expects you to meet foes head on. "If you were an F-22 fighter jet in Doom Eternal, this time around we wanted you to feel like an Abrams tank," Hugo Martin, the game's creative director, has told journalists.

And Doom Slayer's beefy durability and unstoppable nature does make the gameplay a refreshing experience. The badassery is somehow ratcheted to new heights with the inclusion of a fully controllable mech, which has only a handful of attacks at its disposal, and actual dragons. Flight in a Doom game is entirely surprising and fluid, and the dragons feel relatively easy to maneuver through tight spots. They can also engage in combat more deliberately with the use of dodges and mounted cannons...

One of my favorite additions is the skullcrusher pulverizer. Equal parts heinous nutcracker and demonic woodchipper, the gun lodges skulls into a grinder and sends shards of bones flying at enemies. The animation is both goofy and satisfying.
Another special Times article notes that Doom's fans "resurrect the original game over and over again on progressively stranger pieces of hardware: a Mazda Miata, a NordicTrack treadmill, a French pharmacy sign." But what many hard-core tech hobbyists want to know is whether you can play it on a pregnancy test. The answer: positively yes. And for the first time, even New York Times readers can play Doom within The Times's site [after creating a free account]...

None of this happened by accident, of course. Ports were not incidental to Doom's development. They were a core consideration. "Doom was developed in a really unique way that lent a high degree of portability to its code base," said John Romero, who programmed the game with John Carmack. (In our interview, he then reminisced about operating systems for the next 14 minutes.) Id had developed Wolfenstein 3D, the Nazi-killing predecessor to Doom, on PCs. To build Doom, Carmack and Romero used NeXT, the hardware and software company founded by Steve Jobs after his ouster from Apple in 1985. NeXT computers were powerful, selling for about $25,000 apiece in today's dollars. And any game designed on that system would require porting to the more humdrum PCs encountered by consumers at computer labs or office jobs.

This turned out to be advantageous because Carmack had a special aptitude for ports. All of Id's founders met as colleagues at Softdisk, which had hired Carmack because of his ability to spin off multiple versions of a single game. The group decided to strike out on its own after Carmack created a near-perfect replica of the first level of Super Mario Bros. 3 — Nintendo's best-selling platformer — on a PC. It was a wonder of software engineering that compensated for limited processing power with clever workarounds. "This is the thing that everyone has," Romero said of PCs. "The fact that we could figure out how to make it become a game console was world changing...."

Romero founded a series of game studios after leaving Id in 1996 and is working on a new first-person shooter, the genre he and Carmack practically invented. He has no illusions about how it may stack up. "I absolutely accept that Doom is the best game I'll ever make that has that kind of a reach," he said. "At some point you make the best thing." Thirty years on, people are still making it.
And in related news, PC Gamer reports... As part of a new "FPS Fridays" series on Twitch, legendary shooter designer John Romero streamed New Blood's 2018 hit, Dusk, one of the first and most influential indie "boomer shooters" in the genre's recent revitalization. The short of it? Romero seems to have had a blast.

Across high-income countries, humans' ability to reason and solve problems appears to have peaked in the early 2010s and declined since. Despite no changes in fundamental brain biology, test scores for both teenagers and adults show deteriorating performance in reading, mathematics and science. In an eye-opening statistic, 25% of adults in high-income countries now struggle to "use mathematical reasoning when reviewing statements" -- rising to 35% in the US.

This cognitive decline coincides with a fundamental shift in our relationship with information. Americans reading books has fallen below 50%, while difficulty thinking and concentrating among 18-year-olds has climbed sharply since the mid-2010s. The timing points to our changing digital habits: a transition from finite web pages to infinite feeds, from active browsing to passive consumption, and from focused attention to constant context-switching.

Research shows that intentional use of digital technologies can be beneficial, but the passive consumption dominating recent years impairs verbal processing, attention, working memory and self-regulation.

Some of the cited research in the story:
New PIAAC results show declining literacy and increasing inequality in many European countries â" Better adult learning is necessary;
Have attention spans been declining?;
Short- and long-term effects of passive and active screen time on young children's phonological memory;
Efficient, helpful, or distracting? A literature review of media multitasking in relation to academic performance.

CERN's particle accelerator is being used in a pioneering cancer treatment called Flash radiotherapy. This method delivers ultra-high radiation doses in less than a second, minimizes side effects while targeting tumors more effectively than conventional radiotherapy. The BBC reports: In a series of vast underground caverns on the outskirts of Geneva, Switzerland, experiments are taking place which may one day lead to new generation of radiotherapy machines. The hope is that these devices could make it possible to cure complex brain tumors (PDF), eliminate cancers that have metastasized to distant organs, and generally limit the toll which cancer treatment exerts on the human body. The home of these experiments is the European Laboratory for Particle Physics (Cern), best known to the world as the particle physics hub that developed the Large Hadron Collider, a 27 kilometer (16.7 mile)-long ring of superconducting magnets capable of accelerating particles to near the speed of light.

Arguably Cern's crowning achievement was the 2012 discovery of the Higgs boson, the so-called "God Particle" which gives other particles their mass and in doing so lays the foundation for everything that exists in the universe. But in recent years, the centre's unique expertise in accelerating high-energy particles has found a new niche -- the world of cancer radiotherapy. Eleven years ago, Marie-Catherine Vozenin, a radiobiologist now working at Geneva University Hospitals (Hug), and others published a paper outlining a paradigm-shifting approach to traditional radiotherapy treatment which they called Flash. By delivering radiation at ultra-high dose rates, with exposures of less than a second, they showed that it was possible to destroy tumors in rodents while sparing healthy tissue. Its impact was immediate. International experts described it as a seminal breakthrough, and it galvanized fellow radiobiologists around the world to conduct their own experiments using the Flash approach to treat a wide variety of tumors in rodents, household pets, and now humans.

In recent years, animal studies have repeatedly shown that Flash makes it possible to markedly increase the amount of radiation delivered to the body while minimizing the impact that it has on surrounding healthy tissue. In one experiment, healthy lab mice which were given two rounds of radiation via Flash did not develop the typical side effects which would be expected during the second round. In another study, animals treated with Flash for head and neck cancers experienced fewer side effects, such as reduced saliva production or difficulty swallowing. Loo is cautiously optimistic that going forwards, such benefits may also translate to human patients. "Flash produces less normal tissue injury than conventional irradiation, without compromising anti-tumor efficacy -- which could be game-changing," he says. An additional hope is that this could then reduce the risk of secondary cancers (PDF), resulting from radiation-induced damage later in life, although it is still too early to know if that will be the case. [...] But the next phase of research is not only about testing whether Flash works in people. It's also about identifying which kind of radiation is the best one to use.

SFGate spills the secrets of Disneyland's "Enchanted Tiki Room" and its lifelike animatronic singing birds — Jose, Fritz, Michael and Pierre — "whose movements were perfectly synced with the audio track." "Beneath the room, the heartbeat of the attraction is a $1 million installation of electronics equipment, operated by a roll of 14-channel magnetic tape," the Orange County Register wrote upon its opening. "It is the same system which programs the U.S. military's polaris missile." That system also ran very hot. To keep guests from overheating, air conditioning was installed throughout the building, making the Tiki Room Disneyland's first attraction to be fully air conditioned...
Or, as another article puts it, "While Disney did not delve into the speculative science of cryogenics to preserve his life, he did borrow the mechanical brain of a nuclear missile to simulate life, creating a new type of entertainment in the process."

The article remembers how Wernher Von Braun became a technical advisor (and on-camera presenter) for three Disney-produced TV episodes about space travel — at the same time Von Braun was working as technical director for the U.S. Army rocket program that produced the world's first long-range guided ballistic missile, plus the first submarine-launched ballistic missile with its ground-breaking launch control mechanism: An important aspect of the Polaris launch system hinged on the fact that the conditions under which the missiles might be launched were constantly changing. Different underwater currents, temperatures, and flexing of the metal hull all contributed to the difficulty of a successful launch. In order to minimize human errors and to automate the sequence as much as possible, scientists developed an audio control system. A magnetic audio tape with a series of prerecorded cues precisely timed to account for the submarine's movement, controlled the launch machinery.

This new technology, invented to deliver nuclear destruction, proved exactly what Disney needed for his wonderland developed for children.
The article concludes that Disneyland engineering "transformed Von Braun's military technology" to the point today where "what was once controlled by the artificial brain of a nuclear missile is now run by the equivalent of a MacBook."

SFGate delves deeper into the attraction's strange origins — and how it all came full circle 63 years later... At the intersection of Main Street and Adventureland, a restaurant called the Pavillion — now the Jolly Holiday — bridged the gap. Under one roof, it served food to Main Street guests on one side and Adventureland diners on the other. The inelegant transition created an eyesore that Walt despised... The need for the Tiki Cafe "appeared to be less about food and more about aesthetics," Ken Bruce writes in Before the Birds Sang Words , a comprehensive history of the attraction.

In 1961, Walt gathered with park designers about the concept. The sketch made by legendary theme park designer John Hench was remarkably thorough, with much of its design incorporated into the final product... When Walt saw a plethora of birds in the sketch, he famously exclaimed, "We can't have birds in there ... because they'll poop in the food." Hench hurriedly ad-libbed that the birds would be mechanical, a concept that Walt adored...

Although its powerful air conditioning may be its biggest draw today, many attractions you love owe their existence to the flock of singing birds. Disney engineers' work on the talking flora and fauna laid the foundation for much more complex Audio-Animatronics (a word that Walt Disney coined). Without Jose, Fritz, Michael and Pierre, there would be no Haunted Mansion, no Pirates of the Caribbean, no Rise of the Resistance. Next year, in celebration of Disneyland's 70th anniversary, the park will unveil one of its most sophisticated animatronics yet: Walt Disney himself. It will be the first time Walt appears in a Disney attraction anywhere in the world, completing a journey that started with a mechanical bird and ends with an immortal homage.
Their article also reveals that a year after the Tiki Room opened, one of the birds was programmed to say "Come, there's an island there for you in Hawaii. Soaring birds of United Airlines fly there too!" Because Disneyland had signed a sponsorship deal with United Airlines...

The farmers' protests in Europe are a harbinger of the next big political challenge in global climate action: How to grow food without further damaging Earth's climate and biodiversity. From a report: On Tuesday, after weeks of intense protests in several cities across the continent, came the most explicit sign of that difficulty. The European Union's top official, Ursula von der Leyen, abandoned an ambitious bill to reduce the use of chemical pesticides and softened the European Commission's next raft of recommendations on cutting agricultural pollution. "We want to make sure that in this process, the farmers remain in the driving seat," she said at the European Parliament. "Only if we achieve our climate and environmental goals together will farmers be able to continue to make a living."

The farmers argue they're being hit from all sides: high fuel costs, green regulations, unfair competition from producers in countries with fewer environmental restrictions. Nonetheless, agriculture accounts for 30 percent of global greenhouse gas emissions, and it's impossible for the European Union to meet its ambitious climate targets, enshrined in law, without making dramatic changes to its agricultural system, including how farmers use chemical pesticides and fertilizers, as well as its vast livestock industry. It also matters politically. Changing Europe's farming practices is proving to be extremely difficult, particularly as parliamentary elections approach in June. Farmers are a potent political force, and food and farming are potent markers of European identity. Agriculture accounts for just over 1 percent of the European economy and employs 4 percent of its population. But it gets one-third of the E.U. budget, mostly as subsidies.

Dom Hofmann, one of Vine's founders, has a new project called Supdrive. He calls it an "on-chain fantasy game console" that plays classic-style games with NFTs acting as a sort of virtual cartridge. The Verge reports: In a Discord set up for Supdrive, Hofmann wrote that the games will be NFTs, running on virtual firmware. The fact that games will be released as NFTs means that there will only be so many "editions" or copies available. Hofmann also says that each copy of a given game will be unique, with players getting different color palettes, difficulty levels, and more. Hofmann compares Supdrive to another blockchain project, Art Blocks, while describing it, which may give us an idea of what it'll actually be like. The gist of Art Blocks is that it lets creators make programs to procedurally generate art, which is then stored on the blockchain. The programs will always create the same art for a given seed, but changing the seed changes what the art ends up looking like (Minecraft players may be familiar with this sort of system). Then, people buy NFTs for an Art Block project, which will contain a seed, letting them generate that art.

This seems to fit well with what Hofmann is describing, where an on-chain console will play unique games. The details, though, like how exactly it will work, how many copies of each game will be available, and how much they'll cost, are all to be announced. Hofmann's post does say that the plan is to let the community develop games for the Supdrive, if the project ends up working out. He also plans on upgrading the console's abilities, allowing for more advanced games (the initial set of games will be "old-school arcade style"). The first game, made by Hofmann, is called Origin.

Supdrive also has a sort of meta game, with its users being split up into Pokemon-esque Red, Green, and Blue teams. Hofmann's announcement post says that which team you're on could have an effect on the game you're playing. For now, though, the different color teams are mostly memeing at each other in the Discord. In the Discord chat, Hofmann said he was aiming for an October launch for the project. He's also said that he'll be doing updates "every week or so" leading up to the launch.

Jacob Hoffman-Andrews, writing for EFF: If you follow security on the Internet, you may have seen articles warning you to "beware of public Wi-Fi networks" in cafes, airports, hotels, and other public places. But now, due to the widespread deployment of HTTPS encryption on most popular websites, advice to avoid public Wi-Fi is mostly out of date and applicable to a lot fewer people than it once was. The advice stems from the early days of the Internet, when most communication was not encrypted. At that time, if someone could snoop on your network communications -- for instance by sniffing packets from unencrypted Wi-Fi or by being the NSA -- they could read your email. Starting in 2010 that all changed. Eric Butler released Firesheep, an easy-to-use demonstration of "sniffing" insecure HTTP to take over people's accounts. Site owners started to take note and realized they needed to implement HTTPS (the more secure, encrypted version of HTTP) for every page on their site. The timing was good: earlier that year, Google had turned on HTTPS by default for all Gmail users and reported that the costs to do so were quite low. Hardware and software had advanced to the point where encrypting web browsing was easy and cheap.

However, practical deployment of HTTPS across the whole web took a long time. One big obstacle was the difficulty for webmasters and site administrators of buying and installing a certificate (a small file required in order to set up HTTPS). EFF helped launch Let's Encrypt, which makes certificates available for free, and we wrote Certbot, the easiest way to get a free certificate from Let's Encrypt and install it. Meanwhile, lots of site owners were changing their software and HTML in order to make the switch to HTTPS. There's been tremendous progress, and now 92% of web page loads from the United States use HTTPS. In other countries the percentage is somewhat lower -- 80% in India, for example -- but HTTPS still protects the large majority of pages visited. [...] What about the risk of governments scooping up signals from "open" public Wi-Fi that has no password? Governments that surveill people on the Internet often do it by listening in on upstream data, at the core routers of broadband providers and mobile phone companies. If that's the case, it means the same information is commonly visible to the government whether they sniff it from the air or from the wires.

Recently you had a chance to ask animal behavior expert and autism advocate Dr. Temple Grandin a question. Below you'll find her answers about factory farming, animal behavior, and living with autism.

Almost a year ago you had a chance to ask professor Kevin Fu about medical device security. A number of events (including the collapse of his house) conspired to delay the answering of those questions. Professor Fu has finally found respite from calamity, coincidentally at a time when the FDA has issued guidance on the security of medical devices. Below you'll find his answers to your old but not forgotten questions.

benrothke writes "Diet books are literally a dime a dozen. They generally benefit only the author, publisher and Amazon, leaving the reader frustrated and bloated. With a failure rate of over 99%, diet books are the epitome of a sucker born every minute. One of the few diet books that can offer change you can believe in is The Healthy Programmer: Get Fit, Feel Better, and Keep Coding. Author Joe Kutner observes that nearly every popular diet fails and the reason is that they are based on the premise of a quick fix without focusing on the long-term core issues. It is inevitable that these diets will fail and the dieters at heart know that. It is simply that they are taking the wrong approach. This book is about the right approach; namely a slow one. With all of the failed diet books, Kutner is one of the few that has gotten it right." Keep reading for the rest of Ben's review.

Jon Brodkin writes "I’ve been a longtime fan of Brain Age. Mixed in among the standard-issue kill-everything-you-see/race/sports types of games that dominate gaming, Brain Age on the Nintendo DS always provided something unique, fun, and mentally stimulating. Doing math problems, counting syllables, recognizing patterns, and memorizing stuff was far more enjoyable than anyone would have expected in Brain Age: Train Your Brain in Minutes a Day, the game that kicked off the series seven years ago. Based on the research of neuroscientist Ryuta Kawashima, the exercises are designed to improve brain function—or at least give players the illusion that they’re getting smarter. Nintendo developed several sequels and spinoffs for the DS after that first game, and now a Nintendo 3DS-exclusive entry is here with Brain Age: Concentration Training, released as a download and physical media this past weekend for $30. Some improvements in gameplay are readily apparent. Handwriting recognition is significantly better. You play the game by holding the 3DS upright, rather than sideways like a book, and it works so well I wonder why previous Brain Age games used the wacky book-like layout at all." Read below to see what Jon thinks of the 3DS-exclusive version.

Jon Brodkin writes "The Wii U has been out for two weeks, with most of the attention naturally focusing on the console’s tablet-y GamePad and blockbuster titles such as New Super Mario Bros. U and Assassin’s Creed 3. But $60 games aren’t the only draw on Nintendo’s new system. There are exactly five games on the Nintendo eShop for $20 or less: Nano Assault Neo, Little Inferno, Mighty Switch Force! Hyper Drive Edition, Chasing Aurora, and Trine 2: Director’s Cut. You could call most or all of these indie games, depending on your definition of an independent developer." Read below for the rest of Jon's review.

Monday you had a chance to ask Linus Torvalds any question you wanted. We sent him a dozen of the highest rated and below you'll see what he has to say about computers, programming, books, and copyrights. He also talks about what he would have done differently with Linux if he had to do it all over again. Hint: it rhymes with nothing.

You asked Carl Malamud about his experiences and hopes in the gargantuan project he's undertaken to prod the U.S. government into scanning archived documents, and to make public access (rather than availability only through special dispensation) the default for newly created, timely government data. (Malamud points out that if you have comments on what the government should be focusing on preserving, and how they should go about it, the National Archives would like to read them.) Below find answers with a mix of heartening and disheartening information about how the vast project is progressing.

gregrolan writes "The Trousers of Reality — Volume 1, Working Life is indeed a book about finding balance and satisfaction in life work and play. The author's thesis can be applied to almost any discipline, but it is from his background as an IT consultant that most of his professional examples are drawn. He considers success in this field pretty broadly and addresses the technical, management, political, personal, and social aspects of the IT profession." Read on for the rest of Greg's review.

Last week we asked for interview questions to help supplement our face-to-face interviews at Blizzcon. Over the course of the two-day con we were able to sit down with StarCraft II's Dustin Browder, Diablo III's Leonard Boyarsky, WoW's J. Allen Brack, and Battle.net expert Rob Pardo to answer a few questions on each of the four major camps in Blizzard at the moment. Since this wasn't a usual Slashdot-style interview, we tried to use as many of your suggestions as possible, but the conversation often took us in a unique direction once it got rolling.

Last week we asked you to submit questions for several Blizzard employees on a wide range of issues. Since we undertook the pilgrimage to Blizzcon in person this year, we decided to use the question ideas as a guide rather than an absolute, so that it could be a little more conversational in tone. Below we have included the responses from Chris Sigaty, lead producer on StarCraft II; Jeffrey Kaplan (aka Tigole), game director for World of Warcraft; Leonard Boyarsky, lead world designer on Diablo III; and Paul Sams, Blizzard's COO. One interesting point: Paul Sams indicated in his interview that, with enough interest, Blizzard would be willing to entertain the idea of open sourcing some of their older games. He suggested that if you are interested in this to contact them directly (please be at least semi-coherent and polite). Update 19:00 by SM: Bob Colayco from Blizzard just contacted us to mention that if users wish to leave feedback about open sourcing games, support for Linux, or anything else you would like to express to them, you should do so in the comments section of this story. They plan on perusing the comments below for user feedback and interest, so don't be shy.

This year's Blizzcon saw 15,000 gamers descend from 27 different countries to take part in two days of discussions, tournaments, and sneak peaks at upcoming releases. Several big announcements were scattered among a raft of new details about Diablo 3, Starcraft 2 and Wrath of the Lich King. The new information went a long way toward drumming up interest for what already appear to be worthy successors to old favorites. Read on for more.