An anonymous reader quotes a report from Bloomberg, written by writer Austin Carr: Allbirds is pivoting to artificial intelligence. The San Francisco brand, whose wool running shoes were once the sneaker du jour among the tech crowd, announced last week that it was expanding into AI computing infrastructure. The bizarre strategic shift was immediately greeted with a surprising frenzy on Wall Street, where shares of Allbirds soared 582% last Wednesday before dropping the next day. [...] Of course, the absurdity of Allbirds' situation echoed familiar Silicon Valley tropes -- from the endless startup pivots of the 2010s to the more recent boom-and-bust cycles of arbitrarily valued crypto coins. But it immediately reminded me of the marketing ploys of the dot-com crash. After all, some of the more iconic fails ended up being retailers such as Pets.com, Webvan, etc., riding the web wave with little to show for it beyond terrible margins.

One particular comparison from that period stands out as relevant to Allbirds: Zap.com. The holding company behind it, Zapata Corp., had a long and convoluted history, but was essentially selling fish-oil products by the time it decided to reinvent itself as an internet portal. It amassed a variety of web properties -- in media, e-commerce, gaming and so on -- and even once tried to acquire the search engine Excite. Spoiler alert: Zap flopped. Jen Heck, then a young employee at one of Zap's up-and-coming portfolio entities, remembers how quickly the hype of that web 1.0 turned to hell. As absurd as Zapata's pivot sounds today, it seemed feasible during the excitement of the internet revolution. "We went from like, 'Wow, this life thing is just so easy,' to it all ending so suddenly," Heck recalls. The ones who survived that tech bubble, she says, actually had differentiated products and the right creative thinkers building them -- and weren't just cynically jumping on the latest hot trend. "'Internet' was the magic word then, and 'AI' is the magic word now," Heck says.

"A trailer has been released for the first film to star an authorised generative AI version of a major Hollywood actor," writes The Guardian: Val Kilmer was cast in western As Deep As the Grave before his death in April 2025. Production delays meant he never shot any scenes, but the creative team worked with UK-based company Sonantic to create an AI speaking voice based on his old recordings. His estate and daughter Mercedes collaborated with the film-makers on the visual deepfake of the actor. Kilmer, who was diagnosed with throat cancer, was also assisted by technology for his cameo in 2022's Top Gun: Maverick...

Writer-director Coerte Voorhees confirmed that Kilmer is seen for around an hour of the film's running time... Voorhees has said that the production followed Sag-Aftra [union] guidelines, and that Kilmer's estate — which provided archival material for them to use — was compensated financially.
"Kilmer's likeness can be seen portraying Father Fintan, a Catholic priest and Native American spiritualist," adds The Hollywood Reporter. But the AV Club calls it "ghoulish puppet show time."

"Having your AI Val Kilmer puppet whisper 'Don't fear the dead, and don't fear me' in a movie trailer is a bold choice..." He is accompanied (per Variety) by a whole host of disclaimers, caveats, and explanations offered by writer-director Coerte Voorhees and his associates: Kilmer deeply wanted to be in the movie, but was too sick to do so. His family endorses and supports his inclusion. He was a big fan of technology, including, presumably, its use in turning his own image into a digital avatar to then shove into movies...

The fact is, of course, that nobody would be paying a fraction of this attention to As Deep As The Grave — about early female archeologist Ann Axtell Morris — if it weren't now being used as the stage on which Voorhees was very publicly accepting the dare to go full-on ghoulish with AI tech.
"The filmmakers said they hoped they were showing Hollywood how to use the technology in a positive way..." notes Australia's ABC News. But their articles add that "Some have called the trailer 'terrifying' and 'disgusting' on social media."

Mashable writes: "Very fitting that this trailer includes a scene where a corpse is unceremoniously yanked out of the ground," read one of the top comments on As Deep as the Grave's trailer at time of writing... [O]nline commenters have labelled it disgusting and disrespectful, not only for digitally reanimating Kilmer but also for the damaging precedent As Deep as the Grave's use of AI could set for the film industry as a whole.

Sony Pictures chief Tom Rothman urged theater owners to cut down the roughly 30 minutes of trailers and ads before movies. "Get off the ad crack," Rothman told the audience at CinemaCon this week. "Get rid of the endless advertising and substantially shorten the long pre-shows." Variety reports: He noted that frequent moviegoers now show up a half hour late to avoid all the spots (something that reserved seating has made easier than ever before). Rothman said that means many people "don't even see the trailers," which results in "enticements gone to waste." Rothman predicted that the 2026 box office, which has already benefitted from hits like "Super Mario Galaxy Movie" and "Project Hail Mary," will rebound in a big way. But he acknowledged that attendance still trails pre-pandemic levels.

Rothman has been a vociferous defender of the big screen, pushing studios to embrace longer windows so that movies will stay in cinemas longer. That was a theme that Rothman returned to at CinemaCon, pressing exhibitors to hold strong and agree not to show movies that quickly appear on streaming services or on-demand platforms. "Enforce longer windows," Rothman said. "Yes, even if that means you cannot play every film."

In addition to stumping for exhibition, Rothman has practically begged Hollywood to invest in new stories along with all the franchise fare. In a recent New York Times op-ed, for instance, Rothman, the longest-serving studio chief, wrote, "For all the success of films driven by existing intellectual property, originality is essential to movies. Neither movie theaters nor the art form itself can survive without at least some originality. After all, you can't make a sequel to nothing."

The Super Mario Galaxy Movie "is officially the year's highest-grossing film to date with $629 million at the global box office," reports Variety — and it will likely earn over $1 billion. Project Hail Mary now becomes the year's second highest-grossing movie, with four-week ticket sales over $510, notes The Hollywood Reporter: The two films have helped propel year-to-date revenue to $2.113 billion — the best showing for the first part of the year since before the pandemic in 2019 ($2.619 billion), according to Comscore. And revenue is running 25% ahead of the same corridor last year.
Some context from ScreenRant: Even though The Super Mario Galaxy Movie reviews were largely negative, earning it a disappointing 43% score from critics on Rotten Tomatoes, audiences gave it a far superior score of 89% from audiences, making it Verified Hot on the platform's Popcornmeter. This indicates that the movie should continue to climb up the global box office chart thanks to strong word of mouth, even as it trails consistently behind the original 2023 movie in terms of commercial performance.
Canadian astronaut Jeremy Hansen called Project Hail Mary "an inspirational example.. We all thought that movie was really uplifting and inspiring." Before the Artemis astronauts launched their mission, Space.com points out "they were treated to a viewing of Amazon MGM Studios' Project Hail Maryto bolster their spirits ahead of their monumental 10-day lunar voyage. " Marking the occasion and providing encouraging words to the three American astronauts and one Canadian astronaut, Ryan Gosling recorded a brief encouraging video for the moon-bound foursome.
Today NPR took a spoiler-filled look at the science in the film, asking: Would it be possible for humans to travel to a place as far away as the Tau Ceti star system? It's not possible right now, says Lisa Carnell, division director for NASA'S Biological and Physical Sciences Division. "I don't think we are fully prepared to send humans to Mars, let alone light years away," she says. Given the leaps in technology that humanity has made in just the past century, however, she didn't want to rule it out.... "I believe it's possible [one day]"...

The hypothetical study of how humans and extraterrestrials might communicate is a real scientific field, called xenolinguistics, that includes researchers from linguistics, animal communication, and anthropology. Martin Hilpert, a professor of linguistics at the University of Neuchâtel in Switzerland, says the film "gets a lot of things right" for how such an encounter might occur, though it also employs a lot of "happy coincidences" too.

"Anthropic has unveiled Claude Mythos, a new AI model capable of discovering critical vulnerabilities at scale," writes Slashdot reader wiredmikey. "It's already powering Project Glasswing, a joint effort with major tech firms to secure critical software. But the same capabilities could also accelerate offensive cyber operations." SecurityWeek reports: Mythos is not an incremental improvement but a step change in performance over Anthropic's current range of frontier models: Haiku (smallest), Sonnet (middle ground), and Opus (most powerful). Mythos sits in a fourth tier named Copybara, and Anthropic describes it as superior to any other existing AI frontier model. It incorporates the current trend in the use of AI: the modern use of agentic AI. "The powerful cyber capabilities of Claude Mythos Preview are a result of its strong agentic coding and reasoning skills... the model has the highest scores of any model yet developed on a variety of software coding tasks," notes Anthropic in a blog titled Project Glasswing -- Securing critical software for the AI era.

In the last few weeks, Mythos Preview has identified thousands of zero-day vulnerabilities with many classified as critical. Several are ten or 20 years old -- the oldest found so far is a 27-years old bug in OpenBSD. Elsewhere, a 16-years old vulnerability found in video software has survived five million hits from other automated testing tools without ever being discovered. And it autonomously found and chained together several in the Linux kernel allowing an attacker to escalate from ordinary user access to complete control of the machine. [...] Anthropic is concerned that Mythos' capabilities could unleash cyberattacks too fast and too sophisticated for defenders to block. It hopes that Mythos can be used to improve cybersecurity generally before malicious actors can get access to it.

To this end, the firm has announced the next stage of this preparation as Project Glasswing, powered by Mythos Preview. Given the rate of AI progress, it will not be long before such capabilities proliferate, potentially beyond actors who are committed to deploying them safely. "Project Glasswing is a starting point. No one organization can solve these cybersecurity problems alone: frontier AI developers, other software companies, security researchers, open-source maintainers, and governments across the world all have essential roles to play." Claude Mythos Preview is described as a general-purpose, unreleased frontier model from Anthropic that has nevertheless completed its training phase. The firm does not plan to make Mythos Preview generally available. The implication is that 'Preview' is a term used solely to describe the current state of Mythos and the market's readiness to receive it, and will be dropped when the firm gets closer to general release.

Hundreds of theatres are now showing a new documentary called The AI Doc: Or How I Became An Apocaloptimist. Variety calls it "playful and heady,"edited "with a spirit of ADHD alertness." The New York Times suggests it "tries to cover so much that it ends up being more confusing than clarifying, but parts are fascinating."

But the Los Angeles Times calls it an "aggravating soup of information and opinion that wants to move at the speed of machine thought." So while co-director Daniel Roher asks whether he should bring a child into a world with AI, "Perhaps more urgently, should Roher have made an AI doc that treats us like children?" First, he parades all the safety doomers, seeming to believe their warnings that an unfeeling superintelligence is upon us and we can't trust it. Then, sufficiently disturbed, he hauls in the AI cheerleaders, a suspiciously positive gang who can envision only medical miracles and grindless lives in which we're all full-time artists. Only then, after this simplistic setup where platitudes reign, do we get the section in which the subject is treated like the brave (and grave) new world it is: geopolitically fraught, economically tenuous and a playground for billionaires.

Why couldn't the complexity have been the dialogue from the beginning, instead of the play-dumb cartoon "The AI Doc" feels like for so long? Maybe Roher believes this is what our increasingly gullible, truth-challenged citizenry needs from an explanatory doc: a flashy, kindhearted reminder that we're the change we need to be.
Read more reactions here and here. Mashable warns the documentary's director "will ultimately craft a journey that feels like a panic attack in real time. In the end, you may not feel better about mankind's chances against the rise of AI. But you'll likely feel less helpless in the future before us all."

They also point out that the film "shares some ways its audience can more actively be apart of the conversation, and provides a link to the film's website for engagement," where 6,948 people have now signed up for its newsletter. ("Demand a seat at the table," urges its signup button, under a warning that "Government and AI companies are designing our future without us. We need to reclaim our voice in shaping the future of AI...")

Project Hail Mary has now grossed $300.8 million globally after earning another $54.1 million this weekend from 86 markets, reports Variety, noting that after just nine days it's now Amazon MGM's highest-grossing film ever.

And last weekend it had the best opening for a "non-franchise" movie in three years, adds the Associated Press — the best since 2023's Oppenheimer: Project Hail Mary, which cost nearly $200 million to produce... is on an enviable trajectory. Its second weekend hold was even better than that of Oppenheimer, which collected $46.7 million in its follow-up frame.
But the movie is based on a book by The Martian author Andy Weir, described by one news outlet as "a former software engineer and self-proclaimed 'lifelong space nerd'... known for his realistic and clear-eyed approach to scientifically technical stories." Project Hail Mary has plenty of real science in it, whether it be space mathematics, physics, or astrobiology... The film's namesake project is even comprised of the space programs of other nations, such as Roscosmos from Russia, the Chinese space program, and the European Space Agency...

The story relies on work NASA has done regarding exoplanets, or planets outside our solar system... [This includes a nearby star named Tau Ceti approximately 12 light years from Earth which is orbited by four planets — two once thought to be in "the habitable zone" where liquid water can exist.] Tau Ceti has long been the setting used by sci-fi authors and storytellers. Isaac Asimov used it for his Robot series. Arthur C. Clarke's "Rama" spacecraft came across a mysterious tetrahedron in the Tau Ceti system. Authors Ursula K. Le Guin and Kim Stanley Robinson also set stories in Tau Ceti, and it also serves as the extrasolar setting of the 1968 Jane Fonda film Barbarella. Most recently, the Bungie video game Marathon is set in the far-off system, serving as part of the background story for the extraction shooter, about a large-scale plan to colonize the Tau Ceti system.
The movie also mentions 40 Eridani A, according to the article, a real star about 16 light-years away that was said to be orbited by the fictional planet Vulcan, home to Star Trek's Mr. Spock. It's also mentioned in Frank Herbert's Dune as the star system of the planets Ix and Richese ("noted for their machine culture and miniaturisation," according to the Stellar Australis site's "Project Dune" page).

And in a video on IMAX's YouTube channel, the film's directors explain how for a crucial scene they used non-visible-light photography, which is also an important part of modern astronomy. "Even the credits incorporate real astrophotography into the final moments," the article points out, using the work of award-winning Australian astrophotographer Rod Prazeres. "The only difference between his work of capturing space data in images and what ended up on the big screen was that he gave them 'starless versions' of his photographs to make it easier to place credit text over them."

Prazeres wrote on his web site that he was touched the producers "wanted the real thing... In a world where CGI and AI are everywhere, it meant a lot..."

Just six days ago — and 30 minutes after a Disney-OpenAI meeting about a project with Sora — Disney's team was "blindsided" with the news Sora was being discontinued, a person familiar with the matter told Reuters, describing OpenAI's move as "a big rug-pull."

Even some Sora employees were surprised by the cancellation. It was just 14 weeks ago Disney announced a $1 billion investment in OpenAI's AI-powered video generation tool — plus a three-year licensing deal. But that deal "never closed," Reuters adds, citing two other people familiar with the matter, "and no money changed hands." (Although the two sides are still "discussing if there is another way they can partner or invest with one another, one of the people familiar with the matter said.")

But Variety wonders if the end of the Sora deal is "a blessing in disguise" for Disney: Before Disney's officially sanctioned AI-generated versions of Mickey Mouse, Darth Vader, Baby Yoda, Deadpool and more debuted in OpenAI's Sora, the AI company abruptly pulled the plug on the video app...

[M]any aficionados of Disney's franchises were not, in fact, excited about what Sora's video generator might do to the likes of the Avengers superheroes or the characters from Frozen or Moana. And despite [departed Disney CEO Bob] Iger's bullishness on the Sora deal, other Disney execs were said to be concerned that going into business with OpenAI would expose the Magic Kingdom's crown jewels to the risk of being turned into so much AI slop, according to industry sources. Hollywood unions — for which AI adoption has been a hot-button issue — weren't thrilled about the Disney-Sora deal either. "Disney's announcement with OpenAI appears to sanction its theft of our work and cedes the value of what we create to a tech company that has built its business off our backs," the Writers Guild of America said in December... [S]ources say, Disney was encountering roadblocks in getting the OK from voice actors for the Sora pact...

At least publicly, Disney says it is still looking at ways it can tap into the AI ecosystem. The company, in a statement Tuesday, said, "we will continue to engage with AI platforms to find new ways to meet fans where they are while responsibly embracing new technologies that respect IP and the rights of creators." But at this point, Disney may decide that "meeting fans where they are" means keeping its beloved and world-famous characters away from the AI machinery.
Or, as Gizmodo puts it, "Disney Says It Will Find Ways to Peddle Slop Elsewhere After Pulling Out of OpenAI Deal."

But Deadline sees the deal's collapses as a lost opportunity: The OpenAI partnership was a template on which to build, potentially allowing for other deals that end the exploitation of human creativity by unscrupulous AI models. It was also the kind of partnership that was palatable for the Human Artistry Campaign and Creators Coalition on AI, lobby groups that have been critical of tech business models and command support from A-listers including Scarlett Johansson, Cate Blanchett and Joseph Gordon-Levitt.

Dr. Moiya McTier, an advisor to the Human Artistry Campaign, puts it this way: Part of the problem is getting "artsy people and the techie people to talk." OpenAI sinking Sora will not make these discussions easier. It's a move that starkly exposes Hollywood's vulnerability to the capriciousness of big tech.

Google is expanding Android Automotive from the infotainment screen into the broader non-safety "brain" of software-defined vehicles. With its new Android Automotive OS for Software-Defined Vehicles, the in-car experience will feel "much more cohesive and the latest features will reach your driveway faster," Matt Crowley, Android Automotive's group product manager, writes in a blog post. "From a truly integrated voice experience to proactive maintenance reminders, your car will become a true extension of your digital life," Crowley adds. The Verge reports: With its new software, Google is promising faster over-the-air software updates, better voice assistants, and more proactive vehicle maintenance alerts. Non-driving functions like climate control, lighting, and seating adjustment would fall under Android's control. And the system would move beyond basic infotainment to create a unified ecosystem for features like remote cabin conditioning, digital key management, and personalized driver profiles.

For automakers, the new system promises less expensive software development costs and an opportunity to focus on what matters most to them: branding. By providing the "foundational code and a common language for their software," Google says automakers will be free to design cool experiences for their customers. Google says its already working with companies like Renault Group and Qualcomm to bring its new software-defined vehicle version of Android Automotive to more cars. A variety of automakers already use regular Android Automotive, like Volvo, Polestar, General Motors, Nissan, and Honda.

ReactOS aims to be compatible with programs and drivers developed for Windows Server 2003 and later versions of Microsoft Windows. And Slashdot reader jeditobe reports that the project has now "announced significant progress in achieving compatibility with proprietary graphics drivers." ReactOS now supports roughly 90% of GPU drivers for Windows XP and Windows Server 2003, thanks to a series of fixes and the implementation of the KMDF (Kernel-Mode Driver Framework) and WDDM (Windows Display Driver Model) subsystems. Prior to these changes, many proprietary drivers either failed to launch or exhibited unstable behavior. In the latest nightly builds of the 0.4.16 branch, drivers from a variety of manufacturers — including Intel, NVIDIA, and AMD — are running reliably.

The project demonstrated ReactOS running on real hardware, including booting with installed drivers for graphics cards such as Intel GMA 945, NVIDIA GeForce 8800 GTS and GTX 750 Ti, and AMD Radeon HD 7530G. They also highlighted successful operation on mobile GPUs like the NVIDIA Quadro 1000M, with 2D/3D acceleration, audio, and network connectivity all functioning correctly. Further tests confirmed support on less common or older configurations, including a laptop with a Radeon Xpress 1100, as well as high-performance cards like the NVIDIA GTX Titan X.

A key contribution came from a patch merged into the main branch for the memory management subsystem, which improved driver stability and reduced crashes during graphics adapter initialization.

An anonymous reader quotes a report from TechCrunch: Nvidia CEO Jensen Huang threw out a lot of numbers -- mostly of the technical variety -- during his keynote Monday to kick off the company's annual GTC Conference in San Jose, California. But there was one financial figure that investors surely took notice of: his projection that there will be $1 trillion worth of orders for Nvidia's Blackwell and Vera Rubin chips, a monetary reflection of a booming AI business.

About an hour into his keynote, Huang noted that last year Nvidia saw about $500 billion in demand for its Blackwell and upcoming Rubin chips through 2026. "Now, I don't know if you guys feel the same way, but $500 billion is an enormous amount of revenue," he said. "Well, I'm here to tell you that right now where I stand -- a few short months after GTC DC, one year after last GTC -- right here where I stand, I see through 2027, at least $1 trillion."

A Pew Research Center survey found that only 53% of U.S. adults went to a movie theater in the past year, while 7% said they've never seen a movie in a theater at all. "The findings reflected a domestic box office still fighting to regain its footing since the COVID-19 pandemic, when ticket sales collapsed 81% in 2020 due to theater closures," reports Variety. From the report: In 2025, moviegoers in the U.S. and Canada bought 769.2 million tickets, less than half of the all-time peak of roughly 1.6 billion tickets sold in 2002, according to data from Nash Information Services. However, an August 2025 study field by NRG/National Research Group showed that 77% of Americans ages 12-74 went to see at least one movie in a theater in the previous 12 months.

Box office revenue peaked at an inflation-adjusted $16.4 billion in 2002, and annual ticket revenue held relatively steady through the 2000s and 2010s before falling to under $3 billion in 2020 when theaters closed for months. Last year, U.S. theaters sold just over $9 billion worth of tickets, per media analytics firm Comscore. The number represents a recovery, but nowhere near a full one, as ticket sales have been lagging around 20% below pre-pandemic levels.

Electronic Arts has laid off staff across multiple Battlefield studios despite Battlefield 6 being the best-selling game in the U.S. in 2025 and the "biggest launch in franchise history." According to IGN, the layoffs include workers at Criterion, Dice, Ripple Effect, and Motive Studios. From the report: Individuals are being informed that the layoffs are taking place as part of a "realignment" across the Battlefield studios, as the team continues its ongoing, live service support for Battlefield 6 following launch. All four studios will remain operational, though the layoffs seem to be impacting a variety of teams across multiple studios and offices.

IGN asked EA for comment on total number and types of roles impacted, as well as for the specific reasons for the layoffs. An EA spokesperson told IGN: "We've made select changes within our Battlefield organization to better align our teams around what matters most to our community. Battlefield remains one of our biggest priorities, and we're continuing to invest in the franchise, guided by player feedback and insights from Battlefield Labs."

Colliding black holes were detected through spacetime ripples for the first time in 2015 by the Laser Interferometer Gravitational-Wave Observatory (LIGO), notes Space.com: Since then, LIGO and its partner gravitational wave detectors Virgo in Italy and KAGRA (Kamioka Gravitational Wave Detector) in Japan have detected a multitude of gravitational waves from colliding black holes, merging neutron stars, and even the odd "mixed merger" between a black hole and a neutron star... During the first three observing runs of LIGO, Virgo and KAGRA, scientists had only "heard" 90 potential gravitational wave sources.
But now they've published new data from the LIGO-Virgo-KAGRA (LVK) Collaboration that includes 128 more gravitatational wave sources — some incredibly distant: [Gravitational-Wave Transient Catalog-4.0, or GWTC-4] was collected during the fourth observational run of these gravitational wave detectors, which was conducted between May 2023 and Jan. 2024... Excitingly, GWTC-4 could technically have been even larger, as around 170 other gravitational wave detections made by LIGO, Virgo and KAGRA haven't yet made their way into the catalog.

One aspect of GWTC-4 that really stands out is the variety of events that created these signals. Within this catalog are gravitational waves from mergers between the heaviest black hole binaries yet, each about 130 times as massive as the sun, lopsided mergers between black holes with seriously mismatched masses, and black holes that are spinning at incredible speeds of around 40% the speed of light. In these cases, scientists think the extreme characteristics of the black holes involved in these mergers are the result of prior collisions, providing evidence of merger chains that explain how some black holes grow to masses billions of times that of the sun... GWTC-4 also includes two new mixed mergers involving black holes and neutron stars.

[LVK member Daniel Williams, of the University of Glasgow in the U.K., said in their statement] "We are really pushing the edges, and are seeing things that are more massive, spinning faster, and are more astrophysically interesting and unusual." The catalog also demonstrates just how sensitive the LVK detectors have become. Some of the neutron star mergers occurred up to 1 billion light-years away, while some of the black hole mergers occurred up to 10 billion light-years away.
Einstein's theory of general relativity can be tested with these detections, and "So far, the theory is passing all our tests," says LVK member Aaron Zimmerman, of the University of Texas at Austin. "But we're also learning that we have to make even more accurate predictions to keep up with all the data the universe is giving us." And LVK member Rachel Gray, a lecturer at the University of Glasgow, says "every merging black hole gives us a measurement of the Hubble constant, and by combining all of the gravitational wave sources together, we can vastly improve how accurate this measurement is."

In short, says LVK member Lucy Thomas of the California Institute of Technology (Caltech), "Each new gravitational-wave detection allows us to unlock another piece of the universe's puzzle in ways we couldn't just a decade ago."

alternative_right shares a report from ScienceAlert: According to a study of 38 adult human brains donated to science, superagers -- people who retain exceptional memory as they age -- have roughly twice as many immature neurons as their peers who age more typically. Moreover, people with Alzheimer's disease show a marked reduction in neurogenesis compared to a normal baseline. [...]

Led by researchers at the University of Illinois Chicago, the team set out to examine a variety of postmortem hippocampal tissue samples to see if they could identify markers of neurogenesis -- and if different groups had any notable differences. The brain samples were donated from five groups: eight healthy young adults, aged between 20 and 40; eight healthy agers, aged between 60 and 93; six superagers, aged between 86 and 100; six individuals with preclinical Alzheimer's pathology, aged between 80 and 94; and 10 individuals with an Alzheimer's diagnosis, aged between 70 and 93. The young healthy adult brain tissue was first analyzed to establish the neurogenesis pathways in the adult brain. Then, they analyzed 355,997 individual cell nuclei isolated from the hippocampus, searching for three different stages of cell development: Stem cells, which can develop into neurons; neuroblasts, which are stem cells in the process of that development; and immature neurons, on the verge of functionality. The results were striking.

"Superagers had twice the neurogenesis of the other healthy older adults," [says neuroscientist Orly Lazarov of the University of Illinois Chicago]. "Something in their brains enables them to maintain a superior memory. I believe hippocampal neurogenesis is the secret ingredient, and the data support that." That's an interesting result on its own, but the data from the individuals with preclinical Alzheimer's pathology and Alzheimer's diagnoses is where the real meat of the study sits. In the preclinical group, subtle molecular changes hinted that the system supporting new neuron growth was beginning to falter. In the Alzheimer's group, a clear drop in immature neurons was evident. A genetic analysis of the nuclei also showed that superager neural cells have increased gene activity linked to stronger synaptic connections, greater plasticity, and brain-derived neurotrophic factor, a critical protein for neural survival, growth, and maintenance. Taken together, these three things can be interpreted as resilience. The research has been published in the journal Nature.

As the Mobile World Conference begins in Spain, Lenovo brought a new attachable accessory for their laptops — an AI agent. CNET reports: The little circular module perches on the top of your Lenovo laptop display, attached via the magnetic Magic Bay on the rear. The module is home to an adorable animated companion called Tiko, who you can interact with via text or voice... [I]t can start and stop your music, open a web page for you or answer a question. You can also interact with it by using emoji. Give it a book emoji, for example, and it will pop on its glasses and sit reading with you while you work... The company wants to sell the Magic Bay accessory later this year — although it doesn't know exactly when, or how much it will cost.
It even comes with a timer (for working in Pomodoro-style intervals) — but Lenovo has also created another "concept" AI companion that CNET describes as "a kind of stationary tabletop robot, not dissimilar to the Pixar lamp, but with an orb for a head." With a combination of cameras, microphones and projectors, the AI Workmate can undertake a variety of tasks, including helping you generate and display presentations or turn your written work or art into a digital asset... It's robotic head swivelled around and projected the slides onto the wall next to me.
Lenovo created a video to show this "next-generation AI work companion" — with animated eyes — "designed to transform how modern professionals interact with their workspace." It bridges the physical and digital worlds — capturing handwritten notes, recognizing gestures, summarizing tasks, and proactively helping you stay ahead of your day. The moment you sit down, Lenovo AI Workmate greets you, surfaces priority tasks, and keeps your work organized without switching apps or losing context. From turning sketches into presentations to projecting information for instant collaboration, [it] brings on-device AI intelligence directly to your desk — secure, responsive, and always ready... It's not just software. It's a smarter way to work.
It looks like Lenovo once considered naming it "AI Sphere" (since that name still appears in its description on YouTube).

Lenovo also showed another "concept" laptop idea that PC Magazine called "futuristic": The ThinkBook Modular AI PC looks like a traditional laptop at first glance, but a second, removable screen fastens onto the lid. You can swap that screen onto the keyboard deck (in place of the keyboard, which can then be used wirelessly), or use it alongside the laptop as a portable monitor, attached via an included cable.... While Lenovo is still working on this device, and it's very much in the concept phase, it feels like one of its best-thought-out prototypes, one likely to make it to store shelves at some point.
Another "concept" laptop is Lenovo's Yoga Book Pro 3D Concept, ofering directional backlight and eye-tracking technology for the illusion of 3D (playing slightly different images to each of your eyes). It offers gesture control for 3D models, two OLED displays, and some magical "snap-on pads" which, when laid on the display — make the GUI appear on the screen for a new control menu to "provide quick-access shortcuts for adjusting lighting, viewing angle, and tone".

If U.S. automakers turn their backs on electric vehicles, "their sales outside the U.S. will shrivel," warns Bloomberg. [Alternate URL.] They're already falling behind on the technology, relying on a 100% U.S. tariff on Chinese EVs to keep surging rivals like BYD Co. at bay.... While the American automakers "mostly understand the challenge in front of them, they don't have full plans" to confront it [said Mark Wakefield, head of the global automotive practice at consultant AlixPartners]...

"Now is a great time for the V-8 engine," said Ryan Shaughnessy, the Mustang's brand manager. "We've done extensive customer research in multiple cities, looking at a variety of powertrains, and the V-8 is always the number-one choice." It isn't just customers. U.S. automakers have long been run by "car guys:" enthusiasts who live for the bone-shaking rumble of a big engine. For them, quiet and smooth EVs — even the absurdly fast ones — can't satisfy that craving. They're convinced many American car buyers share the same enthusiasm for what Shaughnessy described as "the sound and roar of the V-8."

Wall Street couldn't be happier with the new direction... Ford's fortunes are also on the rise, as it's predicting operating profits could grow by as much as 47% this year to $10 billion. Ford's stock has risen nearly 50% over the last 12 months. Under the previous environmental rules, automakers effectively had to sell zero-emission vehicles in growing numbers to offset their gas-guzzlers. When they fell short, they had to buy regulatory credits from EV companies such as Tesla Inc. or face penalties. GM spent $3.5 billion on credits from 2022 to the middle of 2025. Now, according to JPMorgan Chase & Co. analyst Ryan Brinkman, GM and Ford each have "billion dollar tailwinds"...

[T]he hangover from all that new horsepower could leave US automakers lagging their Chinese rivals who already build the world's most advanced — and lowest priced — electric cars. Indeed, there is much talk in Detroit about the competitive tsunami that will be unleashed on American automakers once Chinese car companies find a way to break through trade barriers now protecting the US market. [Ford Chief Executive Officer Jim] Farley even calls it an "existential threat"... "They're going to build as many V-8 engines and big trucks as they can get out the factory doors," said Sam Fiorani, vice president of vehicle forecasting for consultant Auto Forecast Solutions. "And as the rest of the world develops modern drivetrains, newer batteries and better electric vehicles, GM and Ford in particular are going to find themselves falling even further behind."
The article notes GM "continues to develop battery-powered vehicles, and CEO Mary Barra said the automaker would begin offering a 'handful' of hybrids soon," while Ford and Stellantis "have plans to launch extended-range electric vehicles, or EREVs, a new kind of plug-in hybrid with an internal combustion engine that recharges the battery as the vehicle drives down the road." But while automakers may be investing in future EV vehicles, they're also "leaning into the lucre that comes from selling millions of fossil-fuel vehicles in a rare moment of loosened regulation."

"The drought of upcoming Star Wars movies is coming to an end soon," writes Cinemablend. In May the The Mandalorian and Grogu opens, and one year later there's the release of the Ryan Gosling-led Star Wars: Starfighter.

But "there are some insiders who already believe that Starfighter will be a bigger hit than The Mandalorian and Grogu..." According to unnamed sources who spoke with Variety, there's a "sense" that Star Wars: Starfighter, which is directed by Deadpool & Wolverine's Shawn Levy, will be a more satisfying viewing experience. These same sources are allegedly impressed by the early footage they've seen of Ryan Gosling's performance and also suggested that Levy has "recaptured the franchise's spirit of fun." Furthermore, the article states that there's concern that because The Mandalorian and Grogu is spinning out of a streaming-exclusive series, it might not have as much appeal to people who aren't already fans of The Mandalorian... Star Wars: Starfighter, on the other hand, will be accessible to everyone equally. It's set five years after The Rise of Skywalker, which is an unexplored period for the Star Wars franchise onscreen. It's also expected that most, if not all of its featured characters will be brand-new, so no knowledge of past adventures is required.
Slashdot reader gaiageek reminds us that 2027 will also see a special 50-year anniversary event in movie in theatres: a "newly restored" version of the original 1977 Star Wars.

Firefox 148 introduces granular AI controls and a global "AI kill switch" that allows users to disable or selectively manage the browser's AI features. Phoronix reports: Among the AI features that can be toggled individually are around translations, image alt text in the Firefox PDF viewer, tab group suggestions, key points in link previews, and AI chatbot providers in the sidebar. Firefox 148 also brings Firefox for Android, support for the Trusted Types API, CSS shape() function support, Sanitizer API support, WebGPU enhancements, and a variety of other changes. Developer chances can be found at developer.mozilla.org. Binaries are available from ftp.mozilla.org.

In her first major interview as Microsoft's new gaming chief, Asha Sharma said that "great games" must deliver emotional resonance and a distinct creative voice, while making clear that she has "no tolerance for bad AI." Stepping in after Phil Spencer's retirement, she's pledging consistency, community trust, and a human-first approach to storytelling as Xbox enters a new era. Variety reports: Sharma was quick in laying out her top priorities for Microsoft Gaming in an internal memo announcing her promotion, noting "great games," "the return of Xbox" and the "future of play" as her three main commitments to the gaming community. So first, what makes a great game for Sharma, whose roles prior to CoreAI include top positions at Instacart and Meta? The new Microsoft Gaming CEO tells Variety it's all about games with "deep emotional resonance" and "a distinct point of view." She wants to develop stories that make players "feel something," like the kind of feelings Campo Santo's 2016 first-person mystery "Firewatch" elicited in her.

Sharma takes on the mantle as head of the leading competitor to Sony's PlayStation and Nintendo knowing full well she's entering the role as an outsider to the larger gaming community and has "a lot to learn" still. But Sharma says she's got a commitment to "being grounded in what the community is telling us." "I'm coming into gaming as a platform builder," Sharma said, adding that her goal is to "earn the right to be trusted by players and developers" and show the fanbase that "consistency" over time. In her interview with Variety, Sharma acknowledged the tumultuous state of the gaming industry, referencing Matthew Ball's recent State of Video Gaming in 2026 report as evidence that the larger "transformation" of the sector is "protecting what we believe in while remaining open-minded about the future."

Due to her strong background in AI, initial reactions to Sharma's appointment have raised concerns about what her specific views are on the use of generative AI in game development. Sharma says her stance is simple: she has "no tolerance for bad AI." "AI has long been part of gaming and will continue to be," Sharma said, noting that gaming needs new "growth engines," but that "great stories are created by humans."