NittanyTuring writes "Amazon recently closed a Series A financing deal with Amiestreet.com, a startup selling DRM-free MP3s with a demand-based pricing model. All music starts out free, and prices increase for popular tracks. Jeff Blackburn, Senior Vice President for Business Development, Amazon.com: 'The idea of having customers directly influence the price of songs is an interesting and novel approach to selling digital music.' What does this mean for Amazon's own intentions to sell music?"

Harmony writes "When the RIAA sued Sgt. Nicholas Paternoster, it included a screenshot of a shared folder with over 4,600 files — some of which were pornographic images unrelated to the case. Last week, the RIAA got permission from a judge to, as a 'professional courtesy,' swap out the original exhibit for one with only the 350+ songs the defendant is accused of sharing on Kazaa. The RIAA's carelessness may come back to haunt it, however: 'After the suit was filed — and the exhibit made public — Sgt. Paternoster decided to fight back, filing a counterclaim accusing the RIAA of violating his privacy and seeking to "shame Counter-Plaintiff... into giving in to their unreasonable demands regarding their copyrighted materials."'"

JimCricket writes "A new kind of record company, Tailored Music Group, is selling user-customizable songs. Each song is distributed in its 'default' (generic) form, and the customer can change any (or all) of the lyrics. For a few hundred bucks, the original indie musician will re-work the song with the custom lyrics. Neat idea."

Adambomb writes "It seems that the deal that saved Net radio at the 11th hour, the new terms that would limit the maximum fee for multiple-channel Web radio broadcasts, contains a hook. To qualify for the cap, broadcasters must work to ensure that stream-ripping is not feasible. Given that the analog hole will always exist as far as I can imagine in such scenarios, is this even possible?" The article mentions the measures Net stations could easily take but have been reluctant to — lowering bit rates, playing jingles over the music, cross-fading songs. How long before they are backed into using these techniques?

realjd writes with news out of Florida that music licensing companies are now hitting small bars and coffee shops that offer live music, even if only occasionally and even if the musicians don't get paid. One coffee-shop owner told musicians they can only perform their own songs from now on. "A restaurant owner who doesn't even offer live music was approached for payment for having the TV on while the Monday Night Football theme played. And if the owners pay up to one licensing company, all of the others start harassing them, calling four times a day, demanding payment too. It sounds like they don't even check whether any copyright violations occurred, they're just sending bills to any business that may or may not have live music."

Bushido Hacks write "Is it so wrong to learn how to play the guitar? According to NPR, a record company ordered YouTube to remove videos of a man who offered to show people how to play the guitar for free. One of the songs that he taught was copyrighted, and as a result over 100 of his videos were removed from the internet. 'Since he put his Web site up last year, he has developed a long waiting list for the lessons he teaches in person. And both he and Taub say that's still the best way to learn. If someone tells Sandercoe to take down his song lessons, he says he will. But his most valuable videos are the ones that teach guitar basics -- things like strumming, scales and finger-picking. And even in the digital age, no one holds a copyright on those things.' How could this constitute as infringement if most musicians usually experiment to find something that sounds familiar?"

Stony Stevenson writes with word that, although AllofMP3.com was shut down by the Russian Government this week, customers from the site who have existing credit can still purchase songs through its downloadable windows desktop and smartphone client, allTunes.com. From the article: "A former AllofMP3.com user, who spoke to Computerworld on the condition of anonymity, purchased songs with his existing credit from the allTunes software client today and experienced no trouble doing so... AllofMP3's six million users will no doubt be delighted they can use their leftover credit to purchase songs, but the site's longevity hangs in the balance. Just days after the Russian Government shut down AllofMP3.com, its sister site, MP3Sparks.com, suffered the same fate."

destinyland writes "Steve Wozniak just weighed in on DRM, saying "it doesn't make much sense if these things are going to have DRM forever." In this great new interview, he complains that even now, only six songs on his iTunes playlist are DRM-free. He applauds the Open Source Movement, saying "it's very honorable and it's very good for the customers." He's even considering publishing the hand-written code for the Apple II as a manuscript. He's also surprisingly non-commital about the iPhone. ("Will word of mouth kill it or make it a hit? Who knows?") He also talks about his favorite pranks, and reveals that "the Secret Service read me my Miranda rights once.""

njondet writes "French-law.net reports that Ratatium.com, a French website specialized in technology news and software downloads, has just launched Privatunes, a free software that anonymizes DRM-free files bought on iTunes Plus. Last month's revelations that the DRM-free files sold by EMI on iTunes Plus came with user's full name and account e-mail embedded in them had raised serious privacy concerns. Ratatium.com explains (in French) that Privatunes is aimed at guaranteeing the privacy of users but also their rights as consumers to freely share and trade the songs they have purchased. However, the claim that this software is perfectly legal will surely be tested."

An anonymous reader writes "'The initial results of DRM-free music are good' says Lauren Berkowitz, a senior vice president of EMI, at a music industry conference in New York. Berkowitz went on to say that the early results from iTunes indicate that DRM-free offerings may boost revenue from digital albums as well as individual songs."

Activision has released information on eight more tracks from the upcoming Guitar Hero Encore: Rocks the 80s. In addition the previously announced songs, the company has now confirmed that the following glam and metal ballads will be available: "'Hold On Loosely' (as made famous by .38 Special), 'No One Like You' (as made famous by Scorpions), 'Only a Lad' (as made famous by Oingo Boingo), 'Radar Love' (as made famous by White Lion), 'Ballroom Blitz' (as made famous by Krokus), 'The Warrior' (by Scandal), 'What I Like About You' (as made famous by The Romantics), and 'Wrath Child' (as made famous by Iron Maiden)." Would have liked "Dead Man's Party" or "Weird Science" better from Boingo, but you can't have everything.

Teksty Piosenek writes "Artists and record bosses believe that the best album is the loudest one. Sound levels are being artificially enhanced so that the music punches through when it competes against background noise in pubs or cars. 'Geoff Emerick, engineer on the Beatles' Sgt. Pepper album, said: "A lot of what is released today is basically a scrunched-up mess. Whole layers of sound are missing. It is because record companies don't trust the listener to decide themselves if they want to turn the volume up." Downloading has exacerbated the effect. Songs are compressed once again into digital files before being sold on iTunes and similar sites. The reduction in quality is so marked that EMI has introduced higher-quality digital tracks, albeit at a premium price, in response to consumer demand.'"

Last week we asked you for questions to pass on to Turbine CEO Jeff Anderson, about their recently released Lord of the Rings Online Massively Multiplayer Online Game. There were a ton of great queries, and unfortunately Mr. Anderson had only a limited time to spare for us. Over the phone we still managed to discuss a wide variety of topics, including: their use of the license, lessons learned from the Asheron games, World of Warcraft impact on the genre, what Tolkien would have thought, and whether or not they're working on a Linux/Mac client. Make sure to give them a look, and many thanks again to Mr. Anderson for taking the time to speak with us.

Lucas123 writes "The MultiMedia Card Association has approved a new memory card standard called the Multiple Interface Card (miCard). The card will make transferring pictures, songs, and other data between electronic gadgets and PCs easier. Twelve Taiwanese companies are preparing to manufacture the new miCard. 'The compatibility with both USB and MMC slots means most users won't need separate card readers anymore. MMC cards fit most consumer electronics, while USB connections are built into a wide range of IT hardware...'" Initial cards will hold 8 GB; the maximum the standard supports is 2,048 GB.

The circle is now complete. With Turbine's release of Lord of the Rings Online: The Shadows of Angmar (LOTRO), the Massively Mutliplayer game figuratively eats the tail of its originator in ouroboros-like fashion. Tolkien's work begat Dungeons and Dragons, the PC gaming market, CRPGs, and finally Massive games, and last month's release of LOTRO beautifully reconnects the future with the past. Replacing dice-wielding friends around a table has even, wonder of wonders, been done well. Polished gameplay and cutting-edge graphics abound; In direct contrast to the lackluster response to Turbine's other MMOG, Dungeons and Dragons Online, Lord of the Rings Online has had an overwhelmingly positive reaction from fans. Read on for my notes from the experience of trying on Hobbit feet for a month, and a few words about why LOTRO's quality is notable and highly encouraging.

An anonymous reader writes "A decision in Tokyo District Court could have implications in Japan for online services that let users store files, if any music files are involved. The court case pitted JASRAC, the Japanese organization that collects fees for public music performances, against Image City, whose MYUTA service lets users employ a central server to store songs from their own CDs, to play on their own phones. The Tokyo District Court handed down a ruling declaring Image City guilty of copyright infringement (Google translation). Despite the music being stored strictly for personal use, the ruling reasoned that the act of uploading music to a central server owned by a company is the equivalent of distributing music to that company. This has implications for other services such as Yahoo! Briefcase and Apple's .Mac, which could mean these companies are guilty of copyright infringement if any of their users in Japan store music in their accounts for personal use. Here are some additional details on JASRAC's activities and methods." Neither article talks about possible appeals, or about how strong a precedent this case sets in the Japanese legal system.

mtnlion1 writes "Amazon.com announced it will launch a digital music store later this year offering millions of songs in the DRM-free MP3 format from more than 12,000 record labels. EMI Music's digital catalog is the latest addition to the store. Every song and album in the Amazon.com digital music store will be available exclusively in the MP3 format without digital rights management (DRM) software. Amazon's DRM-free MP3s will free customers to play their music on virtually any of their personal devices and burn songs to CDs for personal use."

The New York Times is running a look behind the scenes with singer/songwriter Jonathan Coulton, creator the somewhat popular "Thing a week" songs on his blog. Coulton describes a bit of how he got started and what daily life is like maintaining relations with his fans. "Along the way, he discovered a fact that many small-scale recording artists are coming to terms with these days: his fans do not want merely to buy his music. They want to be his friend. And that means they want to interact with him all day long online. They pore over his blog entries, commenting with sympathy and support every time he recounts the difficulty of writing a song. They send e-mail messages, dozens a day, ranging from simple mash notes of the "you rock!" variety to starkly emotional letters, including one by a man who described singing one of Coulton's love songs to his 6-month-old infant during her heart surgery. Coulton responds to every letter, though as the e-mail volume has grown to as many as 100 messages a day, his replies have grown more and more terse, to the point where he's now feeling guilty about being rude."

eldavojohn writes "Apple CEO Steve Jobs has been talking smack about DRM and has recently issued a verbal offer to major music lables stating that if they are willing to lose the DRM, he'd be willing to raise his 99 cent price for those iTunes songs. These tracks (such as the recent EMI deal) would also have better sound quality & cost about 30 cents more."

SexCaptain writes "MacRumors.com reveals a letter circulated by Apple to all producers of content for the iTunes Store, announcing that from May onward they can sell their music at higher quality and free of DRM. Hopefully this opens the doors for labels like Netwerk. This is a big step in the right direction, although it's unclear exactly what Apple means by 'higher quality,' and there is no mention of price changes. (Apple charges $0.30 more per song for DRM-free content from EMI and encodes it at 256K.) Quoting from the letter: 'Many of you have reached out to iTunes to find out how you can make your songs available higher quality and DRM-free," Apple wrote in the communication. "Starting next month, iTunes will begin offering higher-quality, DRM-free music and DRM-free music videos to all customers."