newtley writes "Two days ago we discussed the earlier p2pnet report that the RIAA had fired MediaSentry (now called SafeNet). Now the Wall Street Journal is confirming this report. MediaSentry has been 'invading the privacy of people,' the WSJ quotes Ray Beckerman; 'They've been doing very sloppy work.' Beckerman cites MediaSentry's practice of 'looking for available songs in people's filesharing folders, uploading them, and using those uploads in court as evidence of copyright violations.' MediaSentry 'couldn't prove defendants had shared their files with anyone other than MediaSentry investigators.' The WSJ notes, 'In place of MediaSentry, the RIAA says it will use Copenhagen-based DtecNet Software ApS. The music industry had worked with DtecNet previously both in the US and overseas, and liked its technology...' "

NewYorkCountryLawyer writes "In court papers filed in New York in Capitol Records v. MP3Tunes, the CEO of MP3Tunes, Michael Robertson, has accused the plaintiffs EMI, Capitol Records, and other EMI record labels of flooding the internet with free MP3s of their songs for promotional purposes, 'free to everyone (except, apparently, MP3tunes).' His 10-page declaration (PDF) provides exact details of specific song files, including the URLs from which they are being distributed free of charge, both by paid content distributors, and by EMI itself from its own web sites."

The guy who wrote the Barney "I love you" song, and other musicians are banding together to protest the US military using their songs as weapons. The campaign has brought together groups including Massive Attack and musicians such as Tom Morello, who played with Rage Against the Machine and Audioslave. It will feature minutes of silence during concerts and festivals, said Chloe Davies of the British law group Reprieve, which represents dozens of Guantanamo Bay detainees and is organizing the campaign.

Frequent Slashdot contributor Bennett Haselton writes "A 2006 paper by Matthew Salganik, Peter Dodds and Duncan Watts, about the patterns that users follow in choosing and recommending songs to each other on a music download site, may be the key to understanding the most effective form of "censorship" that still exists in mostly-free countries like the US It also explains why your great ideas haven't made you famous, while lower-wattage bulbs always seem to find a platform to spout off their ideas (and you can keep your smart remarks to yourself)." Read on for the rest of Bennett's take on why the effects of peer ratings on a music download site go a long way towards explaining how good ideas can effectively be "censored" even in a country with no formal political censorship.

angrymilkman writes "Here are two interesting new approaches where researchers modified the popular Guitar Hero game so it can be played by gamers with disabilities. Air Guitar Hero modifies the Guitar Hero controller so someone without limbs can play it by using electrodes attached to the user's residual arm. Blind Hero is a mod for Frets on Fire that uses a haptic glove that can turn visual feedback into haptic feedback, allowing blind gamers to play Guitar Hero songs." There have been a variety of Guitar Hero hacks in the past, including a custom drum pad for playing the guitar part, using the plastic guitar as a real instrument, and rocking out with your bike, but it's nice to see some more serious modifications showing up.

Guitar Hero: World Tour's recent launch saw boxes of plastic instruments flying off store shelves, quickly selling out in many areas. Unfortunately, many players reported problems with the bundled drums sets, prompting Activision to release a drum "tuning" application and a free midi-USB cable to connect the instruments to a PC. Otherwise, reviews for the game have been largely positive, and MTV's Multiplayer Blog did an analysis of using Rock Band drums in GH:WT, and vice-versa. Kotaku looked at which set was louder, coming to the conclusion that while they sound different, decibel levels are very similar. The early success in sales for GH:WT caused Activision to say holiday demand may not be met, and that they're examining two methods in particular to develop the franchise: instrument upgrades (hopefully less ludicrous than Logitech's $250 axe) and the possibility of a subscription-based model for user-generated content. "[Activision Blizzard CEO Bobby] Kotick says that there are now 25,000 user generated tunes that have been created for the game, and projected 'up to 100,000 songs' by the end of this year."

eldavojohn writes "The Wall Street Journal is reporting that MTV's Rock Band has gained the licenses to an undetermined number of songs. Details are scant, but it would be nice to see a whole game based on just the evolution of The Beatles' music. According to Reuters, this has been in the works for months. Hopefully I can finally hide my strained vocals to so many beautiful songs within the privacy of my home instead of drunk off my ass at a bar."

dtjohnson writes "A Harvard law school professor has submitted arguments on behalf of Joel Tenenbaum in RIAA v. Tenenbaum in which Professor Charles Nesson claims that the underlying law that the RIAA uses is actually a criminal, rather than civil, statute and is therefore unconstitutional. According to this article, 'Nesson charges that the federal law is essentially a criminal statute in that it seeks to punish violators with minimum statutory penalties far in excess of actual damages. The market value of a song is 99 cents on iTunes; of seven songs, $6.93. Yet the statutory damages are a minimum of $750 per song, escalating to as much as $150,000 per song for infringement "committed willfully."' If the law is a criminal statute, Neeson then claims that it violates the 5th and 8th amendments and is therefore unconstitutional. Litigation will take a while but this may be the end for RIAA litigation, at least until they can persuade Congress to pass a new law."

This year's Blizzcon saw 15,000 gamers descend from 27 different countries to take part in two days of discussions, tournaments, and sneak peaks at upcoming releases. Several big announcements were scattered among a raft of new details about Diablo 3, Starcraft 2 and Wrath of the Lich King. The new information went a long way toward drumming up interest for what already appear to be worthy successors to old favorites. Read on for more.

Reuters reports that YouTube will be partnering with Amazon and iTunes to provide the ability to purchase games and songs that are in or related to YouTube's hosted videos. For example, watching footage from Spore will bring up a link to purchase the actual game through Amazon. The sales revenue will be shared. In related news, Google has launched a public beta for their in-game advertising software based on Adsense. "Google is initially targeting the sweet spot for its technology: games based in Adobe's Flash platform and which run in a web browser with no download. ... [Christian Oestlien, senior product manager at Google] said that Google's advertisers can use the software to insert ads into games or videos for YouTube, making the ads more versatile. Developers of games can use Flash software development kits to designate the points in a game that make an 'ad request.'"

slapout writes "Weird Al has announced that with the Internet he can now release his songs for sale as he records each one rather than waiting for a whole album to be produced."

1Up did an interview with two of the developers for Guitar Hero: World Tour about the process of creating the game. One of the interesting things they mention is that they won't be putting up with people who use the song creation tools to make covers of existing songs. "We'll be actively monitoring the site. And, obviously, if the copyright holder complains, Activision will pull it down immediately. We can't condone people putting up covers of music. It's really there for original content." We discussed the creation tools themselves recently. Since then, Activision has announced that they'll be including a MIDI sequencer to assist with making your own tunes.

Anti-Globalism sends word that MySpace flipped the switch on its online, ad-supported, DRM-free music service that will "... give its roughly 120 million users free access to hundreds of thousands of songs from the world's largest recording labels. Unlike much of the material at Apple's iTunes store, the music sold through MySpace's new service won't contain the protections that limit how many times a track can be copied. MySpace is hoping to set itself apart from iTunes even further by allowing its users to create an unlimited number of playlists containing up to 100 songs apiece, a sharing concept similar to music services already offered by Imeem and Last.fm."

mattnyc99 writes "A month ago we talked about the impending death of streaming music site Pandora thanks to a very backwards fight over royalties. PopMech follows up with an article that, besides noting how insane it is that Pandora has to pay record labels for the bad songs that users skip, also gets the (three-member) Copyright Royalty Board to try and defend itself about why the government is determining royalty rates for the music industry. Quoting: 'It was uninvited,' says Richard Strasser, senior attorney for the Copyright Royalty Board. 'I don't think anybody was jumping up and down with joy in the government that they have this responsibility, but the former systems just weren't working out.'" No one seems to be trying to defend or explain why Internet radio is being hit so much harder than satellite or broadcast.

Activision finally unveiled the full 86-song track list for Guitar Hero: World Tour, which is set to come out October 26th in the US. The list contains a wide variety of artists, from Creedence Clearwater Revival to Tool to Ted Nugent. Activision also recently acquired FreeStyleGames to "develop new music-based IP," such as DJ Hero. GH:WT's set list shares 13 songs with Rock Band 2, which is due out tomorrow and may get its own reality TV show. Gamespy ranked the RB2 track list by difficulty.

NewYorkCountryLawyer writes "J. K. Rowling didn't make enough money on Harry Potter, so she had to make sure that the 'Harry Potter Lexicon' was shut down. After a trial in Manhattan in Warner Bros. v. RDR Books, she won, getting the judge to agree with her (and her friends at Warner Bros. Entertainment) that the 'Lexicon' did not qualify for fair use protection. In a 68-page decision (PDF) the judge concluded that the Lexicon did a little too much 'verbatim copying,' competed with Ms. Rowling's planned encyclopedia, and might compete with her exploitation of songs and poems from the Harry Potter books, although she never made any such claim in presenting her evidence. The judge awarded her $6,750 and granted her an injunction that would prevent the 'Lexicon' from seeing the light of day." Groklaw has an exhaustive discussion of the judgement.

NewYorkCountryLawyer writes "David Kravets of Wired.com, who provided in-person gavel-to-gavel coverage of the Capitol v. Thomas trial last year, takes stock of the RIAA's 5-year-old litigation campaign, concluding it is 'at a crossroads', and noting that 'billions of copies of copyrighted songs are now changing hands each year on file sharing services. All the while, some of the most fundamental legal questions surrounding the legality of file sharing have gone unanswered. Even the future of the RIAA's only jury trial victory — against Minnesota mother Jammie Thomas — is in doubt. Some are wondering if the campaign has shaped up as an utter failure.'"

Ray Lodato writes "Few people would deny that the world has changed significantly since the explosion of the Internet. Our access to immense volumes of data has made our lives both easier and less secure. Hal Abelson, Ken Ledeen, and Harry Lewis have written an intriguing analysis of many of the issues that have erupted due to the ubiquity of digital data, not only on the Internet but elsewhere. Blown to Bits: Your Life, Liberty, and Happiness After the Digital Explosion, published by Addison-Wesley, digs into many of the ramifications of making so much information available to the world at large. As I read through the book, I was alternately fascinated and horrified at what information is available, and how it is being used and abused." Keep reading for the rest of Ray's review.

1Up has a video of a detailed demonstration of Guitar Hero: World Tour's music creation system from GamesCon 2008. Activision shows off its robust note-recording system, which features dozens of different tones and sounds as well as the ability to play full musical scales. Tilting the guitar up and down can change octaves (or loudness for the drum machine). Users will also be able to record loops and tweak them for inclusion in full songs, which can accommodate all four players. The songs can then be uploaded and shared with the community.

eldavojohn writes "If you like iTunes and you are one of the billion people residing in China, you may have noticed that you no longer have access to the eight million songs on it. An album, 'Songs for Tibet' was downloaded more than 40 times by Olympic athletes as a sign of solidarity for Tibet's cause. Ironically, this compilation had songs criticizing the 'Great Firewall of China,' and that is the very thing that prohibited these songs from reaching the Chinese public. Artists on the compilation include Alanis Morissette, Garbage, Imogen Heap, Moby, Sting, Suzanne Vega, Underworld and others." Additional coverage is available at Computerworld. Earlier this year, China blocked Youtube and other video services for similar reasons. More recently, the Chinese government detained a technologist who planned a pro-Tibet demonstration.