An anonymous reader writes: NASA has announced that it's partnering with Harmonic to launch a new TV channel that delivers video at 4k resolution (4096x2160). The channel is called NASA TV UHD, and it'll go live on November 1. Content will be generated by cameras at the International Space Station and on other NASA missions, as well as any 4K content they can remaster from old footage.

Flash Modin writes: NASA has poured considerable time and resources into Ridley Scott's The Martian — perhaps more than any other movie in history — going so far as to time a Mars human landing site selection workshop to coincide with the film. Jim Green, NASA's head of planetary sciences, was one of the consultants, with other astronomers fact checking every aspect of the set and script. The rockets, modules, and space suits were built — and 3-D printed — with heavy guidance from NASA. The filmmakers even hired Rudi Schmidt, former project manager of the European Space Agency's Mars Express spacecraft, to test the experiments done in the movie, including turning water into rocket fuel — which works. And, on the eve of The Martian's premiere at the Toronto International Film Festival this weekend, some of those scientists believe that this obsessive adherence to science fact will be enough to make NASA's Journey to Mars real for Americans. The space agency needs a Hail Mary because, in truth, the real program is nowhere near ready for prime time.

An anonymous reader writes: Over at the Escapist, games historian Jon Peterson (of Playing at the World) reviews a recently-unearthed copy of James Goldman's 1982 script for a Dungeons & Dragons movie. The synopsis sounds even worse than the Jeremy Irons Dungeons & Dragons film from 2000, if such a thing is possible. Given the resolution of recent legal problems paving the way for a new D&D cinematic universe, will we have better luck with the franchise today? How can you translate the interactive experience of D&D into a compelling movie?

sfcrazy writes: Apple announced that it is turning Apple TV into a platform, opening it up for third party developers. They have already published the beta of tvOS and tvOS SDK, which developers can play with. Which means Plex is now a possibility on Apple TV. The founder of Plex said, "There is no question we will be able to offer Plex on the platform. There are multiple ways to go about it, based on the tvOS SDK we now have access to. We are now evaluating the best path for Plex and will begin work in earnest once we have evaluated the options. The ability to access great and proven iOS frameworks on the device is great for developers like us — we know the stuff is solid and will perform really well. Our goal is to enable people to enjoy Plex on the hardware platforms of their choice, and there is no doubt this will be a top platform for us."

Bennett Haselton writes: The comedy world crucified Josh "Fat Jew" Ostrovsky for building his career on re-tweeting other people's jokes without attribution. But Twitter, or whichever company rises as their successor, could easily implement an algorithm that could stop plagiarists from building a following, while still rewarding joke writers who come up with original content. Read on for Bennett's take on how such a system could work.

An anonymous reader writes: A 29-year-old man from Northern Ireland has been sentenced to two years in jail and another two "on license" for running a website from his bedroom that streamed pirated content. (Being on license is similar to a strict parole in the U.S.) Police say the man made over £280,000 from ads on the site . Law enforcement was put on the case by an anti-piracy group in the UK. Between 2008 and 2013, users of the site streamed approximately 12 million movies, which prosecutors say caused £12 million in damages. The judge in the case said time in jail was necessary "to show that behavior of this nature does not go unpunished."

Solandri writes: Ricardo Taylor, a former supervisor at the U.S. Department of Labor, ran a bootleg DVD operation for seven years, copying DVDs and selling them to other employees via the Department's internal email system. You know — exactly the sort of thing our draconian copyright fines were meant to prevent. He made more than $19,000 from these pirated movie sales in 2013 alone. His punishment? 24 months probation. Apparently, using the Internet to share Copyrighted materials at no personal profit is a more serious crime than selling copyrighted works for profit on physical media. More details on this local NBC site with auto-playing video.

smitty_one_each writes: Timothy Sandefur, a lawyer at the Pacific Legal Foundation has written a breezy overview of the politics of the little-known show Star Trek. His thesis: "...the key to Star Trek's longevity and cultural penetration was its seriousness of purpose, originally inspired by creator Gene Roddenberry's science fiction vision. Modeled on Gulliver's Travels, the series was meant as an opportunity for social commentary, and it succeeded ingeniously, with episodes scripted by some of the era's finest science fiction writers. Yet the development of Star Trek's moral and political tone over 50 years also traces the strange decline of American liberalism since the Kennedy era." The article traces through episodes at each phase of the franchise, exploring literary allusions and lamenting that "Star Trek's latest iterations — the 'reboot' films directed by J.J. Abrams — shrug at the franchise's former philosophical depth."

An anonymous reader writes: This Wednesday, Apple is hosting an event in San Francisco to announce updated versions of some of its products. One device getting a lot of the attention will be the Apple TV, which has languished for several years without significant changes. Apple is making a renewed push for the living room. The company has expanded its partnerships with TV studios over the past few years, launched its own streaming music service, and also made inroads on gaming. The new Apple TV will try to do all these things, including support for apps. It will also reportedly feature universal search: "Essentially, you'll be able to search for a show or movie once, and see results from all sorts of different sources." A side effect of this ambitious goal is that the device will more than double in cost, going from $70 to $150.

HughPickens.com writes: John Koblin writes in the NY Times that there's a crisis in television programming felt among executives, viewers and critics, and it's the result of one thing: There is simply too much on television. John Landgraf, chief executive of FX Networks, reported at the Television Critics Association Summer Press Tour that the total number of original scripted series on TV in 2014 was 371. The total will surpass 400 in 2015. The glut, according to Landgraf, has presented "a huge challenge in finding compelling original stories and the level of talent needed to sustain those stories."

Michael Lombardo, president of programming at HBO, says it is harder than ever to build an audience for a show when viewers are confronted with so many choices and might click away at any moment. "I hear it all the time," says Lombardo. "People going, 'I can't commit to another show, and I don't have the time to emotionally commit to another show.' I hear that, and I'm aware of it, and I get it." Another complication is that shows not only compete against one another, but also against old series that live on in the archives of Amazon, Hulu or Netflix. So a new season of "Scandal," for example, is also competing against old series like "The Wire." "The amount of competition is just literally insane," says Landgraf.

Others point out that the explosion in programming has created more opportunity for shows with diverse casts and topics, such as "Jane the Virgin," "Transparent" and "Orange Is the New Black." Marti Noxon, the showrunner for Lifetime's "UnREAL" and Bravo's "Girlfriends' Guide to Divorce," says there has been a "sea change" in the last five years. "I couldn't have gotten those two shows on TV five years ago," says Noxon. "There was not enough opportunity for voices that speak to a smaller audience. Now many of these places are looking to reach some people — not all the people. That's opened up a tremendous opportunity for women and other people that have been left out of the conversation."

An anonymous reader writes: At the beginning of August the Blender Institute released Cosmos Laundromat: First Cycle, its seventh open project. More than just a 10-minute short film, Cosmos Laundromat is the Blender Institute's most ambitious project, a pilot for the first fully free and open animated feature film. In his article on Opensource.com animator and open source advocate Jason van Gumster highlights the film project and takes a look at some of its most significant contributions to the Blender open source project.

An anonymous reader writes: A Canadian record label specializing in public domain releases has filed a complaint with the Competition Tribunal over alleged anti-competitive conduct by Universal, Sony, and host of other music industry leaders. The complaint tells a fascinating behind-the-scenes tale, with the recording industry doing everything in its powers — including posting false reviews, pressuring distributors, and lobbying for changes to the law — to stop the sale of competing public domain records.

An anonymous reader writes: The torrent-based video streaming software Popcorn Time has been in the news lately as multiple entities have initiated legal action over its use. Now, 16 Oregon-based Comcast subscribers have been targeted for their torrenting of the movie Survivor. The attorney who filed the lawsuit (PDF) says his client, Survivor Productions Inc., doesn't plan to seek any more than the minimum $750 fine, and that their goal is to "deter infringement." The lawsuit against these Popcorn Time users was accompanied by 12 other lawsuits targeting individuals who acquired copies of the movie using more typical torrenting practices.

An anonymous reader writes: Netflix revealed in a blog post that it will not renew its contract with Epix, meaning you won't be able to watch movies like The Hunger Games and World War Z through the service anymore. With the increase in cord-cutters and more original content, Netflix is positioning itself to be like any other TV channel (one that owns its own distribution model) and is betting that customers won't miss the Epix content. Chief Content Officer Ted Sarandos says, "While many of these movies are popular, they are also widely available on cable and other subscription platforms at the same time as they are on Netflix and subject to the same drawn out licensing periods."

New submitter JamesA writes: Wes Craven, the famed writer-director of horror films known for the Nightmare on Elm Street and Scream movies, died Sunday after a battle with brain cancer. He was 76. Though he's far less known as a novelist than for his various horror film jobs (writer, director, producer, actor ...), Craven also wrote a few books; I can't vouch for "Coming of Rage," but "Fountain Society" is pretty solid speculative fiction. Wikipedia notes that Craven also "designed the Halloween 2008 logo for Google, and was the second celebrity personality to take over the YouTube homepage on Halloween."

An anonymous reader writes: Entertainment Weekly reports that Amazon Studios is developing a TV show based on Galaxy Quest, the 1999 film that parodied classic sci-fi shows like Star Trek. In the movie, actors for a Trek-like show were conscripted by real aliens to help run a starship and negotiate peace with a mortal enemy. The actors had no idea what to do, of course, and ended up getting help from the most rabid fans of their show. The new TV show is still in early stages of development. It's unlikely that the original Galaxy Quest cast will return — it starred Tim Allen, Sigourney Weaver, Alan Rickman, and Sam Rockwell, to name a few. However, several important members of the production crew will return: "The film's co-writer Robert Gordon will pen the script and executive produce the pilot. The film's director Dean Parisot will direct and executive produce. And executive producers Mark Johnson and Melissa Bernstein are on board as well." The show is a ways off, yet — they haven't even been greenlit for a pilot episode — but it'd be a welcome addition to today's sci-fi TV offerings

v3rgEz writes: As a cable channel, the FCC has little to no jurisdiction over HBO's content. That doesn't stop people from complaining to them about them, however, and after a FOIA request, the FCC released numerous complaints regarding the network's Game of Thrones. While there were the usual and expected lamentations about 'open homosexual sex acts,' other users saw Game of Thrones as a flashpoint in the war of Net Neutrality.

v3rgEz writes: The FBI followed Ray Bradbury's career very closely, in part because an informant warned them that his writing was not enjoyable fantasy, but rather tantamount to psychological warfare. "The general aim of these science fiction writers is to frighten the people into a state of paralysis or psychological incompetence bordering on hysteria," the informant warned. "Which would make it very possible to conduct a Third World War in which the American people would believe could not be won since their morale had seriously been destroyed."

An anonymous reader writes: You may remember way back in April there was a bit of a kerfuffle over the nominees for the Hugo Awards being "too conservative" based on a voting campaign organized by a group of science fiction fans who wanted to promote hard science fiction over more recent nominees. This was spun as conservatives "ruining" a "progressive" award. The question was left: would the final voters of the Hugo awards accept these nominees, or just take their ball home and refuse to give out anyway awards at all? The votes are in and we know the answer now: they'd rather just not give out any awards. (Wired has a slightly different slant on the process as well as the outcome of this year's awards.)

An anonymous reader writes: A relative of mine has been hinting that he'd like me to take over his model railroad collection in the event of his death (or even before that, to make this a bit less morbid-sounding). I'm intrigued by the idea, because I've been interested in model railroads for years, but too commitment shy and too transient to actually start a collection. That's changed enough that I'd like to start planning a train system, and am looking for advice from people who have been at it for a while. A couple of parameters: 1) I'm only interested for now in HO-scale stuff, so I am not all that interested in the relative merits of the other kinds, cool as they might be. 2) Related, I am somewhat less interested in the rolling stock than I am in the construction and control of the track and surrounding landscape. Interested in learning from experienced model railroad enthusiasts what lessons you've learned over the years that would be useful for a newbie, especially if you've made some cool automation for your system, or have built extensive support structures. This includes negative lessons, too, if you've overloaded circuits or floorboards. I'd *like* to integrate some interesting sensors and control systems, and I see some interesting open source software for this. So: What advice would you give to a late-start railroader? For reference: this set-up may end up living in an unfinished suburban basement.