First time accepted submitter hooktheory writes "We looked at the statistics gathered from 1300 choruses, verses, etc. of popular songs to discover the answer to a few basic questions about pop music. First we look at the relative popularity of different chords based on the frequency that they appear in the chord progressions of popular music. Then we begin to look at the relationship that different chords have with one another. To make quantitative statements about music you need to have data; lots of it. Guitar tab websites have tons of information about the chord progressions that songs use, but the quality is not very high. Just as important, the information is not in a format suitable for gathering statistics. So, over the past 2 years we've been slowly and painstakingly building up a database of songs taken mainly from the billboard 100 and analyzing them 1 at a time. At the moment the database of songs has over 1300 entries indexed. Knowing these patterns can give one a deeper more fundamental sense for how music works" This reminds me of the work done by two Rutgers grad students last year trying to find a formula for a hit song.

Hugh Pickens writes "Derek Thompson writes that there is an excellent chance you are wearing, or within arm's reach of, a pair of headphones or earbuds. To visit a modern office place is to walk into a room with a dozen songs playing simultaneously but to hear none of them. In survey after survey, office workers report with confidence that music makes us happier, better at concentrating, and more productive. But science says we're full of it, writes Thompson. 'Listening to music hurts our ability to recall other stimuli, and any pop song — loud or soft — reduces overall performance for both extroverts and introverts.' So if headphones are so bad for productivity, why do so many people at work have headphones? The answer is that personal music creates a shield both for listeners and for those walking around usm says Thompson. 'I am here, but I am separate. In a wreck of people and activity, two plastic pieces connected by a wire create an aura of privacy.' We assume that people wearing them are busy or oblivious, so now people wear them to appear busy or oblivious — even without music. Wearing soundless headphones is now a common solution to productivity blocks. 'If music evolved as a social glue for the species — as a way to make groups and keep them together — headphones allow music to be enjoyed friendlessly — as a way to savor our privacy, in heightened solitude,' concludes Thompson. 'In a crowded world, real estate is the ultimate scarce resource, and a headphone is a small invisible fence around our minds — making space, creating separation, helping us listen to ourselves.'"

quantr writes "The Supreme Court has declined to hear Joel Tenenbaum's appeal. A jury in 2009 ordered Tenenbaum, of Providence, R.I., to pay $675,000 for illegally downloading and sharing 30 songs. A federal judge called the penalty constitutionally excessive, but the 1st U.S. Circuit Court of Appeals reinstated it at the request of the Recording Industry Association of America. Tenenbaum's attorney, Harvard law professor Charles Nesson, said he's disappointed the high court won't hear the case. But he said the 1st Circuit instructed a judge to consider reducing the award without deciding any constitutional challenge. Nesson said 'Tenenbaum is just entering the job market and can't pay the penalty.'"

theodp writes "At Chicago's Billy Goat Tavern, construction workers found physical threats an effective way to discourage smart-ass Whitney Young High School students from playing annoying jukebox songs over and over again. But with Google's newly-patented technology for the Collaborative Rejection of Media for Physical Establishments, you no longer need to resort to violence to prevent Elton John Songs from being played on jukeboxes in bars. Its invention, boasts Google, 'enables customers of an establishment to collaboratively reject a media file that is currently playing and/or pending to be played within that establishment by entering data into a personal wireless portable computing device on their person, for example a cellular telephone.' But don't get your hopes up too high, kids. Much like Google's dual-tier stock plan, the patent calls for 'customer status levels including a premium status and a standard status,' so a premium customer will be able to veto attempts by lowly standard customers to kill his requests to play MC Hammer's 'Can't Touch This'. The patent comes from a quirky Outland Research IP portfolio acquired by Google; its inventor is Louis B. Rosenberg, a Stanford PhD and professional film maker."

Hugh Pickens writes "LiveScience reports that a survey conducted for the American Institute of CPAs reveals that while more than half of U.S. adults believe technology has made it easier to spend money, just three percent think it has made it easier to save. The research found that Americans who subscribe to digital services spend an average of $166 each month for cable TV, home Internet access, mobile phone service and digital subscriptions, such as satellite radio and streaming video — the equivalent of 17 percent of their monthly rent or mortgage payment. Those who download songs, apps and other products spend an additional $38 per month. 'Our gadgets and connections can bring benefits like mobility and efficiency,' says Jordan Amin. 'But they can also bring financial challenges, like taking money that could go to savings, for instance, or contributing to credit card debt.' If facing a financial crunch, Americans would rather change what they eat than give up their cell phones, downloads or digital TV services. Asked to choose the one action they would most likely take in tight time, 41 percent said they would cut back on eating out, 20 percent said they would cut off cable TV, 8 percent said they would end cell phone service and 8 percent said they would stop downloading songs and digital products."

Hugh Pickens writes "Jean-Louis Gassée writes that iTunes is the best thing that has happened to Apple because without iTunes' innovative micropayment system and its new way of selling songs one at a time, the iPod would have been just another commodity MP3 player. The well-debugged iTunes infrastructure turned out to be a godsend for the emergence of the iPhone. But today, the toxic waste of success cripples iTunes: increasingly non-sensical complexity, inconsistencies, layers of patches over layers of patches ending up in a structure so labyrinthine no individual can internalize it any longer. 'It's a giant kitchen sink piled high with loosely related features, and it's highly un-Apple-like' says Allen Pike. 'Users know it, critics know it, and you can bet the iTunes team knows it. But for the love of god, why?' People naturally suggest splitting iTunes into multiple apps, but Apple can't, because many, if not most iOS users are on Windows. It's Apple's one and only foothold on Windows, so it needs to support everything an iOS device owner could need to do with their device. 'Can you imagine the support hurricane it would cause if Windows users suddenly needed to download, install, and use 3-4 different apps to sync and manage their media on their iPhone?' But help may be on the way with iOS 5. As iCloud duplicates more and more of iTunes' sync functionality, they can start removing it from iTunes. 'Apple is very explicit about it in their marketing materials: they call it "PC Free". They're not quite there yet, but they're driving towards a future where you don't need to manage your iOS device with a PC at all – Mac or Windows.'"

eldavojohn writes "Google has just announced Google Play to merge their existing solutions for music, movies, books and apps in the new cloud based storage system promising that you will never have to worry about losing or moving them across devices ever again. You'll be able to store 20,000 songs for free. The region breakdown is: 'In the U.S., music, movies, books and Android apps are available in Google Play. In Canada and the U.K., we'll offer movies, books and Android apps; in Australia, books and apps; and in Japan, movies and apps. Everywhere else, Google Play will be the new home for Android apps.'"

arnodf writes "According to EU Observer, 'The European Court of Justice (ECJ) has struck the latest blow in the debate over internet policing, ruling on Thursday (16 February) that online social network sites cannot be forced to construct measures to prevent users from downloading songs illegally. The court, which is the highest judicial authority in the EU, stated that installing general filters would infringe on the freedom to conduct business and on data privacy. ... The case was brought before the ECJ by Sabam, the Belgian national music royalty collecting society, against social network site Netlog. In 2009, Sabam went to the Belgian Court of First Instance to demand that Netlog take action to prevent site-users from illegally downloading songs from its portfolio. It also insisted that Netlog pay a €1,000 fine for every day of delaying in compliance. Netlog legal submission argued that granting Sabam's injunction would be imposing a general obligation to monitor on Netlog, which is prohibited by the e-commerce directive.' In related news, Sabam is going to be prosecuted (Google translation of Dutch original) for 'forging accounts, abuse of trust, bribery, money laundering and forgery,' which took place from the early 90's till 2007"

First time accepted submitter M.Nunez writes "Just 30 minutes after Whitney Houston died, Sony Music raised the price of Houston's greatest hits album, 'Ultimate Collection,' on iTunes and Amazon. Many technologists, including chairman of the NY Tech Meetup Andrew Rasiej, suggests that Sony should be boycotted for the move. In a tweet, Rasiej wrote, 'Geez Sony raised price on Whitney Houston's music 30 min after death was announced. #FAIL...We should boycott Sony.'"

Bennett Haselton is back with a thought provoking essay about not just an incident of Internet censorship on an American university campus, but a proposed method of propagating news, so that relevant stories aren't buried as easily by chance or time. Bennett writes: "The real scandal in the story of Arizona State University blocking students' access to the Change.org website, is not just that it happened, but that the block persisted for two months without being mentioned in the media. As a card-carrying member of the 'outrage grapevine,' I surely think we need a way to respond faster." Read on for the rest.

SgtChaireBourne writes "Many works published in 1955 would have entered the public domain this year. Duke University's Center for the Study of the Public Domain has an overview of the movies, books, songs and historical works that are kept out of the public domain by changes to copyright law since 1978. Instead of seeing these enter the public domain in 2012, we will have to wait until 2051 before being able to use these works without restriction."

schwit1 writes "According to Politico, 'A pair of senior Hill aides at the center of a brewing battle between Hollywood and Silicon Valley are packing their bags for K Street, where they’ll work for two of the entertainment lobby shops trying to influence their former colleagues in Congress on the very same issue. Allison Halataei, former deputy chief of staff and parliamentarian to House Judiciary Chairman Lamar Smith (R-Texas), and Lauren Pastarnack, a Republican who has served as a senior aide on the Senate Judiciary Committee, worked on online piracy bills that would push Internet companies like Google, Yahoo and Facebook to shut down websites that offer illegal copies of blockbuster films and chart-topping songs.' Techdirt adds, 'Pastarnack went to the MPAA where she'll be "director of government relations" and Halataei to the NMPA (music publishers and songwriters) where she'll be "chief liaison to Capitol Hill." The Politico article linked above notes that this kind of "revolving door" is all too common. It may not be directly corrupt, but to the public it sure feels corrupt.'"

bs0d3 writes "Just over a year ago, Homeland Security's Immigration and Customs Enforcement (ICE) seized dozens of domain names as part of Operation in Our Sites. Among them was DaJaz1.com, a site from which Special Agent Andrew Reynolds said he'd downloaded pirated music. But there was a problem. Persistent reports suggested that the songs had been legally provided to the site by record labels for the specific purposes of distribution to fans, a point later raised by Senator Ron Wyden. One 'leak' even came from a boss at a major music label. Today, a year later, their domain was returned. The reason was because there was no probable cause and the site had never actually broken any laws or warranted a seizure. They are back in business and are displaying an anti-censorship, anti-PROTECT IP, and anti-SOPA banner on their website."

angry tapir writes "Google Music, the company's cloud-based online music service, is now available to all users in the US and includes song and album sales, as well as an integration with the Google+ social networking site. Introduced in test form and by invitation only in May as a cloud-based song storage and playback service, Google Music will also let users buy albums and songs from all major music labels, except Warner."

Master Moose writes "New Zealand's largest ISPs confirmed yesterday that they had received their first notices under the government's new copyright regime, which came into effect on September 1. All the notices received so far appear to be from the Recording Industry Association of New Zealand. Telecom, for example, received 42 notices — 35 for alleged download of songs by R&B star Rihanna, six for Lady Gaga tunes and one for British recording artist Taio Cruz. Curiously, it was the music industry, rather than the movie industry, that fired the first shot. It was believed the Motion Picture Association was keen to go after copyright infringers."

Earlier this month you got a chance to ask They Might Be Giants about DIY albums, nerd culture, and science songs. Below you'll find their responses. Thanks to the band for taking time to answer questions. I wish them another 30 years of making music and success!

Musical group Marconi Union and Lyz Cooper, the UK's leading therapeutic sound practitioner, have released what they claim is the world's most relaxing music. They contend that the calming effects of "Weightless" are not subjective but are based on scientific evidence. The music was found to cause brainwaves and heart rate to synchronize with the rhythm, reduce blood pressure and lower levels of the stress hormone cortisol. In fact, Scientists played the song to 40 women and found it to be 11% more effective at helping them relax than songs by Enya, Mozart and Coldplay. The eight-minute track is so effective at inducing sleep, motorists have now been warned they should not listen to it while driving.

Daetrin writes "Today is Talk Like a Pirate Day, and some people are celebrating by singing like a pirate as well. You may already be aware of the Talk Like a Pirate music page which has a selection of songs including the official anthem by Tom Smith."

jfruhlinger writes with news that Research In Motion will soon jump into the music service market. The service will be available through BlackBerry Messenger, and will offer users 50 songs for $5/month, which they can then share with other people who own BlackBerries. "So why would anyone pay $5 a month to get 50 songs on their phone, when they can pay $10 a month and get an unlimited number of songs, that work on lots of different devices, from services like Rdio and Rhapsody? Reasonable question! But RIM seems to be assuming that its subscribers won’t ask. Instead it is playing up the notion that BBM Music will be about 'personalizing' your phone, in the same way that ringtones supposedly did a decade ago. Ringtones, as you’ll recall, let buyers play a few seconds of a song, and sold for a couple bucks, while full songs from Apple’s iTunes went for 99 cents. And for a few years, the music companies and the wireless carriers sold lots and lots of ringtones."

quarterbuck writes with this excerpt from the NY Times: "When copyright law was revised in the mid-1970s, musicians, like creators of other works of art, were granted 'termination rights,' which allow them to regain control of their work after 35 years, so long as they apply at least two years in advance. Recordings from 1978 are the first to fall under the purview of the law, but in a matter of months, hits from 1979, like 'The Long Run' by the Eagles and 'Bad Girls' by Donna Summer, will be in the same situation. ... 'We believe the termination right doesn’t apply to most sound recordings,' said Steven Marks, general counsel for the Recording Industry Association of America, a lobbying group in Washington that represents the interests of record labels. As the record companies see it, the master recordings belong to them in perpetuity, rather than to the artists who wrote and recorded the songs, because, the labels argue, the records are 'works for hire,' compilations created not by independent performers but by musicians who are, in essence, their employees."