SSDNINJA writes "This is a feature from gamrFeed that interviews nine US service members about playing as the Taliban in the upcoming Medal of Honor. One soldier states that games like MoH and Call of Duty are 'profiteering from war.' Another says, 'Honestly, I don't really see what the whole fuss is about. It's a game, and just like in Call of Duty, you don't really care about what side you're taking, just as long as you win. I don't think anyone cares if you're part of the Rangers or Spetznaz, as long as you win.' An excellent and interesting read."

An anonymous reader writes "The Droid X forums have posted a procedure to root the new Motorola Droid X, putting to rest Andoid fans' fears that they would never gain access to the device's secrets due to a reported eFuse that would brick the phone if certain boot files were tampered with. Rooting the phone is the first step in gaining complete control over the device."

The European Space Agency has released images from yesterday's close approach of asteroid 21 Lutetia by the Rosetta probe. At its closest, the probe was a mere 3,162 km from the asteroid, passing at 15 km/s and snapping photos sharp enough to make out features as small as 60 meters. "Rosetta operated a full suite of sensors at the encounter, including remote sensing and in-situ measurements. Some of the payload of its Philae lander were also switched on. Together they looked for evidence of a highly tenuous atmosphere, magnetic effects, and studied the surface composition as well as the asteroid’s density. ... The flyby marks the attainment of one of Rosetta's main scientific objectives. The spacecraft will now continue to a 2014 rendezvous with its primary target, comet Churyumov-Gerasimenko. It will then accompany the comet for months, from near the orbit of Jupiter down to its closest approach to the Sun. In November 2014, Rosetta will release Philae to land on the comet nucleus." There is also a replay of the media event webcast on the ESA's website.

An anonymous reader writes "After evolving over 15 years to get to 1.0, a mere 2 years later and Wine 1.2 is just about here. There have been many many improvements and plenty of new features added. Listing just a few (doing no justice to the complete change set): many new toolbar icons; support for alpha blending in image lists; much more complete shader assembler; support for Arabic font shaping and joining, and a number of fixes for video rendering; font anti-aliasing configuration through fontconfig; and improved handling of desktop link files. Win64 support is the milestone that marks this release. Please test your favorite applications for problems and regressions and let the Wine team know so fixes can be made before the final release. Find the release candidate here."

An anonymous reader writes "The organizers of the game Foldit, where you fold proteins for scientific research, announced that a user has found a protein that may be able to bind influenza viruses. Researchers plan to test the protein in a lab over the next few weeks to see if it might be medically useful."

An anonymous reader writes "Wondering where all that bloat comes from, causing even the classic 'Hello world' to weigh in at 11 KB? An MIT programmer decided to make a Linux C program so simple, she could explain every byte of the assembly. She found that gcc was including libc even when you don't ask for it. The blog shows how to compile a much simpler 'Hello world,' using no libraries at all. This takes me back to the days of programming bare-metal on DOS!"

Hugh Pickens writes "Scott Harris writes on Moviefone that the economics of Hollywood are often baffling, as DVD sales, broadcast fees and merchandising tie-ins balance against advertising costs and pay-or-play deals to form an accounting maze. The latest example is the untitled sequel to The Chronicles of Riddick, released in 2004 to a slew of negative reviews and general viewer indifference. Despite its hefty $105 million budget, most of which was spent on special effects, the film topped out at a paltry $57 million domestically. So how can a sequel be made if the movie lost money? The answer has to do with ancillary profits from revenue streams outside the box office. While the combined $116 million worldwide probably still didn't cover distribution and advertising costs, it likely brought the film close to even, meaning DVD sales and profits from the tie-in video game franchise may have put the movie in the black. In addition, Riddick itself was a sequel to Pitch Black, a modestly budgeted ($23 million) success back in 2000. Extending the franchise to a third film may help boost ancillary profits by introducing the Pitch Black and Chronicles of Riddick DVDs and merchandise to new audiences, meaning that the new film may not even need to break even to eventually turn a profit for the studio."

Ant notes a piece up on WBUR Boston addressing theories to explain the universal human experience that time seems to pass faster as you get older. Here's the 9-minute audio (MP3). Several explanations are tried out: that brains lay down more information for novel experiences; that the "clock" for nerve impulses in aging brains runs slower; and that each interval of time represents a diminishing fraction of life as we age.

jmp_nyc writes "The developers at Turborilla have remade the 1983 classic game M.U.L.E. The game is free, and has slightly updated graphics, but more or less the same gameplay as the original version. As with the original game, up to four players can play against each other (or fewer than four with AI players taking the other spots). Unlike the original version, the four players can play against each other online. For those of you not familiar with M.U.L.E., it was one of the earliest economic simulation games, revolving around the colonization of the fictitious planet Irata (Atari spelled backwards). I have fond memories of spending what seemed like days at a time playing the game, as it's quite addictive, with the gameplay seeming simpler than it turns out to be. I'm sure I'm not the only Slashdotter who had a nasty M.U.L.E. addiction back in the day and would like a dose of nostalgia every now and then."

darkeye writes "I'm facing a difficult dilemma and looking for opinions. I've been contributing heavily to an open source project, making considerable changes to code organization and quality, but the work is unfinished at the moment. Now, a company is approaching me to continue my changes. They want to keep the improvements to themselves, which is possible since the project is published under the BSD license. That's fair, as they have all the rights to the work they pay for in full. However, they also want me to sign a non-competition clause, which would bar me from ever working on and publishing results for the original open source project itself, even if done separately, in my free time. How would you approach such a decision? On one side, they'd provide resources to work on an interesting project. On the other, it would make me an outcast in the project's community. Moreover, they would take ownership of not just what they paid for, but also my changes leading up to this moment, and I wouldn't be able to continue on my original codebase in an open source manner if I sign their contract."

I use a MacBook Pro for my main machine, but also have a Ubuntu desktop. I get irritated about switching between command-oriented hotkeys and ctrl-oriented hotkeys (cmd-a on OSX = ctrl-a on Linux/windows). I've looked over a lot of forums and have found that Gnome doesn't seem capable of changing hotkeys, while xfce and fluxbox can. The ideal solution would be a way to change system keys in X, or at the system level — that way I can keep compiz. Does anyone have any ideas or know a trick to change system hot keys?

TedSamsonIW writes "InfoWorld reports on a new potential ploy for stealing Web user's private information: Researcher has found that by placing a new type of hybrid file on Web sites that let users upload their own images, they can circumvent security systems and take over Web surfers' accounts. 'They call this type of file a GIFAR, a contraction of GIF (graphics interchange format) and JAR (Java Archive), the two file-types that are mixed. At Black Hat, researchers will show attendees how to create the GIFAR while omitting a few key details to prevent it from being used immediately in any widespread attack.'"