Solar costs continue to drop. Coal, being a mature technology, is variable pretty much strictly by way of market volatility. In 3 years, your 3KW becomes 5-6KW. In 10 years, it becomes 10KW, which is to say, cost-competitive.

Developing policy for a future in which coal is anything but an afterthought is a bad plan.

Guessing they're referring to this.

They're clearly using adjusted dollars for both figures.

I'm gonna guess Stepford Husbands are the simpler ask, though probably still won't come along til after dudes get what they want.

In his defense, not that he needs it, he's quite often got proof behind him. In this case, they've been investigating a while and are running out of threads. It's not exactly like his first call was "ULA DID IT!"

It's always helpful and constructive to look back thousands of years to find the reasons why your shitty racism is justified.

Not to mention Israel's a multicultural society that includes Christians, Muslims, and lots of other folks.

Because it's not what they're good at. That's a built-in component of how a market works - if you're not productive with a technology you own, see if someone else thinks they will be, and then sell it to them. Licensing is like selling, except you get to be owner as a service, which is, you know, better.

As will humans, of course.

Um... http://www.lgnewsroom.com/2016...

I don't think using the S Pen is an edge case. I bought a Note 2 and a Note 4 specifically to have a built-in stylus. I would suggest that given the number of high-quality large phones out there, yours is much closer to the edge case, for exactly the reason you stated - the Note is the only flagship device with a stylus.

Directors being sociopathic dicks aside, the fact that you *can* get reactions is entirely outside my point. Those actors could certainly have given those performances without those stimuli. What you're describing is called "The Method", except because these directors are stupid sociopaths, they don't trust their actors to use the method in the appropriate way. See, the normal way that shit works is that you find a piece of yourself that maps to the moment in question, and then you work on that mapping internally until it fucking clicks. You don't use shit off the cuff, and you don't fuck around with things you're not ready to use. Putting the stimulus into the real world eclipses any hope of actually doing that work.

I've cried in productions. Cried to break my worthless little heart. It's not fucking hard. It's hard not to when you get the work done and you get into the scene. There's nothing interesting about taking the option of doing the work out of the actor's hand; it's quite simply something that caters entirely to someone's worthless ideas about what they want.

Sorry, this is a complete misunderstanding of how acting works. The way that an actor expresses surprise - or shock or fear or love - is very different from the way their character does so. Making a moment surprising or shocking or horrifying for an actor is anathema to the process of creating a moment using an actor. If you want that, just do documentaries and reality TV. You don't need to hire someone whose entire life has been spent refining their empathetic muscles if you just want the person onscreen to display their own feelings.

Structuring actually follows pretty stringent requirements. You can get an exemption from normal structuring processing as a small business owner. Source: I actually work in the industry.

So what you're saying is in a hundred years my grandkids will be happily living their lives as ghosts in the machine and/or megaflocks of nanomachines?