This comment just ain't quite right. There's gems in there but a whole lotta muck to dig through.
1) Getting a record deal isn't that hard... knowing that you don't actually *want one is the challenge. Todays world means I can create, promote and most importantly distribute my music *without some massive company stealing all of the profits. I might not go multi-platinum without a big marketing engine but I've had no problem at all selling enough albums (tracks actually) to pay for the work.
2) The '90s? Yeah... lets talk about history. In the 90s it was still expensive to produce a CD. Burners were just coming on the scene and were slow and expensive (and a lot of players couldn't play burned discs) so you still needed a big distribution company to produce them. Move to the late 90's into the Naughts and I could produce a saleable CD for pennies but the most important thing is we quickly were moving to the part where the physical CD didn't matter. I could now sell my music digitally with $0 physical production cost beyond the studio. Even the studio is less expensive! Unless you buy some expensive producer studio time / hr has dropped as the digital studio has taken off. Honestly I have all the gear to do it myself (and the ear and tech skill) so my studio cost is down to my time.
3) "Local bars don't have live music anymore." Are you kidding me?! I don't know where you live so I'm really sorry if your hometown has a depressing scene but where I live (and everywhere I travel to which is extensive) there is an exact opposite problem. Every single bar big enough to have a PA-on-a-stick in the corner has live music. The clubs are blowing up even bigger (not even looking at the stadium and big theater scene). Local bands are having trouble making music because on any given night of the week the people who choose to go out have SOOO much to choose from. Minneapolis is my home scene and we're just plan ridiculous on most nights (at least 5/wk if not 7) you have competition in every single major genre (including metal) so a great band is playing for dozens instead of hundreds of people (or the 'great' ones are playing for hundreds and the small ones are playing to the bar staff). You want a gig? I can get you a gig tomorrow. I just can't promise anyone will come to see you play.
4) "You can't pirate a live show": Actually people "pirate" live shows all the time. I'm a recording engineer and technically that's what I'm doing every time I record a show and put it up for free download. The difference is the bands *want me to do that because they understand that the exposure counts more than any $ they may make off that recording.
5) "Play some gigs U2": Um.. you are talking about the band that just played a 110 show *stadium tour spread over 2 years. They just released this album so I imagine we have another one coming. They *spent $1M per day on that tour and were in the red for some large percentage of that making $ only towards the end. Honestly U2 is one of very few bands that could have even pulled off that tour. Even the stadium market is saturated but they had the universal draw to sell out stadiums around the world else they certainly would have lost money on that tour.
So anyway... sorry your band didn't do well but don't blame the industry on that. It happens. A lot.
Back to the original article: Apple and Bono are being stupid... since I boycott Apple already (for other stupid stuff like this) and get my U2 through other channels this really won't affect me aside from reinforcing why I boycott Apple in the first place.