The New York Times, owner of the once-viral, word game Wordle, is suing a geography-based spinoff called Worldle, accusing its similar name of "creating confusion" and attempting to capitalize on "the enormous goodwill" associated with its own brand. Worldle's creator, Kory McDonald, vows to fight back. The BBC reports: "There's a whole industry of [dot]LE games," he told the BBC. "Wordle is about words, Worldle is about the world, Flaggle is about flags," he pointed out. The New York Times disagrees. Worldle is "nearly identical in appearance, sound, meaning, and imparts the same commercial impression to... Wordle," it says in its legal document. The paper told the BBC it had no further comment to make beyond the contents of its legal submission.

British inventor Josh Wardle developed Wordle in 2021 as a side project to keep his girlfriend entertained. But since then it has become a behemoth, reaching millions of people worldwide. By contrast, around 100,000 people play Worldle every month, according to Mr McDonald, who is based in Seattle. It is not available as an app and can only be played via a web browser. It contains ads, with an option to play ad-free for 10 pounds per year but Mr McDonald says that most of the money he makes from the game goes to Google because he uses Google Street View images, which players have to try to identify. Other popular [dot]LE games include:
- Quordle, a set of four words to guess at the same time
- Nerdle, a maths-based challenge
- Heardle, which is based on identifying music

"There's even another game called Worldle, which involves identifying countries by their outlines," notes the BBC. "The New York Times declined to say whether it intended to pursue them as well."

An anonymous reader shares a report: The sound of the 1990s still resonates in the German capital. Like techno music, the fax machine remains on trend. According to the latest figures from Germany's digital industry association, four out of five companies in Europe's largest economy continue to use fax machines and a third do so frequently or very frequently. Much as Germany's reputation for efficiency is regularly undermined by slow internet connections and a reliance on paper and rubber stamps, fax machines are at odds with a world embracing artificial intelligence.

But progress is on the horizon in the Bundestag -- the lower house of parliament -- where lawmakers have been instructed by the parliamentary budget committee to ditch their trusty fax machines by the end of June, and rely on email instead for official communication. Torsten Herbst, parliamentary whip of the pro-business Free Democrats, points out one fax machine after the other as he walks through the Bundestag. He says the public sector is particularly fond of faxing and that joining parliament was like going back in time.

If you contact Spotify's customer service with a valid receipt, the company will refund your Car Thing purchase. That's the latest development reported by Engadget. When Spotify first announced that it would brick every Car Thing device on December 9, 2024, it said that it wouldn't offer owners any subscription credit or automatic refund. From the report: Spotify has taken some heat for its announcement last week that it will brick every Car Thing device on December 9, 2024. The company described its decision as "part of our ongoing efforts to streamline our product offerings" (read: cut costs) and that it lets Spotify "focus on developing new features and enhancements that will ultimately provide a better experience to all Spotify users."

TechCrunch reports that Gen Z users on TikTok have expressed their frustration in videos, while others have complained directed toward Spotify in DMs on X (Twitter) and directly through customer support. Some users claimed Spotify's customer service agents only offered several months of free Premium access, while others were told nobody was receiving refunds. It isn't clear if any of them contacted them after last Friday when it shifted gears on refunds.

Others went much further. Billboard first reported on a class-action lawsuit filed in the US District Court for the Southern District of New York on May 28. The suit accuses Spotify of misleading Car Thing customers by selling a $90 product that would soon be obsolete without offering refunds, which sounds like a fair enough point. It's worth noting that, according to Spotify, it began offering the refunds last week, while the lawsuit was only filed on Tuesday. If the company's statement about refunds starting on May 24 is accurate, the refunds aren't a direct response to the legal action. (Although it's possible the company began offering them in anticipation of lawsuits.) Editor's note: As a disgruntled Car Thing owner myself, I can confirm that Spotify is approving refund requests. You'll just have to play the waiting game to get through to a Spotify Advisor and their "team" that approves these requests. You may have better luck emailing customer service directly at support@spotify.com.

The Atlantic argued this week that OpenAI "just gave away the entire game... The Johansson scandal is merely a reminder of AI's manifest-destiny philosophy: This is happening, whether you like it or not."

But the Washington Post reports that OpenAI "didn't copy Scarlett Johansson's voice for ChatGPT, records show." [W]hile many hear an eerie resemblance between [ChatGPT voice] "Sky" and Johansson's "Her" character, an actress was hired in June to create the Sky voice, months before Altman contacted Johansson, according to documents, recordings, casting directors and the actress's agent. The agent, who spoke on the condition of anonymity, citing the safety of her client, said the actress confirmed that neither Johansson nor the movie "Her" were ever mentioned by OpenAI. The actress's natural voice sounds identical to the AI-generated Sky voice, based on brief recordings of her initial voice test reviewed by The Post...

[Joanne Jang, who leads AI model behavior for OpenAI], said she "kept a tight tent" around the AI voices project, making Chief Technology Officer Mira Murati the sole decision-maker to preserve the artistic choices of the director and the casting office. Altman was on his world tour during much of the casting process and not intimately involved, she said.... To Jang, who spent countless hours listening to the actress and keeps in touch with the human actors behind the voices, Sky sounds nothing like Johansson, although the two share a breathiness and huskiness. In a statement from the Sky actress provided by her agent, she wrote that at times the backlash "feels personal being that it's just my natural voice and I've never been compared to her by the people who do know me closely."
More from Northeastern University's news service: "The voice of Sky is not Scarlett Johansson's, and it was never intended to resemble hers," Altman said in a statement. "We cast the voice actor behind Sky's voice before any outreach to Ms. Johansson. Out of respect for Ms. Johansson, we have paused using Sky's voice in our products. We are sorry to Ms. Johansson that we didn't communicate better..."

[Alexandra Roberts, a Northeastern University law and media professor] says she believes things will settle down and Johansson will probably not sue OpenAI since the company is no longer using the "Sky" voice. "If they stopped using it, and they promised her they're not going to use it, then she probably doesn't have a case," she says. "She probably doesn't have anything to sue on anymore, and since it was just a demo, and it wasn't a full release to the general public that offers the full range of services they plan to offer, it would be really hard for her to show any damages."
Maybe it's analgous to something Sam Altman said earlier this month on the All-In podcast. "Let's say we paid 10,000 musicians to create a bunch of music, just to make a great training set, where the music model could learn everything about song structure and what makes a good, catchy beat and everything else, and only trained on that... I was posing that as a thought experiment to musicians, and they were like, 'Well, I can't object to that on any principle basis at that point — and yet there's still something I don't like about it.'"

Altman added "Now, that's not a reason not to do it, um, necessarily, but..." and then talked about Apple's "Crush" ad and the importance of preserving human creativity. He concluded by saying that OpenAI has "currently made the decision not to do music, and partly because exactly these questions of where you draw the lines..."

Apple once designed a Tetris clone that has been found on a prototype version of the third-generation iPod, indicating the company was experimenting with releasing the game on the music player. From a report: It's called Stacker and, obviously, is controlled via the iPod's scroll wheel. The software was spotted by X user AppleDemoYT, who is known for finding rare prototype devices. The prototype iPod is a "DVT" device, meaning it was a mid-stage device that was still in "Design Validation Testing." It has a model number of A1023, which is not a known model number of any iPod version.

The device runs a prototype version of iPodOS 2.0, which is where Stacker comes from. The pieces are moved from left to right using the scroll wheel and they fall when the middle button is pressed. The goal is to clear lines and score points. You know the deal. It's Tetris. It's not the only game found on the prototype iPod. There's something called Block0, which is likely an early version of Brick. The device also features a game called Klondike, which is likely an early version of Solitaire. The music player did eventually get some games, including the aforementioned Solitaire and Brick. AppleDemoYT asked former Apple VP Tony Fadell why Stacker was never released and he said it was because games didn't show up until a "later software release."

Spotify is about to render its Car Thing dashboard accessory inoperable on December 9th. Not only is the company refusing to open-source the device, it won't offer owners any subscription credit or automatic refund. "Rather, it's just canning the project and telling people to (responsibly) dispose of Car Thing," reports The Verge. From the report: "We're discontinuing Car Thing as part of our ongoing efforts to streamline our product offerings," Spotify wrote in an FAQ on its website. "We understand it may be disappointing, but this decision allows us to focus on developing new features and enhancements that will ultimately provide a better experience to all Spotify users."

The company is recommending that customers do a factory reset on the product and find some way of responsibly recycling the hardware. Spotify is also being direct and confirming that there's little reason to ever expect a sequel. "As of now, there are no plans to release a replacement or new version of Car Thing," the FAQ reads. Car Thing went on sale to the public in early 2022 for $90. Spotify halted production several months later "based on several factors, including product demand and supply chain issues."

At the time, the company said: "Existing devices will perform as intended."

UPDATE 5/30/24: Spotify Says It Will Refund Car Thing Purchases

Android Authority's Mishaal Rahman reports that the group speaker volume controls feature is back in Android 15 Beta 2. "Google intentionally disabled this functionality on Pixel phones back in late 2021 due to a legal dispute with Sonos," reports Rahman. "In late 2023, Google announced it would bring back several features they had to remove, following a judge's overturning of a jury verdict that was in favor of Sonos." From the report: When you create a speaker group consisting of one or more Assistant-enabled devices in the Google Home app, you're able to cast audio to that group from your phone using a Cast-enabled app. For example, let's say I make a speaker group named "Nest Hubs" that consists of my bedroom Nest Hub and my living room Nest Hub. If I open the YouTube Music app, start playing a song, and then tap the cast icon, I can select "Nest Hubs" to start playback on both my Nest Hubs simultaneously.

If I keep the YouTube Music app open, I can control the volume of my speaker group by pressing the volume keys on my phone. This functionality is available no matter what device I use. However, if I open another app while YouTube Music is casting, whether I'm able to still control the volume of my speaker group using my phone's volume keys depends on what phone I'm using and what software version it's running. If I'm using a Pixel phone that's running a software version before Android 15 Beta 2, then I'm unable to control the volume of my speaker group unless I re-open the YouTube Music app. If I'm using a phone from any other manufacturer, then I won't have any issues controlling the volume of my speaker group.

The reason for this weird discrepancy is that Google intentionally blocked Pixel devices from being able to control the volume of Google Home speaker groups while casting. Google did this out of an abundance of caution while they were fighting a legal dispute. [...] With the release of last week's Android 15 Beta 2, we can confirm that Google finally restored this functionality.

After being rumored for years, Sonos has officially entered the headphones market with its new Ace headphones. "The Sonos Ace wireless over-ear active noise-canceling headphones are specified to go toe-to-toe with the established market leaders from the likes of Apple and Bose, and they're priced to match at $449," reports Wired. From the report: Visually, you get an elegant and notably slim pair of over-ear headphones in either a black or "soft" white matte finish. Thanks to a light 312-gram weight, and with some very well-judged clamping force and a clever hanger arrangement that conceals the hinged yoke inside the body of the ear cups, it means all-day comfort. The combination of memory foam, vegan leather, and stainless steel is equally beneficial where comfort and aesthetics are concerned. Branding is restricted to one ear cup, and it's laser-etched, so it manages to be understated while still catching the eye. Where the Apple AirPods Max shout "look at ME!," the Sonos Ace enunciate it quietly and precisely.

As far as performance is concerned, you get all the bells and whistles you'd expect. Wireless connectivity is via Bluetooth 5.4, and they have SBC and AAC codecs, allowing the Ace to be compatible with ALAC and Qualcomm Snapdragon Sound aptX Lossless. Sound is delivered by a pair of custom-designed 40-mm dynamic drivers. Sonos is characteristically coy about frequency response, but from my brief listen at a recent press event in London, they were full-range enough for real bass. Ported acoustic architecture allows for optimum low-frequency extension. Spatial audio is available via those streaming services that support Dolby Atmos and/or Sony 360 Reality Audio, and Sonos' Intelligent Motion Processing with Dolby Head Tracking dynamically follows your head movement to provide an even greater sensation of immersion and envelopment.

There are other cool features that most other headphones can't offer, by virtue of Sonos' ubiquity in many homes. At launch, the Ace will interact seamlessly with the Sonos Arc Dolby Atmos soundbar to swap TV sound between bar and phones at the touch of a button. Sonos suggests that compatibility with its other soundbars (Beam, Beam Gen 2, and Ray) is coming soon, along with a new TrueCinema technology that will map your listening space to reproduce your room's characteristics in the sound of the Ace. [...]

A blind worker for the National Federation of the Blind said Sonos had a reputation for making products usable for people with disabilities, but that "Overnight they broke that trust," according to the Washington Post.

They're not the only angry customers about the latest update to Sonos's wireless speaker system. The newspaper notes that nonprofit worker Charles Knight is "among the Sonos die-hards who are furious at the new app that crippled their options to stream music, listen to an album all the way through or set a morning alarm clock." After Sonos updated its app last week, Knight could no longer set or change his wake-up music alarm. Timers to turn off music were also missing. "Something as basic as an alarm is part of the feature set that users have had for 15 years," said Knight, who has spent thousands of dollars on six Sonos speakers for his bedroom, home office and kitchen. "It was just really badly thought out from start to finish." Some people who are blind also complained that the app omitted voice-control features they need.

What's happening to Sonos speaker owners is a cautionary tale. As more of your possessions rely on software — including your car, phone, TV, home thermostat or tractor — the manufacturer can ruin them with one shoddy update... Sonos now says it's fixing problems and adding back missing features within days or weeks. Sonos CEO Patrick Spence acknowledged the company made some mistakes and said Sonos plans to earn back people's trust. "There are clearly people who are having an experience that is subpar," Spence said. "I would ask them to give us a chance to deliver the actions to address the concerns they've raised." Spence said that for years, customers' top complaint was the Sonos app was clunky and slow to connect to their speakers. Spence said the new app is zippier and easier for Sonos to update. (Some customers disputed that the new app is faster.)

He said some problems like Knight's missing alarms were flaws that Sonos found only once the app was about to roll out. (Sonos updated the alarm feature this week.) Sonos did remove but planned to add back some lesser-used features. Spence said the company should have told people upfront about the planned timeline to return any missing functions.
In a blog post Sonos thanked customers for "valuable feedback," saying they're "working to address them as quickly as possible" and promising to reintroduce features, fix bugs, and address performance issues. ("Adding and editing alarms" is available now, as well as VoiceOver fixes for the home screen on iOS.)

The Washington Post adds that Sonos "said it initially missed some software flaws and will restore more voice-reader functions next week."

In a press release today, the best music player of the 1990s announced that it'll open up its source code to developers worldwide. "Winamp will open up its code for the player used on Windows, enabling the entire community to participate in its development," said the company. "This is an invitation to global collaboration, where developers worldwide can contribute their expertise, ideas, and passion to help this iconic software evolve."

Alexandre Saboundjian, CEO of Winamp, explains: "This is a decision that will delight millions of users around the world. Our focus will be on new mobile players and other platforms. We will be releasing a new mobile player at the beginning of July. Still, we don't want to forget the tens of millions of users who use the software on Windows and will benefit from thousands of developers' experience and creativity. Winamp will remain the owner of the software and will decide on the innovations made in the official version."

Sony Music Group, one of the world's biggest record labels, warned AI companies and music streaming platforms not to use the company's content without explicit permission. From a report: Sony Music, whose artists include Lil Nas X and Celine Dion, sent letters to more than 700 companies in an effort to protect its intellectual property, which includes album cover art, metadata, musical compositions and lyrics, from being used for training AI models. "Unauthorized use" of Sony Music Group content in the "training, development or commercialization of AI systems" deprives the company and its artists of control and compensation for those works, according to the letter, which was obtained by Bloomberg News.

[...] Sony Music, along with the rest of the industry, is scrambling to balance the creative potential of the fast-moving technology while also protecting artists' rights and its own profits. "We support artists and songwriters taking the lead in embracing new technologies in support of their art," Sony Music Group said in statement Thursday. "However, that innovation must ensure that songwriters' and recording artists' rights, including copyrights, are respected."

After bipartisan constituents introduced the Transparency in Charges for Key Events Ticketing (TICKET) Act in June 2023, the United States House of Representatives passed the legislation this week in the ongoing efforts to reform the ticketing industry. From a report: The bill received a substantial amount of bipartisan support, passing 338-24. This comes after the House of Representatives' Energy and Commerce Committee unanimously approved the bill 45-0 in Dec. 2023. It will, of course, now need to move through the Senate before President Joe Biden signs it into law, and there is currently no floor vote in place for the measure.

If enacted, the TICKET Act will require ticket sellers to implement simple all-in pricing; ban speculative ticketing, where the seller does not have actual possession of the ticket; ban deceptive websites and website marketing; provide full refunds for any canceled event; offer comparable replacement tickets for any postponed event with buyers' approval; and require the FTC to issue a report on the BOTS Act Enforcement, which passed in 2016. Representatives Jan Schakowsky (IL-09) and Gus Bilirakis (FL-12) introduced the legislation last year "to improve transparency in the entertainment industry by requiring all event ticket sellers to display the total ticket price -- including all required fees -- in any advertisement, marketing or promotional materials." It was meant to mirror advertising guidelines for airline tickets and have full transparency throughout the purchasing process.

This week, in celebration of Global Accessibility Awareness Day, Apple is introducing several new accessibility features. Noteworthy additions include eye-tracking support for recent iPhone and iPad models, customizable vocal shortcuts, music haptics, and vehicle motion cues. Engadget reports: The most intriguing feature of the set is the ability to use the front-facing camera on iPhones or iPads (at least those with the A12 chip or later) to navigate the software without additional hardware or accessories. With this enabled, people can look at their screen to move through elements like apps and menus, then linger on an item to select it. That pause to select is something Apple calls Dwell Control, which has already been available elsewhere in the company's ecosystem like in Mac's accessibility settings. The setup and calibration process should only take a few seconds, and on-device AI is at work to understand your gaze. It'll also work with third-party apps from launch, since it's a layer in the OS like Assistive Touch. Since Apple already supported eye-tracking in iOS and iPadOS with eye-detection devices connected, the news today is the ability to do so without extra hardware. [...]

There are plenty more features coming to the company's suite of products, including Live Captions in VisionOS, a new Reader mode in Magnifier, support for multi-line braille and a virtual trackpad for those who use Assistive Touch. It's not yet clear when all of these announced updates will roll out, though Apple has historically made these features available in upcoming versions of iOS. With its developer conference WWDC just a few weeks away, it's likely many of today's tools get officially released with the next iOS. Apple detailed all the new features in a press release.

Among Google's swath of new AI models and tools announced today, the company is also expanding its AI content watermarking and detection technology to work across two new mediums. The Verge: Google's DeepMind CEO, Demis Hassabis, took the stage for the first time at the Google I/O developer conference on Tuesday to talk not only about the team's new AI tools, like the Veo video generator, but also about the new upgraded SynthID watermark imprinting system. It can now mark video that was digitally generated, as well as AI-generated text.

[...] Google had also enabled SynthID to inject inaudible watermarks into AI-generated music that was made using DeepMind's Lyria model. SynthID is just one of several AI safeguards in development to combat misuse by the tech, safeguards that the Biden administration is directing federal agencies to build guidelines around.

GameStop shares surged over 72% on Monday after Keith Gill, also known as "Roaring Kitty," returned to social media following a three-year hiatus. Gill gained notoriety for his role in the 2020 meme stock frenzy, where he encouraged amateur investors to buy GameStop shares, significantly driving up the stock price and challenging hedge funds. From a report: He resurfaced on X, Sunday night, with an image of a sketched man leaning forward in a chair, marking the end of a roughly three-year hiatus. He followed that post with several others featuring various comeback-themed videos featuring movie clips and charged music.

GameStop had experienced declining sales amid an industrywide pivot from game cartridges to video game streaming and digital downloads, but with the help from meme stock investors, last March the company turned its first profit in two years. Before then, the company had posted seven straight quarterly losses. This January, GameStop reported its first annual profit since 2018. Roaring Kitty's post helped bump GameStop's share price to $28.25 on Monday. GameStop's all-time high stock price is $120.75 in January 2021.

OpenAI CEO Sam Altman gave an hour-long interview to the "All-In" podcast (hosted by Chamath Palihapitiya, Jason Calacanis, David Sacks and David Friedberg). And speaking on technology's advance, Altman said "Phones are unbelievably good.... I personally think the iPhone is like the greatest piece of technology humanity has ever made. It's really a wonderful product."


Q: What comes after it?

Altman: I don't know. I mean, that was what I was saying. It's so good, that to get beyond it, I think the bar is quite high.

Q: You've been working with Jony Ive on something, right?

Altman: We've been discussing ideas, but I don't — like, if I knew...


Altman said later he thought voice interaction "feels like a different way to use a computer."

But the conversation turned to Apple in another way. It happened in a larger conversation where Altman said OpenAI has "currently made the decision not to do music, and partly because exactly these questions of where you draw the lines..."

Altman: Even the world in which — if we went and, let's say we paid 10,000 musicians to create a bunch of music, just to make a great training set, where the music model could learn everything about song structure and what makes a good, catchy beat and everything else, and only trained on that — let's say we could still make a great music model, which maybe we could. I was posing that as a thought experiment to musicians, and they were like, "Well, I can't object to that on any principle basis at that point — and yet there's still something I don't like about it." Now, that's not a reason not to do it, um, necessarily, but it is — did you see that ad that Apple put out... of like squishing all of human creativity down into one really iPad...?

There's something about — I'm obviously hugely positive on AI — but there is something that I think is beautiful about human creativity and human artistic expression. And, you know, for an AI that just does better science, like, "Great. Bring that on." But an AI that is going to do this deeply beautiful human creative expression? I think we should figure out — it's going to happen. It's going to be a tool that will lead us to greater creative heights. But I think we should figure out how to do it in a way that preserves the spirit of what we all care about here.
What about creators whose copyrighted materials are used for training data? Altman had a ready answer — but also some predictions for the future. "On fair use, I think we have a very reasonable position under the current law. But I think AI is so different that for things like art, we'll need to think about them in different ways..." Altman:I think the conversation has been historically very caught up on training data, but it will increasingly become more about what happens at inference time, as training data becomes less valuable and what the system does accessing information in context, in real-time... what happens at inference time will become more debated, and what the new economic model is there.
Altman gave the example of an AI which was never trained on any Taylor Swift songs — but could still respond to a prompt requesting a song in her style. Altman: And then the question is, should that model, even if it were never trained on any Taylor Swift song whatsoever, be allowed to do that? And if so, how should Taylor get paid? So I think there's an opt-in, opt-out in that case, first of all — and then there's an economic model.
Altman also wondered if there's lessons in the history and economics of music sampling...

An anonymous reader shares a report: Sonos has responded to the avalanche of feedback -- some good, plenty bad -- about the company's redesigned mobile app that was released on May 7th. In the days since, customers have complained about missing features like sleep timers, broken local music library management, and no longer having the ability to edit playlists or the upcoming song queue. More alarmingly, the Sonos app's accessibility has also taken a hit, something the company says it's aiming to resolve by next month.

In a statement provided to The Verge, Sonos confirms that it's keenly aware of the gripes that customers have expressed about the new app. It's hearing their response and is working to address the functionality that has (for now) gone missing. But the company is also standing behind its decision to roll out the app this week, basically describing it as a rough patch that will, in theory, lead to a much better experience for everyone down the line. "Redesigning the Sonos app is an ambitious undertaking that represents just how seriously we are committed to invention and re-invention," said chief product officer Maxime Bouvat-Merlin. "It takes courage to rebuild a brand's core product from the ground up, and to do so knowing it may require taking a few steps back to ultimately leap into the future."

The Rabbit R1 is one of the first standalone AI companion devices to hit the market, offering the ability to translate languages, identify objects in your environment, and order DoorDash, among other things. It's been in the news last week for its all around poor reviews that cite poor battery life, painfully slow responses, and missing features (sound familiar?). Now, it's been confirmed that the Rabbit R1 is powered by an Android app that can run on existing Android phones. Android Authority reports: What ended up souring a lot of people's opinions on the product was the revelation -- in an Android Authority original report -- that the R1 is basically an Android app in a box. Many consumers who believed that the product would be better suited as a mobile app felt validated after our report, but there was one stickler in it that we needed to address: how we got the R1 launcher up and running on an Android phone. See, in our preliminary report, we mentioned that the Rabbit R1's launcher app is intended to be preinstalled in the firmware and be granted several privileged, system-level permissions. While that statement is still true, we should've clarified that the R1 launcher doesn't actually need those permissions. In fact, none of the system-level permissions that the R1 launcher requests are at all necessary for the app to perform its core functionality.

To prove this, we got the Rabbit R1 launcher up and running again on a stock, unrooted Android device (a Xiaomi 13T Pro), thanks to help from a team of reverse engineers including ChromMob, EmilyLShepherd, marceld505, thel3l, and uwukko. We were able to go through the entire setup process as if our device was an actual Rabbit R1. Afterwards, we were able to talk to ChatGPT, use the Vision function to identify objects, play music from Spotify, and even record voice notes. As demonstrated in our hands-on video at the top of this article, all of the existing core functionality that the Rabbit R1 offers would work as an Android or even iOS app. The only functions that wouldn't work are unrelated to the product's core functionality and are things your phone can already do, such as powering off or rebooting the device, toggling Bluetooth, connecting to a cellular or Wi-Fi network, or setting a screen lock.

During our research, Android Authority was also able to obtain a copy of the Rabbit R1's firmware. Our analysis reveals that Rabbit did not make significant modifications to the BSP (Board Support Package) provided by MediaTek. The R1, in fact, still ships with all the standard apps included in AOSP, as well as the many apps provided by MediaTek. This is despite the fact that none of these apps are needed nor ever shown to the user, obviously. Rabbit only made a few changes to the AOSP build that MediaTek provided them, such as adding the aforementioned R1 launcher app, adding a fork of the open-source "AnySoftKeyboard" app with a custom theme, adding an OTA updater app, and adding a custom boot animation. [...] Yes, it's true that all the R1 launcher does is act as a local client to the cloud services offered by Rabbit, which is what truly handles the core functionality. It's also true that there's nothing wrong or unusual with companies using AOSP for their own hardware. But the fact of the matter is that Rabbit does little to justify its use of custom hardware except by making the R1 have an eye-catching design.

An anonymous reader shared this report from the Guardian: Newly deciphered passages from a papyrus scroll that was buried beneath layers of volcanic ash after the AD79 eruption of Mount Vesuvius may have shed light on the final hours of Plato, a key figure in the history of western philosophy. In a groundbreaking discovery, the ancient scroll was found to contain a previously unknown narrative detailing how the Greek philosopher spent his last evening, describing how he listened to music played on a flute by a Thracian slave girl. Despite battling a fever and being on the brink of death, Plato — who was known as a disciple of Socrates and a mentor to Aristotle, and who died in Athens around 348BC — retained enough lucidity to critique the musician for her lack of rhythm, the account suggests....

In a presentation of the research findings at the National Library of Naples, Prof Graziano Ranocchia, of the University of Pisa, who spearheaded the team responsible for unearthing the carbonised scroll, described the discovery as an "extraordinary outcome that enriches our understanding of ancient history". He said: "Thanks to the most advanced imaging diagnostic techniques, we are finally able to read and decipher new sections of texts that previously seemed inaccessible... For the first time, we have been able to read sequences of hidden letters from the papyri that were enfolded within multiple layers, stuck to each other over the centuries, through an unrolling process using a mechanical technique that disrupted whole fragments of text."

"Aamrok 3.0, ported to Qt5/KDE Frameworks 5, has been released," writes Slashdot reader serafean. "With the heavy lifting being done, the Qt6/KF6 version is expected later in the year." Originally developed for Linux as part of the KDE desktop environment, Amarok is a free, cross-platform music player that supports various audio formats and a user interface that can be tailored to individual preferences. These are the main features/changes, as highlighted in a KDE blog post: FEATURES:
- Added a visual hint that context view applets can be resized in edit mode.
- Display missing metadata errors in Wikipedia applet UI.
- Add a button to stop automatic Wikipedia page updating. (BR 485813)

CHANGES:
- Replace defunct lyricwiki with lyrics.ovh as lyrics provider for now. (BR 455937)
- Show only relevant items in wikipedia applet right click menu (BR 323941), use monobook skin for opened links and silently ignore non-wikipedia links.
- Don't show non-functional play mode controls in dynamic mode (BR 287055) The changelog is available here. You can find the package on download.kde.org.