"PC Gaming is dying," the analysts tell us. "The Massive genre is the only viable business model left," websites report. That they're off the mark is obvious to anyone that's actually played a PC game in the last few years; games like Sam and Max , Battlefield 2 , or any of the numerous puzzle titles available online prove the flexibility and strength of the PC platform. Then, every once in a while, you get an offering like the Orange Box. A value-packed storm of content from Valve, this single sku offers five complete games at an amazing price. That would be great, even if the games weren't any good ... but they are. They're very, very, very good. Read on for my impressions of Half-Life 2: Episode 2, Team Fortress 2, and (the cake is a lie) Portal.

langelgjm writes "When people talk about the failing business model of the traditional record company, they often only offer vague suggestions as to how things would work otherwise. But a concrete example of a music scene that thrives on piracy is to be found in Brazil, in the form of tecnobrega. From the article: 'While piracy is the bane of many musicians trying to control the sale of their songs, tecnobrega artists see counterfeiters as key to their success ... Ronaldo Lemos, a law professor at Brazil's respected Getulio Vargas Foundation, an elite Rio de Janeiro think tank and research center, says tecnobrega and other movements like it represent a new business model for the digital era, where music is transformed from a good to a service.'"

BioWare's sci-fi RPG epic Mass Effect has now 'gone gold'. Essentially, the game is done and is ready to be pressed onto discs in time for its November 20th launch date. "The Limited Collector's Edition of Mass Effect will include a wealth of background on the game. Foremost among the premium package's offerings is a pair of 36-page booklets, one of which offers a primer on the game's universe and timeline, and the other a collection of concept artwork. The set will also include a bonus DVD with documentaries on the making of the game, a look inside BioWare, 18 Xbox Live gamer pics, 16 dashboard themes, 10 songs from the soundtrack, and 600 concept images with commentary from the game's art directors. [Z: But sites have noted it is only available for purchase online.] On top of that, gamers who preorder ... will receive a bonus disc with an introductory documentary on the game, a dozen gamer pics, eight dashboard themes, three songs from the soundtrack, and various trailers."

jawtheshark writes "Apple has made the decision to revise the pricing of Plus songs on the iTunes Music store. Whereas previously the DRM-less tracks were more expensive than the 'normal' option (at $1.29 vs. $0.99), DRM-less tracks bought via ITMS will now be priced on the same level as DRM'd tracks. 'Apple plans to expand iTunes Plus to include certain indie music labels starting Wednesday, October 17 (or sometime this week, at least) ... This expansion won't include all independent music labels just yet, although we're optimistic that more will be included in the future. While we have no information on whether the iTunes Plus songs are selling well, we assume that the decision to drop the price is a response to the Amazon MP3 store. Amazon sells individual tracks for between 89 and 99 apiece, all without any DRM restrictions. With that in mind, it's kind of hard for Apple to compete at $1.29.'"

avirrey writes "The Technology Review has an interesting article on a Gibson Self-Tuning Guitar. Purist argue that you shouldn't need a guitar that self-tunes. Others argue that this will allow an artist to change tuning with one 'favorite' guitar, instead of having to swap out between songs." Ok I know what I think- freakin' sweet. Only technology will guarantee my sucking on the electric will at least be reasonably in-tune suckiness. Dear Gibson, Slashdot really needs to review your guitar. We'll need several review units and we lost your return address.

LKM writes "Sony seems to think we should not be allowed to rip CDs we own to our iPods. In fact, doing so is stealing, and we should all re-buy songs, preferably one copy for each device. Says Jennifer Pariser, the head of litigation for Sony BMG: 'When an individual makes a copy of a song for himself, I suppose we can say he stole a song. Making a copy of a purchased song is just a nice way of saying 'steals just one copy'.' I guess somebody should tell Sony about all the devices Sony produces that allow this stealing to occur!"

October marks 10 friggin years of Slashdot, and nobody is more surprised about any of this than me. Throughout the month we'll be running a series of navel gazing meta news articles about our history, infrastructure and plans for the future. We're also going to give away 500 t-shirts and ThinkGeek gift certificates to people willing to organize and attend their own local Slashdot parties. One lucky winner will get a cool grand to blow at ThinkGeek! I'm going to attend "official" gatherings in Ann Arbor, MI on Oct 20 and in Palo Alto, CA on Oct 25. But you can read on for details about party organization and how you can win the grand prize.

Ali writes "As discussed here recently, amazon.com has launched a public beta of Amazon MP3, a digital music store that provides DRM-free downloads of over 2 million songs from 180,000 artists and 20,000 labels. In comparison, Apple says the iTunes Store now contains over 6 million songs. Here is a head-to-head comparison."

An anonymous reader writes "In an obituary for AnywhereCD, which closes in one week, founder (and MP3.com founder) Michael Robertson chronicles how at least one record label wanted him to embed credit card numbers of buyers into songs. A fascinating story about how at least some of the labels still don't get it and why AnywhereCD is about to be buried."

Alien54 writes "Comcast has finally clarified what 'excessive use' is when it comes to their cable internet service. A customer is exceeding their use limit if they: download the equivalent of 30,000 songs, 250,000 pictures or 13 million emails in a month. '[A Comcast spokesperson] said that Comcast's actions to cut ties with excessive users is a "great benefit to games and helps protect gamers and their game experience" due to their overuse of the network and thus "degrading the experience."'" Maybe they could put that limit in terms other than 'email' or 'songs'?

Will Fisher writes "New iPods will no longer be able to work with Linux. iTunes now writes some kind of hash (SHA1, md5?) to the iPod database which new iPods check against. If this check fails then the iPod reports that it contains 0 songs. This appears to be protection against 3rd party applications writing out their own databases. We haven't found out how to generate our own valid hashes (but we do know the hash includes the database itself, and possibly the iPod serial number), and are looking for help."

BioShock, the moody drama-driven FPS for the Xbox 360 and PC, was released last month to rave reviews from the major gaming news sites. Since then the internet has been ablaze with outcry about the game's high rating scores. It's hard to understand why. The work of Ken Levine and Irrational Games on the spiritual successor to System Shock 2 is sublime. It's incredibly atmospheric, the game's story is well written and compellingly told, and the first-person shooter gameplay is a respectable, tightly crafted experience. It's a really, really good game. I'll tell you now: it's a 5/5. So why all the angst? Why the backlash? Read on for my review of BioShock, and a few comments on the dangers of 'merely' being a good game.

mrneutron2003 writes "The RIAA has officially backed a move by the recording industry to reintroduce the CD single. Populated with three songs and a ringtone, this brilliantly clueless idea is to be marketed as a 'ringle,' complete with an even more clueless retail price of $6-7 per CD. Apart from the fact the industry hasn't agreed on how the ringtone is to be redeemed (Sony BMG, the initial proponent of the idea, is the exception here), the pricing puts it way out of line with legitimate digital music downloads." At $7, retailers would enjoy a profit margin they haven't seen since the days of cassette tapes and vinyl.

Joe Elliot writes "Faced with a jury trial set to begin on October 1, the RIAA has filed a motion for summary adjudication of specific facts: that the RIAA owns the copyrights to the songs in a file-sharing case; that the registration is proper; and that the defendant wasn't authorized to copy or distribute the recordings. If the judge rules in their favor, Ars notes that it may turn into a Novell v SCO situation where the only thing left to be decided are the damages. There are some significant problems with the copyright registrations — they don't match up. 'Thomas argues that since she lacks the financial means to conduct a thorough examination of the ownership history (e.g., track the ownership of "Hysteria" from Mercury to UMG) for the songs she is accused of infringing the copyright to, her only opportunity to determine their true ownership is either via discovery or cross-examination at trial.' Ars also notes that the RIAA's biggest fear is of losing a case. 'A loss at trial would be catastrophic for the RIAA. It would give other defense attorneys a winning template while exposing the weaknesses of the RIAA's arguments. It would also prove costly from a financial standpoint, as the RIAA would have to foot the legal expenses for both itself and the defendant. Most of all, it would set an unwelcomed precedent: over 20,000 lawsuits filed and the RIAA loses the first one to go to a jury.'"

JSM writes to tell us that Apple released a new version of their popular iPod music player today that boasts, among other things, an iPhone-like touch screen and Wi-Fi capabilities. "The iPod Touch will feature the Safari Internet browser and, like the iPhone, play YouTube videos. Apple also announced a new version of its iTunes music store that will allow users to buy songs wirelessly. iTunes will also sell customizable 99-cent ringtones for the iPhone."

Last weekend the dark horde of nerddom descended on Seattle, entering the heart of the 'Emerald City' to gorge itself on the music, culture, and humor of gaming. The Penny Arcade Expo (PAX) once again brought together fans of the influential webcomic for a festival that, without even trying, seems to be taking the place of old E3. Though they were expecting around 30,000 people, the word was that by early Sunday they'd already gone through some 40,000 badges. There were DSes everywhere, concerts at night, a packed exhibit hall, and benchmark comic strips created by Mike Krahulik and Jerry Holkins adorned almost every wall. Despite all the people and the noise, somehow the event had a community feel to it that was hard to understand ... and even harder to describe. I'll try, though, along with impressions from games on the show floor and the incredible music of folks like Jonathan Coulton and the Minibosses. Read on, and All Hail Ball.

JonathanF writes "If you were hoping judges would see reason and realize that just using a program that could violate copyright law is about as illegal as leaving your back door unlocked, think again. An Arizona district judge has ruled that a couple who hosted files in KaZaA is liable for over $40K in damages just because they 'made available' songs that could have been pirated by someone, somewhere. There's legal precedent, but how long do we have before the BitTorrent crew is sued?" The New York case testing the same theory is still pending.

An anonymous reader writes "The French website Deezer.com has struck a deal with the SACEM (the French equivalent to the RIAA) and is now legally providing Internet users around the world with more than 100,000 full songs, streamed on demand and without restrictions. The site, formerly named Blogmuzik.net, had had to close down last March under pressure from the recording industry."

An anonymous reader notes an article up at IEEE Spectrum outlining the history and dangers of the accelerating tendency of music producers to increase the loudness and reduce the dynamic range of CDs. "The loudness war, what many audiophiles refer to as an assault on music (and ears), has been an open secret of the recording industry for nearly the past two decades and has garnered more attention in recent years as CDs have pushed the limits of loudness thanks to advances in digital technology. The 'war' refers to the competition among record companies to make louder and louder albums by compressing the dynamic range. But the loudness war could be doing more than simply pumping up the volume and angering aficionados — it could be responsible for halting technological advances in sound quality for years to come... From the mid 1980s to now, the average loudness of CDs increased by a factor of 10, and the peaks of songs are now one-tenth of what they used to be."

ianare writes "Universal Music Group, the largest music company on the planet, has announced that the company is going to sell DRM-free music. The test will see UMG offering a portion of its catalog — primarily its most popular content — sold without DRM between August 21 and January 31 of next year. The format will be MP3, and songs will sell for 99 each, with the bitrate to be determined by the stores in question. RealNetwork's Rhapsody service will offer 256kbps tracks, the company said in a separate statement. January 31 is likely more of a fire escape than an end date. If UMG doesn't like what they're seeing, they'll pull the plug. UMG says that it wants to watch how DRM-free music affects piracy rates."