Universal Music Group has told streaming platforms, including Spotify and Apple, to block artificial intelligence services from scraping melodies and lyrics from their copyrighted songs, according to emails viewed by the Financial Times. From the report: UMG, which controls about a third of the global music market, has become increasingly concerned about AI bots using their songs to train themselves to churn out music that sounds like popular artists. AI-generated songs have been popping up on streaming services and UMG has been sending takedown requests "left and right," said a person familiar with the matter. The company is asking streaming companies to cut off access to their music catalogue for developers using it to train AI technology. "We will not hesitate to take steps to protect our rights and those of our artists," UMG wrote to online platforms in March, in emails viewed by the FT. "This next generation of technology poses significant issues," said a person close to the situation. "Much of [generative AI] is trained on popular music. You could say: compose a song that has the lyrics to be like Taylor Swift, but the vocals to be in the style of Bruno Mars, but I want the theme to be more Harry Styles. The output you get is due to the fact the AI has been trained on those artists' intellectual property."

Short seller Hindenburg Research, on Block: Block, formerly known as Square, is a $44 billion market cap company that claims to have developed a "frictionless" and "magical" financial technology with a mission to empower the "unbanked" and the "underbanked." Our 2-year investigation has concluded that Block has systematically taken advantage of the demographics it claims to be helping. The "magic" behind Block's business has not been disruptive innovation, but rather the company's willingness to facilitate fraud against consumers and the government, avoid regulation, dress up predatory loans and fees as revolutionary technology, and mislead investors with inflated metrics. Our research involved dozens of interviews with former employees, partners, and industry experts, extensive review of regulatory and litigation records, and FOIA and public records requests.

Most analysts are excited about the post-pandemic surge of Block's Cash App platform, with expectations that its 51 million monthly transacting active users and low customer acquisition costs will drive high margin growth and serve as a future platform to offer new products. Our research indicates, however, that Block has wildly overstated its genuine user counts and has understated its customer acquisition costs. Former employees estimated that 40%-75% of accounts they reviewed were fake, involved in fraud, or were additional accounts tied to a single individual. Core to the issue is that Block has embraced one traditionally very "underbanked" segment of the population: criminals. The company's "Wild West" approach to compliance made it easy for bad actors to mass-create accounts for identity fraud and other scams, then extract stolen funds quickly.

Even when users were caught engaging in fraud or other prohibited activity, Block blacklisted the account without banning the user. A former customer service rep shared screenshots showing how blacklisted accounts were regularly associated with dozens or hundreds of other active accounts suspected of fraud. This phenomenon of allowing blacklisted users was so common that rappers bragged about it in hip hop songs. Block obfuscates how many individuals are on the Cash App platform by reporting misleading "transacting active" metrics filled with fake and duplicate accounts. Block can and should clarify to investors an estimate on how many unique people actually use Cash App.

Duolingo, a language learning app with over 500 million users, is working on a music app, TechCrunch has learned. From the report: The Pittsburgh-based tech company currently has a small team working on a music product and is hiring a learning scientist who is an "expert in music education who combines both theoretical knowledge of relevant learning science research and hands-on teaching experience," according to a job posting listed on Duolingo's career page. The company also posted a job that was soliciting a freelance music composition and curricular consultant, but the company is no longer accepting applications for that position. The job listing suggests that the app will teach basic concepts in music theory using popular songs and teachers.

It's unclear how Duolingo's music app will materialize over the next few months -- for example, we don't know whether the app will help people read music, write music, learn instruments, or all of the above -- or if it's just a tiny experiment within an organization known to love a test or 10.

A brand new version of Spotify is being unveiled to millions of subscribers on Wednesday, marking the largest change to the platform since it became available on phones more than a decade ago. From a report: In an exclusive interview airing Thursday on "CBS Mornings," Spotify's CEO and founder, Daniel Ek, said the updates include an "entirely new" home feed that is "completely redesigned from the ground up." "You'll see Spotify, I think, come alive. You're gonna see a lot more interactive content," he said. The popular digital music streaming service allows users to access a vast library of songs and podcasts. Ek said with the change, users will be able to see recommended content in the form of clips, and other visual components.

On Wednesday the Associated Press tested the new AI enhancements to Microsoft's search engine Bing, asking it "for the most important thing to happen in sports over the past 24 hours — with the expectation it might say something about basketball star LeBron James passing Kareem Abdul-Jabbar's career scoring record.

"Instead, it confidently spouted a false but detailed account of the upcoming Super Bowl — days before it's actually scheduled to happen." "It was a thrilling game between the Philadelphia Eagles and the Kansas City Chiefs, two of the best teams in the NFL this season," Bing said. "The Eagles, led by quarterback Jalen Hurts, won their second Lombardi Trophy in franchise history by defeating the Chiefs, led by quarterback Patrick Mahomes, with a score of 31-28." It kept going, describing the specific yard lengths of throws and field goals and naming three songs played in a "spectacular half time show" by Rihanna.

Unless Bing is clairvoyant — tune in Sunday to find out — it reflected a problem known as AI "hallucination" that's common with today's large language-learning models. It's one of the reasons why companies like Google and Facebook parent Meta had been reluctant to make these models publicly accessible.

An anonymous reader quotes a report from Motherboard: On January 1, 2023, a swath of books, films, and songs entered the public domain. The public domain is not a place -- it refers to all the creative works not protected by an intellectual property law like copyright. Creative works may not have intellectual property protections for a number of reasons. In most cases, the rights have expired or have been forfeited. Basically, no one holds the exclusive rights to these works, meaning that living artists today can sample and build off those works legally without asking anyone's permission to do so. That's why the New York Public Library (NYPL) has been reviewing the U.S. Copyright Office's official registration and renewals records for creative works whose copyrights haven't been renewed, and have thus been overlooked as part of the public domain.

The books in question were published between 1923 and 1964, before changes to U.S. copyright law removed the requirement for rights holders to renew their copyrights. According to Greg Cram, associate general counsel and director of information policy at NYPL, an initial overview of books published in that period shows that around 65 to 75 percent of rights holders opted not to renew their copyrights. "That's sort of a staggering figure," Cram told Motherboard. "That's 25 to 35 percent of books that were renewed, while the rest were not. That's interesting for me as we think about copyright policy going forward." [...]

The U.S. Copyright Office and the Internet Archive collaborate to digitize these records, and while that digitization effort has been foundational for NYPL to even be able to conduct their investigation, the digital experience isn't much different from the physical one: To navigate the records, you have to click on a picture of an antique card catalog and then sift through volumes of digitized cards without the help of Optical Character Recognition (OCR) software, which converts books into machine-readable text. Cram says that use of these tools today still requires some sort of specialized knowledge, like which drawer to open and which category to look for. Those searches can take a lot of time and produce a lot of false positives for researchers. Plus, what Cram is looking for within the records is exactly what's missing: A copyright renewal registration, or a renewal, or a registration to begin with. [trying to find absence of information] "We started the pilot with, I think it was just around 10,000 records, and then we started to realize, okay, we can start making some rules here," said Marianne Calilhanna, vice president of marketing with DCL. "So we're able to start making these conversion rules that then we can kind of put into our automation processes to start to structure this."

"Ultimately, the output we're creating is XML," she added. "XML is a series of tags that tell the computer, this is a title of a book, this is the title of a journal article. This is the author of that. And then we would also apply extra metadata on top of that record." NYPL plans to make their XML open source for other libraries across the nation and the world to use.

"For us to advance the progress and knowledge, which is the goal of copyright, I think we need access to this data so that we can understand how to answer that question of how can I use this?" Cram noted. "Having the data helps get us closer to an answer for that question, which ultimately is the goal, to use works lawfully, in a way that advances knowledge."

An impressive new AI system from Google can generate music in any genre given a text description. But the company, fearing the risks, has no immediate plans to release it. From a report: Called MusicLM, Google's certainly isn't the first generative AI system for song. There's been other attempts, including Riffusion, an AI that composes music by visualizing it, as well as Dance Diffusion, Google's own AudioML and OpenAI's Jukebox. But owing to technical limitations and limited training data, none have been able to produce songs particularly complex in composition or high-fidelity. MusicLM is perhaps the first that can.

Detailed in an academic paper, MusicLM was trained on a data set of 280,000 hours of music to learn to generate coherent songs for descriptions of -- as the creators put it -- "significant complexity" (e.g. "enchanting jazz song with a memorable saxophone solo and a solo singer" or "Berlin '90s techno with a low bass and strong kick." Its songs, remarkably, sound something like a human artist might compose, albeit not necessarily as inventive or musically cohesive. [...] That's not to suggest MusicLM's flawless -- far from it, truthfully. Some of the samples have a distorted quality to them, an unavoidable side effect of the training process. And while MusicLM can technically generate vocals, including choral harmonies, they leave a lot to be desired. Still, the Google researchers note the many ethical challenges posed by a system like MusicLM, including a tendency to incorporate copyrighted material from training data into the generated songs.

Guess what's finally entering America's public domain today? Appropriately enough, it's Marcel Proust's 1927 novel Remembrance of Things Past.

Also entering the public domain today are thousands of other books, plus the music and lyrics of hundreds of songs, and even several silent movies.

Fritz Lang's sci-fi classic Metropolis enters the public domain today — and so does the Laurel & Hardy comedy Battle of the Century (which culminates with one of Hollywod's first pie fights), according to Duke University's Center for the Study of the Public Domain: This is actually the second time that Metropolis has gone into the US public domain. The first was in 1955, when its initial 28-year term expired and the rights holders did not renew the copyright. Then in 1996 a new law restored the copyrights in qualifying foreign works. Metropolis, along with thousands of other works, was pulled out of the public domain, and now reenters it after the expiration of the 95-year term, with the once missing scenes available for anyone to reuse.
They also note that some material is in the public domain from the beginning, including government works like the images from the James Webb telescope.

But for other works, today is a big and important day, writes the Associated Press: Alongside the short-story collection "The Case-Book of Sherlock Holmes," books such as Virginia Woolf's "To The Lighthouse," Ernest Hemingway's "Men Without Women," William Faulkner's "Mosquitoes" and Agatha Christie's "The Big Four" — an Hercule Poirot mystery — will become public domain as the calendar turns to 2023. Once a work enters the public domain it can legally be shared, performed, reused, repurposed or sampled without permission or cost.

The works from 1927 were originally supposed to be copyrighted for 75 years, but the 1998 Copyright Term Extension Act delayed opening them up for an additional 20 years. While many prominent works on the list used those extra two decades to earn their copyright holders good money, a Duke University expert says the copyright protections also applied to "all of the works whose commercial viability had long subsided."

"For the vast majority — probably 99% — of works from 1927, no copyright holder financially benefited from continued copyright. Yet they remained off limits, for no good reason," Jennifer Jenkins, director of Duke's Center for the Study of the Public Domain, wrote in a blog post heralding "Public Domain Day 2023." That long U.S. copyright period meant many works that would now become available have long since been lost, because they were not profitable to maintain by the legal owners, but couldn't be used by others. On the Duke list are such "lost" films like Victor Fleming's "The Way of All Flesh" and Tod Browning's "London After Midnight...."
Also entering the public domain today:


- Willa Cather's Death Comes for the Archbishop
- A. A. Milne's Now We Are Six (illustrations by E. H. Shepard)
- Franklin W. Dixon's The Tower Treasure — the first Hardy Boys book
- Herman Hesse's Steppenwolf (German version)
- The song "My Blue Heaven"
- Songs by Duke Ellington and Louis Armstrong
- Alfred Hitchcock's early silent movie The Lodger


The UK-based newspaper the Observer adds: For those readers who do not reside in the US, there is perhaps another reason for celebrating today, because copyright terms are longer in the US than they are in other parts of the world, including the EU and the UK. And therein lies a story about intellectual property laws and the power of political lobbying in a so-called liberal democracy.... The term was gradually lengthened in small increments by Congress until 1976, when it was extended by 19 years to 75 years and then in 1998 by the Sonny Bono Act. So, as the legal scholar Lawrence Lessig puts it, "in the 20 years after the Sonny Bono Act, while 1 million patents will pass into the public domain, zero copyrights will pass into the public domain by virtue of the expiration of a copyright term"....

[T]he end result is that American citizens have had to wait two decades to be free to adapt and reuse works to which we Europeans have had easy access....

The issue highlighted by Public Domain Day is not that intellectual property is evil but that aspects of it — especially copyright — have been monopolised and weaponised by corporate interests and that legislators have been supine in the face of their lobbying. Authors and inventors need protection against being ripped off. It's obviously important that clever people are rewarded for their creativity and the patent system does that quite well. But if a patent only lasts for 20 years, why on earth should copyright last for life plus 70 years for a novel?

Apple on Tuesday announced Apple Music Sing, a karaoke experience that will be built right into the Apple Music app. The Verge reports: With Apple Music Sing, you'll be able to follow along with Apple Music's real-time lyrics and adjust the volume of the vocals so that you can better hear your singing voice. There are a few features designed to make it easier to sing with others, too. Background vocals can appear independently of main vocals, according to Apple, and there will be a duet view as well if you want to sing along with a friend. Apple will have more than 50 "dedicated companion playlists" featuring karaoke-ready songs that you can pick from. Apple Music Sing is launching "later this month" for Apple Music subscribers.

Jiang Zemin, the Shanghai Communist kingpin who was handpicked to lead China after the 1989 Tiananmen Square protests and presided over a decade of meteoric economic growth, died on Wednesday. He was 96. From a report: A Communist Party announcement issued by Chinese state media said he died in Shanghai of leukemia and multiple organ failure. His death and the memorial ceremonies to follow come at a delicate moment in China, where the ruling party is confronting a wave of widespread protests against its pandemic controls, a nationwide surge of political opposition unseen since the Tiananmen movement of Mr. Jiang's time.

Mr. Jiang was president of China for a decade from 1993. In the eyes of many foreign politicians, Mr. Jiang was the garrulous, disarming exception to the mold of stiff, unsmiling Chinese leaders. He was the Communist who would quote Lincoln, proclaim his love for Hollywood films and burst into songs like "Love Me Tender." Less enthralled Chinese called him a "flowerpot," likening him to a frivolous ornament, and mocking his quirky vanities. In his later years young fans celebrated him, tongue-in-cheek, with the nickname "toad." But Mr. Jiang's unexpected rise and quirks led others to underestimate him, and over 13 years as Communist Party general secretary he matured into a wily politician who vanquished a succession of rivals. Mr. Jiang's stewardship of the capitalist transformation that had begun under Deng Xiaoping was one of his signal accomplishments. He also amassed political influence that endured long past his formal retirement, giving him a big say behind the scenes in picking the current president, Xi Jinping.

Remember Amazon's announcement Tuesday that Prime members would get free access to ad-free podcasts and a library of 100 million songs?

It made Slashdot reader ayjaym cancel their Amazon Prime subsciption. Because despite the upgrade to 100 million tracks, "all of these — including the albums that were available on Prime Music previously — can only be played in random order!" You can't skip forward or back while playing a song either. And, if you like to listen to classical music you now have the travesty of having great works chopped up and reshuffled into a random play order.
A headline at Inc. magazine says Amazon's change "Is Making Everyone Angry." "Hey Alexa, play Taylor Swift's Anti-Hero," used to be a simple thing you might say. When you did, your Echo would do exactly that. It would play Taylor Swift's newest song as long as it was in the catalog of songs available. Now, however, that's not what happens at all. If you're lucky, Alexa will start playing songs from Midnights, Swift's latest album. That, however, is not a given. It might play some of her older songs. It might start playing songs from other artists instead. Why does Amazon think anyone wants this?

Here's why: It's cheaper for a streaming service to not let you choose the song you want, but to let you give it an input and start playing similar music. Also, because Amazon clearly sees Amazon Music as a thing you use in the background when you just want music playing as you do other things.... If what you want to do is listen to Taylor Swift's latest album, you're going to have to choose Apple Music or Spotify Premium, both of which charge more than $10 a month, or Amazon Music Unlimited, which is $8.99 per month.

According to Amazon, 80 percent of people will never do that. They will never pay $10 a month to stream music. They will, however, use a free streaming service even if it means giving up the ability to actually choose the song they want to listen to. Okay, fine, except that's not the thing Amazon had made before.
Inc's conclusion? "If you give someone a thing as a benefit because they gave you money for your $140 a year subscription membership, it's not great if you suddenly make that thing dramatically worse and expect them to pay you more to make it a better experience."

So if you're not going to pay extra to upgrade to Amazon's "Unlimited Music" service, Fast Company explains that "It's probably better to think of Music Prime as a Pandora-like service wherein you pick an artist or genre you like and let Amazon sort out which songs are going to be played for you." The only catch there is that if you're streaming Music Prime to an Amazon Echo device — which we do non-stop around my house — it'll time out after an hour of inactivity. So if you're thinking of throwing a party and asking Alexa to spin up '80s music all night, you're going to have to keep asking every hour.

Another sticking point for some: Music Prime sound quality is available in "standard" definition, whereas Music Unlimited subscribers get access to "HD" and "Ultra HD" tracks depending on how each album is mastered.

Some Music Unlimited tracks can also be played in "spatial audio" — which is touted as "a multidimensional audio experience, adding space, clarity, and depth that is not achievable with traditional stereo music." Far out, man.
Deep in the fine print of the Amazon Music FAQ, you'll find a couple more options. There's also a $4.99-a-month "single device" plan, and a "Family Plan" offering six accounts for $14.99 a month. But Amazon is apparently offering its biggest savings to students enrolled in a degree-granting college or university, with a sharply discounted "Amazon Music Unlimited for Students" program.

Amazon today announced a new benefit for its Prime members which could lure some subscribers away from other music services, like Apple Music or Spotify. From a report: The company said it will now offer Prime subscribers a full music catalog with 100 million songs, instead of the previously more limited selection of just 2 million songs, and will make most of the top podcasts on its service available without ads. In addition, the Amazon Music app is getting a revamp, which includes a new "Podcast Previews" feature that will allow customers to listen to short clips as a way to discover new podcasts they may like. The move is a direct shot at streaming music competitors, especially Spotify, which has been moving into the podcasts market as a means of generating additional revenue. But Spotify's paying subscriber base is growing frustrated with the fact that they still have to listen to podcast ads, despite paying for the service. Amazon Music's promise of ad-free podcasts along with a full music catalog could make for a compelling alternative, the retail giant hopes.

Among the ad-free podcasts are shows from top brands like CNN, NPR, The New York Times, and ESPN. Other ad-free shows include the Wondery catalog of podcasts, like "Dr. Death," "SmartLess," and "Even the Rich," and new Amazon Exclusive shows including "MrBallen Podcast: Strange, Dark & Mysterious Stories;" "Suspect: Vanished in the Snow;" "COLD Season Three: The Search for Sheree;" "Killer Psyche Daily;" "I Hear Fear," narrated by Academy Award-nominated actress Carey Mulligan; and a weekly bonus episode of "The Old Man and the Three," hosted by former NBA player JJ Redick. The Amazon Exclusive podcast series "Baby, this is Keke Palmer," from the actress and entrepreneur Keke Palmer (NOPE) also debuts today.

"Today, tools like drones, digital recorders, and artificial intelligence are helping us listen to the sounds of nature in unprecedented ways," writes Vox, citing Karen Bakker, author of the new book Sounds of Life: How Digital Technology Is Bringing Us Closer to the Worlds of Animals and Plants.

But how far will this lead? Automated listening posts have been set up in ecosystems around the planet, from rainforests to the depths of the ocean, and miniaturization has allowed scientists to stick microphones onto animals as small as honeybees. "Combined, these digital devices function like a planetary-scale hearing aid: enabling humans to observe and study nature's sounds beyond the limits of our sensory capabilities," Bakker writes.

All those devices create a ton of data, which would be impossible to go through manually. So researchers in the fields of bioacoustics (which studies sounds made by living organisms) and ecoacoustics (which studies the sounds made by entire ecosystems) are turning to artificial intelligence to sift through the piles of recordings, finding patterns that might help us understand what animals are saying to each other. There are now databases of whale songs and honeybee dances, among others, that Bakker writes could one day turn into "a zoological version of Google Translate."
In an interview with Vox, the author points out that already "We can use artificial intelligence-enabled robots to speak animal languages and essentially breach the barrier of interspecies communication. Researchers are doing this in a very rudimentary way with honeybees and dolphins and to some extent with elephants.

"Now, this raises a very serious ethical question..." I'll give you one example. A research team in Germany encoded honeybee signals into a robot that they sent into a hive. That robot is able to use the honeybees' waggle dance communication to tell the honeybees to stop moving, and it's able to tell those honeybees where to fly to for a specific nectar source. The next stage in this research is to implant these robots into honeybee hives so the hives accept these robots as members of their community from birth. And then we would have an unprecedented degree of control over the hive; we'll have essentially domesticated that hive in a way we've never done so before. This creates the possibility of exploitive use of animals. And there's a long history of the military use of animals, so that's one path that I think raises a lot of alarm bells.

Remember back in 2014 when every iTunes music library suddenly started showing U2's new album, Songs of Innocence?

In a new memoir (excerpted by the Guardian), U2's lead singer Bono says he's very sorry — and explains exactly how it happened: "Free music?" asked Tim Cook, the CEO of Apple, with a look of mild incredulity. "Are you talking about free music...? But the whole point of what we're trying to do at Apple is to not give away music free. The point is to make sure musicians get paid."

"No," I said, "I don't think we give it away free. I think you pay us for it, and then you give it away free, as a gift to people. Wouldn't that be wonderful...?"

Tim was not convinced. "There's something not right about giving your art away for free," he said. "And this is just to people who like U2?"

"Well," I replied, "I think we should give it away to everybody. I mean, it's their choice whether they want to listen to it." See what just happened? You might call it vaunting ambition. Or vaulting. Critics might accuse me of overreach. It is.....

At first I thought this was just an internet squall. We were Santa Claus and we'd knocked a few bricks out as we went down the chimney with our bag of songs. But quite quickly we realised we'd bumped into a serious discussion about the access of big tech to our lives. The part of me that will always be punk rock thought this was exactly what the Clash would do. Subversive. But subversive is hard to claim when you're working with a company that's about to be the biggest on Earth.

For all the custard pies it brought Apple — who swiftly provided a way to delete the album — Tim Cook never blinked. "You talked us into an experiment," he said. "We ran with it. It may not have worked, but we have to experiment, because the music business in its present form is not working for everyone."

If you need any more clues as to why Steve Jobs picked Tim Cook to take on the leadership of Apple, this is one. Probably instinctively conservative, he was ready to try something different to solve a problem. When it went wrong, he was ready to take responsibility.
"A study six months later found that only a quarter of iTunes users actually listened to at least one Song of Innocence," remembers Rolling Stone. Elsewhere in the excerpt, Bono talks about actually meeting with Steve Jobs in 2004, a conversation that resulted in the iconic "Vertigo" iPod ad. Then a new single, U2 offered the track to Apple to use for free, though the band attempted to get "some Apple stock" in exchange.

"'Sorry,' said Steve. 'That's a dealbreaker,'" Bono wrote. Instead, U2 settled for their own branded iPod.
Bono suggested it be black and red, according to his article in the Guardian — describing Steve Jobs' reaction as "nonplussed." Apple, he said, is about white hardware. "You wouldn't want a black one." He thought for a moment. "I can show you what it would look like, but you will not like it."

When, later, he showed the design to us, we loved it. So much that he'd ask Jony Ive, the company's design genius, to look at it again, and OK, maybe even experiment with a red component on the device, too. To reflect our Atomic Bomb album cover....

Bruce66423 shares a report from the BBC: A hacker who stole two unreleased songs from Ed Sheeran and sold them on the dark web has been jailed for 18 months. Adrian Kwiatkowski traded the music by Sheeran and 12 songs by rapper Lil Uzi Vert in exchange for cryptocurrency. The 23-year-old, from Ipswich, managed to get hold of them after hacking the performers' digital accounts, the Crown Prosecution Service said. Kwiatkowski admitted 19 charges, including copyright infringement and possessing criminal property. He had made 131,000 pounds ($148,000) from the music, City of London Police said.

According to police, seven devices, including a hard drive that contained 1,263 unreleased songs by 89 artists, were seized. A document saved on the hard drive summarised the method he had used to obtain them along with a stash of Bitcoin which was seized. In August, Kwiatkowski pleaded guilty at Ipswich Magistrates Court to three charges of unauthorised access to computer material, 14 charges of selling copyrighted material, one charge of converting criminal property and two charges of possession of criminal property. Chief crown prosecutor Joanne Jakymec said Kwiatkowski had "complete disregard" for the musicians' creativity, hard work and lost earnings. "He selfishly stole their music to make money for himself by selling it on the dark web," she said. "We will be pursuing ill-gotten gains from these proceeds of crime."

Today, Microsoft and Apple announced a number of deeper integrations of Apple services on both Windows PCs and Xbox game consoles, including Music and TV apps for both platforms and the ability to browse your iCloud Photo Library within the Windows 11 Photos app. Ars Technica reports: The Apple Music app for Xbox is already available. Existing users can download the app and start listening to their playlists and stations, while new users can sign up for a one-month trial. The user interface for Apple Music on the Xbox is almost exactly the same as the one we've used before on Apple TV hardware. It doesn't add any new features we haven't seen before, but it's nice to see parity between the platforms. The Music and TV apps for Windows aren't available yet, but the companies say they'll both be available next year.

The Windows iTunes app lets users listen to songs and watch TV and movies purchased through Apple's online store. Even though Apple Music will arrive on Windows, iTunes will continue to be available, and users will still be able to access Podcasts and Books there. While you'll have to wait until next year to download the Music and TV apps in Windows, the iCloud Photo Library integration is available right now. You'll have to download the iCloud Windows app (which is already used to sync a variety of things, like browser bookmarks) and opt into syncing your iCloud Photo Library. After that, both videos and photos should be available within the Windows 11 Photos app.

"Our new robot overlords are making a whole lot of progress in the space of AI music generation," quips TechCrunch, discussing a new project called "Harmonai" backed by Stability AI (creators of the open source AI image generator Stable Diffusion): In late September, Harmonai released Dance Diffusion, an algorithm and set of tools that can generate clips of music by training on hundreds of hours of existing songs.... Dance Diffusion remains in the testing stages — at present, the system can only generate clips a few seconds long. But the early results provide a tantalizing glimpse at what could be the future of music creation, while at the same time raising questions about the potential impact on artists....

Google's AudioLM, detailed for the first time earlier this week, shows... an uncanny ability to generate piano music given a short snippet of playing. But it hasn't been open sourced. Dance Diffusion aims to overcome the limitations of previous open source tools by borrowing technology from image generators such as Stable Diffusion. The system is what's known as a diffusion model, which generates new data (e.g., songs) by learning how to destroy and recover many existing samples of data. As it's fed the existing samples — say, the entire Smashing Pumpkins discography — the model gets better at recovering all the data it had previously destroyed to create new works....

It's not the most intuitive idea. But as DALL-E 2, Stable Diffusion and other such systems have shown, the results can be remarkably realistic.
Its lyrics are gibberish, TechCrunch concedes — though their article also features several audio clips (including a style transfer of Smash Mouth's vocals onto the Tetris theme).

And the article also notes a new tool letting artists opt of of being used in AI training sets, before raising the obvious concern...

The project's lead stresses that "All of the models that are officially being released as part of Dance Diffusion are trained on public domain data, Creative Commons-licensed data and data contributed by artists in the community." But even with that, TechCrunch notes that "Assuming Dance Diffusion one day reaches the point where it can generate coherent whole songs, it seems inevitable that major ethical and legal issues will come to the fore."

For example, beyond the question of whether "training" is itself a copyright violation, there's the possibility that the algorithm might accidentally duplicate a copyrighted melody...

Today, YouTube announced major changes to its YouTube Partner Program, allowing creators to earn ad revenue on Shorts, its TikTok competitor. TechCrunch reports: Now, Shorts creators can qualify for the Partner Program, which allows creators to earn ad revenue from YouTube. The existing Partner Program requires YouTubers to have over 1,000 subscribers and 4,000 watch hours in the last year. Now, Shorts creators can join the Partner Program if they have at least 10 million views on the platform over the last 90 days. As members of the Partner Program, these creators will earn 45% of ad revenue from their videos.

"I'm proud to say this is the first time real revenue sharing is being offered for short form video on any platform at scale," said YouTube Chief Product Officer Neal Mohan. He's right. TikTok has started experimenting with ad revenue sharing, but its efforts seem to focus more on the advertiser than the creator, as only the top 4% of all videos on TikTok can be monetized through its TikTok Pulse program. For the most part, creators have found it increasingly difficult to make money from TikTok's Creator Fund. [...]

YouTube Shorts is poised to become TikTok's biggest competitor. If creators can make more money on Shorts than on TikTok, then they're incentivized to make original content for the YouTube platform. YouTube also shared that this update to the Partner Program will enable the platform to license more music for use in Shorts, which could help encourage creators to use Shorts more often. Creators in the program will be compensated the same, regardless of whether they use licensed music. YouTube also unveiled Creator Music, now in beta testing. Creators can browse a large catalog of songs to purchase for use in their content, with the terms of the music rights spelled out in simple terms. They'll also be able to opt for tracks with new revenue-sharing option where both creators and music rights holders earn money from their content.

Since January 1, 2009, Jonathan Mann has written an original song every day and shared it online. Starting as an unemployed 26-year-old, Mann remembers in an online video that "I made my living entering video contests — I'd submit to 12 of them in 12 days, win one or two, and that was my income for the month."

But Mann released that video after song #4,000, reflecting that "A bunch of videos went viral. I released eight albums. In 2016 I got the Guinness World Record for most consecutive days writing a song. And I've carved out this living delivering keynotes at conferences all over the world — as well as watching all the other talks then getting up at the end to sing a song that recaps everything."

And now 13 years, 8 months, and 9 days after he first began, "I have officially written 5000 songs in 5000 days," Mann announced Friday on Twitter — sharing a special 5,000th song including singing appearances from 112 of his listeners. Mann still shares his videos free online — but for four years, Mann has also been auctioning the songs as NFTs living on the Ethereum blockchain. (By Friday night someone had bid 5 ETH -- about $1,700 -- for song #5,000. And the NFTs also confer membership status for the decentralized autonomous organization, SongADAO).

Mann also writes songs on commission on a "pay-what-you-feel" basis, and has even written songs for companies like SquareSpace and OKCupid. ("Most businesses pay between $2000 and $5000 for a song and a video.") Once Steve Jobs even opened Apple's press conference about its iPhone antennas dropping phone calls by playing one of Mann's satirical songs.

"I saw that on YouTube this morning, and couldn't help but want to share it," Steve Jobs said, according to this 2017 summation of Mann's other wacky career highlights: On day #202, he won a $500 American Express gift card in a jingle contest held by Microsoft for the launch of their Bing search engine. When TechCrunch quipped that Bing had succeeded "in finding the worst jingle ever," Mann responded with a second song — setting TechCrunch's article to music (along with a speculative interior monologue which Mann acknowledges is "completely made up.")

Mann later admitted that his jingle was the worst song he'd recorded that July. ("I wrote it in 10 minutes ...") And his worst song that October was a related song that he'd written when "I received an email from Microsoft of a video showing middle-school kids in Pennsylvania singing and dancing to my Bing song."

"I was horrified. Don't get me wrong, the kids were adorable, but Bing? What had I created!?"

But he was honored when the kids told him they'd enjoyed dancing to his song, and when they asked for one about their own school, Mann obliged.

When Steve Wozniak turned 60, Mann was ready with a musical tribute — Song #588, "That's Just Woz...."

And in January of 2011, as the world learned Jobs had taken an indefinite medical leave of absence, Mann released song #753: Get Better, Steve Jobs...

Mann's duet with Siri earned over 1,609,675 views....

On Day #810 Mann convinced his girlfriend Ivory to sing the other half of a duet called "Vegan Myths Debunked." They'd apparently been dating for a year before he started his song-a-day project. But after four more years, on Day #1,435, Mann and his girlfriend Ivory decided to break up — and released a music video about it....

And in 2014, on day 1,951, Mann's wife gave birth to his son Jupiter....

Day #2000, in June of 2014, Mann answered questions from Reddit users, answering every question with a song....

At a speaking engagement, he offered his own perspective on time: "100 days went by, a year went by, a thousand days went by. At a certain point, it just becomes a part of my life. And so that's how I stand before you now having written 2,082 songs in as many days."

As the audience applauds, he segues into his larger message, "I'm happiest when I'm making."
The article closes by quoting the song Mann wrote on Day #2001 — for a video which included part of every one of the 1,999 previous videos, in a spectacular montage called "2000 Songs in 2000 Days...."

"And I will sing until I'm all out of breath. And the color of the sun is a dark, dark red. And the governments will fall. And we'll sing until it hurts. And we'll ring forever through the universe."

The video ends with a personal message from Mann himself.

"Make something every day," it urges in big letters.

"Just start. I believe in you."

The underground-dwelling rodents known as naked mole rats make soft chirping sounds when they meet in a tunnel. So Researchers at Germany's Max Planck Institute for Brain Research "used machine-learning algorithms to analyze 36,000 soft chirps recorded in seven mole rat colonies," according to the New York Times: Not only did each mole rat have its own vocal signature, but each colony had its own distinct dialect, which was passed down, culturally, over generations. During times of social instability — as in the weeks after a colony's queen was violently deposed — these cohesive dialects fell apart. When a new queen began her reign, a new dialect appeared to take hold. "The greeting call, which I thought was going to be pretty basic, turned out to be incredibly complicated," said Dr. Barker, who is now studying the many other sounds the rodents make. "Machine-learning kind of transformed my research...."

In recent years, scientists have begun deploying this technology to decode animal communication, using machine-learning algorithms to identify when squeaking mice are stressed or why fruit bats are shouting. Even more ambitious projects are underway — to create a comprehensive catalog of crow calls, map the syntax of sperm whales and even to build technologies that allow humans to talk back. "Let's try to find a Google Translate for animals," said Diana Reiss, an expert on dolphin cognition and communication at Hunter College and co-founder of Interspecies Internet, a think tank devoted to facilitating cross-species communication....

[H]umanity is not on the verge of having a Rosetta Stone for whale songs or the ability to chew the fat with cats. But the work is already revealing that animal communication is far more complex than it sounds to the human ear, and the chatter is providing a richer view of the world beyond our own species.... [S]cientists have shown that these programs can tell apart the voices of individual animals, distinguish between sounds that animals make in different circumstances and break their vocalizations down into smaller parts, a crucial step in deciphering meaning.