Selling/possessing chunks of aluminum in a certain shape will land you time in a FPMITA prison.
They have made an economical mini mill economical that makes the chunk of aluminum. In America, we believe that it's only illegal if you get caught, and so these folks fancy themselves as finding a great hack.
Lawyers and judges' jobs would be reduced to addressing bugs.
The whole lot should be committed to a git repository (git-blame anyone?). New laws should take the form of pull requests.
Energy means fossil fuels. To a first approximation, other energy sources can be ignored. And in the modern economy, money ~ energy. When fuel (i.e. energy) prices go up, the effect ripples through the whole supply chain, touching absolutely everything that is manufactured and shipped. The costs associated with most products are dominated not by human labor costs but by energy costs. And since our modern agriculture essentially exchanges energy for food, even human labor comes down to energy costs.
Therefore, TO A FIRST APPROXIMATION, the cheaper of two alternatives is better for the environment.
Electric cars are more expensive than gasoline cars, and often would never exist except for subsidies. If they were really more economical, they would already be popular. Ergo, per The Theory, they are worse for the environment.
I'm honestly surprised how bad the user experience is when using the Voice app for iPhone 4. I seriously wonder if I got some kind of counterfeit app (if that would even be possible), the usability is THAT bad.
Gvoice text messages pop up on the lock screen instantly, but then when I go to view them, I have to open the Gvoice app (slow) then "refresh conversations" (very slow) in order to even read the full message again. There is no excuse for this since if the phone displayed the text on the lock screen, what could I possibly be waiting for? How long can it take to display a few kB of text that has already downloaded?
For texting, when in a "conversation view", new texts almost never update properly. The only way to update the conversation view is to scroll to the TOP of the conversation (even though the newest messages are at the _bottom_!) in order to trigger the "updating conversations..." function. Of course a single conversation can be many pages long. Which means the fastest way to refresh the conversation (which I shouldn't have to be doing, since the text already displayed on banner and the lock screen...) I still have to navigate back to inbox and refresh, and wait. WTF? This is such a usability bug that I can't believe anyone would ship it.
Text conversations are not threaded properly at all. I have to constantly delete old conversation branches.
For voice, there is NO proper call history. NO CALL HISTORY!!?? There is a "dialer" and a "quick dial" but no way to call someone back based on history. And you can't revert back to the iPhone's proper call history either, because the numbers that show up in the iPhone history are random numbers to google servers. I honestly never thought I would use a phone that did not have a usable call history.
Spending $30/(month*employee) on candy bars can simply be written off as an expense. If the company wanted to pay the employees enough to buy their own candy bars, they would actually have to pay all their people $50/(mo*employee) or so that they have $30 left after income tax. And you won't get a group rate on candy.
All things being equal, perks are a better value. Hope you like going to the gym that your employer uses for its gym membership program, hope you enjoy the coffee they buy, the healthcare plan that they offer, and the groceries at the company store (not quite, but we are getting there).
GPL of course
I agree that a print (assuming it's a photographic print i.e. made with light) is a photograph. I also agree that making a photograph is a process, but I don't see what point you are trying to make there, other than to state the obvious. We already agreed that the image formed by a photograph is subject to all kinds of interpretation by both the creator and the viewer, and that both photographs and "information images" are similar in that regard. It still seems like are trying to refute the argument that photographic images are somehow more veracious that informational ones, which is a point I never tried to make in the first place.
So I specifically addressed the point you think you are refuting and agreed with you on that point--the point being that neither the images experienced when viewing photographs(1) or digital images(2) has any relation to reality apart from its presentation by the artist and reception and interpretation by the viewer. There is nothing about an image viewed by silver gelatin that makes it more veracious or reality-representing. I never said that and never will.
My central point is only that photographs(1) are objects, thus it is possible to apply the concept of an "original" to photograph(1)s, which can exist in objective reality as objects, however reality-representing their images may or may not be, and however useful or useless that "property of realness" may be (and I agree that it is of quite limited usefulness) in ascertaining the extent to which said photograph(1)'s image may be a representation of reality. That is all. Many people (yourself apparently included) do not observe this distinction, and I think this is a category error which leads to things like "unmanipulated photo(2) contests" which I think are comical in their not-even-wrongness.
When I see any modern "photo contests" that require images to be "unmanipulated", I just shake my head. Not because I don't think that manipulation is good or bad, but because I don't think the idea of "manipulation" or "unmanipulation" is even a coherent concept in the context of what I call "information images", colloquially called "photographs(2)", which by their nature are manipulated and interpreted, and the authenticity of such information images has no meaning apart from the manipulative choices of the artist/programmer(s). A digital image can be considered no more or less authentic than a painting. They must always be considered interpretations because that's what they are, by their very nature; they have no nature apart from such interpretive manipulation; they must be interpreted to even be experienced. The common man only clings to the idea of an "unmanipulated image" because he thinks digital images are some different type of photograph(1), when in reality an "information image" (photograph(2)) is actually a fundamentally different (no matter how superficially similar) thing to a physical photograph(1). This is an example of the kind of "counterproductive metaphor or analogy" that Dijkstra talks about in one of his EWDs about radical innovations. The shift from photography to digital imaging is actually what EWD considers a "radical innovation" not some kind of evolution, and failure to understand this, evidenced by the fact that the common man thinks that digital images and photograph(1)s are similar things, is a tragic, limiting and counterproductive semiotic "false friend" that is only the more inevitable because the two things are so superficially similar.
Photographs(1) can be manipulated, and the extent to which their image can be said to represent reality is totally open (see Jerry Uelsmann) and I'm not talking about that kind of interpretation in the "viewing space". I'm just saying that in the objective space, the ideas of an "authentic" or "original" photograph(1) at least is a concept that can be understood, that COULD make sense, however useful or useless it may be. With digital photographs(2), the concept does not philosophically exist (in my opinion) and only exists as some kind of mass illusion, where people declare an photograph(2) "unauthentic" because "I know it when I see it" (except they demonstrably do not).