A new business model has emerged across China's major cities, El Pais reports, where companies charge unemployed individuals to rent desk space and pretend to work, responding to social pressure around joblessness amid rising youth unemployment rates. These services charge between 30 and 50 yuan ($4-7) daily for desks, Wi-Fi, coffee, and lunch in spaces designed to mimic traditional work environments.

Some operations assign fictitious tasks and organize supervisory rounds to enhance the illusion, while premium services allow clients to roleplay as managers or stage workplace conflicts for additional fees. The trend has gained significant traction on Xiaohongshu, China's equivalent to Instagram, where advertisements for "pretend-to-work companies" accumulate millions of views. Youth unemployment reached 16.5% among 16-to-24-year-olds in March 2025, according to National Bureau of Statistics data, while overall urban unemployment stood at 5.3% in the first quarter.

A fairly comprehensive look at the early personal computer culture reveals that from 1975 through early 1977, personal computers remained "almost exclusively the province of hobbyists who loved to play with computers and found them inherently fascinating," according to newly surfaced historical research. When BYTE magazine launched in 1975, its cover called computers "the world's greatest toy," reflecting the recreational rather than practical focus of early adopters.

A BYTE magazine survey from late 1976 showed these pioneers were remarkably homogeneous: 72% held at least a bachelor's degree, had a median annual income of $20,000 ($123,000 in 2025 dollars), and were overwhelmingly male at 99%. Rather than developing practical software applications, early users gravitated toward games, particularly Star Trek simulations that appeared frequently in magazine advertisements and user group demonstrations.

The hobbyist community organized around local clubs like the famous Homebrew Computer Club, retail stores, and specialized magazines that helped establish what one researcher calls "a mythology of the microcomputer." This narrative positioned hobbyists as democratizing heroes who "ripped the computer and the knowledge of how to use it from the hands of the priests, sharing freedom and power with the masses," challenging what they termed the "computer priesthood" of institutional gatekeepers. This self-contained hobbyist culture would soon be "subsumed by a larger phenomenon" as businessmen began targeting mass markets in 1977.

Doom: The Dark Ages just launched on May 15. But it's already received "difficulty" balance changes "that have made the demons of Hell even more dangerous than ever," writes Windows Central: According to DOOM's official website Slayer's Club, these balance adjustments are focused on making the game harder, as players have been leaving feedback saying it felt too easy even on Nightmare Mode. As a result, enemies now hit harder, health and armor item pick-ups drop less often, and certain enemies punish you more severely for mistiming the parry mechanic.
It reached three million players in just five days, which was seven times faster than 2020's Doom: Eternal," reports Wccftech (though according to analytics firm Ampere Analysis (via The Game Business), more than two million of those three million launch players were playing on Xbox, while only 500K were playing on PS5.") "id Software proves it can still reinvent the wheel," according to one reviewer, "shaking up numerous aspects of gameplay, exchanging elaborate platforming for brutal on-the-ground action, as well as the ability to soar on a dragon's back or stomp around in a giant mech."

And the New York Times says the game "effectively reinvents the hellish shooter with a revamped movement system and deepened lore" in the medieval goth-themed game... Double jumping and dashing are ditched and replaced with an emphasis on raw power and slow, strategic melee combat. Doom Slayer's arsenal features a brand-new tool, the powerful Shield Saw, which Id Software made a point to showcase across its "Stand and Fight" trailers and advertisements. Used for absorbing damage at the expense of speed, the saw also allows players to bash enemies from afar and close the gap on chasms too wide to jump across. While previous titles allowed players to quickly worm their way through bullet hell, The Dark Ages expects you to meet foes head on. "If you were an F-22 fighter jet in Doom Eternal, this time around we wanted you to feel like an Abrams tank," Hugo Martin, the game's creative director, has told journalists.

And Doom Slayer's beefy durability and unstoppable nature does make the gameplay a refreshing experience. The badassery is somehow ratcheted to new heights with the inclusion of a fully controllable mech, which has only a handful of attacks at its disposal, and actual dragons. Flight in a Doom game is entirely surprising and fluid, and the dragons feel relatively easy to maneuver through tight spots. They can also engage in combat more deliberately with the use of dodges and mounted cannons...

One of my favorite additions is the skullcrusher pulverizer. Equal parts heinous nutcracker and demonic woodchipper, the gun lodges skulls into a grinder and sends shards of bones flying at enemies. The animation is both goofy and satisfying.
Another special Times article notes that Doom's fans "resurrect the original game over and over again on progressively stranger pieces of hardware: a Mazda Miata, a NordicTrack treadmill, a French pharmacy sign." But what many hard-core tech hobbyists want to know is whether you can play it on a pregnancy test. The answer: positively yes. And for the first time, even New York Times readers can play Doom within The Times's site [after creating a free account]...

None of this happened by accident, of course. Ports were not incidental to Doom's development. They were a core consideration. "Doom was developed in a really unique way that lent a high degree of portability to its code base," said John Romero, who programmed the game with John Carmack. (In our interview, he then reminisced about operating systems for the next 14 minutes.) Id had developed Wolfenstein 3D, the Nazi-killing predecessor to Doom, on PCs. To build Doom, Carmack and Romero used NeXT, the hardware and software company founded by Steve Jobs after his ouster from Apple in 1985. NeXT computers were powerful, selling for about $25,000 apiece in today's dollars. And any game designed on that system would require porting to the more humdrum PCs encountered by consumers at computer labs or office jobs.

This turned out to be advantageous because Carmack had a special aptitude for ports. All of Id's founders met as colleagues at Softdisk, which had hired Carmack because of his ability to spin off multiple versions of a single game. The group decided to strike out on its own after Carmack created a near-perfect replica of the first level of Super Mario Bros. 3 — Nintendo's best-selling platformer — on a PC. It was a wonder of software engineering that compensated for limited processing power with clever workarounds. "This is the thing that everyone has," Romero said of PCs. "The fact that we could figure out how to make it become a game console was world changing...."

Romero founded a series of game studios after leaving Id in 1996 and is working on a new first-person shooter, the genre he and Carmack practically invented. He has no illusions about how it may stack up. "I absolutely accept that Doom is the best game I'll ever make that has that kind of a reach," he said. "At some point you make the best thing." Thirty years on, people are still making it.
And in related news, PC Gamer reports... As part of a new "FPS Fridays" series on Twitch, legendary shooter designer John Romero streamed New Blood's 2018 hit, Dusk, one of the first and most influential indie "boomer shooters" in the genre's recent revitalization. The short of it? Romero seems to have had a blast.

The SEC on Wednesday said it has charged cryptocurrency startup Unicoin and three of its top executives for false and misleading statements that raised more than $100 million from thousands of investors. "We allege that Unicoin and its executives exploited thousands of investors with fictitious promises that its tokens, when issued, would be backed by real-world assets including an international portfolio of valuable real estate holdings," said Mark Cave, Associate Director in the SEC's Division of Enforcement. "But as we allege, the real estate assets were worth a mere fraction of what the company claimed, and the majority of the company's sales of rights certificates were illusory. Unicoin's most senior executives are alleged to have perpetuated the fraud, and today's action seeks accountability for their conduct." From the release: The SEC alleges that Unicoin broadly marketed rights certificates to the public through extensive promotional efforts, including advertisements in major airports, on thousands of New York City taxis, and on television and social media. Among other things, Unicoin and its executives are alleged to have convinced more than 5,000 investors to purchase rights certificates through false and misleading statements that portrayed them as investments in safe, stable, and profitable "next generation" crypto assets, including claims that:

- Unicoin tokens underlying the rights certificates were "asset-backed" by billions of dollars of real estate and equity interests in pre-IPO companies, when Unicoin's assets were never worth more than a small fraction of that amount;
- the company had sold more than $3 billion in rights certificates, when it raised no more than $110 million; and
- the rights certificates and Unicoin tokens were "SEC-registered" or "U.S. registered" when they were not.

According to the SEC's complaint, Unicoin and Konanykhin also violated the federal securities laws by engaging in unregistered offers and sales of rights certificates. Konanykhin offered and sold over 37.9 million of his rights certificates to offer better pricing and target investors the company had prohibited from participating in the offering to avoid jeopardizing its exemption to registration requirements, as alleged.

Google pays Samsung an "enormous sum of money" every month to preinstall Google generative AI app, Gemini, on its phones and devices, according to court testimony, even though the company's practice of paying for installations has twice been found to violate the law. From a report: The company began paying Samsung for Gemini in January, according to Peter Fitzgerald, Google's vice president of platforms and device partnerships, who testified Monday in Washington federal court as part of the Justice Department's antitrust case. The contract, set to run at least two years, provides fixed monthly payments for each device that preinstalls Gemini and pays Samsung a percentage of the revenue Google earns from advertisements within the app, Fitzgerald told Judge Amit Mehta, who is overseeing the case.

An anonymous reader quotes an op-ed from Ars Technica's Scharon Harding: TVs offer us an escape from the real world. After a long day, sometimes there's nothing more relaxing than turning on your TV, tuning into your favorite program, and unplugging from the realities around you. But what happens when divisive, potentially offensive messaging infiltrates that escape? Even with streaming services making it easy to watch TV commercial-free, it can still be difficult for TV viewers to avoid ads with these sorts of messages. That's especially the case with budget brands, which may even force controversial ads onto TVs when they're idle, making users pay for low-priced TVs in unexpected, and sometimes troubling, ways. [...]

Buying a budget TV means accepting some trade-offs. Those trade-offs have historically been around things like image quality and feature sets. But companies like Vizio are also asking customers to accept questionable advertising decisions as they look to create new paths to ad revenue. Numerous factors are pushing TV OS operators deeper into advertising. Brands are struggling to grow profits as people buy new TVs less frequently. As the TV market gets more competitive, hardware is also selling for cheaper, with some companies selling TVs at a loss with hopes of making up for it with ad sales. There's concern that these market realities could detract from real TV innovation. And as the Secretary Noem ad reportedly shown to Vizio TV owners has highlighted, another concern is the lack of care around which ads are being shown to TV owners -- especially when all they want is simple "ambient background" noise.

Today, people can disable ambient mode settings that show ads. But with some TV brands showing poor judgment around where they sell and place ads, we wouldn't bank on companies maintaining these boundaries forever. If the industry can't find a way to balance corporate needs with appropriate advertising, people might turn off not only their TVs more often, but also unplug from those brands completely. Some of the worst offenders highlighted in the article include Vizio TVs' "Scenic Mode," which activates when the TV is idle and displays "relaxing, ambient content" accompanied by ads. Roku City takes a similar approach with its animated cityscape screensaver, saturated with brand logos and advertisements. Even Amazon Fire TV and premium brands like LG have adopted screensaver ads, showing that this intrusive trend isn't limited to budget models.

Meta is considering a paid subscription in the UK that would remove advertisements from its platform. The BBC reports: Under the plans, people using the social media sites could be asked to pay for an ad-free experience if they do not want their data to be tracked. Meta already provides ad-free subscriptions for Facebook and Instagram users in the EU, starting from euros (5 pounds) a month. A spokesperson for the firm said the company was "exploring the option" of offering a similar service in the UK.

They said the firm was "engaging constructively" with the UK data watchdog about the subscription service, following a consultation in 2024. The Information Commissioner's Office previously said it expected Meta to consider data protection concerns before it launched an ad-free subscription. Meta says personalized advertising allows its platforms to be free at the point of access.

Guidance issued by the regulator in January states that users must be presented with a genuine free choice. Social media platforms such as Meta heavily rely on ad revenues, and the company says personalised advertising allows its platforms to be free. Advertising accounted for more than 96% of its revenue in its latest quarterly financial results.

Apple has been hit with a federal lawsuit claiming that the company's promotion of now-delayed Apple Intelligence features constituted false advertising and unfair competition. From a report: The suit, filed Wednesday in U.S. District Court in San Jose, seeks class action status and unspecified financial damages on behalf of those who purchased Apple Intelligence-capable iPhones and other devices. "Apple's advertisements saturated the internet, television, and other airwaves to cultivate a clear and reasonable consumer expectation that these transformative features would be available upon the iPhone's release," the suit reads.

"This drove unprecedented excitement in the market, even for Apple, as the company knew it would, and as part of Apple's ongoing effort to convince consumers to upgrade at a premium price and to distinguish itself from competitors deemed to be winning the AI-arms race. [...] Contrary to Defendant's claims of advanced AI capabilities, the Products offered a significantly limited or entirely absent version of Apple Intelligence, misleading consumers about its actual utility and performance. Worse yet, Defendant promoted its Products based on these overstated AI capabilities, leading consumers to believe they were purchasing a device with features that did not exist or were materially misrepresented."

An anonymous reader quotes a report from Ars Technica: Meta plans to test out X's algorithm for Community Notes to crowdsource fact-checks that will appear across Facebook, Instagram, and Threads. In a blog, Meta said the testing in the U.S. would begin March 18, with about 200,000 potential contributors already signed up. Anyone over 18 with a Meta account more than six months old can also join a waitlist of users who will "gradually" and "randomly" be admitted to write and rate cross-platform notes during initial beta testing.

Meta claimed that borrowing X's approach would result in "less biased" fact-checking than relying on experts alone. But the social media company will delay publicly posting any notes until it's confident that the system is working. For users of Meta platforms, notes could help flag misleading content overlooked by prior fact-checking efforts. However, Meta confirmed that users will not be allowed to add notes correcting misleading advertisements, which means notes won't help reduce scam ads that The Guardian reported last August have been spreading on Facebook for years. Meta confirmed that the company plans to tweak X's algorithm over time to develop its own version of community notes, which "may explore different or adjusted algorithms to support how Community Notes are ranked and rated."

Connecticut's highest-ranking state legislator has proposed a bill requiring movie theaters to disclose both preview and feature film start times, setting up a clash with theater operators who say the measure threatens their advertising revenue.

Senate President Pro Tempore Martin Looney's proposal aims to prevent moviegoers from sitting through up to 30 minutes of advertisements and trailers before features begin. The Democrat cited complaints from constituents about lengthy pre-show delays. Theater owners are pushing back, local outlet RegisterCitizen reports, with Avon Theatre's executive director Peter Gistelinck warning the measure could undermine their financial stability.

"In-dash advertising is here and Stellantis, the parent company of Jeep, Dodge, Chrysler, and Ram, beat everyone to further enshittification," writes longtime Slashdot reader sinij. "Ads can be seen in this video." From a report: In a move that has left drivers both frustrated and bewildered, Stellantis has introduced full-screen pop-up ads on its infotainment systems. Specifically, Jeep owners have reported being bombarded with advertisements for Mopar's extended warranty service. The kicker? These ads appear every time the vehicle comes to a stop. Imagine pulling up to a red light, checking your GPS for directions, and suddenly, the entire screen is hijacked by an ad. That's the reality for some Stellantis owners. Instead of seamless functionality, drivers are now forced to manually close out of ads just to access basic vehicle functions.

One Jeep 4xe owner recently shared their frustration on an online forum, detailing how these pop-ups disrupt the driving experience. Stellantis, responding through their "JeepCares" representative, confirmed that these ads are part of the contractual agreement with SiriusXM and suggested that users simply tap the "X" to dismiss them. While the company claims to be working on reducing the frequency of these interruptions, the damage to customer trust may already be done.
UPDATE: Jeep Claims 'Software Glitch' Disabled Opting-Out of In-Vehicle Pop-Up Ads in 'a Few' Cases

An anonymous reader quotes a report from the New York Times: A Russian organization linked to the Kremlin's covert influence campaigns posted more than 8,000 political advertisements on Facebook despite European and American restrictions barring companies from doing business with the organization, according to three organizations that track disinformation online. The Russian group, the Social Design Agency, evaded lax enforcement by Facebook to place an estimated $338,000 worth of ads aimed at European users over a period of 15 months that ended in October, even though the platform itself highlighted the threat, the three organizations said in a report released on Friday.

The Social Design Agency has faced punitive sanctions in the European Union since 2023 and in the United States since April for spreading propaganda and disinformation to unsuspecting users on social media. The ad campaigns on Facebook raise "critical questions about the platform's compliance" with American and European laws, the report said. [...] The Social Design Agency is a public relations company in Moscow that, according to American and European officials, operates a sophisticated influence operation known as Doppelganger. Since 2022, Doppelganger has created cartoon memes and online clones of real news sites, like Le Monde and The Washington Post, to spread propaganda and disinformation, often about the war in Ukraine.

[...] The organizations documenting the campaign -- Check First, a Finnish research company, along with Reset.Tech in London and AI Forensics in Paris -- focused on efforts to sway Facebook users in France, Germany, Poland and Italy. Doppelganger has been also linked to influence operations in the United States, Israel and other countries, but those are not included in the report's findings. [...] The researchers estimated that the ads resulted in more than 123,000 clicks by users and netted Meta at least $338,000 in the European Union alone. The researchers acknowledged that the figures provide only one, incomplete example of the Russian agency's efforts. In addition to propagating Russia's views on Ukraine, the agency posted ads in response to major news events, including theHamas attack on Israel on Oct. 7, 2023, and a terrorist attack in a Moscow suburb last March that killed 145 people. The ads would often appear within 48 hours, trying to shape public perceptions of events. After the Oct. 7 attacks, the ads pushed false claims that Ukraine sold weapons to Hamas. The ads reached more than 237,000 accounts over two to three days, "underscoring the operation's capacity to weaponize current events in support of geopolitical narratives," the researcher's report said.

"The Washington Post's crossword puzzle was recently deemed too offensive for advertisers," reports the Wall Street Journal. "So was an article about thunderstorms. And a ranking of boxed brownie mixes.

"Marketers have long been wary about running ads in the news media, concerned that their brands will land next to pieces about terrorism or plane crashes or polarizing political stories." But "That advertising no-go zone seems to keep widening." It is a headache that news publishers can hardly afford. Many are also grappling with subscriber declines and losses in traffic from Google and other tech platforms, and are now making an aggressive push to change advertisers' perceptions... News organizations recently began publicizing studies that show it really isn't dangerous for a brand to appear near a sensitive story. At the same time, they say blunt campaign-planning tools wind up fencing off even harmless content — and those stories' potentially large audiences — from advertisements. Forty percent of the Washington Post's material is deemed "unsafe" at any given time, said Johanna Mayer-Jones, the paper's chief advertising officer, referencing a study the company did about a year ago. "The revenue implications of that are significant."

The Washington Post's crossword page was blocked by advertisers' technology seven times during a weekslong period in October because it was labeled as politics, news and natural disaster-related material. (A tech company recently said it would ensure the puzzle stops getting blocked, according to the Post.) The thunderstorm story was cut off from ad revenue when a sentence about "flashing and pealing volleys from the artillery of the atmosphere" triggered a warning that it was too much like an "arms and ammunition" story. As for the brownies, a reference to research from "grocery, drug, mass-market" and other retailers was automatically flagged by advertisers for containing the word "drug."

While some brands avoid news entirely, many take what they consider to be a more surgical approach. They create lengthy blacklists of words or websites that the company considers off-limits and employ ad technology to avoid such terms. Over time, blacklists have become extremely detailed, serving as a de facto news-blocking tool, publishers said... The lists are used in automated ad buying. Brands aim their ads not at specific websites, but at online audiences with certain characteristics — people with particular shopping or web-browsing histories, for example. Their ads are matched in real-time to available inventory for thousands of websites... These days, less than 5% of client ad spending for GroupM, one of the largest ad-buying firms in the world, goes to news, according to Christian Juhl, GroupM's former chief executive who revealed spending figures during a congressional hearing over the summer.
A recent blacklist from Microsoft included about 2,000 words including "collapse," according to the article. ("Microsoft declined to comment.")

The European Commission has launched formal proceedings against TikTok over concerns about its failure to limit election interference, particularly in last month's Romanian presidential vote. Reuters reports: The Commission said it will request information and look into TikTok's policy on political advertisements and paid-for political content as well as TikTok's systems to generate recommendations and the risks of them being manipulated. The opening of formal proceedings empowers the Commission to take further enforcement steps and to accept commitments made by TikTok. There is no specific deadline to complete proceedings.

Brazilian officials are scrambling to control a gambling boom that has led some citizens to take out loans with interest rates as high as 438% to fund their betting habits, sparking concerns about household debt levels.

The surge in online betting has doubled Brazil's gambling population to 52 million in six months, with the central bank estimating monthly gambling spending between 18-21 billion reais ($3.1-3.6 billion) through August 2024. Central Bank President Roberto Campos Neto said lower-income families are disproportionately affected, with 20% of government social program payments in August directed to online gambling sites.

The Finance Ministry has accelerated regulatory measures, requiring over 100 betting companies to submit operating paperwork ahead of schedule. New rules starting January 1 will allow authorities to limit bet amounts, block payment systems, and monitor for money laundering. President Luiz Inacio Lula da Silva recently raised concerns at the UN about gambling's impact on Brazil's poorest citizens, while officials are moving to ban credit card use for betting and restrict gambling advertisements.

Meta said it plans to introduce advertisements on Threads starting in early 2025, according to a report by The Information (paywalled). GuruFocus reports: Leading the effort -- which is still in its early phases -- is a team inside Instagram's advertising division. One source said Threads is anticipated to let a small number of marketers produce and post material on the platform in January. Threads had about 275 million monthly active users as late as October. During the company's third-quarter earnings call, Meta CEO Mark Zuckerberg observed that Threads daily sign-up count was about one million, each day.

Netflix has begun raising prices in several countries, including Japan, parts of Europe, and Africa, as it seeks to sustain growth following its crackdown on password sharing. While its recent financial results show strong revenue growth, the company faces challenges in finding new subscribers and aims to boost future growth through advertising and fresh content. The BBC reports: In its latest results, Netflix announced that it had added 5.1 million subscribers between July and September - ahead of forecasts but the smallest gain in more than a year. The company is under pressure to show investors what will power growth in the years ahead, as its already massive reach makes finding new subscribers more difficult. The last time Netflix saw signs of slowdown, in 2022, it launched measures to stop password sharing and said it would offer a new streaming option with advertisements.

The crackdown unleashed a new wave of growth. The firm has added more than 45 million new members since last year and has 282 million subscribers globally. Analysts also expect advertisements to eventually become big business for Netflix. For now, however, Netflix has said it remains "early days" and warned it did not expect it to start driving growth until next year, despite many subscribers opting for the ad-supported plan. The plan, which is the company's least expensive option, accounted for 50% of new sign-ups in the places where it is offered in the most recent quarter, Netflix said. Even without a boost from advertising, Netflix said revenue in the July-September period was up 15% compared with the same period last year, to more than $9.8 billion. Profit also rose from $1.6 billion in the same period last year to $2.3 billion.

Ford is seeking a patent for technology that would allow it to tailor in-car advertising by listening to conversations among vehicle occupants, as well as by analyzing a car's historical location and other data, according to a patent application published late last month. The Record: "In one example, the controller may monitor user dialogue to detect when individuals are in a conversation," the patent application says. "The conversations can be parsed for keywords or phrases that may indicate where the occupants are traveling to." The tech -- labeled as "in-vehicle advertisement presentation" -- will determine where a car is located, how fast it is traveling, what type of road it is driving on and whether it is in traffic. It also will predict routes, speeds and destinations to customize ads to drivers, the application said.

The system could pull data from "audio signals within the vehicle and/or historical user data, selecting a number of the advertisements to present to the user during the trip," the patent application said. By monitoring dialogue between vehicle occupants the ad controller system can determine when to deliver audio versus visual ads, providing ads to drivers as they travel "through a human-machine interface (HMI) of the vehicle," the application said.

Slashdot reader echo123 shared a new article from Wired titled "Signal Is More Than Encrypted Messaging. Under Meredith Whittaker, It's Out to Prove Surveillance Capitalism Wrong." ("On its 10th anniversary, Signal's president wants to remind you that the world's most secure communications platform is a nonprofit. It's free. It doesn't track you or serve you ads. It pays its engineers very well. And it's a go-to app for hundreds of millions of people.") Ten years ago, WIRED published a news story about how two little-known, slightly ramshackle encryption apps called RedPhone and TextSecure were merging to form something called Signal. Since that July in 2014, Signal has transformed from a cypherpunk curiosity — created by an anarchist coder, run by a scrappy team working in a single room in San Francisco, spread word-of-mouth by hackers competing for paranoia points — into a full-blown, mainstream, encrypted communications phenomenon... Billions more use Signal's encryption protocols integrated into platforms like WhatsApp...

But Signal is, in many ways, the exact opposite of the Silicon Valley model. It's a nonprofit funded by donations. It has never taken investment, makes its product available for free, has no advertisements, and collects virtually no information on its users — while competing with tech giants and winning... Signal stands as a counterfactual: evidence that venture capitalism and surveillance capitalism — hell, capitalism, period — are not the only paths forward for the future of technology.

Over its past decade, no leader of Signal has embodied that iconoclasm as visibly as Meredith Whittaker. Signal's president since 2022 is one of the world's most prominent tech critics: When she worked at Google, she led walkouts to protest its discriminatory practices and spoke out against its military contracts. She cofounded the AI Now Institute to address ethical implications of artificial intelligence and has become a leading voice for the notion that AI and surveillance are inherently intertwined. Since she took on the presidency at the Signal Foundation, she has come to see her central task as working to find a long-term taproot of funding to keep Signal alive for decades to come — with zero compromises or corporate entanglements — so it can serve as a model for an entirely new kind of tech ecosystem...

Meredith Whittaker: "The Signal model is going to keep growing, and thriving and providing, if we're successful. We're already seeing Proton [a startup that offers end-to-end encrypted email, calendars, note-taking apps, and the like] becoming a nonprofit. It's the paradigm shift that's going to involve a lot of different forces pointing in a similar direction."
Key quotes from the interview:

• "Given that governments in the U.S. and elsewhere have not always been uncritical of encryption, a future where we have jurisdictional flexibility is something we're looking at."

• "It's not by accident that WhatsApp and Apple are spending billions of dollars defining themselves as private. Because privacy is incredibly valuable. And who's the gold standard for privacy? It's Signal."

• "We also see growth in response to things like what we call a Big Tech Fuckup, like when WhatsApp changed its terms of service. We saw a boost in desktop after Zoom announced that they were going to scan everyone's calls for AI. And we anticipate more of those."

• "AI is a product of the mass surveillance business model in its current form. It is not a separate technological phenomenon."

• "...alternative models have not received the capital they need, the support they need. And they've been swimming upstream against a business model that opposes their success. It's not for lack of ideas or possibilities. It's that we actually have to start taking seriously the shifts that are going to be required to do this thing — to build tech that rejects surveillance and centralized control — whose necessity is now obvious to everyone."

An anonymous reader quotes a report from Ars Technica: Since its introduction in the 1970s, Dungeons & Dragons has become one of the most influential tabletop role-playing games (TRPGs) in popular culture, featuring heavily in Stranger Things, for example, and spawning a blockbuster movie released last year. Over the last decade or so, researchers have turned their focus more heavily to the ways in which D&D and other TRPGs can help people with autism form healthy social connections, in part because the gaming environment offers clear rules around social interactions. According to the authors of a new paper published in the journal Autism, D&D helped boost players' confidence with autism, giving them a strong sense of kinship or belonging, among other benefits.

"There are many myths and misconceptions about autism, with some of the biggest suggesting that those with it aren't socially motivated, or don't have any imagination," said co-author Gray Atherton, a psychologist at the University of Plymouth. "Dungeons & Dragons goes against all that, centering around working together in a team, all of which takes place in a completely imaginary environment. Those taking part in our study saw the game as a breath of fresh air, a chance to take on a different persona and share experiences outside of an often challenging reality. That sense of escapism made them feel incredibly comfortable, and many of them said they were now trying to apply aspects of it in their daily lives." [...] For this latest study. Atherton et al. wanted to specifically investigate how autistic players experience D&D when playing in groups with other autistic players. It's essentially a case study with a small sample size -- just eight participants -- and qualitative in nature, since the post-play analysis focused on semistructured interviews with each player after the conclusion of the online campaign, the better to highlight their individual voices.

The players were recruited through social media advertisements within the D&D, Reddit and Discord online communities; all had received an autism diagnosis by a medical professional. They were split into two groups of four players, with one of the researchers (who's been playing D&D for years) acting as the dungeon master. The online sessions featured in the study was the Waterdeep: Dragonheist campaign. The campaign ran for six weeks, with sessions lasting between two and four hours (including breaks). Participants spoke repeatedly about the positive benefits they received from playing D&D, providing a friendly environment that helped them relax about social pressures. "When you're interacting with people over D&D, you're more likely to understand what's going on," one participant said in their study interview. "That's because the method you'll use to interact is written out. You can see what you're meant to do. There's an actual sort of reference sheet for some social interactions." That, in turn, helped foster a sense of belonging and kinship with their fellow players.

Participants also reported feeling emotionally invested and close to their characters, with some preferring to separate themselves from their character in order to explore other aspects of their personality or even an entirely new persona, thus broadening their perspectives. "I can make a character quite different from how I interact with people in real-life interactions," one participant said. "It helps you put yourself in the other person's perspective because you are technically entering a persona that is your character. You can then try to see how it feels to be in that interaction or in that scenario through another lens." And some participants said they were able to "rewrite" their own personal stories outside the game by adopting some of their characters' traits -- a psychological phenomenon known as "bleed."