MathML attempts to separate the content and presentation. This is fine if you have a tool that properly supports both (I've never used one, maybe Mathematica or similar does?), but it sucks for most editors. The idea is that you can have a single format that describes both how to lay out equations and their semantics. In practice, pretty much everyone who generates MathML does it from the TeX equivalent and so only ever gets the presentation form. The other advantage of MathML is that each individual element is exposed via the DOM, so it's easy to manipulate equations from JavaScript, although I don't think I've ever seen that done either.
Part of the problem with a format that is basically impossible for humans to write is that it also ends up being difficult to produce tools that can write and display it, which is why it's taken 10 years or so for MathML to get even a token amount of support in mainstream browsers...
That's like expceting to be able to play a CD on your turntable if your CD player is broken
No, you have that backwards. I know a number of people who recorded their LPs onto CD-Rs, and there are services that will do this for you if you don't have the equipment, time, and patience to do it yourself. And then they've ripped the CDs and used them with portable media players. Then this functionality was subsumed by mobile phones, and so they copied the tracks there. So why do you think that expecting a recording to outlast a generation of technology (or even a single vendor's product) is suddenly a new thing?
HTML5 is not a political action committee
No, it's a (draft) standard. It is being standardised by the W3C, which is a technical standards committee with a mission statement. The goals of the W3C are inherently incompatible with any standard that defines portions that can not be implemented in a compatible way by any vendor that wishes to participate in the market, and that includes DRM.
And that means that they will always be unwilling to reach all of their potential market. And that means that there is a market opportunity for companies that are willing to release without DRM.
As TFA says, the lack of DRM on CDs made it possible to sell portable music players like the iPod along with software to rip all of your CDs. And that increased the demand for recorded music. Now, a significant fraction of the big record labels' income derives from selling DRM-free music downloads. The weak DRM on DVDs was thoroughly circumvented, but it was still strong enough legally to block the sale of set-top boxes that ripped your entire DVD collection and exposed it via a nice menu. It was still strong enough that applications like iTunes and Windows Media Player never got the ability to rip DVDs to play back on your computer. It strangled technological innovation in an entire sector.
Most depressingly, it actually acted against the interests of the people pushing it. I'd love to subscribe to a service like Netflix that let me download films in a DRM-free format (it could even limit it to, say, 30 hours a month). I'd love to have an easy source of films to stick on my laptop or my tablet to watch while travelling. I'd even have liked to be able to buy a DVD at the airport to watch on the plane, but half the time the region locking on my laptop's DVD drive would prevent me from being able to play it back, so I don't even bother trying.
Heck, Google is trying to add native code support to HTML5 which is actually PROCESSOR specific.
Actually, the PNaCl stuff that Google is pushing defines an ABI for LLVM IR, which is platform independent. It defines a 32-bit address space and a set of calling conventions that don't match any host platform, so you need some adaptors for calling into native libraries, but that's fine because you should only be able to call into native libraries via well-defined interfaces anyway for security.
And, as the other poster pointed out, there is a difference between a public hotspot and being in a public place.
The flow chart is a most thoroughly oversold piece of program documentation. -- Frederick Brooks, "The Mythical Man Month"