An anonymous reader quotes a report from Cord Cutters News: Sony has notified owners of its recent BRAVIA television models that significant changes to the built-in TV Guide for its OTA TV antenna users and related menu features will take effect starting in late May 2026. The update affects a range of premium sets released between 2023 and 2025, marking another instance of feature adjustments for older smart TV hardware as manufacturers shift focus toward newer product lines. The changes primarily target the program guide functionality for over-the-air antenna TV channels received via the ATSC tuner. After the cutoff date, program information may fail to display on certain channels, limiting the guide's usefulness for planning viewing schedules. Users will often see listings only for channels they have recently watched, rather than a comprehensive overview of available broadcasts. Additionally, channel logos that previously appeared in the guide will disappear, and any thumbnail images accompanying program descriptions will no longer load or show.

Further modifications will appear in the television's menu system. For users relying on connected set-top boxes, the dedicated Set Top Box menu option will be removed entirely. In its place, a simpler Control menu will surface, streamlining access but eliminating some specialized navigation previously available. Program thumbnails, which provided visual previews in various menu sections, will also cease to appear across affected interfaces. These adjustments stem from Sony's ongoing efforts to manage backend services and data feeds that support enhanced guide features on its Google TV-powered BRAVIA lineup. As television ecosystems evolve rapidly with advancements in processing power, artificial intelligence integration, and cloud-based content delivery, companies periodically retire select capabilities on prior-generation hardware to optimize resources. The 2023 through 2025 models, while still offering excellent picture quality through advanced OLED and LCD panels with features like XR processing, now fall into the category of devices receiving scaled-back support. These are the models impacted:

2025 models: Bravia 8 II (XR80M2), Bravia 5 (XR50)
2024 models: Bravia 9 (XR90), Bravia 8 (XR80), Bravia 7 (XR70)
2023 models: Bravia A95L series

"RGB LED TVs have been the talk of the TV world this year," argues The Verge, with models coming from all the manufacturers." And the first one of 2026 is here — the UR9 from China's Hisense — "the first look at the viability of the new backlight technology outside of demo rooms." They call it "a step above the traditional mini-LED TVs of years past." and "a great first shot against OLED's bow." HDR is colorful and accurate, it has great brightness, and it is capable of showing colors beyond the P3 color space for movies and TV shows that have wider color. But at $3,500, the 65-inch model I reviewed is priced comparably to high-end OLEDs from LG and Samsung, which is tough competition... One of the touted benefits of RGB LED TVs is their ability to achieve 100 percent of the BT.2020 color space... [But] even if a TV is capable of extending beyond P3 and into BT.2020 colors (which the UR9 absolutely is), with most movies and TV shows it doesn't matter. It's also a bit of a chicken-or-the-egg situation — we need TVs that can accurately display BT.2020 before the color space is fully adopted by TV and movie creators, but if there's no content, why get a BT.2020 TV?
BGR points out this new mini LED TV also "includes a DisplayPort (DP) connection alongside HDMI."

"Well, technically, it's a USB-C port that delivers full DisplayPort functionality, but it's labeled as DisplayPort." The TV also has three HDMI 2.1 ports, making it a great choice for game consoles and PCs. And while HDMI 2.1 supports 4K/120Hz, the Hisense UR9S will deliver 4K/170Hz or 4K/180Hz visuals [a higher refresh rate] when connected to a gaming PC via DisplayPort. Better yet, the TV is AMD FreeSync-compatible, and Hisense plans on adding Dolby Vision 2 HDR in future firmware.

The Hisense UR9S will be available in four sizes: 65, 75, 85, and 100 inches. It's worth mentioning that the two largest sizes will max out at 180Hz for the refresh rate, while the 65 and 75-inch screens come in at 170Hz. This is exciting news for serious gamers looking for the best gaming TVs and a huge step forward in the evolution of panel tech. RGB Mini LED TVs were showcased by a handful of manufacturers at CES 2026, including Samsung, Sony, and LG; so Hisense will certainly have some competition.

The Artemis II crew has passed 100,000 miles from Earth and is now on a "free-return" path around the moon after a successful "translunar" injection burn. "Ladies and gentlemen, I am so, so excited to be able to tell you that for the first time since 1972 during Apollo 17, human beings have left Earth orbit," NASA's Dr Lori Glaze told a news conference. The Guardian reports: The astronauts -- the Americans Reid Wiseman, Victor Glover and Christina Koch, and a Canadian, Jeremy Hansen -- spent their first day in space performing checks on the spacecraft, which had never carried humans before. Later they had time to speak to US TV networks. "I've got to tell you, there is nothing normal about this," Wiseman told ABC News from the cramped interior of the capsule. "Sending four humans 250,000 miles away is a herculean effort, and we are now just realising the gravity of that."

Orion will travel about 4,000 miles (6,400km) beyond the moon before turning back, providing unprecedented and illuminated views of the lunar far side. If all proceeds smoothly, the astronauts will set a record by venturing farther from Earth than any human before -- more than 250,000 miles. The mission is part of a longer-term plan to repeatedly return to the moon, with the aim of establishing a permanent base that will offer a platform for further exploration. After the final engine burn, NASA said Wiseman took two "spectacular" images of Earth.

The first photo, called Hello, World, "shows the vast expanse of blue that is the Atlantic Ocean, framed by a thin glow of the atmosphere as the Earth eclipses the Sun and green auroras at either pole," reports the BBC. Another photo shows the view of Earth from inside the Orion spacecraft.

The Wall Street Journal reports: Walking into his kitchen, Tim Yoder recoiled at a message on his refrigerator door: "Shop Samsung water filters." Yoder, a supply-chain manager in Chicago, owns a Samsung Electronics Family Hub fridge. He paid $1,400 for an appliance that came with a 32-inch screen on the door that allows him to control other Samsung gadgets, pull up recipes or stream music. But since last fall, it's been intermittently serving up ads, part of a pilot program being tested on some of Samsung's smart fridges sold in the U.S. The response? Not warm. "I guess this is another place for somebody to shove an ad in your face," said the 47-year-old Yoder, recalling the first time he noticed one...

The ads are only on certain Family Hub fridges that have screens and internet connectivity. They run as a rectangular banner at the bottom — part of a widget that also shows news, the weather and a calendar. Samsung declined to say how long the pilot might last or whether it would end. The firm recently unveiled a "Screens Everywhere" initiative that also includes washers, dryers and ovens.... Samsung launched the banner-type fridge ads that come as part of the widget via an October software update. In a footnote of a news release at the time, Samsung pledged to "serve contextual or non-personal ads" and respect data privacy. The banner ads can be turned off in settings.

Samsung said the purpose of the pilot is to explore whether ads relevant to home chores can be useful to owners, and that overall pushback has been negligible. The "turn-off" rate for the pilot ad program remains in the bottom single-digit range, it said... While owners can turn off the banner ads, doing so eliminates the widget altogether, a bummer for Brian Bosworth, a media-industry engineer who liked the feature. Bosworth thinks it's wrong to take away the new feature as a condition. Wanting to keep the widget but not the ads, the 49-year-old in Edgewater, Md., made sure his home router's ad-blocking software extended to his fridge. He hasn't seen another since.
One 27-year-old plans to return his refrigerator after the entire display "lit up with a full-screen ad for Apple TV's sci-fi show Pluribus," according to the article. The all-caps ad beckoned him "with an oft-used refrain directed at protagonist Carol Sturka: 'We're Sorry We Upset You, Carol.'"

Thanks to Slashdot reader fjo3 for sharing the article.

An anonymous reader quotes a report from Ars Technica: Prospective Vizio TV buyers should know there's a good chance the set won't work properly without a Walmart account. In an attempt to better serve advertisers, Walmart, which bought Vizio in December 2024, announced this week that select newly purchased Vizio TVs now require a Walmart account for setup and accessing smart TV features. Since 2024, Vizio TVs have required a Vizio account, which a Vizio OS website says is necessary for accessing "exclusive offers, subscription management, and tailored support." Accounts are also central to Vizio's business, which is largely driven by ads and tracking tied to its OS.

A Walmart spokesperson confirmed to Ars Technica that Walmart accounts will be mandatory on "select new Vizio OS TVs" for owners to complete onboarding and to use smart TV features. The representative added: "Customers who already have an existing Vizio account are being given the option to merge their Vizio account with their Walmart account. Customers with an existing Vizio account can opt out by deleting their Vizio account." The representative wouldn't confirm which TV models are affected. Walmart's representative said the Walmart account integration is "designed to respect consumer choice and privacy, with data used in aggregated, permissioned, and compliant ways" but didn't specify how.

It was 60 years ago when William Shatner — born in 1931 — portrayed Captain Kirk in the TV series Star Trek. Shatner turns 95 today — and celebrated by posting a picture of himself smoking a cigar.

"At 95, I'm still smokin'!" Shatner joked, adding that in life he'd learned two things. "Never waste a good cigar. Never trust anyone who says you should 'act your age.'"

For more celebrations, Paramount's free/ad-supported streaming platform Pluto TV announced a "Trek TV takeover birthday celebration" that will run through April 3rd, according to TrekMovie.com, with marathon of Star Trek movies and TV shows — and even that time he was roasted on Comedy Central. ("Freeâ½ My favorite price!" Shatner quipped on X.com.)

Shatner still remains a popular celebrity, even travelling to space five years ago on a Blue Origin flight past the Kármán line. Since then he's led a cruise to Antarctica — and even performed an alternate take of Captain Kirk's final scene on the Jimmy Fallon show.

And this week Shatner (along with hundreds of thousands attendees) appeared at Orlando's MegaCon — and shared stories about his life with Orlando Weekly: Shatner: Last month, I was on board a cruise ship, and they said the only thing I had to do over the next three days, "before we let you go home," is sing "Rocket Man." So I thought, "I'm not going to sing 'Rocket Man' the same way that what's-his-name did. ... So, I looked at the song very carefully to see if I could find what actors call a throughline. What is the character singing? What is he singing about? And so I look through all of these weird lyrics, and all of a sudden, the word sticks out to me: "alone." So I say to the band members, "OK, let's make this song about being alone in space." And I work on it with the band and the musicians, and again on a Saturday night, I perform the number, and 4,000 people stand up and applaud "Rocket Man." And they won't let me off the stage, again and again. Four times, I get a standing ovation, wild.

And that's the progression for me, of science fiction for me, as exemplified by this song. The song went from superficial to something of depth and meaning... It touched people enough for them to stand up and applaud, and I realized that is the story of science fiction... Science fiction with all its great technology has evolved into great storytelling that reaches people in a manner that is very difficult for other types of drama to do.
Shatner answered questions from Slashdot readers in 2002 ("My life is my statement...") and again in 2011. ("I used to try to assemble computers way back when and they came out looking like a skateboard...")

And judging by his X.com posts, Shatner is now involved in early testing of the site's upcoming digital payment system X Money.

America's cable TV industry "is undergoing its most dramatic collapse in history," reports Cord Cutters News, "with operators large and small waving the white flag on traditional TV service and pointing their customers toward streaming platforms instead." Just in 2025 Comcast lost 1.25 million pay-TV subscribers (ending the year with just 11.3 million), while Charter Spectrum also lost hundreds of thousands of customers each quarter.

But "for smaller regional operators, who lack the scale and diversified revenue streams of giants like Comcast, those kinds of losses are simply unsurvivable," they write. And "the companies that once delivered hundreds of channels through coaxial cables are now either shutting down entirely or reinventing themselves as internet providers." Pay-TV subscriptions have plummeted from nearly 90% of U.S. households in the mid-2010s to roughly half by the end of 2025, resulting in billions in lost revenue and forcing many smaller operators to conclude that continuing linear TV services is no longer viable... [This year over U.S. 50 cable TV companies — primarily smaller and midsize providers — are "expected to cease operations entirely or shut down their television services," Cord Cutters News reported earlier.] YouTube TV's pricing is so competitive that the platform is projected to have close to 12.6 million subscribers by the end of 2026, positioning it to become the largest paid TV distributor in the United States. Exclusive content deals, such as YouTube TV's acquisition of NFL Sunday Ticket rights, have further eroded the value proposition of traditional cable at every level of the market... As older cable subscribers age out of the market, there is no new generation of customers waiting to replace them...

[Cable TV] operators like WOW! are betting that their physical infrastructure — now increasingly upgraded to fiber — is more valuable as an internet delivery system than as a cable TV platform. [WOW! serves customers across Michigan, Ohio, Illinois, and Alabama — but is "phasing out its proprietary streaming live TV service and directing all customers toward YouTube TV," the article notes.] Industry observers see this as part of a broader trend: operators shedding unprofitable video segments to focus on broadband, where returns and network investments are prioritized.

By the end of 2026, non-pay-TV households are expected to surge to 80.7 million, outnumbering traditional pay-TV subscribers at 54.3 million — a milestone that would have seemed unthinkable just a decade ago. For the cable companies still standing, the math is now inescapable: the era of the cable bundle is ending, and the only real question left is how gracefully each operator manages its exit.

Longtime Slashdot reader SchroedingersCat writes: Chuck Norris, known for his roles in action films and as Texas Ranger Cordell Walker on the TV show "Walker, Texas Ranger," passed away on March 19, leaving behind a legacy of inspiring millions around the world. He was 86.

He became Internet phenomenon after "Chuck Norris Facts" went viral online with such wildly hyperbolic statements as, "Chuck Norris had a staring contest with the sun -- and won," and, "When Chuck Norris does push-ups, he doesn't push himself up, he pushes the Earth down."

His death was announced by his family through his official Instagram account, but no further details were immediately available. He was hospitalized earlier that day in Hawaii after experiencing a medical emergency, the family said.

A German court ruled that TCL misled consumers by marketing certain TVs as "QLED" when they "do not deliver the color reproduction expected from QLED TVs." It has ordered the company to stop advertising or selling those models in Germany. TechRadar reports: The case was filed by Samsung, which claimed that TCL was running deceptive advertising, and more court cases on the same topic are coming in other countries, including the US. The lawsuits all make the same claim: that what TCL calls a QLED isn't a QLED as it's commonly understood, and that consumers are being mis-sold TVs as a result. The court found that TCL's quantum dot TVs, such as the QLED870 series available in Germany, didn't deliver the characteristics of a quantum dot LED, and that consumers were being misled as a result.

The tests were commissioned by Seoul chemicals company Hansol Chemical (which, it's worth noting, works with Samsung, a key TCL rival, and which heavily promoted the results of these tests alongside launching the court case) and carried out by Geneva's SGS and the UK's Intertek. According to ET News (via Google Translate), "no indium (In) or cadmium (Cd) was detected in three TCL QD TV models. Indium and cadmium are essential materials that cannot be omitted for QD implementation... if neither is present, QD technology cannot be said to have been applied." You can see the test results here.

TCL disputed the findings -- "The QD content may vary depending on the supplier, but it definitely contains cadmium," it responded -- and published its own tests, including a test by SGS, the same firm that conducted tests for Hansol. The results contradicted Hansol Chemical's tests, but those tests used a different methodology: where TCL's tests focused on TCL's quantum dot films, Hansol's commissioned tests were on finished TCL TVs. [...] Hansol Chemical has filed a complaint against TCL with the US Federal Trade Commission, alleging false advertising, and TCL is also facing class action lawsuits in several US states making the same claim. TCL isn't alone here: Hisense has also been targeted in the US.

An animated reboot of Firefly is in early development at 20th Television Animation with Nathan Fillion involved. The project has Joss Whedon's blessing and will be run by writers Tara Butters and Marc Guggenheim, with early concept art already underway. According to the Hollywood Reporter, "The series would be set in the timeline between the original, 11-episode TV run in 2002 and the 2005 feature film continuation, Serenity." You can watch Fillion announce the Firefly reboot on Instagram.

When the first episode of the original series premiered in late 2002, Slashdot reader fm6 wrote: "Firefly, Joss Whedon's 'anti-Trek drama' premieres tonight, on Fox, 8 E/P. I normally despise hypespeak, but this time it's the only language that fits: this is groundbreaking, mind-boggling, totally original. I've seen a bootleg of the pilot (which, unfortunately, the network is holding back) and I promise you this is the most geek-friendly SF you've seen in a long time. Yes, more so than Star Trek and B5, and way past Star Wars. I've never seen the future so skillfully, realistically, and lovingly portrayed. Here is the Official Site and a leading fan site." "This is the single new show this season I have added a season pass for to the old Tivo," CmdrTaco said at the time. "But I'll probably watch it live. This looks like it could be as good as we hope."

There's a surprise in a new documentary about that Bigfoot film shot in 1967 by Roger Patterson, reports the Wall Street Journal.

Capturing Bigfoot "builds to a big reveal: freshly surfaced film that appears to show a woodsy dress rehearsal for one of the world's most enduring hoaxes." In the new footage — from a Kodak reel dating to 1966 — Patterson's camera tracks a man in costume, his brother-in-law, moving in a similar fashion to the figure in the 1967 shoot, which featured a different location and a bigger man with a more distinctive stride, according to the documentary. The test-run footage "is the work of a director with a vision," says Capturing Bigfoot director Marq Evans. He says the reel was given to him by a colleague at Olympic College in Bremerton, Wash., where Evans runs a documentary film program. The colleague found the film in a safe that belonged to her late father, who worked in a Boeing film lab and could have developed film discreetly.

With the long-buried footage in hand, Evans set out to explore the ripple effects from the Bigfoot film. Patterson, who died in 1972, hailed from the same region of Washington as Evans; the documentarian discovered that the hardscrabble cowboy had also been a gifted craftsman and artist. Patterson illustrated a self-published book, "Do Abominable Snowmen of America Really Exist?", and set out to make a wildlife movie that would feature the ultimate trophy footage. He and his collaborators inadvertently helped spawn "this massive culture and industry" around the Bigfoot legend, Evans says...

Roger Paterson presented his footage to America in a traveling show that crisscrossed the nation and climaxed with the hyped Bigfoot sequence on screen. The money poured in, leading to resentment among cohorts who felt they'd been shortchanged, none more so than Bob Gimlin, Patterson's wingman in the field during the infamous shoot.. [Roger's son] Clint Patterson says his mother privately confirmed his suspicions that the family's claim to fame was bogus, but he kept quiet to protect their financial stream. About 10 years ago, when he first wanted to go public with the truth, his mother disowned him.
Bigfoot was also a recurring character on the 1970s TV show The Six Million Dollar Man.

Which kind of puts the whole thing in perspective...

Longtime Slashdot reader tsuliga writes: Two new episodes of Doctor Who that were previously lost have been found. The original Doctor Who episodes were wiped or deleted by the BBC because they were not aware of the future use of re-runs of these shows. Ninety-five of the 253 episodes from the program's first six years are currently missing. How many more episodes are out there waiting to be rediscovered? "The main broadcasters in the UK in the 1960s, 70s, up to the 80s really, junked quite a lot of content," said Justin Smith, a cinema professor at England's De Montfort University and film archivist. "In some ways finding missing 'Doctor Whos' is the holy grail" of classic TV discoveries, Smith said.

The two episodes were "The Nightmare Begins" and "Devil's Planet," both of which aired during the show's third series in 1965. It features William Hartnell as the Doctor in a story involving archvillains the Daleks -- pepperpot-shaped metal aggressors whose favorite word is "Exterminate!" Smith said that for fans of the show, "it's got it all, it really has. It is intergalactic, it's got some great performances. It stands up really, really well."

Steven Spielberg directed his last Jurassic Park movie nearly 30 years ago, notes ScreenRant. But the 79-year-old filmmaker now brings us The Dinosaurs, a four-part documentary on Netflix where he's executive producer: The first few reviews are in, and the results lead to a perfect 100% score on Rotten Tomatoes. It's worth noting that the rating will likely fluctuate since there are only six reviews. So far, critics all agree that the new Netflix docuseries is a breathtaking visual of history's most majestic creatures, and Morgan Freeman's soothing narration elevates the experience. Most importantly, the reviews note that the story is intimate, making the dinosaurs feel real with their personalities.
"Audience" reviewers gave it a lower score of 67%.

• "There is a sense of drama and emotional weight which permeates through the entire series as it tells the story of the dinosaurs from start to the present day. The ending brought tears to my eyes..."

• "Wow, what a sleeper! Flat graphics, looks like video game animations. Unrelatable story lines. Don't waste your time. Honestly would you even look twice if Spielberg's name wasn't on it?"

• "This show was honestly incredible... It was a 10/10 series that I absolutely adored highly recommended to anyone who loves and has an interest of the ancient world."

• "I'm sorry, but the dinos of Prehistoric Planet are far superior, and were achieved on a much smaller budget. Their dinos look absolutely real, and you are convinced you're watching a documentary with real animals"

ScreenRant notes Netflix's debut of The Dinosaurs' "aligns perfectly" with the arrival of all four Jurassic World movies on Netflix, where they're already dominating Netflix's "Top 10" charts for the U.S.

"Witness the rise and the fall of nature's greatest empire," narrator Morgan Freeman says in the trailer...

Netflix is walking away from a deal to buy Warner Bros. Discovery's studio and streaming assets after the WBD board on Thursday deemed a revised bid by Paramount Skydance to be a superior offer. From a report: Earlier this week, Paramount raised its bid to buy the entirety of WBD to $31 per share, up from $30 per share, all cash. It was the latest amendment to Paramount's multiple offers in recent months -- and since moving forward with a hostile bid to buy the company -- and it's now unseated a deal between WBD and Netflix to sell the legacy media company's studio and streaming businesses for $27.75 per share.

Last week, Netflix granted WBD a seven-day waiver to reengage with Paramount, resulting in the higher bid. Paramount's offer is for the entirety of WBD, including its pay-TV networks, such as CNN, TBS and TNT. Netflix had four business days to make changes to its own proposal in light of Paramount's superior bid, the WBD board said in a statement Thursday. Instead, the decision by the streaming giant to walk away puts a pin in a drawn-out saga that saw amended offers from both bidders.

Bright Data, a company that operates one of the world's largest residential proxy networks, has been running an SDK inside smart TV apps that turns those devices into nodes for web crawling -- collecting data used by AI companies, among other clients -- and most consumers have had no idea it was happening.

The company has published more than 200 first-party apps to LG's app store alone and still lists Samsung's Tizen OS and LG's webOS as supported platforms, though LG says the SDK is "not officially supported" and its operation on webOS "is not guaranteed." Google, Amazon, and Roku have all since adopted policies restricting or banning background proxy SDKs, and Bright Data no longer supports those platforms.

Several Roku apps still running the SDK disappeared from the store after a journalist with The Verge behind this reporting contacted the company.

Microsoft has spent more than $76 billion acquiring game studios and publishers over the past few years in an attempt to turn Xbox into a Netflix-like subscription platform, and the result is that nobody -- possibly not even Microsoft -- can clearly articulate what Xbox actually is anymore, The Verge writes.

The brand started as a powerful video game console, but Game Pass and cloud gaming pushed it toward a hazier identity: the "This is an Xbox" ad campaign tried to redefine it as any device that could play Xbox games, whether a PC, a smart TV, a phone, or a Windows handheld. Microsoft then went further and started publishing its biggest franchises on PlayStation, making it one of the largest third-party publishers on a rival's platform.

Phil Spencer, who led the division for over a decade and drove the subscription pivot, announced his retirement last week, and incoming CEO Asha Sharma has pledged "the return of Xbox" -- though her memo also talks about expanding across PC, mobile, and cloud, which sounds a lot like the status quo.

Panasonic is handing over the manufacturing, marketing, and sales of its TVs to Shenzhen-based Skyworth, effectively exiting in-house TV production. Ars Technica reports: Skyworth is a Shenzhen-headquartered TV brand. The company claims to be "a top three global provider of the Android TV platform." In July, research firm Omdia reported that Skyworth was one of the top-five TV brands by sales revenue in Q1 2025; however, Skyworth hasn't been able to maintain that position regularly. Panasonic made its announcement at a "launch event," FlatpanelsHD reported today. During the event, a Panasonic representative reportedly said: "Under the agreement the new partner will lead sales, marketing, and logistics across the region, while Panasonic provide expertise and quality assurance to uphold its renowned audiovisual standards with full joint development on top-end OLED models."

Panasonic also said that it will provide support "for all Panasonic TVs sold up to March 2026 and all those available from April." Skyworth-made Panasonic TVs will be sold in the US and Europe. In the latter geography, the companies are aiming for double-digit market share. [...] The news means there's virtually no TV production happening in Japan anymore, as other Japanese companies, like Sharp, Toshiba, Hitachi, and Pioneer, have already exited TV production. Earlier this year, Sony announced that it was ceding control of its TV hardware business to TCL.

Cable TV providers have spent the past decade losing tens of millions of households to streaming services, but companies like Charter Communications are now slowing that exodus by bundling the very apps that once threatened to replace them.

Charter added 44,000 net video subscribers in the fourth quarter of 2025, its first growth in that count since 2020, after integrating Disney+, Hulu, and ESPN+ directly into Spectrum cable packages -- a deal that grew out of a contentious 2023 contract dispute with Disney. Comcast and Optimum still lost subscribers in the quarter, though both saw those losses narrow.

Charter's Q4 numbers also got a lift from a 15-day Disney channel blackout on YouTube TV during football season, which drove more than 14,000 subscribers to Spectrum. Charter has been discounting aggressively -- video revenue fell 10% year over year despite the subscriber gains. Cox Communications launched its first streaming-inclusive cable bundles last month, and Dish Network has yet to integrate streaming apps into its packages at all.

Bafta has brought in "human achievement" as a guiding principle for its annual awards as the film and television industry grapples with the rapid adoption of AI tools in many parts of production. From a report: In an interview with the FT, Bafta chair Sara Putt, who is nearing the end of her three-year tenure, said artificial intelligence would change how people worked "but at the base of everything in this industry is human creativity."

However, while AI has been banned in Bafta's performance awards -- meaning, for example, that AI-generated avatars cannot be put forward for leading actress or actor -- it is not prohibited in other categories. Putt said AI tools were increasingly useful in production but added: "We've actually added [human creativity] as a criteria this year... Those very human skills of communication and collaboration are not going anywhere anytime soon."

Phison CEO Pua Khein-Seng, whose company is one of the leading makers of controller chips for SSDs and other flash memory devices, admitted in a televised interview that the ongoing global RAM shortage could force companies to cut back their product lines in the second half of 2026 -- and that some may not survive at all if they cannot secure enough memory.

The interview, conducted in Chinese by Ningguan Chen of Taiwanese broadcaster Next TV, drew an important distinction: it was the interviewer who raised the possibility of shutdowns and product discontinuations, and Khein-Seng largely agreed rather than volunteering the prediction himself. The shortage stems from AI data centers consuming the vast majority of the world's memory supply, a buildout that has sent RAM prices up by three to six times over the past several months. Only three companies control 93% of the global DRAM market, and all three have chosen to prioritize profits over rapid capacity expansion. Even Nvidia may skip shipping a gaming GPU for the first time in 30 years, and Apple could struggle to secure enough chips. Khein-Seng also expects consumers will increasingly repair broken products rather than replace them.