palegray.net writes "The National Center for State Courts, a nonprofit organization, has sent file-sharing propaganda to thousands of students. The supposedly 'educational' materials, presented in the form of a comic strip, are intended to frighten students with gross exaggerations of the legal consequences of sharing music online (lose your scholarship to college, go to jail for two years, and more). From the article: '"The Case of Internet Piracy," however, reads like the Recording Industry Association of America's public relations playbook: Download some songs, go to jail and lose your scholarship. Along the way, musicians will file onto the bread lines. "The purpose is basically to educate kids — middle school and high school-aged about how the justice system operates and about what really goes on in the courtroom as opposed to what you see on television," said Lorri Montgomery, the center's communications director.' I'm not encouraging anyone to break any laws, but this is ridiculous. What's truly discouraging is the fact that several judges appear to be in full support of this sort of 'education.' The propaganda material is available in PDF form, and it lists the judges and others involved in its creation. Wired's post has a summary of the story (which is good, since the story is awful), and Techdirt notes a couple of the legal inaccuracies.

The folks at Kotaku sat down with a copy of Rock Band 2 and took a look at some of the game's special features. The Drum Trainer will let you practice your beats, fills, and freestyle playing, while Battle of the Bands will let you compete against others using a new set list every week. Perhaps most interesting is the ability for Rock Band 2 owners, for a small fee ("less than $5"), to import songs from a Rock Band 1 disc. "There appears, as of now, no DRM tracking on anything to indicate you rightfully own the disc you want to export. So if you missed out on the Rock Band party last year and want to play the old songs, too, all you have to do is rent a copy or borrow someone else's. It doesn't seem Harmonix [is] too concerned, however, as they're happy you already paid the licensing fee and bought Rock Band 2!"

IGN spoke with Eric Brosious, audio director for Harmonix, about selecting songs for the upcoming Rock Band 2 release. He talks about balancing difficulty between instruments, bringing a wider range of genres to the game, and his view on the competition for songs and artists between Harmonix and Activision. "We prefer not to sign exclusive deals with artists because while it seems like the competitive 'business' thing to do, in the long run, it's really not good for anyone. We think we should be working to get more music out to more people."

unassimilatible writes "Torrentfreak is reporting that German prosecutors will now only pursue larger-scale file sharers on the Internet, as they are tired of being the entertainment industry's profit collector. 'Prosecutors in a German state have announced they will refuse to entertain the majority of file-sharing lawsuits in [the] future. It appears that only commercial-scale copyright infringers will be pursued, with those sharing under 3,000 music tracks and 200 movies dropping under the prosecution radar.' And the money quote: 'It seems that the legal system in Germany has had enough of this "abuse" of the criminal law system for "civil" monetary gain.' If only an American politician would make this point. Why should taxpayers underwrite their government becoming enforcers for the entertainment industry? Then again, when you see how much politicians are being paid, an answer suggests itself."

NewYorkCountryLawyer writes "In an interesting development in a Texas case against a college-age defendant who was 16 at the time of the infringement, the Judge has denied the RIAA's summary judgment motion and ordered a trial of the damages — even though the defendant admitted copyright infringement using Kazaa — based on the 'innocent infringement' defense, which could reduce the statutory damages to $200 per song file. Relying on BMG v. Gonzalez (PDF), the reasoning of which I have criticized on the 'innocent infringement' issue, the RIAA argued that Ms. Harper does not qualify for the 'innocent infringement' defense, since CD versions of the songs, sold in stores, have copyright notices on them. In its 15-page decision (PDF) the Harper court rejected that contention, holding that 'a question remains as to whether Defendant knew the warnings on compact discs were applicable in this KaZaA setting,' since 'In this case, there were no compact discs with warnings.' Finding that there was a factual issue as to what the defendant knew or didn't know at the time of the infringement, the Court ordered a trial of the damages unless the RIAA agrees to accept $200 — rather than the $750-plus it seeks — per infringed song."

NewYorkCountryLawyer writes "I guess the RIAA is getting nervous about the ability of its 'national law firm' (in charge of bringing 'ex parte' motions, securing default judgments, and beating up grandmothers and children) to handle the oral argument scheduled to be heard on Monday, August 4th in Duluth, in Capitol v. Thomas. So, at the eleventh hour, it has brought in one of its 'Big Guns' from Washington, D.C., a lawyer who argues United States Supreme Court cases like MGM v. Grokster to handle the argument. This is the case where a $222,000 verdict was awarded for downloading 24 songs, but the judge ultimately realized that he had been misled by the RIAA in issuing his jury instructions, and indicated he's probably going to order a new trial. But, not to worry. A group of 10 copyright law professors from 10 different law schools and several other amici curiae (friends of the court) have filed briefs now, so it is highly unlikely the judge will allow himself to be misled again, no matter who the RIAA brings in as cannon fodder on Monday."

DrEnter writes "According to this article, Yahoo will offer some compensation after they turn off their DRM servers and Yahoo Music customers will no longer be able to access their music. The company said Wednesday it is offering coupons on request for people to buy songs again through Yahoo's new partner, RealNetworks Inc.'s Rhapsody. Those songs will be in the MP3 format, free of copy protection. Refunds are available for users who 'have serious problems with this arrangement,' Yahoo said. Nice to see them step up and do something, especially without trading one DRM scheme for another."

Joystiq is reporting that next year's version of Madden, and other subsequent EA games, will offer the ability to download new background music tracks. They have not yet said if this would be a pay-per-song service. "It might seem a bit silly for EA to offer a proprietary music download service when all current-gen consoles allow users to create their own custom soundtracks from their already-existing digital music collections. You have to realize, though, that EA needs to offer its own downloads so it can [...] gently suggest the latest hot track from Kid Rock to their captive audience of millions of players."

Slashdot contributor Bennett Haselton has written in with a tale of media rippers and corporate giants "In 2001 RealNetworks sued and blocked Streambox from distributing the Ripper, a program that let users rip and save RealAudio and RealVideo streams even if the stream contained a proprietary "do not copy" flag. Then one year ago this month, RealNetworks caused a stir by releasing a beta of RealPlayer 11 that similarly let the user record and save streams from sites like YouTube and Pandora. YouTube rippers and the like had existed before, but this was the first time a major company had included a stream ripper in its media player. And while RealPlayer 11 didn't explicitly ignore any copy protection flags, the release still provoked legal rumblings: in a Variety article by Scott Kirsner, an anonymous network exec said accused RealNetworks of 'aiding and abetting piracy' and said that they would 'more likely than not' take action against RealNetworks. But now that the feature has stayed in RealPlayer for a year, its real impact will be not on piracy but on the perceived legitimacy of ripping programs. The corporate behemoth, raked over the coals in the past for privacy violations and nuisance-ware, strikes a blow for free-culture hackers." The rest of Bennett's essay is available by following that magical link right below these words.

bsdewhurst sends along an interesting article about how MediaSentry and the RIAA identify file sharers. Since 2003, while the RIAA has been filing 28,000 lawsuits, the percentage of US Internet users using P2P for downloading music has dropped from 20% to 19% (there is no knowing how much of a factor the lawsuits have been). The list the RIAA uses for ISP takedown notices is about 700 currently popular songs that are updated based on the charts, so not liking the top 40 could save you. The list of songs tracked for the user-litigation program is said to be larger.

Mike writes "Virgin Media, the UK's largest cable-modem provider, has decided that it will spy on its users to protect record industry profits. Starting next week Virgin Media will send letters to thousands of households where they suspect music is either being downloaded or illegally shared. The campaign is a joint venture between Virgin Media and the British Phonographic Industry (BPI), which represents the major record labels. The BPI ultimately wants Internet companies to implement a 'three strikes and out' rule to warn and ultimately disconnect the estimated 6.5 million customers whose accounts are (supposedly) used for regular criminal activity. In other words, you download a few songs and they'll come along and cut off the one wire that delivers freedom of speech, freedom of the press and freedom of assembly."

Joe Jay Bee writes "The British rock band Radiohead, who previously stated that they wouldn't want to have their music on Apple's iTunes Music Store (and, indeed, were unhappy when their Kid A album was released via the store) have performed something of an about-face; virtually their entire catalog, including singles and their B-Sides, has appeared on the store. The band previously said they only wanted their work sold as complete albums, which Apple refused to go along with; however their tack has apparently changed, and all their songs are available to mix and match, including their most recent work, In Rainbows. The albums are all available in DRM-free AAC format."

An anonymous reader writes "What's worse than a padlocking every song so that they will only play on certain devices? How about selling (renting) you songs that work on no devices? Astonishingly, this is what the music industry thinks we need. Warner Music is spending $20 million to back Lala, a startup devising a service to convince people to 'buy' 'web songs' for 10 cents each; these are then kept for safekeeping only by Lala with no download privileges. Industry insider Michael Robertson leaks the facts on this scheme, along with a seekrit URL so you can try it out."

GameSpot is reporting that details for Guitar Hero 4 have been released. The biggest news seems to be that the new release will be adding drums and vocals a la Rock Band. The new drums are to offer three pressure-sensitive pads (which can tell if you are just tapping or really wailing), two elevated cymbals, and a pedal. "The details in Game Informer also clear up the mystery surrounding the 'innovation' which Activision promised was coming to the Guitar Hero series in a recent earnings report conference call. The article outlines the game's studio mode, which will give users a variety of ways to create their own songs. Players will be able to jam along with one of the game's existing tracks, record songs as they're played, or meticulously detail note charts."

jyosim writes "The Chronicle of Higher Ed got a briefing at RIAA headquarters on how the group catches pirates. They just use LimeWire and other software that pirates use, except that they've set up scripts to search for songs, grab IP numbers, and send out notices to college officials. They claim they don't target specific colleges, though many feel that they do."

Lucas123 writes "Seagate's first drive, shipped in 1979 was the ST506, which had a capacity of 5MB and cost a cool $1,500 — or $300 per megabyte. Today, a typical Seagate holds 1TB and cost just 1/5000th of a cent ($0.0002) per megabyte. Seagate, which claims to be the first company to ship a billion drives, says all those drives amounted to 79 million terabytes of capacity, enough for 158 billion hours of digital video or 1.2 trillion hours of MP3 songs." Update: 04/23 14:56 GMT by CT : The quoted fraction is wrong. Someone complain to ComputerWorld. Update: 04/23 15:13 GMT by CT : TY. The site is corrected to say "just 1/50th of a cent ($0.0002) per megabyte." The universal equation is once again balanced.

PDQ Back writes to tell us about an email Microsoft sent to former customers of MSN Music today. The company said it would be turning off the DRM servers used to authorize playback of music purchased from the now-defunct MSN Music store. "'As of August 31, 2008, we will no longer be able to support the retrieval of license keys for the songs you purchased from MSN Music or the authorization of additional computers,' reads the e-mail. This doesn't just apply to the five different computers that PlaysForSure allows users to authorize, it also applies to operating systems on the same machine (users need to reauthorize a machine after they upgrade from Windows XP to Windows Vista, for example). Once September rolls around, users are committed to whatever five machines they may have authorized — along with whatever OS they are running."

With so many reasons to hate this video it's hard to write them all, so I'll narrow it done to my top three: First, they used a white Clarence Clemons and their Courtney Cox looks more like my aunt Gloria than the second most desirable friend, (David Schwimmer ranks number one of course). Second, if you're going to make the mistake of trying to parody the Boss, the least you can do is equally half-ass a parody of one of his songs. If you fail, fail spectacularly. Third and most importantly, this is an internal video. Someone actually thought this would inspire employee greatness and lift morale. I wonder if the head of Microsoft's HR department has ever met real people.

Researchers at Microsoft Labs are hoping to allow untrained singers to have their own automatic backup band in the near future. A new piece of software, "MySong", promises to take a sung melody and using a probability computation algorithm, generate an appropriate chord accompaniment. There is also a video of the process on the Microsoft Labs website. "'The idea is to let a creative but musically untrained individual get a taste of song writing and music creation,' Morris told New Scientist. 'There was nothing out there that could take a sung vocal melody as an input and then generate appropriate chords to accompany it. [...] Since people rarely sing at precise frequencies, MySong compares a sung melody to the 12 standard musical notes. It then feeds an approximate sequence of notes to the system's chord probability computation algorithm. This algorithm has been trained, through analysis of 300 rock, pop, country and jazz songs, to recognize fragments of melody and chords that work well together, as well as chords that complement each another.'"

The New York Times reports on a deal between MySpace and three of the four major music labels to develop a new music website. Users will be able to stream songs for free, purchase downloadable tracks, and (possibly) pay a flat monthly fee for unlimited access. From the Times: "Exact terms of the deal and details about the new site, like prices for downloaded music tracks, were not disclosed. But MySpace did say the site would offer songs free of digital rights management software or D.R.M., which is used to prevent illicit copying but can create technical hurdles for buyers. The songs would be playable on any portable music device, including Apple's iPod. For the music industry, the deal is partly born of desperation. In the face of widespread, escalating online piracy, music sales dropped to $11.5 billion in 2006 from a peak in 1999 of nearly $15 billion."