An anonymous reader quotes a report from the BBC: The star of long-running videogame review series Zero Punctuation has quit after 16 years. Ben Croshaw, known as Yahtzee, was famous for his very fast, very rude, quickfire opinions on the latest games. His five-minute videos featuring crude cartoon characters were a weekly feature on gaming site The Escapist. But Yahtzee announced he was quitting the site with several colleagues after their editor-in-chief Nick Calandra was fired.

He said he wouldn't be taking the Zero Punctuation name with him, but fans would hear his voice again 'soon, in a new place'. Zero Punctuation, launched in 2007, is The Escapist's most popular feature, with videos from the series comfortably outranking others on its YouTube channel. [...] Yahtzee's departure followed Calandra's, who said he was fired by The Escapist's parent company Gamurs for "not achieving goals that were never properly set out for us." The pair were followed out of the door by a number of colleagues, most of them from the site's video team.

Emma Roth reports via The Verge: YouTube appears to be testing a new "play something" button on its mobile app that directs you to a random video when you don't know what to watch. As first spotted by Android Police, the prompt shows up between content as you scroll through the feed on your homepage -- but only some users are seeing it. While Android Police mentions that the button only directs users to YouTube Shorts, one of my colleagues here at The Verge found that the feature also shows them random full-length videos. It's still not clear if YouTube takes your watch history into account when picking the random videos it plays or how widely Google is rolling out this feature.

An anonymous reader quotes a report from GamesRadar: For years now, fans have been using mods to alter games in weird and wonderful ways. Some developers are happy to let fans play around with their creations, while others aren't so keen on the idea. Capcom, the company behind many iconic game series, including Resident Evil, Monster Hunter, and Devil May Cry, is seemingly in the latter camp. This was evidenced in a presentation shared on the Capcom R&D YouTube channel. In the video, the company talks about cheating and piracy in PC games and the impact they can have. As Capcom sees it, mods are part of this problem.

During the presentation (around the 14-minute mark), Capcom suggests that mods are "no different" than cheats. "All mods are defined as cheats, except when they are officially supported," it says. "What they are doing internally is no different than cheating." It's not that the company is staunchly against players using mods to enhance or switch up the experience; it does acknowledge that "the majority of mods can have a positive impact on the game." Still, from a business perspective, it warns that they "can be detrimental", both in terms of the reputational damage that offensive mods can cause and the extra workload players who've installed buggy mods can generate for a support team. This, the company argues, can ultimately lead to delays in a game's production and higher development costs.

Emma Roth reports via The Verge: YouTube is broadening its efforts to crack down on ad blockers. The platform has "launched a global effort" to encourage users to allow ads or try YouTube Premium, YouTube communications manager Christopher Lawton says in a statement provided to The Verge. If you run into YouTube's block, you may see a notice that says "video playback is blocked unless YouTube is allowlisted or the ad blocker is disabled." It also includes a prompt to allow ads or try YouTube Premium. You may get prompts about YouTube's stance on ad blockers but still be able to watch a video, though, for one Verge staffer, YouTube now fully blocks them nearly every time.

YouTube confirmed that it was disabling videos for users with ad blockers in June, but Lawton described it as only a "small experiment globally" at the time. Now, YouTube has expanded this effort. Over the past several weeks, more users with ad blockers installed have found themselves unable to watch YouTube videos, with a post from Android Authority highlighting the increase in reports. Lawton maintains that the "use of ad blockers" violates the platform's terms of service, adding that "ads support a diverse ecosystem of creators globally and allow billions to access their favorite content on YouTube."

Are face masks effective in stopping virus transmissions? CBS News re-visited the question Sunday on its news show 60 Minutes by sending their chief medical correspondent to interview Linsey Marr, a professor who specializes in aerosol science at Virginia Tech University.

Here's a transcript from an excerpt posted on YouTube: 60 Minutes: Is there any doubt in your mind that masks prevent the person who's wearing it from getting Covid — or at least, are helpful?

Professor Marr: I would say they are very helpful in reducing the chances that the person will get Covid. Because it's reducing the amount of virus that you would inhale from the air around you.

It's not going to guarantee that it's going to protect you, because are masks are not 100% effective — we talk about N-95's being 95% efficient at filtering out particles, if they're properly fitted and everything, and so that's in an ideal world. But even so, if you — instead of breathing in 100 virsues, I'm breathing in 20, because my mask was 80% effective? That's a huge reduction, and that greatly reduces the chance that I'm going to become infected.
On the CBS News web site, they highlight this excerpt from the interview: Early in the pandemic, some guidance from health professionals suggested that wearing a mask might actually lead to infection: A person might encounter a contaminated mask and then touch their eyes, nose, or mouth. But research in the ensuing years has shown that fear to be misplaced. "There wasn't any evidence really that that happens," Marr said.

Marr said her team aerosolized the coronavirus, pulled it through a mask, and then examined how much virus survived on the mask. The study reported some viral particle remained on some cloth masks, but no virus survived on the N95s or surgical masks. Marr's team also touched artificial skin to masks and looked at how many virus particles transferred to the artificial skin. No infectious virus transferred.

"I hope the study kind of shows that it's something we don't need to worry about as much as we were told," Marr said.
CBS gave their video interview the headline "Face mask effectiveness: What we know now" — and asked professor Marr for a definitive answer: 60 Minutes: There was a lot of controversy over whether or not masks worked at all. Were you able to show that they worked scientifically?

Professor Marr: We were able to show that they block particles that are the same size as those that carry the virus... What happens is the virus is being carried in the air, and it's not just going straight through those holes. It has to weave around all these layers of fibers in there. As the air is going around the curves, the virus may crash into one of those fibers, and so then it's trapped, or maybe it comes up close to the fiber and brushes against it. And the really small particles, like the virus by itself if it were by itself, would be small enough that it undergoes these random motions, because it's getting bounced around by the gas molecules, and it ends up crashing into the fibers of the mask too.

So there was accumulating evidence — and there had been kind of a handful of papers before that, too, showing the same thing. That masks — even cloth masks — do something.

Long-time Slashdot reader destinyland writes: In 1994 the TV show Friends premiered, and its first season's high ratings made it the 8th most-popular show. The next year Microsoft released Windows 95 — and filmed a promotional video for it with 25-year-old Matthew Perry and 26-year-old Jennifer Aniston.

"They'll be taking you on an adventure in computing that takes place in the office of Microsoft chairman Bill Gates," explains the video's narrator, adding "Along the way, they meet a wacky bunch of propellor-heads.... And are introduced the top 25 features of Windows 95!"

It's a journey back in time. (At one point the video refers to Windows as the operating system "with tens of millions of users.") Their 30-minute segment — billed as "the world's first cyber sitcom" — appears in an hour-long video introducing revolutionary features like the new "Start" button. Also demonstrated in Excel are the new minimize and maximize "features" in "the upper right-side of the window". And the two actors marvel at the ability to type a filename that was longer than eight characters...

Watch for reminders that The Microsoft Windows 95 Video Guide was filmed nearly three decades ago. When the desktop appears after waking from screensaver mode, Perry notes that there's "no messy DOS build-up." And later the video reminds viewers that Windows 95 is compatible "with DOS games like Flight Simulator." There's also a brand new feature called "Windows Explorer" (which is described as "File Manager on steroids"), as well as a new "Find" option, and a brand new icon named "My Computer". And near the end they pay a visit to the Microsoft Network — which was mostly a "walled garden" online service — described in the video as "your on-ramp to the information superhighway".

The video even explains how Windows 95 "uses the right mouse button for what Microsoft calls power users."

And by the end of it, Jennifer Anniston finds herself playing Space Cadet 3D pinball.

The creator economy is probably bigger than you think. The Washington Post reports it's "now a global industry valued at $250 billion, with tens of millions of workers, hundreds of millions of customers and its own trade association and work-credentialing programs." Millions have ditched traditional career paths to work as online creators and content-makers, using their computers and phones to amass followers and build businesses whose influence now rivals the biggest names in entertainment, news and politics... In the United States, the video giant YouTube estimated that roughly 390,000 full-time jobs last year were supported by its creators' work — four times the number of people employed by General Motors, America's biggest automaker...

This spring, analysts at Goldman Sachs said that 50 million people now work as creators around the world. The analysts expect the industry's "total addressable market," an estimate of consumer demand, will jump from $250 billion this year to $480 billion by 2027. For comparison, the global revenue from video games, now at about $227 billion, is expected to climb to roughly $312 billion by 2027, analysts at the financial giant PwC estimated in June. YouTube's report estimated that its creators contributed $35 billion to [U.S.] gross domestic product last year, a figure that would rank the group's combined output ahead of U.S. furniture manufacturing but behind rail transportation, according to industry data from the U.S. Bureau of Economic Analysis....

Payments from advertisers to creators in the United States have more than doubled since 2019, to $5 billion, estimates from the market research firm Insider Intelligence show... Megan Pollock, a branding executive at Panasonic North America, said that the company now devotes about 10 percent of its marketing budget to creators and that she expects further increases amid a long-term shift away from traditional ad campaigns.
Other interesting details from the article:

• Last month people watched 53 million hours of video a day just on Twitch. But 74% of that went to the top 10,000 streamers (according to data from the analytics firm StreamElements).

• "Creators' incomes are determined by giant tech and advertising companies that can change the rules in an instant, and a single mistake can unravel their careers."

• When America's youth are asked what they want to be when they grow up, "Influencer" is now one of the most popular answers — ranking higher than "astronaut" and "professional athlete"

Boston Dynamics has infused one of their robotic dog robots with OpenAI's ChatGPT, allowing it to speak in a variety of voices and accents "including a debonair British gentleman, a sarcastic and irreverent American named Josh, and a teenage girl who is so, like, over it," reports the Daily Beast. From the report: The robot was a result of a hackathon in which the Boston Dynamics engineers combined a variety of AI technologies including ChatGPT, voice recognition software, voice creation software, and image processing AI with the company's famous "Spot," the robot dog known for its ability to jump rope and reinforce the police state. The bot also had some upgrades including image recognition software combined with a "head" sensor that the engineers decorated with hats and googly eyes producing incredibly creepy results.

The team created a number of different versions of the robot including a "tour guide" personality that seemed to recognize the layout of the Boston Dynamics warehouse, and was able to provide descriptions and the history behind the various locations in the workplace. "Welcome to Boston Dynamics! I am Spot, your tour guide robot," the android said in the video. "Let's explore the building together!" In the video, the robot can be seen "speaking" and responding to different humans and a variety of prompts. For example, an engineer asked Spot for a haiku, to which it quickly responded with one. After Klingensmith said that he was thirsty, the robot seemed to direct it to the company's snack area. "Here we are at the snack bar and coffee machine," Spot said. "This is where our human companions find their energizing elixirs."

Dan Goodin reports via Ars Technica: Three years ago, Apple introduced a privacy-enhancing feature that hid the Wi-Fi address of iPhones and iPads when they joined a network. On Wednesday, the world learned that the feature has never worked as advertised. Despite promises that this never-changing address would be hidden and replaced with a private one that was unique to each SSID, Apple devices have continued to display the real one, which in turn got broadcast to every other connected device on the network. [...]

In 2020, Apple released iOS 14 with a feature that, by default, hid Wi-Fi MACs when devices connected to a network. Instead, the device displayed what Apple called a "private Wi-Fi address" that was different for each SSID. Over time, Apple has enhanced the feature, for instance, by allowing users to assign a new private Wi-Fi address for a given SSID. On Wednesday, Apple released iOS 17.1. Among the various fixes was a patch for a vulnerability, tracked as CVE-2023-42846, which prevented the privacy feature from working. Tommy Mysk, one of the two security researchers Apple credited with discovering and reporting the vulnerability (Talal Haj Bakry was the other), told Ars that he tested all recent iOS releases and found the flaw dates back to version 14, released in September 2020. "From the get-go, this feature was useless because of this bug," he said. "We couldn't stop the devices from sending these discovery requests, even with a VPN. Even in the Lockdown Mode."

When an iPhone or any other device joins a network, it triggers a multicast message that is sent to all other devices on the network. By necessity, this message must include a MAC. Beginning with iOS 14, this value was, by default, different for each SSID. To the casual observer, the feature appeared to work as advertised. The "source" listed in the request was the private Wi-Fi address. Digging in a little further, however, it became clear that the real, permanent MAC was still broadcast to all other connected devices, just in a different field of the request. Mysk published a short video showing a Mac using the Wireshark packet sniffer to monitor traffic on the local network the Mac is connected to. When an iPhone running iOS prior to version 17.1 joins, it shares its real Wi-Fi MAC on port 5353/UDP.

Unciphered, a Seattle-based startup, claims to have cracked the seemingly unbreakable encryption of IronKey S200, a decade-old USB thumb drive. By exploiting an undisclosed vulnerability in the device, the company says it can bypass the drive's feature that erases its contents after 10 incorrect password attempts. The breakthrough came within a day of receiving a test device, suggesting that the firm's hacking technique, powered by high-performance computing, could have far-reaching implications.

The startup's focus is not just technological; it's after a specific IronKey that holds 7,002 bitcoins, valued at roughly $235 million, stored in a Swiss bank vault. The device belongs to Stefan Thomas, a Swiss crypto entrepreneur, who has forgotten the password and has only two password attempts left before losing access to his fortune. Unciphered believes its hacking capabilities could unlock Thomas' crypto vault and is preparing to reach out to him to offer its services. The only problem: Thomas doesn't seem to want their help. Wired: Earlier this month, not long after performing their USB-decrypting demonstration for me, Unciphered reached out to Thomas through a mutual associate who could vouch for the company's new IronKey-unlocking abilities and offer assistance. The call didn't even get as far as discussing Unciphered's commission or fee before Thomas politely declined. Thomas had already made a "handshake deal" with two other cracking teams a year earlier, he explained. In an effort to prevent the two teams from competing, he had offered each a portion of the proceeds if either one could unlock the drive. And he remains committed, even a year later, to giving those teams more time to work on the problem before he brings in anyone else -- even though neither of the teams has shown any sign of pulling off the decryption trick that Unciphered has already accomplished.

That has left Unciphered in a strange situation: It holds what is potentially one of the most valuable lockpicking tools in the cryptocurrency world, but with no lock to pick. "We cracked the IronKey," says Nick Fedoroff, Unciphered's director of operations. "Now we have to crack Stefan. This is turning out to be the hardest part." In an email to WIRED, Thomas confirmed that he had turned down Unciphered's offer to unlock his encrypted fortune. "I have already been working with a different set of experts on the recovery so I'm no longer free to negotiate with someone new," Thomas wrote. "It's possible that the current team could decide to subcontract Unciphered if they feel that's the best option. We'll have to wait and see." In past interviews, Thomas has said that his 7,002 bitcoins were left over from a payment he received for making a video titled "What is Bitcoin?" that published on YouTube in early 2011, when a bitcoin was worth less than a dollar. Later that year, he told WIRED that he'd inadvertently erased two backup copies of the wallet that held those thousands of coins, and then lost the piece of paper with the password to decrypt the third copy, stored on the IronKey. By then, his lost coins were worth close to $140,000.

An anonymous reader writes: Adobe has unveiled a sparkling, interactive dress -- and got the research scientist who created it to model the high-tech couture. Video of the dress debut shows researcher Christine Dierk wearing the slinky strapless number that, upon first glance, looks like the average sequined cocktail dress. With the click of a handheld remote, however, the dress began to shift patterns like something out of a fashion-forward science fiction film. Created under Adobe's "Project Primrose" initiative, this "digital dress," as Dierk described it for the audience at Adobe's MAX conference last week, "brings fabric to life."

"Unlike traditional clothing, which is static, Primrose allows me to refresh my look in a moment," the Adobe scientist said, demonstrating the clothing's capabilities by having its colors go from light to dark in an instant. The digital dress patterns can also, as Dierks demonstrated, be animated, and will even respond to movement -- though that last feature appeared glitchy and didn't work at first. The researcher-turned-model also told the hosts of her portion of the convention that she not only designed the dress with the help of her team at Adobe, but also stitched it herself.

While the specs of this particular smart garment haven't been published, the high-tech sequins used for smaller Project Primrose offerings, a handbag and a canvas, were described by Dierks and her co-researchers last year in an article presented at a tech conference. As the article explains, those "sequins" are actually "reflective light-diffuser modules" that use reflective-backed polymer-dispersed liquid crystals (PDLC), which are most often used in smart lighting. Technically, all those sequins are tiny screens.

T2 SDE is not just a Linux distribution, but "a flexible Open Source System Development Environment or Distribution Build Kit," according to a 2022 announcement of its support for 25 CPU architectures, variants, and C libraries. ("Others might even name it Meta Distribution. T2 allows the creation of custom distributions with state of the art technology, up-to-date packages and integrated support for cross compilation.")

And while working on it, Berlin-based T2 Linux developer René Rebe (long-time Slashdot reader ReneR) discovered random illegal instruction speculation on AMD Ryzen 7000-Series and Epyc Zen 4 CPU.

ReneR writes: Merged to Linux 6.6 Git is a fix for the bug now known at AMD as Erratum 1485.

The discovery was possible through continued high CPU load cross-compiling the T2 Linux distribution with support for all CPU architectures from ARM, MIPS, PowerPC, RISC-V to x86 (and more) for 33 build variants. With sustained high CPU load and various instruction sequences being compiled, pseudo random illegal instruction errors were observed and subsequently analyzed.

ExactCODE Research GmbH CTO René Rebe is thrilled that working with AMD engineers lead to a timely mitigation to increase system stability of the still new and highest performance Zen4 platform.
"I found real-world code that might be similar or actually trigger the same bugs in the CPU that are also used for all the Spectre Meltdown and other side-channel security vulnerability mitigations," Rebe says in a video announcement on YouTube.

It took Rebe a tremendous amount of research, and he says now that "all the excessive work changed my mind. Mitigations equals considered harmful... If you want stable, reliable computational results — no, you can't do this. Because as Spectre Meltdown and all the other security issues have proven, the CPUs are nowadays as complex as complex software systems..."

"If we carry on the way we're going, we're going to have to concrete the whole planet just to store the data that we're generating," explains a deputy lab director at Microsoft Research Cambridge in a new video.

Fortunately, "A small sheet of glass can now hold several terabytes of data, enough to store approximately 1.75 million songs or 13 years' worth of music," explains a Microsoft Research web page about "Project Silica". (Data is retrieved by a high-speed, computer-controlled microscope from a library of glass disks storing data in three-dimensional pixels called voxels): Magnetic storage, although prevalent, is problematic. Its limited lifespan necessitates frequent re-copying, increasing energy consumption and operational costs over time. "Magnetic technology has a finite lifetime," says Ant Rowstron, Distinguished Engineer, Project Silica. "You must keep copying it over to new generations of media. A hard disk drive might last five years. A tape, well, if you're brave, it might last ten years. But once that lifetime is up, you've got to copy it over. And that, frankly, is both difficult and tremendously unsustainable if you think of all that energy and resource we're using."

Project Silica aims to break this cycle. Developed under the aegis of Microsoft Research, it can store massive amounts of data in glass plates roughly the size of a drink coaster and preserve the data for thousands of years. Richard Black, Research Director, Project Silica, adds, "This technology allows us to write data knowing it will remain unchanged and secure, which is a significant step forward in sustainable data storage." Project Silica's goal is to write data in a piece of glass and store it on a shelf until it is needed. Once written, the data inside the glass is impossible to change.

Project Silica is focused on pioneering data storage in quartz glass in partnership with the Microsoft Azure team, seeking more sustainable ways to archive data. This relationship is symbiotic, as Project Silica uses Azure AI to decode data stored in glass, making reading and writing faster and allowing more data storage... The library is passive, with no electricity in any of the storage units. The complexity is within the robots that charge as they idle inside the lab, awakening when data is needed... Initially, the laser writing process was inefficient, but after years of refinement, the team can now store several TB in a single glass plate that could last 10,000 years. For a sense of scale, each plate could store around 3,500 movies. Or enough non-stop movies to play for over half a year without repeating. A glass plate could hold the entire text of War and Peace — one of the longest novels ever written — about 875,000 times.
And most importantly, it can store data in a fraction of the space of a datacenter...

Thanks to long-time Slashdot reader Kirschey for sharing the article.

A new survey from investment bank Piper Sandler found that teens in the U.S. consume more videos on YouTube than Netflix. CNBC reports: Teens polled by the bank said they spent 29.1% of their daily video consumption time on Google-owned YouTube, beating out Netflix for the first time at 28.7%. Time on YouTube rose since the spring, adding nearly a percentage point, while Netflix fell more than two percentage points. The data point shows that the streaming business is getting more competitive, and highlights YouTube's strong position as a free provider of online video, especially among young people. "We wonder if this is a push or a pull in regards to the changing consumption habits, as content on YouTube appears to be improving over time and the streaming industry becomes more and more competitive," Piper Sandler analysts wrote.

Climate activists are calling out Shell for partnering with popular video gamers and online youth influencers to promote fossil fuels to a younger generation. From a report: The oil giant, which in July reported quarterly profits of more than $5bn, worked with Fortnite creators and paid popular gamers on multiple platforms to showcase its "ultimate road trips" promotion, part of a marketing campaign for a new gasoline it calls V-Power Nitro+.

According to the group Media Matters for America, the company is targeting young players on Twitch, TikTok, Instagram and YouTube, encouraging them to fill up virtual vehicles at interactive Shell gas stations and post screenshots of the game with a #Shellroadtrips hashtag. Research by the non-profit group revealed Shell sponsored livestreams of gameplay on Twitch by at least six streamers with a combined 5.5m followers. It also identified three more content creators on other platforms who were paid to promote the campaign in their videos. Those influencers, Media Matters said, have a combined 1.5 million Instagram followers, 8.5 million on TikTok and 11.6 million on YouTube.

Jason Koebler writes via 404 Media: An independent repair shop in Germany has invented a tool that can break through anti-repair locks Apple has put on a specific sensor on the MacBook Pro and MacBook Air. The Nerd.Tool.1 was invented by Stephan Steins of Dortmund's Notebook Nerds repair shop. It is specifically designed to allow independent repair shops to replace the display angle sensor on broken MacBook Pro and MacBook Air laptops. This was formerly a replacement that only Apple could do because the replacement part had to be "calibrated" with the specific device, which only Apple could do, until now. This sensor detects when the laptop lid is closed, and turns the screen and fan off, and puts the laptop to sleep. If it's broken, the laptop's screen will remain on even when the lid is closed, which drains the battery, can keep the fans running, and generally shorten the life of the computer.

The Nerd.Tool.1 recalibrates replacement sensors, allowing repair techs to replace them without any fuss. "We are calibrating new sensors nearly the same way Apple does," Steins told me. "They can do it via their T2 [security chip] or their M1/M2 chips. We are using the nerd.tool.1 for this task. The sensor holds all the data. It is not serialized or paired to the logic board so we are just calibrating it." "We broke Apple's lock," independent repair advocate and repair pro Louis Rossmann explained in a YouTube video demoing the Nerd.Tool.1. "To whoever it is at Apple who decided to not make this available to technicians, 'Fuck you, we win,'" Rossman said.

"We are selling the nerd.tool.1 to be able to spend time in developing other solutions," added Steins. "We will do our best to get nerd.tool.2 to fix other issues which repair shops are facing. The response has been awesome! The community is very kind, which shows how painful these missing tools are for many independent repair shops."

U2's inaugural performance at the opening of Las Vegas's Sphere included a generative AI video collage projected hundreds of feet into the air — showing hundreds of surreal renderings of Elvis Presley.

An anonymous reader shares this report from Time magazine: The video collage is the creation of the artist Marco Brambilla, the director of Demolition Man and Kanye West's "Power" music video, among many other art projects. Brambilla fed hours of footage from Presley's movies and performances into the AI model Stable Diffusion to create an easily searchable library to pull from, and then created surreal new images by prompting the AI model Midjourney with questions like: "What would Elvis look like if he were sculpted by the artist who made the Statue of Liberty...?"

While Brambilla's Elvises prance across the Sphere's screen — which is four times the size of IMAX — the band U2 will perform their song "Even Better Than The Real Thing," as part of their three-month residency at the Sphere celebrating their 1991 album Achtung Baby... Earlier this year, U2 commissioned several artists, including Brambilla and Jenny Holzer, to create visual works that would accompany their performances of specific songs. Given U2's love for the singer and the lavish setting of the Sphere, Brambilla thought a tribute to Elvis would be extremely fitting. He wanted to create a maximalist work that encapsulated both the ecstatic highs and grimy lows of not only Elvis, but the city of Las Vegas itself. "The piece is about excess, spectacle, the tipping point for the American Dream," Brambilla said in a phone interview.

Brambilla was only given three-and-a-half months to execute his vision, less than half the time that he normally spends on video collages. So he turned to AI tools for both efficiency and extravagance. "AI can exaggerate with no end; there's no limit to the density or production value," Brambilla says. And this seemed perfect for this project, because Elvis became a myth; a larger-than-life character..." Brambilla transplanted his MidJourney-created images into CG (computer graphics) software, where he could better manipulate them, and left some of the Stable Diffusion Elvis incarnations as they were. The result is a kaleidoscopic and overwhelming video collage filled with video clips both historical and AI-generated, that will soon stretch hundreds of feet above the audience at each of U2's concerts.

"I wanted to create the feeling that by the end of it," Brambilla says, "We're in a place that is so hyper-saturated and so dense with information that it's either exhilarating or terrifying, or both."
Brambilla created an exclusive video excerpting from the larger collage for TIME. The magazine reports that one of the exact prompts he entered was:

"Elvis Presley in attire inspired by the extravagance of ancient Egypt and fabled lost civilizations in a blissful state. Encircling him, a brigade of Las Vegas sorceresses, twisted and warped mid-chant, reflect the influence of Damien Hirst and Andrei Riabovitchev, creating an atmosphere of otherworldly realism, mirroring the decadence and illusion of consumption."

Google Podcasts is shutting down in 2024 after YouTube Music picks up full global availability of podcasts, which is expected before the end of 2023. As 9to5Google reports, YouTube Music "will be Google's one podcasting app and service going forward." From the report: The big advantage of Google Podcasts was its simplicity and wide availability on Android (through the Google Search app). A "simple migration tool" will move your existing subscriptions from Google Podcasts. Notably, there will be the ability in YouTube Music to add podcasts via RSS feeds, "including shows not currently hosted by YouTube." Google will also provide a non-YTM export option via "OPML file of their show subscriptions" that will work with other podcast players.

On the podcaster front, YouTube will allow for RSS uploads instead of requiring a video version. The next step over the coming weeks and months will see Google "gather feedback to make the migration process from Google Podcasts to YouTube Music as simple and easy as possible." "For now, nothing is changing and fans will continue to have access to YouTube, YouTube Music and Google Podcasts," says YouTube. "We're committed to being transparent in communicating future changes with our users and podcasters and will have more to share about this process in the coming months."

Mark Tyson writes via Tom's Hardware: A future version of [Deep Learning Super Sampling (DLSS) technology] is likely to include full neural rendering, hinted Bryan Catanzaro, a Nvidia VP of Applied Deep Learning Research. In a round table discussion organized by Digital Foundry (video), various video game industry experts talked about the future of AI in the business. During the discussion, Nvidia's Catanzaro raised a few eyebrows with his openness to predict some key features of a hypothetical "DLSS 10." [...]

We've seen significant developments in Nvidia's DLSS technology over the years. First launched with the RTX 20-series GPUs, many wondered about the true value of technologies like the Tensor cores being included in gaming GPUs. The first ray tracing games, and the first version of DLSS, were of questionable merit. However, DLSS 2.X improved the tech and made it more useful, leading to it being more widely utilized -- and copied, first via FSR2 and later with XeSS. DLSS 3 debuted with the RTX 40-series graphics cards, adding Frame Generation technology. With 4x upscaling and frame generation, neural rendering potentially allows a game to only fully render 1/8 (12.5%) of the pixels. Most recently, DLSS 3.5 offered improved denoising algorithms for ray tracing games with the introduction of Ray Reconstruction technology.

The above timeline raises questions about where Nvidia might go next with future versions of DLSS. And of course, "Deep Learning Super Sampling" no longer really applies, as the last two additions have targeted other aspects of rendering. Digital Foundry asked that question to the group: "Where do you see DLSS in the future? What other problem areas could machine learning tackle in a good way?" Bryan Catanzaro immediately brought up the topic of full neural rendering. This idea isn't quite as far out as it may seem. Catanzaro reminded the panel that, at the NeurIPS conference in 2018, Nvidia researchers showed an open-world demo of a world being rendered in real-time using a neural network. During that demo the UE4 game engine provided data about what objects were in a scene, where they were, and so on, and the neural rendering provided all the on-screen graphics. "DLSS 10 (in the far far future) is going to be a completely neural rendering system," Catanzaro added. The result will be "more immersive and more beautiful" games than most can imagine today.

"New York City is now turning to robots to help patrol the Times Square subway station," quipped one local newscast.

The non-profit New York City blog Gothamist describes the robot as "almost as tall as the mayor — but at least three-times as wide around the waist," with a maximum speed of 3 miles per hour-- but a 360-degree field of vision, equipped with four cameras to send live video (without audio) to the police. A 420-pound, 5-foot-2-inch robocop with a giant camera for a face will begin patrolling the Times Square subway station overnight, the New York Police Department announced Friday morning. At a press conference held underground in the 42nd Street subway station, New York City Mayor Eric Adams said the city is launching a two-month pilot program to test the Knightscope K5 Autonomous Security Robot. During the press conference, the K5 robot — which is shaped like a small, white rocketship — stood silently along with uniformed officers and city officials in suits. Stripes of glowing blue lights indicated it was "on."

The K5 will act as a crime deterrent and provide real-time information on how to best deploy human officers to a safety incident, the mayor said. It features multiple cameras, a button that can connect the public with a real person, and a speaker for live audio communication... During the pilot program, the K5 will patrol the Times Squares subway station from midnight to 6 a.m. with a human NYPD handler that will help introduce it to the public. After two months, the mayor said the handler will no longer be necessary, and the robot will go on solo patrol...

Knightscope, which manufactures the robot, reports that it has been deployed to 30 clients in 10 states, including at malls and hospitals. The K5 has been in some sticky situations in other cities. One was toppled and slathered in barbecue sauce in San Francisco, while another was beaten by an intoxicated man in Mountain View, California, according to news reports. Another robot fell into a pool of water outside an office building in Washington, D.C.

When asked whether the robot was at risk of vandalism in New York City, the mayor strode over to it and gave it a few firm shoves. "Let's be clear, this is not a pushover. 420 pounds. This is New York tested," he said.
The city is leasing the robot for $9 an hour — And yes, local newscasts couldn't resist calling it a robocop. One shows the mayor announcing "We will continue to stay ahead of those who want to harm everyday New Yorkers."

Though the robot is equipped with facial recognition capability, it will not be activated.