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User Journal

Journal Journal: Jorge Luis Borges 9

Borges is a great comfort to me in times of confusion. It is in no way on-topic, or affirmational, or in any way connected to the normal definitions of 'comfort'. I can't even read Latin or Greek. But two things bring joy to me: 1) his style of prose reminds me that some people still learn for the joy of learning, to pull apart the fibers of the tapestries of their lives, and 2) his plot constructions yield a very strange sense of choice and fate.

His fictions depict characters who could do nothing but what their being drove them towards. "The Circular Ruins" enclose one man driven on a quest to dream another man, dream him whole, and set him free on the earth. We find at the end that his motive is set because, without his knowing, he himself was dreamed by another. "Death and the Compass" follows a detective whose investigation of a spree of murders both drives and solves the spree - he himself is both questioner and answerer, or perhaps just question and answer. "The Theologians" watches two mediaeval monks, opponents and competitors in doctrinal study, who over the course of their work establish themselves as symmetric: the neither would exist, in current form, without the other. Each was himself in order that the other could be himself.

Some of his fictions are not character driven, but they are nonetheless imbued with a driving pattern. "Pierre Menard, Author of the Quixote" asks a question of the world: if all fiction had to have been written. "Lottery of Babylon" is a chronology of a lottery that grows to encompass nonmonetary, and eventually ecclesiastical, powers; in eventuality it becomes a religion whose one heresy is that all chance is not planned in advance by the secret Company which runs the lottery.

His poetry, and essays on history and literature are more complex and open-ended, set as they are in a less mutable world. But again we see Borges reach into the scene and trace a structure, a connection; a connection much more suprising and perverse than any found in a survey history text. (and has not all brilliance some element of perversity?)

I am intentionally simplifying Borges' works. Each of his stories has much more interesting, unique concepts, simply couched in the framework I have described above. I know that none of this is literally relevant to our lives. We have total choice in our dealings, we can be anything we want. But we have choice in interpretation, and a world of mathematic description, one whose past, present, and future come together in a cohesive whole, is intensely useful in the infinite Now, where we construct these patterns to give motive to our daily activities.

User Journal

Journal Journal: wow

Wow. I just noticed that my journal is so out of date it is of interest only to historians. What's changed since last September?
  • I moved from San Fran to Austin
  • I learned to edit on Avids
  • I've gotten all up in the Apache2 mess and have written a couple modules, which is funny b/c it's AOLserver that my contract money still comes in for. Web servers are kind of stupid anyway, if you learn to write an async server in your fave programming language.
  • I'm doing a bunch of Scheme work for sysadmin/web dev stuff. On the side I'm increasing my Common LISP skills, along with some brush-up on C, Perl, & the kids.
  • I discovered Vietnamese poetry. Maybe I'll post some.
  • I'm returning to school in the fall after a long absence. Go me!...or something.
  • After the dot.coms broke me, now I can sensibly date again. I don't know why; one of my friends is working with a theory that women dig unemployed guys. The funny part here is that said friend wasn't stoned when he came up with this theory; in fact I don't think he ever *has* been stoned. I should fix that.

Yeah, that's my life. Blah.

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