Bloomberg's Mark Gurman reports that Apple is developing display-free AI smart glasses aimed at rivaling Meta's Ray-Bans, with multiple frame styles, a distinctive oval camera design, and tight iPhone integration. "The idea is to unveil the product at the end of 2026 or early the following year, with the actual release coming in 2027," writes Gurman. From the report: Like Meta's offering, Apple's glasses will be designed to handle everyday uses: capturing photos and videos, syncing with a smartphone for editing and sharing, handling phone calls, listening to notifications, playing music, and enabling hands-free interaction via a voice assistant. In Apple's case, that assistant will be a significantly upgraded Siri coming in iOS 27. The glasses are part of a broader, three-pronged AI wearables strategy that also includes new AirPods and a camera-equipped pendant. Each device is designed to leverage computer vision to interpret the user's surroundings and feed contextual awareness into Siri and Apple Intelligence. That will enable features like improved turn-by-turn map directions and visual reminders.

When Apple typically enters a new product category, it offers clear advantages over what's currently available. We saw this with the original iPod, iPhone, iPad and Apple Watch -- and, even though it was a flop, the Vision Pro. That approach won't be as obvious with Apple's upcoming foldable iPhone, but we should see it on full display with the glasses. According to employees working on the project, Apple's strategy is to outdo competitors by tightly integrating the glasses with the iPhone and offering a higher-end build. While Meta relies heavily on partner EssilorLuxottica SA for frames, Apple is unsurprisingly planning to go at it alone in terms of design. That also should set it apart from Alphabet Inc.'s Google and Samsung Electronics Co., which are leaning on Warby Parker.

Apple's design team has whipped up at least four different styles and plans to launch some or all of them, I'm told, as well as many color options. The latest units are made from a high-end material called acetate, which is known to be more durable and luxurious than the standard plastic used by many brands. Here are the designs in testing:
- A large rectangular frame, reminiscent of Ray-Ban Wayfarers
- A slimmer rectangular design, similar to the glasses worn by Apple Chief Executive Officer Tim Cook
- Larger oval or circular frames
- A smaller, more refined oval or circular option

An anonymous reader quotes a report from TorrentFreak: Following on the heels of the landmark Cox v. Sony ruling, the Supreme Court has vacated the contributory copyright infringement verdict against ISP Grande Communications, ordering the Fifth Circuit to reconsider its decision in light of the new precedent. [...] The order (PDF) effectively removes the case from the Supreme Court docket, urging the Fifth Circuit Court of Appeals to take another look at its decision in light of the new ruling.

Given the similarities between the two cases, it is no surprise that the Supreme Court came to this conclusion. It is now up to the Fifth Circuit to revisit whether Grande's conduct meets the intent threshold that was established in Cox. That is a significantly higher bar than the one applied in the original verdict, which found that continuing to provide service to known infringers was enough to establish material contribution.

The music companies previously said they sent over a million copyright infringement notices, but that Grande failed to terminate even a single subscriber account in response. However, without proof of active inducement, these absolute numbers carry less weight now. Whether this translates into a win for Grande on remand remains to be seen. For now, however, the original $47 million verdict is further away than ever.

A New York Times analysis found Google's AI Overviews now answer questions correctly about 90% of the time, which might sound impressive until you realize that roughly 1 in 10 answers is wrong. "[F]or Google, that means hundreds of thousands of lies going out every minute of the day," reports Ars Technica. From the report: The Times conducted this analysis with the help of a startup called Oumi, which itself is deeply involved in developing AI models. The company used AI tools to probe AI Overviews with the SimpleQA evaluation, a common test to rank the factuality of generative models like Gemini. Released by OpenAI in 2024, SimpleQA is essentially a list of more than 4,000 questions with verifiable answers that can be fed into an AI.

Oumi began running its test last year when Gemini 2.5 was still the company's best model. At the time, the benchmark showed an 85 percent accuracy rate. When the test was rerun following the Gemini 3 update, AI Overviews answered 91 percent of the questions correctly. If you extrapolate this miss rate out to all Google searches, AI Overviews is generating tens of millions of incorrect answers per day.

The report includes several examples of where AI Overviews went wrong. When asked for the date on which Bob Marley's former home became a museum, AI Overviews cited three pages, two of which didn't discuss the date at all. The final one, Wikipedia, listed two contradictory years, and AI Overviews confidently chose the wrong one. The benchmark also prompts models to produce the date on which Yo Yo Ma was inducted into the classical music hall of fame. While AI Overviews cited the organization's website that listed Ma's induction, it claimed there's no such thing as the Classical Music Hall of Fame. "This study has serious holes," said Google spokesperson Ned Adriance. "It doesn't reflect what people are actually searching on Google." The search giant likes to use a test called SimpleQA Verified, which uses a smaller set of questions that have been more thoroughly vetted.

Apple's 50th anniversary got celebrated in weird and wild ways. CEO Tim Cook posted a special 30-second video rewinding backwards through the years of Apple's products until it reaches the Apple I. Podcaster Lex Fridman noticed if you play the sound in reverse, "It's the Think Different ad music, pitched up." TechRadar played seven 50-year-old Apple I games on an emulator, including Star Trek, Blackjack, Lunar Lander, and of course, Conway's Game of Life.

And Macworld ranked Apple's 50 most influential people. (Their top five?)

5. Tony Fadell (iPhone co-creator/"father of the iPod")
4. Sir Jony Ive
3. Steve Wozniak
2. Tim Cook
1. Steve Jobs

One of the most thoughtful celebraters was David Pogue, who's spent 42 years of writing about Apple (starting as a MacWorld columnist and the author of Mac for Dummies, one of the first "...For Dummies" books ever published in the early 1990s.) Now 63 years old, Pogue spent the last two years working on a 608-page hardcover book titled Apple: The First 50 Years. But on his Substack Pogue, contemplated his own history with the company — including several interactions with Steve Jobs. Pogue remembers how Jobs "hated open systems. He wanted to make self-contained, beautiful machines. He didn't want them polluted by modifications."

The tech blog Daring Fireball notes that Pogue actually interviewed Scott Forstall (who'd led the iPhone's software development team) for his new book, "and got this story, about just how far Steve Jobs thought Apple could go to expand the iPhone's software library while not opening it to third-party developers." "I want you to make a list of every app any customer would ever want to use," he told Forstall. "And then the two of us will prioritize that list. And then I'm going to write you a blank check, and you are going to build the largest development team in the history of the world, to build as many apps as you can as quickly as possible." Forstall, dubious, began composing a list. But on the side, he instructed his engineers to build the security foundations of an app store into the iPhone's software-"against Steve's knowledge and wishes," Forstall says. [...]

Two weeks after the iPhone's release, someone figured out how to "jailbreak" the iPhone: to hack it so that they could install custom apps. Jobs burst into Forstall's office. "You have to shut this down!" But Forstall didn't see the harm of developers spending their efforts making the iPhone better. "If they add something malicious, we'll ship an update tomorrow to protect against that. But if all they're doing is adding apps that are useful, there's no reason to break that." Jobs, troubled, reluctantly agreed.

Week by week, more cool apps arrived, available only to jailbroken phones. One day in October, Jobs read an article about some of the coolest ones. "You know what?" he said. "We should build an app store."

Forstall, delighted, revealed his secret plan. He had followed in the footsteps of Burrell Smith (the Mac's memory-expansion circuit) and Bob Belleville (the Sony floppy-drive deal): He'd disobeyed Jobs and wound up saving the project.
In fact, the book "includes new interviews with 150 key people who made the journey, including Steve Wozniak, John Sculley, Jony Ive, and many current designers, engineers, and executives" (according to its description on Amazon). Pogue's book even revisits the story of Steve Jobs proving an iPod prototype could be smaller by tossing it into an aquarium, shouting "If there's air bubbles in there, there's still room. Make it smaller!" But Pogue's book "added that there's a caveat to this compelling bit of Apple lore," reports NPR.

"It never actually happened. It's just one more Apple myth."

"What happens when you can describe the social experience you want and have it built for you...?" asks Bluesky? "We've just started experimenting, but we're sharing it now because we want you to build alongside us."

Called "Attie" — because it's built with Bluesky's decentralized publishing framework, AT Protocol (which is open source) — the new assistant turns natural language prompts into social feeds, without users having to know how to code. (It's part of Bluesky's mission to "develop and drive large-scale adoption of technologies for open and decentralized public conversation.")

Engadget reports: On the Attie website, examples include prompts like, "Show me electronic music and experimental sound from people in my network" or "Builders working on agent infrastructure and open protocol design."

"It feels more like having a conversation than configuring software," [writes Bluesky's former CEO/current chief innovation officer, Jay Graber, in a blog post]. "You describe the sort of posts you want to see, and the coding agent builds the feed you described."

Graber added that Attie is a separate app from Bluesky and users don't have to use the new AI assistant if they don't want to. However, since Attie and Bluesky were built on the same framework, it could mean there will be some cross-app implementation between the two or any other app built on the AT Protocol.
"Attie is open for beta signups today, and we'll be sharing what we learn along the way," Graber writes in the blog post. "To learn more about Attie, visit: Attie.AI. Come help us find out what this can be."

The blog post warns that "Right now, AI is undermining human agency at the same time it's enhancing it," since "The proliferation of low-quality AI-generated content is making public social networks noisier and less trustworthy..." And in a world where "signal is getting harder to find... The major platforms aren't trying to fix this problem." They're using AI to increase the time users spend on-platform, to harvest training data, and to shape what users see and believe through systems they can't inspect and didn't choose. We think AI should serve people, not platforms...

An open protocol puts this power directly in users' hands. You can use it to build your own feeds, create software that works the way you want it to, and find signal in the noise. We built the AT Protocol so anyone could build any app they imagine on top of it, but until recently "anyone" really meant "anyone who can code." Agentic coding tools change that. For the first time, an open protocol can be genuinely open to everyone...

The Atmosphere [Bluesky's interoperable ecosystem] is an open data layer with a clearly defined schema for applications, which makes it uniquely well-suited for coding agents to build on... Bluesky will continue to evolve as a social app millions of people rely on. Attie will be where we experiment with agentic social.

AI is an accelerant on whatever it's applied to. I want it to accelerate decentralizing social and putting power back in users' hands. But I don't think the most interesting things built on AT Protocol will come from us. They're going to come from everyone who picks up these tools and starts building.

The Wall Street Journal reports: Walking into his kitchen, Tim Yoder recoiled at a message on his refrigerator door: "Shop Samsung water filters." Yoder, a supply-chain manager in Chicago, owns a Samsung Electronics Family Hub fridge. He paid $1,400 for an appliance that came with a 32-inch screen on the door that allows him to control other Samsung gadgets, pull up recipes or stream music. But since last fall, it's been intermittently serving up ads, part of a pilot program being tested on some of Samsung's smart fridges sold in the U.S. The response? Not warm. "I guess this is another place for somebody to shove an ad in your face," said the 47-year-old Yoder, recalling the first time he noticed one...

The ads are only on certain Family Hub fridges that have screens and internet connectivity. They run as a rectangular banner at the bottom — part of a widget that also shows news, the weather and a calendar. Samsung declined to say how long the pilot might last or whether it would end. The firm recently unveiled a "Screens Everywhere" initiative that also includes washers, dryers and ovens.... Samsung launched the banner-type fridge ads that come as part of the widget via an October software update. In a footnote of a news release at the time, Samsung pledged to "serve contextual or non-personal ads" and respect data privacy. The banner ads can be turned off in settings.

Samsung said the purpose of the pilot is to explore whether ads relevant to home chores can be useful to owners, and that overall pushback has been negligible. The "turn-off" rate for the pilot ad program remains in the bottom single-digit range, it said... While owners can turn off the banner ads, doing so eliminates the widget altogether, a bummer for Brian Bosworth, a media-industry engineer who liked the feature. Bosworth thinks it's wrong to take away the new feature as a condition. Wanting to keep the widget but not the ads, the 49-year-old in Edgewater, Md., made sure his home router's ad-blocking software extended to his fridge. He hasn't seen another since.
One 27-year-old plans to return his refrigerator after the entire display "lit up with a full-screen ad for Apple TV's sci-fi show Pluribus," according to the article. The all-caps ad beckoned him "with an oft-used refrain directed at protagonist Carol Sturka: 'We're Sorry We Upset You, Carol.'"

Thanks to Slashdot reader fjo3 for sharing the article.

Longtime Slashdot reader JackSpratts writes: The Supreme Court unanimously said on Wednesday that a major internet provider could not be held liable for the piracy of thousands of songs online in a closely watched copyright clash. Music labels and publishers sued Cox Communications in 2018, saying the company had failed to cut off the internet connections of subscribers who had been repeatedly flagged for illegally downloading and distributing copyrighted music. At issue for the justices was whether providers like Cox could be held legally responsible and required to pay steep damages -- a billion dollars or more in Cox's case -- if they knew that customers were pirating music but did not take sufficient steps to terminate their internet access.

In its opinion released (PDF) on Wednesday, the court said a company was not liable for "merely providing a service to the general public with knowledge that it will be used by some to infringe copyrights." Writing for the court, Justice Clarence Thomas said a provider like Cox was liable "only if it intended that the provided service be used for infringement" and if it, for instance, "actively encourages infringement." Justice Sonia Sotomayor, joined by Justice Ketanji Brown Jackson, wrote separately to say that she agreed with the outcome but for different reasons. [...] Cox called the court's unanimous decision a "decisive victory" for the industry and for Americans who "depend on reliable internet service."

"This opinion affirms that internet service providers are not copyright police and should not be held liable for the actions of their customers," the company said.

Amazon is reportedly developing a new AI-focused smartphone that doesn't rely as heavily on traditional apps. "The phone is seen as a potential mobile personalization device that can sync with home voice assistant Alexa and serve as a conduit to Amazon customers throughout the day," reports Reuters. From the report: As envisioned, the new phone's personalization features would make buying from Amazon.com, watching Prime Video, listening to Prime Music or ordering food from partners like Grubhub easier than ever, the people said. They asked for anonymity because they were not authorized to discuss internal matters. A key focus of the Transformer project has been integrating artificial intelligence capabilities into the device, the people said. That could eliminate the need for traditional app stores, which require downloading and registering for applications before they can be used. Alexa would likely be a core feature but not necessarily the primary operating system of the phone, the people said. When Amazon launched the Fire Phone in 2014, it aimed to compete directly with offerings from Samsung and Apple. Instead, the device received mixed reviews and failed to impress reviewers, leading Amazon to abandon the effort just over a year later.

Longtime Slashdot reader UnknowingFool writes: Rapper Afroman, born Joseph Edgar Foreman, famous for his 2000 hit "Because I Got High", has won a defamation lawsuit that seven Ohio police offers filed against him. A jury found he did not defame the officers in music videos he made about a 2022 police raid of his home. In August 2022, Adams County Sheriff's Department raided Afroman's home on suspicion of drug trafficking and kidnapping. Neither drugs nor kidnapping victims were found, and charges were never filed. However, local officials would not pay for damages occurred during the raid including a broken front door and a video surveillance camera. Afroman used his home security footage of the raid to create music rap videos criticizing the police over the incident; "Will You Help Me Repair My Door?", "Why You Disconnecting My Video Camera?", and "Lemon Pound Cake". He posted the videos on YouTube.

In March 2023, seven officers filed a lawsuit against Afroman for invasion of privacy and the unauthorized use of their images from the security footage in addition to defamation claims. The officers requested an injunction for Afroman to stop speaking about them or using their photos. The officers also wanted all proceeds from the videos, song sales, performances, and merchandise claiming they had suffered "emotional distress" due to the videos. Afroman's defense included Freedom of Speech rights to criticize public officials. The ACLU filed an amicus brief supporting the rapper, arguing that the lawsuit was a SLAPP suit only meant to silence criticism. In October 2023, the court agreed and dismissed the invasion of privacy, "right of publicity", and "unauthorized use of individual's persona" claims but allowed the defamation case to proceed.

Defamation claims by the officers included the allegation Afroman repeatedly had sex with the wife of Randolph L. Walters, Jr. When Afroman's lawyer asked Walters "But we all know that's not true, right?", the officer replied he did not know. Defamation from emotional damages requires that harm arise from a false statement; however, if a statement is so outrageous that no one would believe it to be true, then reputational damage cannot be a result.

An anonymous reader quotes a report from Ars Technica: Musi, a free music streaming app that had tens of millions of iPhone downloads and garnered plenty of controversy over its method of acquiring music, has lost an attempt to get back on Apple's App Store. A federal judge dismissed Musi's lawsuit against Apple with prejudice and sanctioned Musi's lawyers for "mak[ing] up facts to fill the perceived gaps in Musi's case."

Musi built a streaming service without striking its own deals with copyright holders. It did so by playing music from YouTube, writing in its 2024 lawsuit against Apple that "the Musi app plays or displays content based on the user's own interactions with YouTube and enhances the user experience via Musi's proprietary technology." Musi's app displayed its own ads but let users remove them for a one-time fee of $5.99. Musi claimed it complied with YouTube's terms, but Apple removed it from the App Store in September 2024. Musi does not offer an Android app. Musi alleged that Apple delisted its app based on "unsubstantiated" intellectual property claims from YouTube and that Apple violated its own Developer Program License Agreement (DPLA) by delisting the app.

Musi was handed a resounding defeat yesterday in two rulings from US District Judge Eumi Lee in the Northern District of California. Lee found that Apple can remove apps "with or without cause," as stipulated in the developer agreement. Lee wrote (PDF): "The plain language of the DPLA governs because it is clear and explicit: Apple may 'cease marketing, offering, and allowing download by end-users of the [Musi app] at any time, with or without cause, by providing notice of termination.' Based on this language, Apple had the right to cease offering the Musi app without cause if Apple provided notice to Musi. The complaint alleges, and Musi does not dispute, that Apple gave Musi the required notice. Therefore, Apple's decision to remove the Musi app from the App Store did not breach the DPLA."

He's "the most famous anonymous man in the world," suggests Reuters. But investigating Banksy's artworks in a bombed Ukrainian village (and other clues in the U.K. and Manhattan) have led them to "a hand-written confession by the artist to a long-ago misdemeanor charge of disorderly conduct — a document that revealed, beyond dispute, Banksy's true identity."

But Banksy's long-time lawyer "urged us not to publish this report, saying doing so would violate the artist's privacy, interfere with his art and put him in danger" and "would harm the public, too." Working "anonymously or under a pseudonym serves vital societal interests," he wrote. "It protects freedom of expression by allowing creators to speak truth to power without fear of retaliation, censorship or persecution — particularly when addressing sensitive issues such as politics, religion or social justice."

Reuters took into account Banksy's privacy claims — and the fact that many of his fans wish for him to remain anonymous. Yet we concluded that the public has a deep interest in understanding the identity and career of a figure with his profound and enduring influence on culture, the art industry and international political discourse... As for the risk he might face of retaliation or censorship, Britain's legal and political establishments seem comfortable with Banksy's messages and how he delivers them...

His mastery of disguise began as a way of shaking the police, says former manager [Steve] Lazarides. In an interview, Lazarides said anonymity served a practical purpose in Bristol, where authorities enforced "draconian" policies against graffiti... Eventually, keeping the secret became a burden. By the end of their partnership, Lazarides estimates he spent half or more of his time managing and maintaining the artist's mystique. "I think it became a good gag, and then, if you want my honest, honest opinion, I think it then became a disease," he said.
Lazarides wrote a two-volume book about managing Banksy from the late 1990s to 2008, including a story about Banksy's arrest in 2000 for this defacing of a billboard. Reuters geolocated that building, then found police documents and a court file including the hand-written confession. This investigation spawned a 7,000-word article with everything from a comic strip Banksy drew when he was 11 to his connections with Robert Del Naja of the trip hop band Massive Attack — and a 2017 podcast interview where a music producer apparently revealed Banksy's real first name.

But the article also reveals how protective the art community is of Banksy's secret. Reuters investigated that Banksy auctioned in 2018 for $1.4 million — and then immediately started shredding itself with a device Banksy embedded in its frame: That piece, renamed "Love is in the Bin," sold three years later for about $25 million. Art dealer [Robert] Casterline was at the auction and remembers when the shredder began to beep. He pulled out his phone to take pictures. "Unfortunately, there was one person standing in front of me," blocking the view, he said. It was an eccentric-looking man with a broad neck scarf and thick eyewear. Oddly, the man wasn't watching the painting get shredded. He was looking in the other direction, observing the crowd's reaction. Only later, reviewing what he shot, did Casterline notice that the man's glasses appeared to have a small camera built into the bridge. (Banksy later posted a video of the stunt, including shots of the astonished audience.)
Having seen a photo of the man suspected of being Banksy, Casterline confirmed to Reuters that he was "pretty sure" it was the same man.

But "I don't want to be the guy who exposes Banksy."

"A few developers found a way, for now, to turn a few of these increasingly mediocre Amazon Show devices into friendly, useful, open computers," writes the co-founder of the gaming/tech news site Aftermath. For under $50 each, he bought some used versions of the devices and tested their instructions, partly to escape the full-screen ads Amazon began showing late last year, and also to overwrite Amazon's locked down Android fork "Fire OS" (and "a similarly neutered version of Linux called Vega OS") Customers who bought these devices and used them for several years were not used to them showing full screen ads, and now they do. People were justifiably pissed. So what do you do when an already evil device gets shittier...? I wiped Fire OS from the device and used ADB sideload to directly load two packages on the device: LineageOS and MindTheGapps. MindTheGapps lets you turn the device into something resembling a traditional Android device, for both good and bad.... It took a few times of wiping the device, but after a few tries it finally worked as intended... I immediately installed the Home Assistant app...

Not only can the hacked Echo Show 8 control my entire smart home, it now plays back my entire local music library as well as any internet radio channels like The Lot Radio and NTS. It can also synchronize with any additional Echo Show running LineageOS in my house using the SendSpin protocol... I would gladly take it any day of the week over most of the devices these companies offer, especially Amazon. It may not be as intuitive as out-of-the-box smart home products, but I don't need my devices to be intuitive, I need them to behave. I had finally found a smart display that wasn't a cop...

The hardware is old and creaky, and after the hack it can only use 1GB of the 2GB of ram. And yet it still manages to feel snappier than the stock hardware. "The amount of telemetry, ads, and general bloat Amazon shoves down our throats definitely doesn't help performance," [XDA Devs Forum user] Rortiz2 told me. "That's actually another reason why we did LineageOS, it kind of gives the device a second life. Even though it's still a bit buggy, it feels way better to use than the stock firmware...." If you want a smart speaker with a display that just runs a stripped-down version of Android that you have full control over, you're going to have a hard time finding it outside of these three specific models unless you cobble something together yourself. It is a deceptively simple thing to desire — the kiosk computer from science fiction that isn't a narc — yet few companies really offer it.
"It should be against the law to not give an end user the ability to consensually load whatever OS or program they want on their device..." the article concludes, arguing that "If we budge on the inalienable right to modify our hardware then we forsake a key part about what makes computers special."

And in the mean time, "There are so many devices that could be put to use rotting in e-waste facilities and thrift stores..."

As the Mobile World Conference begins in Spain, Lenovo brought a new attachable accessory for their laptops — an AI agent. CNET reports: The little circular module perches on the top of your Lenovo laptop display, attached via the magnetic Magic Bay on the rear. The module is home to an adorable animated companion called Tiko, who you can interact with via text or voice... [I]t can start and stop your music, open a web page for you or answer a question. You can also interact with it by using emoji. Give it a book emoji, for example, and it will pop on its glasses and sit reading with you while you work... The company wants to sell the Magic Bay accessory later this year — although it doesn't know exactly when, or how much it will cost.
It even comes with a timer (for working in Pomodoro-style intervals) — but Lenovo has also created another "concept" AI companion that CNET describes as "a kind of stationary tabletop robot, not dissimilar to the Pixar lamp, but with an orb for a head." With a combination of cameras, microphones and projectors, the AI Workmate can undertake a variety of tasks, including helping you generate and display presentations or turn your written work or art into a digital asset... It's robotic head swivelled around and projected the slides onto the wall next to me.
Lenovo created a video to show this "next-generation AI work companion" — with animated eyes — "designed to transform how modern professionals interact with their workspace." It bridges the physical and digital worlds — capturing handwritten notes, recognizing gestures, summarizing tasks, and proactively helping you stay ahead of your day. The moment you sit down, Lenovo AI Workmate greets you, surfaces priority tasks, and keeps your work organized without switching apps or losing context. From turning sketches into presentations to projecting information for instant collaboration, [it] brings on-device AI intelligence directly to your desk — secure, responsive, and always ready... It's not just software. It's a smarter way to work.
It looks like Lenovo once considered naming it "AI Sphere" (since that name still appears in its description on YouTube).

Lenovo also showed another "concept" laptop idea that PC Magazine called "futuristic": The ThinkBook Modular AI PC looks like a traditional laptop at first glance, but a second, removable screen fastens onto the lid. You can swap that screen onto the keyboard deck (in place of the keyboard, which can then be used wirelessly), or use it alongside the laptop as a portable monitor, attached via an included cable.... While Lenovo is still working on this device, and it's very much in the concept phase, it feels like one of its best-thought-out prototypes, one likely to make it to store shelves at some point.
Another "concept" laptop is Lenovo's Yoga Book Pro 3D Concept, ofering directional backlight and eye-tracking technology for the illusion of 3D (playing slightly different images to each of your eyes). It offers gesture control for 3D models, two OLED displays, and some magical "snap-on pads" which, when laid on the display — make the GUI appear on the screen for a new control menu to "provide quick-access shortcuts for adjusting lighting, viewing angle, and tone".

An anonymous reader shares a column: I'm going to take the diplomatic hat off here and say with brutal honesty: basically everybody in the music business hates Spotify except for the people who work there. It's a platform that sucks artists for everything they have, it actively prevents community building, and, despite all of that, the platform still struggles to maintain a healthy profit margin.

The streaming business model is fundamentally broken. And eventually, its demise will become more and more obvious to recognize. I'll break down exactly why the DSP era is coming to a grinding halt, why the major labels are quietly terrified, and why the artists who don't pivot now are going to go down with the ship.

[...] Jimmy Iovine put it bluntly: "The streaming services have a bad situation, there's no margins, they're not making any money." This model only works for Apple, Amazon, and Google, because they don't need their music platforms to be wildly profitable. Amazon uses music as a loss-leader to keep you paying for Prime. Apple uses it to sell $1,000 iPhones. As for Spotify, or any standalone music streaming company, they're kind of screwed. And guess what -- when the platform's margins are structurally squeezed, guess who gets squeezed first? The artists.

[...] What if Jimmy is right? If the DSPs are "minutes away from obsolete," what replaces them? Well, I'm not sure the DSPs are going to disappear overnight, but if you're an artist or a manager trying to sustain yourself in this evolving music economy, the answer is direct ownership. The artists who will survive the next five years are the ones who are quietly shifting their focus away from the "ATM Machine."

They are building their own cultural hangars. They are capturing phone numbers on Laylo. They are driving fans to private Discord servers. They are focusing on ARPF (Average Revenue Per Fan) through high-margin merch, vinyl, and hard tickets, rather than begging for fractions of a penny from a playlist placement. We are witnessing the death of the "Mass Audience" and the birth of the "Micro-Community."

Google is bringing its Lyria 3 AI music model into the Gemini app, allowing users to generate 30-second songs from text, images, or video prompts directly within the chatbot. The Verge reports: Lyria 3's text-to-music capabilities allow Gemini app users to make songs by describing specific genres, moods, or memories, such as asking for an "Afrobeat track for my mother about the great times we had growing up." The music generator can make instrumental audio and songs with lyrics composed automatically based on user prompts. Users can also upload photographs and video references, which Gemini then uses to generate a track with lyrics that fit the vibe.

"The goal of these tracks isn't to create a musical masterpiece, but rather to give you a fun, unique way to express yourself," Google said in its announcement blog. Gemini will add custom cover art generated by Nano Banana to songs created on the app, which aims to make them easier to share and download. Google is also bringing Lyria 3 to YouTube's Dream Track tool, which allows creators to make custom AI soundtracks for Shorts.

Dream Track and Lyria were initially demonstrated with the ability to mimic the style and voice of famous performers. Google says it's been "very mindful" of copyright in the development of Lyria 3 and that the tool "is designed for original expression, not for mimicking existing artists." When prompted for a specific artist, Gemini will make a track that "shares a similar style or mood" and uses filters to check outputs against existing content.

According to Bloomberg's Mark Gurman (paywalled), Apple is reportedly developing AI-powered smart glasses, a wearable pendant, and camera-equipped AirPods that connect to the iPhone and use "visual context" to let Siri perform real-world actions. The Verge reports: Apple is reportedly aiming to start production of its smart glasses in December, ahead of a 2027 launch. The new device will compete directly with Meta's lineup of smart glasses and is rumored to feature speakers, microphones, and a high-resolution camera for taking photos and videos, in addition to another lens designed to enable AI-powered features.

The glasses won't have a built-in display, but they will allow users to make phone calls, interact with Siri, play music, and "take actions based on surroundings," such as asking about the ingredients in a meal, according to Bloomberg. Apple's smart glasses could also help users identify what they're seeing, reference landmarks when offering directions, and remind wearers to complete a task in specific situations, Bloomberg reports.

The company is reportedly planning to develop the frames for the smart glasses in-house, instead of partnering with a third-party company like Meta does with Ray-Ban and Oakley. Prototypes of the glasses use a cable to connect to a battery pack and an iPhone, but Bloomberg reports that "newer versions have the components embedded in the frame." Apple reportedly wants to make its smart glasses stand out by offering a high-quality build and advanced camera technology. The company is still working on AI-powered smart glasses with a display, though their launch "remains many years away," Bloomberg says.

Apple's plans for AI hardware don't end there, as the company is expected to build upon its Google Gemini-powered Siri upgrade with an AirTag-sized AI pendant that people can either wear as a necklace or a pin. This device would "essentially serve as an always-on camera" for the iPhone and has a microphone for prompting Siri, Bloomberg reports. The pendant, which The Information first reported on last month, is rumored to come with a built-in chip, but will mainly rely on the iPhone's processing power. The device could arrive as early as next year, according to Bloomberg.

Sony Group has developed a technology that can identify the underlying music used in tunes generated by AI, making it possible for songwriters to seek compensation from AI developers if their music was used. From a report: Sony Group's technology analyzes which musicians' songs were used in learning and generating music. It can quantify the contribution of each original work, such as "30% of the music used by the Beatles and 10% by Queen," for example.

If the AI developer agrees to cooperate for the analysis, Sony Group will obtain data by connecting to the developer's base model system. When cooperation is not attainable, the technology estimates the original work by comparing AI-generated music with existing music. The AI boom has sparked numerous cases in which AI developers are accused of using copyrighted music, video and writing without permission to train machines. In the music industry, AI-generated songs using the voices of well-known singers have been distributed online. The Japanese company thinks the technology will help create a system that distributes revenue generated by AI music to original songwriters based on their contribution.

The music industry's long romance with an ever-expanding catalog of songs appears to be souring, as streaming platforms and rights holders confront a daily deluge that now includes 60,000 wholly AI-generated tracks uploaded to Deezer alone -- roughly 39% of the French service's daily intake, a statistic the company shared during Grammys week last month.

Streaming services now host 253 million songs, according to Luminate's most recent annual report, after adding 51 million tracks over the course of 2025 at an average pace of 106,000 uploads a day. Spotify has already responded by requiring songs to hit at least 1,000 plays in the previous 12 months to qualify for royalties, and Luminate reported that 88% of tracks received 1,000 or fewer plays in 2025.

The distribution layer is in flux too: Universal Music Group is trying to acquire Downtown Music, owner of DIY distributor CD Baby, TuneCore's head recently stepped down without a planned replacement, and DistroKid is reportedly up for sale.

Recently a small crowd paid to watch robots boxing, reports Rest of World. (Almost 3,000 people have now watched the match's 83-minute webcast.) The match was organized by Rek, a San Francisco-based company, and drew hundreds of spectators who had paid about $60-$80 for a ticket to watch modified G1 robots go at each other. Made by Unitree, the dominant Chinese robot maker, they weighed in at around 80 pounds and stood 4.5 feet tall, with human-like hands and dozens of joint motors for flexibility. The match had all the bells and whistles of a regular boxing bout: pulsing music, cameras capturing all the angles, hyped-up introductions, a human referee, and even two commentators. The evening featured two bouts made up of five rounds, each lasting 60 seconds. The robots pranced around the cage, throwing jabs and punches, drawing ohs and ahs from the crowd. They fell sometimes, and needed human intervention to get them back on their feet.
The robots were controlled by humans using VR interfaces, which led to some odd moments with robots hitting into the air, throwing multiple punches that failed to even connect with their opponents. One robot controller was a former UFC fighter, the article points out, but "The crowd cheered as a 13-year-old VR pilot named Dash beat his older competitor...."

The company behind this event plans more boxing matches with their VR-controlled robots, and even wants to develop "a league of robot boxers, including full-height robots that weigh about 200 pounds and are nearly 6 feet tall."

Anna's Archive, the shadow library that announced last December it had scraped Spotify's entire catalog, has quietly begun distributing the actual music files despite a federal preliminary injunction signed by Judge Jed Rakoff on January 16 that explicitly barred the site from hosting or distributing the copyrighted works.

The site's backend torrent index now lists 47 new torrents added on February 8, containing roughly 2.8 million tracks across approximately 6 terabytes of audio data. Anna's Archive had previously released only Spotify metadata -- about 200 GB compressed -- and appeared to comply by removing its dedicated Spotify download section and marking it "unavailable until further notice."