1) If the benefit were negligible, why would they do it?
Neglible means small. The benefit derived from not putting a quarter into a meter and chancing a ticket is small too, but people do it all the time.
People are aware of the risks. Then, taking those risks into account, consider the benefit derived, and decide whether to pirate or not.
a) People are not all that rational nor are they all that well informed about the actual risks or the absurd penalties.
b) Do YOU really claim to know the odds of getting caught downloading a song and fined an absurd amount? If its in the same ballpark as a lightning strike or a lottery win, how much weight does it have on your decision?
Negligible means 'so small it can be ignored.' You don't need to know the exact risk. Whether people do an explicit cost-benefit analysis is not the issue. It's that it's implied in behavior. For me, as an example, I don't calculate the exact risk, but abide by heuristics. I don't pirate any music anymore because too many people get caught and the fines are too great. I do, however, stream TV shows when episodes I want to watch are not available on Hulu or whatever network's website. The likelihood of getting caught for this is much less than getting caught with illegal files, or accidentally sharing music I didn't intend to share on a p2p program. From my experience, people are very aware of the RIAA and insane fines.
Actually, sarcasm aside, the Audio Home Recording Act (AHRA) of 1992 section 1008 actually explicitly protects "noncommercial copying by consumers provided copies are not for direct or indirect commercial advantage". A senate report explicitly offers examples such as making copies for a family member, or copies for use in a car or portable tape player. I don't think anyone has EVER been charged with making a mix tape, or copying a CD for a friend so there really isn't much application of the law to draw from, but still, there is clearly an argument to be made that doing something like this is, in fact, perfectly ok.
Actually, that's not what the AHRA says. 17 U.S.C. 1008 provides that "No action may be brought under this title alleging infringement of copyright based on . . . the noncommercial use by a consumer of such a device or medium for making digital musical recordings or analog musical recordings."
Copying a CD and disributing it to a person would violate two exlusive rights under Section 106: the reproduction right and distribution right. If you violate either, you are an infringer. If Section 1008 is to save this potential infringer, it must protect against both of these violations. When you distribute to your friend, you are making a public distribution. Section 106(3) says nothing about private distribution, after all, so this would save the family member (I would guess only immediate family, though). But as far as the reproduction right . . .
While the reports do say this is meant to permit copies for a family member or for use in the car, there's no mention of friends. While we can both imagine a court agreeing with family member copies under the actual text (the text is the law, not the history - though the history will be more or less important depending on the judge), can you really imagine this for a friend? On the one hand, you have enjoyment of your purchase in your home (with your family). On the other, you have enjoyment by somebody else outside of your home. While both scenarios are not much different than downloading the same CD from a p2p client, the distinction has to do with the party you are interacting with. It's not as if sharing across a p2p program with your friend will grant you immunity under Section 1008.
One can't get too caught up in what's commercial and noncommercial. The legal significance is probably not all that intuitive if you ask me. And the reason nobody is prosecuted for mix tapes is because, in part, it's too difficult to find instances where this is happening. What channel would be monitored for finding this?
3) There is measurable harm. Let's say there were 1000 illegal copies made of Song X. Let's then say 40% of those copies made would have led to purchases of the song on iTunes or something similar. That's $400 of harm, and 40 cents of harm per illegal copy.
Lets further say that 1% of those copies created a fan of that band, who then went to a concert and paid $50 a ticket each (and brought their significant other, bff, whatever...). That's 20 tickets. Total harm -$1000. Net harm -$600. Maybe the record company should be paying me?? Or perhaps 1% of those copies created a fan of that band, who then purchased a T-shirt bearing their logo. Or bought DDR for the PS3 so they could dance to that song. And likely as not, 90% of copies of most songs were listened to once, and then never listened to again. Many were downloaded as a part of a larger compilation, and didn't even get listened to once. I've downloaded entire discographies to get a couple singles or a particular remix. 99% of what was there I either already owned, or couldn't care less about.
You said a lot of stuff that could be right. But notice I said "there is measureable harm." This is a simple point. We can also measure benefit. Whether one outweighs the other is a different story, as you've pointed out. That burden is surely on the defendant, though.
Music is protected by copyright.
This is true. It's an expressive work.
The unauthorized downloading or uploading of music is actionable as copyright infringement, even if not done for profit.
This is also true. If the DL/UL is unauthorized, it violates one of the exclusive rights under Section 106, subject to Sections 107-122.
Downloading, where unauthorized, is a violation of the reproduction right (Section 106(1)). This does not apply to public domain works, because they are not copyrighted. This does not apply to you recording a radio broadcast because of Section 114. Even without Section 114, however, since there are substantial non-infringing uses for your radio that can download broadcasts, the device would be fine (Sony Corp. of America v. Universal City Studios, 464 US 417 (1984))
Now, if you are wondering why the act of downloading a copyrighted work without authorization is illegal, it's because you make a copy when doing so. Even if it's only in your RAM or cache.
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