An anonymous reader writes with an article from Duke Law on what would have entered the public domain today were it not for the copyright extensions enacted in 1978. From the article: "What could have been entering the public domain in the U.S. on January 1, 2013? Under the law that existed until 1978, works from 1956. The films Godzilla, King of the Monsters!, The Best Things in Life Are Free, Forbidden Planet, The Ten Commandments, and Around the World in 80 Days; the stories 101 Dalmations and Phillip K. Dick's The Minority Report; the songs 'Que Sera, Sera' and 'Heartbreak Hotel', and more. What is entering the public domain this year? Nothing." And Rick Falkvinge shares his predictions for what the copyright monopoly will try this year. As a bit of a music fan, excessive copyright hits home often: the entire discographies of many artists I like have been out of print for at least a decade. Should copyright even be as long as in the pre-1978 law? Is the Berne Convention obsolete and in need of breaking to actually preserve cultural history?

jfruh writes "Most Slashdotters have been following the debate among the various players in the music industry about how much money artists (and their labels) get from traditional music outlets like radio and newer services like Pandora or Spotify. But Zoë Keating, a professional cellist who has a professional interest in the outcome of this argument, thinks there's one thing missing from all the proposals: more data on who her audience is. Even digital services can't tell her how many people heard her songs or where they're most popular. 'How can I grow my business on this information?' she asks. 'How do I reach them? Do they know I'm performing nearby next month? How can I tell them I have a new album coming out?'" She proposes mandatory reporting of information on listeners as part of royalties.

dstates writes "One Laptop Per Child reports encouraging results of a bold experiment to reach the millions of students worldwide who have no access to primary school. OLPC delivered tablets to two Ethiopian villages in unmarked boxes without instructions or instructors. Within minutes the kids were opening the boxes and figuring out how to use the Motorola Zoom tablets, within days they were playing alphabet songs and withing a few months how to hack the user interface to enable blocked camera functionality. With the Kahn Academy and others at the high school level and massive open online courses at the college level, are teachers going the way of the Dodo?"

M.Nunez writes with a tale of copyright woes. From the article: "The digital 'Saturday Night Live' archive does not feature a recent Bruno Mars sketch because it includes impersonations of pop singers and their chart-topping hits. Bruno Mars sings several songs that are not owned by NBC, so it can be presumed that the company refrained from uploading the sketch into its digital archive to avoid any legal issues. Convoluted music licensing laws have essentially erased the Bruno Mars sketch from the digital archives of SNL. In the short comedy sketch, Bruno Mars impersonates vocal performances by Billie Joe Armstrong (Green Day), Steven Tyler (Aerosmith), Katy Perry, Justin Bieber, Louis Armstrong, and Michael Jackson. The sketch cannot be found on NBC.com or Hulu, as a short clip or in either full editions of the episode."

Bismillah writes "The 'Skynet' anti-filesharing law introduced last year in New Zealand is starting to bite, with people being hauled in front of the Copyright Tribunal by the music industry after receiving three notices. Of the three Copyright Tribunal cases to be heard currently, the first one's just been dropped. Why? Nobody knows. RIANZ isn't saying. Interesting things: the accused was the ISP account holder, a student sharing a place with others who also used the Internet connection. The cost of the five songs downloaded is NZ$11.95 but RIANZ wanted NZ$1,075.50 because it estimated the music was shared/downloaded 90 times in total. A high deterrent penalty of NZ$1,250 was also asked for."

Back in 2006, we discussed Jonathan Coulton's 'Code Monkey,' a song about the plight of under-appreciated developers. In the years since, Coulton's efforts to produce geek-oriented songs have propelled him to a successful music career. To mark Slashdot's 15th anniversary, he was kind enough to do a brand new recording of 'Code Monkey' for us. The video is embedded below, and here's a description from the email he sent to CmdrTaco: "It seemed fitting to do a new version of that song. I have all these gadgets that I buy and barely learn how to play, and when I heard you guys were looking for videos and things, it inspired me to sit down and actually try to get some of them working. What you see is me doing a version of Code Monkey performed live on electric guitar and laptop. The grid with lights is a monome running Pages, Polygomé and mlrv on my mac. You're also hearing some loops and noises from Ableton Live, controlled by footswitches, the monome, and the little keyboard, which is an OP-1. Back in 2006 I didn't know what I was doing, and with all these gizmos, I still don't. So that's a relief." Thanks, Jonathan.

An anonymous reader writes "Today in a blog post, Pandora has shared some details of the fees they pay to musical artists for playing songs over their music streaming service. Over 2,000 different artists will pull in $10,000 or more in the next year, and 800 will get paid over $50,000. They provided a few specific examples as well. Grupo Bryndis, who has a sales rank on Amazon of 183,187 (in other words, who is not at all a household name), is on track to receive $114,192. A few earners are getting over $1 million annually, such as Coldplay and Adele. 'Drake and Lil Wayne are fast approaching a $3 million annual rate each.' The post segues into a broader point about the age of internet radio: 'It's hard to look at these numbers and not see that internet radio presents an incredible opportunity to build a better future for artists. Not only is it bringing tens of millions of listeners back to music, across hundreds of genres, but it is also enabling musicians to earn a living. It's also hard to look at these numbers, knowing Pandora accounts for just 6.5% of radio listening in the U.S., and not come away thinking something is wrong. ... Congress must stop the discrimination against internet radio and allow it to operate on a level playing field, under the same rules as other forms of digital radio.'"

eldavojohn writes "Although downloading songs without paying for them in Japan used to be a civil offense starting in 2010, it is now a crime with new penalties of up to two years in prison or fines of up to two million yen ($25,700). The lobbying group behind this push for more extreme penalties is none other than the RIAJ (the Japanese RIAA). The BBC notes this applies to both music and video downloads which may put anime studios in a particularly uncomfortable position."

itwbennett writes "In the first trial resulting from the controversial three-strikes copyright law, a French court on Thursday fined a man €150 for failing to secure his Internet connection. His negligence led to the illegal download of files, including two Rihanna songs that were downloaded by his wife."

NewYorkCountryLawyer writes "The U.S. Court of Appeals for the 8th Circuit has upheld the initial jury verdict in the case against Jammie Thomas, Capitol Records v. Jammie Thomas-Rasset. This case was the first jury trial for a file-sharing suit brought by the major record labels, and focused on copyright infringement for 24 songs. The Court of Appeals has ruled that the award of $220,000, or $9250 per song, was not an unconstitutional violation of Due Process. The Court, in its 18-page decision (PDF), declined to reach the 'making available' issue, for procedural reasons."

theodp writes "Many of us will accumulate vast libraries of digital books and music over the course of our lifetimes, reports the WSJ, but when we die, our collections of words and music may expire with us. 'I find it hard to imagine a situation where a family would be OK with losing a collection of 10,000 books and songs,' says author Evan Carroll of the problems created for one's heirs with digital content, which doesn't convey the same ownership rights as print books and CDs. So what's the solution? Amazon and Apple were mum when contacted, but with the growth of digital assets, Dazza Greenwood of MIT's Media Lab said it's time to reform and update IP law so content can be transferred to another's account or divided between several people."

An anonymous reader writes "Scientists have long believed that the ability to learn and appreciate music was stored in a different part of the brain than other types of memories. Now, researchers in Berlin think that they have concluded that theory. Dr. Christoph J. Ploner, Carson Finke, and Nazli Esfahani at the Department of Neurology at the Virchow campus in Berlin, Germany have examined a man who has lost all of his memories but has retained his ability to remember and learn songs."

whoever57 writes "A study of music from the '50 to the present using the Million Song Dataset has concluded that modern music has less variation than older music and songs today are, on average, 9dB louder than 50 years ago. Almost all music uses just 10 chords, but the way these are used together has changed, leading to fewer types of transitions being used. Variation in timbre has also reduced over the past decades."

Jon Brodkin writes "Few game series other than Final Fantasy have consistently provided epic adventures for 25 years—and perhaps no company outside of Nintendo capitalizes on its history like Square Enix. In its latest attempt to merge the best of past and present into one experience, Square Enix has produced the music game Theatrhythm Final Fantasy for the Nintendo 3DS. Joining Guitar Hero-style mechanics, 3D perspective, RPG-like character building and battling, and the rich music catalog of the Final Fantasy franchise, Theatrhythm is impressive, enjoyable, and one of the best examples of why it's worth owning a 3DS and that wacky stylus." Read below for the rest of Jon's review.

bs0d3 writes "Voyager 1 is expected to reach interstellar space soon. It will be the first made made object to cross the heliosphere, which is the final stop in our solar system. Voyager 1, famously contained a gold phonographic record. The record was filled with iconic sights, images, and sounds from earth, and the prevailing message, "we come in peace". The disc was [composed] by a man named Carl Sagan, and it contained many pieces of art, songs, and images, that are all copy-written. According to NASA, 'Most of the material they used was copyrighted by the creators/owners and Sagan had to get copyright releases in order to assemble the original record. Subsequently, Warner Multimedia was able to obtain copyright releases for the 1992 version of "Murmurs of Earth" .. Unfortunately, the book and CDROM are no longer being published and are hard to find as a set.'"

Through some stroke of fortune, your friendly editor Timothy Lord is at Google I/O watching the keynote. We'll be updating the story live (below the fold) with his updates as they stream in. Starting things off, he reported a few features of Android Jelly Bean. First, graphics will be triple-buffered for extra smoothness; the graphics demo was reportedly impressive enough that the audience swooned. Text input has been improved with new dictionaries and a predictive keyboard that will learn better over time. Additionally, voice typing will now work offline. English will be initially supported, with Farsi, Thai, and Hindi support to follow. Hit the link below to see further updates, including details on the Nexus 7 tablet and the Nexus Q streaming device.

First time accepted submitter moj0joj0 writes "Two days after YouTube-MP3.org, a site that converts songs from music videos into MP3 files, was blocked from accessing YouTube, the RIAA has asked CNET to remove software from Download.com that performs a similar function. The RIAA focused its criticism on software found at Download.com called YouTubeDownloader. The organization also pointed out that there are many other similar applications available at the site, 'which can be used to steal content from CBS, which owns Download.com.' CNET's policy is that Download.com is not in any position to determine whether a piece of software is legal or not or whether it can be used for illegal activity." For a sufficiently broad definition of "steal," you could argue that all kinds of software (from word processors to graphics programs to security analysis tools) could be implicated.

Hodejo1 writes "[Tuesday] morning we learned that Google fired the first volley against YouTube conversion sites by blocking YouTube-MP3.org's servers from accessing its service and sending a letter threatening legal action. It looks like the fast growing Clip.dj also got the letter based on the note posted on the site: 'We're sorry to announce this, but Clip.dj has shut its service down for good.'"

New submitter Mystakaphoros writes "Musician David Lowery (of Cracker fame) takes NPR intern Emily White to task for her stance on paying for (or failing to pay for) music. Quoting: 'By allowing the artist to treat his/her work as actual property, the artist can decide how to monetize his or her work. This system has worked very well for fans and artists. Now we are being asked to undo this not because we think this is a bad or unfair way to compensate artists but simply because it is technologically possible for corporations or individuals to exploit artists work without their permission on a massive scale and globally. We are being asked to continue to let these companies violate the law without being punished or prosecuted. We are being asked to change our morality and principals to match what I think are immoral and unethical business models.'"

An anonymous reader writes "Google is apparently cracking down on a popular site that converts the music from YouTube videos into MP3s. YouTube-MP3.org has received a letter from Google, YouTube's parent company, notifying the site operators that converting videos this way violates YouTube's terms of service, according to the blog TorrentFreak, which said it has seen the letter. In addition, YouTube apparently has blocked YouTube-MP3.org's servers from accessing the site."