ehrichweiss writes "The Oklahoma Bureau of Narcotics is warning parents and teachers of a new threat to our children: sounds. Apparently kids are now discovering binaural beats and using them to get 'physiological effects.' The report goes on with everyone suggesting that such aural experiences will act as a gateway to drug usage and even has one student claiming there are 'demons' involved. Anyone who has used one of those light/sound machines knows all about the effects that these sounds will give and to state that they will lead kids to do drugs is nonsense at best. It seems the trend in scaring the citizens with a made-up problem has gone to the next level."

DWF3046 writes "There are lots of things you can infer from Twitter. But while we're learning what we're eating or where we're flying, we haven't been able to use Twitter to determine how we're feeling. Researchers at Harvard and Northwestern have created a video that shows the mood in the US, as inferred using over 300 million tweets, over the course of the day. The results? The early morning and late evening appear to provide the highest levels of happiness. Geographically, the data points to a significantly happier west coast, which is consistently three hours behind the east coast."

BioWare co-founder Greg Zeschuk spoke at the 2010 Develop Conference about the current focus within the video game industry on making huge, blockbuster titles, and why that is the wrong approach. Quoting Gamasutra's coverage: "'While blockbuster game creation is everything that most game developers working today growing up wanted to do, it's precisely the wrong thing to chase in gaming's contemporary landscape.' Risk-taking from publishers and investors has dramatically declined in recent times, the Mass Effect and Dragon Age studio-runner noted: 'As a result, innovation and creativity [are] being squeezed. Where the bottom of the market had dropped out at one point, now it’s the middle of the market has dropped out. Unless you can be in the top ten releases at one given time, it's unlikely that a triple-A game is going to make money.'" Zeschuk also commented that consoles aren't necessarily the future of game platforms, and that BioWare is experimenting with smaller scale MMO development in addition to working on their much larger upcoming Star Wars title.

As Star Trek Online ramps up for its Season 2 patch, the game's executive producer, Daniel Stahl, spoke in an interview about an interesting new feature: weekly episodes. Quoting: "The team has wanted to capture the spirit of the TV shows by having something new to look forward to each week. We all remember when the various series were in full swing and there was the anticipation of tuning in every week to see what happened next. It wasn't always a continuing story, but it was always Star Trek in some way or another, and over time you became familiar with the characters and plots that developed. We are curious to see if this can be replicated through the game. Every week we plan to have something new for players to do. Sometimes it could be getting an assignment to resolve a trade dispute between two races. Other weeks it could be making First Contact with a new alien race. Other weeks you might find yourself deep in trouble and have to find a solution to your predicament."