'Death to Spotify' Event Draws Interest From Some Musicians to Try Alternatives (theguardian.com) 41
An anonymous reader shared this report from the Guardian:
This month, indie musicians in San Francisco gathered for a series of talks called Death to Spotify, where attenders explored "what it means to decentralize music discovery, production and listening from capitalist economies". The events, held at Bathers library, featured speakers from indie station KEXP, labels Cherub Dream Records and Dandy Boy Records, and DJ collectives No Bias and Amor Digital. What began as a small run of talks quickly sold out and drew international interest. People as far away as Barcelona and Bengaluru emailed the organizers asking how to host similar events.
The talks come as the global movement against Spotify edges into the mainstream. In January, music journalist Liz Pelly released Mood Machine, a critical history arguing the streaming company has ruined the industry and turned listeners into "passive, uninspired consumers". Spotify's model, she writes, depends on paying artists a pittance — less still if they agree to be "playlisted" on its Discovery mode, which rewards the kind of bland, coffee-shop muzak that fades neatly into the background... The Death to Spotify organizers say their goal is not necessarily to shut the app down. "We just want everyone to think a little bit harder about the ways they listen to music," says [event co-founder] Manasa Karthikeyan. "It just flattens culture at its core if we only stick to this algorithmically built comfort zone."
So the goal was "down with algorithmic listening, down with royalty theft, down with AI-generated music," according to the event's other co-founder, Stephanie Dukich.
Basically some artists "are questioning whether it's doing much for them," says a professor of music at the University of Texas at Austin. The article cites performers who are trying Spotify alternatives, like pop-rock songwriter Caroline Rose, who released her new album only on vinyl and Bandcamp. "I find it pretty lame that we put our heart and soul into something and then just put it online for free," Rose says.
The talks come as the global movement against Spotify edges into the mainstream. In January, music journalist Liz Pelly released Mood Machine, a critical history arguing the streaming company has ruined the industry and turned listeners into "passive, uninspired consumers". Spotify's model, she writes, depends on paying artists a pittance — less still if they agree to be "playlisted" on its Discovery mode, which rewards the kind of bland, coffee-shop muzak that fades neatly into the background... The Death to Spotify organizers say their goal is not necessarily to shut the app down. "We just want everyone to think a little bit harder about the ways they listen to music," says [event co-founder] Manasa Karthikeyan. "It just flattens culture at its core if we only stick to this algorithmically built comfort zone."
So the goal was "down with algorithmic listening, down with royalty theft, down with AI-generated music," according to the event's other co-founder, Stephanie Dukich.
Basically some artists "are questioning whether it's doing much for them," says a professor of music at the University of Texas at Austin. The article cites performers who are trying Spotify alternatives, like pop-rock songwriter Caroline Rose, who released her new album only on vinyl and Bandcamp. "I find it pretty lame that we put our heart and soul into something and then just put it online for free," Rose says.
