
Journal Journal: Copyright and copy imperfection
The new spate of RIAA lawsuits against MP3 sharers got me thinking again about digital copyright infringement. It's been sort of an article of faith in the copyright world that ever-tightening copyright rules (most recently, the DMCA) are necessary because of ever-advancing copying technology. Back in the days before the printing press, you'd need a horde of medieval scribes to make a copy of a book, so there wasn't much need for copyright. As advances in copying technology have developed, so too has the need for increased copyright protection for authors. Nowadays, it is said, computers can make you a bit-for-bit digital copy of a protected work, which can in turn be perfectly recopied without degradation from one generation to the next, so authors need more legal protection against widespread infringement. That, at least, is what I take to be the accepted wisdom.
Should it matter to this analysis that, in the real world, there is no such thing as a perfect digital copy? It occurred to me that what all those kids who just got sued are trading isn't a copy of the actual Red Book CDDA audio content that RIAA members sell on their CDs. Rather, it's a compressed version of that content that, when played back, gives you a close-enough, but always imperfect and never exact, facsimile of the original audio content.
Ripping a CD Digital Audio file and converting it to MP3 form can turn a large file into a small one, which makes for a faster download over the network. But it does so by throwing away large chunks of the original data. How much gets thrown away is up to the encoder, who can tweak the encoding bitrate up or down, and thereby adjust the precise size-versus-quality tradeoff. But even at the highest quality settings, there is a lot of audio information that was present in the original CDDA data that is no longer there in the MP3. Depending on how good a listener's ears are, they might or might not be able to hear the difference between the original or the compressed version, but the differences are there nonetheless. Because MP3 is a lossy compression scheme, it by definition omits some, or even most, of the copyrighted original CDDA data. (Lossless compression schemes also exist, and are much prized among audiophiles, but they achieve far less compression of the original CDDA data, and probably represent an insignificant amount of P2P traffic.) (Even if the original CDDA data isn't compressed, but merely copied from one CD to another, the copy will in most cases not be a bit-for-bit duplicate of the original, due to differences in CD drives and recording media. But let's stick to the MP3 example for the time being.)
An MP3 file sounds like the copyrighted content, but is not in fact the copyrighted content. Should this matter? Is there a level of copy degradation at which we stop believing that the original author's rights are being infringed? Perhaps the answer is "no"---for instance, if I make a photocopy of Stephen King's new book, why should it matter whether I use a new digital photocopier or the old streaky unit with a worn-out sensor and low toner? But nobody would argue that that's the kind of "perfect" digital copy that we are worried about in the computer age, and ordinary copyright law should be adequate to deal with infringement of that sort. Rather, the argument seems to be that authors need additional legal protection in the computer age precisely because of the availability of bit-for-bit nondegradeable digital copies. If the digital copies aren't perfect, but rather omit some (or most) of the original copyrighted source material, is the justification for the heightened legal protection still present? This sounds like an argumentative, rhetorical question, but it's intended sincerely. Might make a good topic for further research, if it hasn't already been done elsewhere.
One item for further reading---
- Jonathan Zittrain, The Copyright Cage , Legal Affairs, July/Aug. 2003 (explaining widespread distaste for current copyright law among cyberlaw professors).