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Comment Re:CDBaby (Score 1) 291

They buy the equipment to record, sign up with Amazon/Apple/whoever to manufacture/distribute, and then sign up with Label A for promotion. Label A gets a cut of the sales, but doesn't own any rights to the music.

I see the future a bit different. I would like to pay to the promotion companies (labels?) a fee per service with a clear way to measure the effectiveness. I don't think they will get any where with a business case like: "Give me a fix part of your income and trust me, I am doing what is best for you."

Comment Re:Yes, go for it. (Score 1) 918

... In a school project, its 2 weeks of trying to understand and clarify what the prof actually wants you to do, and 3 days of hacking together some minimal pile of garbage that just barely does it. In the real world, you actually care about overall architecture, design, methodologies for coordinating a team, maintainability, testability, etc.

This difference you mention is plain wrong! That makes me think you have not worked in any "real world" project. Most of the project have an ill-defined set of requirements and an unrealistic delivery date. So, you have to spend 2 months of trying to understand and clarify what the customer actually wants, and 3 weeks of hacking together some minimal pile of garbage that just barely does it.

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