AnotherDaveB writes "As part of 'Beeb Week', The Register discusses the 'multi-million pound failure' that is the iPlayer. 'When the iPlayer was commissioned in 2003, it was just one baffling part of an ambitious £130m effort to digitise the Corporation's broadcasting and archive infrastructure. It's an often lamented fact that the BBC wiped hundreds of 1960s episodes of its era-defining music show Top of the Pops, including early Beatles performances, and many other popular programmes ... The iPlayer was envisaged as the flagship internet 'delivery platform'. It would dole out this national treasure to us in a controlled manner, it was promised, and fire a revolution in how Big TV works online. For better or worse it's finally set to be delivered with accompanying marketing blitz this Christmas - more than four years after it was first announced.'"

sekra writes "The GIMP UI Redesign Team has created a blog to collect ideas for a new design of the most popular image manipulation program. Everyone is free to submit suggestions to be published in the blog. Will a new GUI finally get more users to choose The GIMP as their program of choice?"

Miang writes "A video from a recent FOX 11 (Los Angeles) newscast has surfaced on YouTube. In the segment, reporter Phil Shuman investigates so-called "Hacker Gangs" comprised entirely of anonymous users. The segment, which focuses mainly on users at 4chan, 7chan, and 420chan, seems to confuse /b/ raids and motivational poster templates with a genuine threat to the American public. For added FUD, the FOX team inserted an unrelated video of a van blowing up — twice! Presumably, one is intended to equate anonymous posting with domestic terror. The story and video can be found on the local FOX website, so it does not appear to be simply a clever parody." Cringe as you watch this video explain terms like 'LULZ' and show inspirational poster parodies as evidence of the evils of this terrifying "Group".

knapper_tech writes "After seeing the iPhone introduction, I was totally confused by how much excitement it generated in the US. It offered no features I could see beyond my Casio W41CA's capabilities. I had a lot of apprehension towards the idea of a virtual keypad and the bare screen looked like a scratch magnet. Looks aren't enough. Finally, the price is ridiculous. The device is an order of magnitude more expensive than my now year-old Keitai even with a two-year contract. After returning to the US from Japan, I've come to realize the horrible truth behind iPhone's buzz. Over the year I was gone, US phones haven't really done anything. Providers push a minuscule lineup of uninspiring designs and then charge unbelievable prices for even basic things like text messages. I was greeted at every kiosk by more tired clamshells built to last until obsolescence, and money can't buy a replacement for my W41CA." Read on as this reader proposes and dismissed a number of possible explanations for the difference in cell-phone markets between the US and Japan. He concludes with, "It seems to me more like competition is non-existent and US providers are ramming yesteryear's designs down our throats while charging us an arm and a leg! Someone please give me some insight."

Yesterday we discussed Manhunt 2's AO rating, and what it meant for the game's retail outlook. Gamespot points out that effectively an AO rating means that the game will never be released in the first place. "Both [Nintendo and Sony] forbid licensed third-party publishers from releasing games rated AO for Adults Only on their various hardware platforms. Though Manhunt 2 isn't slated for any of Microsoft's systems, the company has also confirmed that it does not allow AO-rated titles on the Xbox or Xbox 360. The sole exception to this rule was in 2005 when the already released Grand Theft Auto: San Andreas was retroactively rated AO, at which point retailers pulled it from shelves and Take-Two suspended production of the game."