Oracle is also one of the top Linux code contributors, popping in more code than even the Linux Foundation (see Table 9): Xen, YAST, NFS on IPv6, "data=guarded" for ext3, Asynchronous IO kernel subsystem, and more. Not surprisingly, most of what Oracle contributes is germane to Orafcle DB & apps, no different from every other contributor working on something he is specifically interested in or in need of.
Larry's a cunt and I'm not about to defend him, but Oracle-the-company (whose decisions are made by Ellison) knows exactly what the fuck they're doing, and if you understood how they think you not only wouldn't have been surprised at the acquisitions of Sun and BEA but you'd have a pretty good idea of who's going next.
The whole point of winning the war was so that we wouldn't have to live under fascism.
Yes, more back-end shit runs Linux, but the sad fact is that Windows still owns desktops and Linux advocates have been too busy pissing in each other's teacups to bother taking advantage of the massive learning curve that Win7 requires, something so bad that switching to KDE or even Gnome is easier and more intuitive than "upgrading" from XP.
Super SATA Cables on Sale Soon
Posted by Malcolm Steward on 8/17/10 Categorized as AudioThe Super SATA cables I recently tested proved to be real shockers. Every logical thought was telling me that the wires that transmit the raw digital data between a hard disk and the motherboard in a NAS simply could not influence the sound that emerged from the player – after the music has already subsequently passed through metres of CAT5.
But they do.
I listened to the cables in my NAS feeding my Naim HDX/DAC/XPS and clearly identified easily perceptible improvements through my highly revealing active Naim DBL system. Quite what it is that wrought these improvements I do not know. My only guess is that the Super SATAs reject interference significantly better than the standard cables and in so doing lower the noise floor revealing greater low-level musical detail and presentational improvements in the soundstage and the ‘air’ around instruments.
The most marked and worthwhile difference, I felt, was in the increased naturalness in both the sound of instruments and voices, which seemed more organic, human and less ‘electronic’, and in the music’s rhythmical progression, which was also more natural and had the realistic ebb and flow that musicians exhibit when playing live. In short, recordings sounded more like musical performances then recordings.
As you can see the cables do not look anything special even though they are far more robust than the standard issue flat cables, and they are are irradiated, I am told, to vapourise any moisture that has found its way into the molecular structure of the conductors.
The photo here shows the original, Generation 1 cable but there is now a more advanced, wider bandwidth Generation 2 version that is soon going to be available from the same American manufacturer. They will, of course, be more expensive than ‘ordinary’ SATA cables – the red and grey insulated flat cables that come free with hard disks or sell for around £2.99. But their superior performance easily justifies the extra expense.
When I have a definite price on the new cables and the URL from which they will be able to be purchased, I will post the information here. I cannot wait: I only have one of the generation 1 cables and wanted a dozen more for other hard disks and SATA peripherals. Now there is a supposedly ‘better’ version I cannot wait to evaluate it and if it is, as I am told, substantially superior, get my order in for a dozen of those.
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Any given program will expand to fill available memory.
