The old asterisk voice menu system I used to run was pretty good at shutting down telemarketers and robocallers while still letting legitimate callers through. I don't think it'd be so easy to implement on an android phone, although it really should be. Maybe that phone Canonical is working on will have more open standards, but I'm not holding my breath.
That's actually what it's like at "Mojave Spaceport". Hangers of small aviation practicioners and their junk. Gary Hudson, Burt Rutan, etc. Old aircraft and parts strewn about. Left-over facilities from Rotary Rocket used by flight schools. A medium-sized facility for Orbital. Some big facilities for BAE, etc. An aircraft graveyard next door.
SS2 has not completed testing and it is probable that there will be a need for redesign of one or more components. So, this is a really bad time to have the hand-off. Publicity isn't a good reason.
Friends and family are surely tired of my tinfoil hat, they just do not seem to care about their privacy. Many say the "I have nothing to hide" line.
There is no reason that we have to pick one and abandon work on the others. I don't see that the same resources go into solving more than one, except that the meteor and volcano problem have one solution in common - be on another planet when it happens.
The clathrate problem and nuclear war have the potential to end the human race while it is still on one planet, so we need to solve both of them ASAP.
Titanic and Avatar had better visuals than Serenity, to be sure, and Titanic had some good performances. I thought Avatar was a bucket of problems and flaws with some pretty colors, but really there's few of it's many, mnay flaws that I'm blame on a director.
That's hardly surprising. Titanic had 5 times the budget of Serenity and Avatar's was even larger. I was at least as impressed with the visuals in The Avengers as I was with Titanic and Firefly was extremely impressive visually for a TV show of that period.
It's quite hard to separate Cameron's direction of Avatar from his other roles of writer, editor, and producer. When a scene didn't work was it badly directed? Or badly edited? Or just poorly written? It's hard to tell. A perfectly well written scene can be ruined with poor direction and even if well written and directed it can be butchered by poor editing. In the end it doesn't actually matter because ultimately the bad result was the product of the same man's creative failure. As you say Cameron wouldn't simply direct a Star Wars movie. Whedon would probably not stick to directing either but I have rather more confidence in his ability to produce something good.
Sure, there are going to be mediating forces in the environment. Melting is an obvious one. The positive feedbacks have been getting the most attention because they are really scary. It appears that there are gas clathrates in the ground and under water that can come out at a certain temperature. The worst case is that we get an event similar to Lake Nyos, but with a somewhat different mechanism and potentially many more dead. The best case is a significant atmospheric input of CO2 and methane that we can't control.
I don't think I have to discount Trenberth. He's trying to correct his model, he isn't saying there is no warming.