Cryptocurrency prices "fell sharply on Friday, as another bout of selling took digital currencies to fresh lows," reports MarketWatch, adding that Friday the price of Bitcoin "crashed through support at $3,500, falling more than 10% to a 15-month low at $3,230 on the Kraken exchange."

"What a difference a year makes," CNN Business quipped Friday, in an article headlined "Bitcoin's Epic Plunge Continues": In December 2017, bitcoin prices hit a record high of just under $20,000... Bitcoin is at a 15-month low. But prices have really gotten whacked this week, falling nearly 20% in just the past five days alone. Bitcoin isn't the only cryptocurrency getting hit either. Ripple/XRP, ethereum, stellar, litecoin and numerous other cryptocurrencies have plunged in the past week.

Little tangible news can explain or justify the current crypto carnage. One possible reason is that a pro-crypto member of the Securities and Exchange Commission warned at a conference this week that she's fighting an uphill battle trying to convince the rest of the SEC to approve more bitcoin exchange traded funds.... Nearly two-thirds of money managers surveyed by asset management firm Natixis still thought that cryptocurrencies were a bubble, the firm reported this week.
"In my opinion, bitcoin is dead," wrote the CEO of one wealth management firm with more than $32 billion in assets. It won't go quietly, but the recent precipitous drop may be the beginning of its inevitable and inexorable death spiral. Or there could be a dead cat bounce. Either way, I see bitcoin as a dead man walking. Future generations may read about bitcoin in a finance textbook as a curiosity and wonder what all the fuss was about. There are still some die-hard adherents espousing the virtues of bitcoin, desperate to make a silk purse out of a sow's ear. Unfortunately for them, the end may not be pretty when it comes.

Proponents of bitcoin tend to focus on the impact of the blockchain technology that drives it, and make no mistake, blockchain is the real deal. Blockchain is fundamentally changing the way industries do business, from traditional banking to supply chain management. But just because blockchain technology is creating a new paradigm doesn't mean that bitcoin shares that same distinction.... Most cryptocurrency transactions are purely speculative. There are no real fundamentals to evaluate; bitcoin doesn't produce any products or services, hire any employees or pay any dividends. The only way profits are generated is when the owner is lucky enough to find someone else who will pay more for the thing...

The minute bitcoin or any other cryptocurrency appears to have even the slightest chance of disrupting national monetary supply, I expect regulation to be swift and decisive. The SEC has already issued guidance around cryptocurrencies that has created roadblocks to gaining the same legitimacy as traditional marketable securities... If you enjoy the thrill of making bets, I suggest you visit your favorite sports book or table game in Vegas where your odds of success are much higher.

Microsoft has unveiled "Project xCloud," its new game streaming service designed to work across consoles, PCs, and mobile devices. "Scaling and building out Project xCloud is a multi-year journey for us," explains Microsoft's cloud gaming chief Kareem Choudhry in a blog post. "We'll begin public trials in 2019 so we can learn and scale with different volumes and locations." The Verge reports: Microsoft has built custom hardware for its datacenters, as The Verge previously exclusively reported, so that existing and future Xbox games will be compatible with the services. Games will be streamed to devices, and Microsoft has been testing the xCloud service with Xbox wireless controllers connected to consoles, mobile devices, and PCs. Microsoft says its research teams are "creating ways to combat latency" via advanced network techniques combined with video encoding and decoding. This should make game streaming viable on 4G networks, too.

The National Theater in London has introduced "smart caption glasses" that display dialogue on the lenses as actors speak (Warning: source may be paywalled; alternative source). The glasses should drastically improve the experience for audience members who have hearing difficulties. According to The New York Times, "The glasses can be used without charge for the play 'War Horse' and for the musical 'Hadestown,' and they will be available for all of the theater's 2019 season." From the report: Jonathan Suffolk, the theater's technical director, said that the glasses had taken two years to develop. "We could have offered the scripts on a phone, but we wanted a technology that was much more discreet and immersive and wouldn't disturb anyone," he said. The biggest challenge was creating software that allowed the words to be displayed in real time so that people wearing the glasses reached important moments -- such as jokes -- along with everyone else, Mr. Suffolk added. It is easy to load a script into a subtitling system and hit "ego" at the start of the play, he said, but problems would then arise if actors spoke quicker or slower than expected.

The software used by the theater follows live speech and recognizes certain stage directions, like lighting changes, to ensure the subtitles appear in the right place. The words are then transmitted to the glasses over Wi-Fi. According to Andrew Lambourne, a professor at Leeds Beckett University who worked on the project, a major obstacle that the software had to overcome was recognizing speech even when actors were talking over each other or being bombarded by sound effects. Mr. Suffolk said it was difficult to know how many people would use the equipment. The theater has bought 50 pairs, at a cost of around $1,050 per pair. The National Theater will make the glasses available to some other British venues next year, including during a touring production of "Macbeth." The Barbican Theater in London said in a statement that it was in talks about using them.

An anonymous reader writes: For those unfamiliar with the project, Stage 9 is a beautiful virtual recreation of the Enterprise ship from Star Trek: The Next Generation for Windows, Mac and Linux. More experience than game, Stage 9 was built by fans over two years in the Unreal Engine. "There were two things that we were always pretty careful with," says project leader 'Scragnog'. "We made it as clear as we possibly could that this was NOT an officially licensed project. We had no affiliation with CBS or Paramount and the IP we were trying our hardest to treat with respect was not our own. We were fans, just creating fan art."

In an announcement this week, Scragnog reminded fans that no one involved in the project was in it for any financial reason and everyone was well aware that throwing money into the mix could be a problem. However, the team says it has always known that they could be shut down at any time on the whim of a license holder because in this world, that's what can happen. Unfortunately, that day has come all too soon for the impressive project. Stage 9 was hit with an intellectual property complaint from CBS just over two weeks ago and has now been shut down.

"This letter was a cease-and-desist order," Scragnog explains. "Over the next 13 days we did everything we possibly could to open up a dialog with CBS. The member of the CBS legal team that issued the order went on holiday for a week immediately after sending the letter through, which slowed things down considerably."

Many YouTubers are finding themselves stressed, lonely and exhausted. The Guardian: For years, YouTubers have believed that they are loved most by their audience when they project a chirpy, grateful image. But what happens when the mask slips? This year there has been a wave of videos by prominent YouTubers talking about their burnout, chronic fatigue and depression. "This is all I ever wanted," said Elle Mills, a 20-year-old Filipino-Canadian YouTuber in a (monetised) video entitled Burnt Out At 19, posted in May. "And why the fuck am I so unfucking unhappy? It doesn't make any sense. You know what I mean? Because, like, this is literally my fucking dream. And I'm fucking so un-fucking-happy."

[...] The anxieties are tied up with the relentless nature of their work. Tyler Blevins, AKA Ninja, makes an estimated $500,000 every month via live broadcasts of him playing the video game Fortnite on Twitch, a service for livestreaming video games that is owned by Amazon. Most of Blevins' revenue comes from Twitch subscribers or viewers who provide one-off donations (often in the hope that he will thank them by name "on air"). Blevins recently took to Twitter to complain that he didn't feel he could stop streaming. "Wanna know the struggles of streaming over other jobs?" he wrote, perhaps ill-advisedly for someone with such a stratospheric income. "I left for less than 48 hours and lost 40,000 subscribers on Twitch. I'll be back today... grinding again." There was little sympathy on Twitter for the millionaire. But the pressure he described is felt at every level of success, from the titans of the content landscape all the way down to the people with channels with just a few thousand subscribers, all of whom feel they must be constantly creating, always available and responding to their fans.

"Constant releases build audience loyalty," says Austin Hourigan, who runs ShoddyCast, a YouTube channel with 1.2 million subscribers. "The more loyalty you build, the more likely your viewers are to come back, which gives you the closest thing to a financial safety net in what is otherwise a capricious space." When a YouTuber passes the 1 million subscribers mark, they are presented with a gold plaque to mark the event. Many of these plaques can be seen on shelves and walls in the background of presenters' rooms. In this way, the size of viewership and quantity of uploads become the main markers of value.

The leader of the firm behind the hit game Fortnite has accused Google of being "irresponsible" in the way it revealed a flaw affecting the Android version of the title. BBC, with additional input from Slashdot staff: On Friday, Google made public that hackers could hijack the game's installation software to load malware. The installer is needed because Epic Games has bypassed Google's app store to avoid giving it a cut of sales. Epic's chief executive said Google should have delayed sharing the news. "Android is an open platform. We released software for it. When Google identified a security flaw, we worked around the clock (literally) to fix it and release an update. The only irresponsible thing here is Google's rapid public release of technical details," he said. "We asked Google to hold the disclosure until the update was more widely installed," tweeted Tim Sweeney. "They refused, creating an unnecessary risk for Android users in order to score cheap PR points."

New submitter weedjams shares a report: Scientists at the University of Alberta have demonstrated a new data storage technique that stores zeroes and ones by the presence (or absence) of individual hydrogen atoms. The resulting storage density is an unparalleled 1.2 petabits per square inch -- 1,000 times greater than current hard disk and solid state drives, and 100 times greater than Blu-rays. The researchers, led by PhD student Roshan Achal and physics professor Robert Wolkow, built on a technique previously developed by Walkow that used the tip of a scanning tunneling microscope (STM) to remove or replace individual hydrogen atoms resting on a silicon substrate.

The inconceivably small dimensions (a hydrogen atom is only half a nanometer in diameter) allow for an astounding data storage density of 1.1 petabits (138 terabytes) per square inch. By comparison, a Blu-ray disk can "only" store about 12 terabits of data in the same area (one hundredth the data density), while both traditional magnetic hard drives and solid-state drives store somewhere in the region of 1.5 terabits per square inch (a thousandth of the density). This development, says Achal, could allow you to store the entire iTunes library of 45 million songs on the surface of a US quarter-dollar coin.

Achal and his team demoed the technology by creating a 192-bit cell, which they used to store a simple rendition of the Super Mario Bros video game theme song. To show the rewrite capabilities, the scientists also created an 8-bit memory cell which they used to store the letters of the alphabet one by one, represented via their respective ASCII code. Further reading: ScienceDaily, and Nature.

One big area that Microsoft is focusing on with its next-generation Xbox is game streaming. According to a report from Thurrott.com, Microsoft is working on two new Xbox consoles. The "Xbox Two" will be a console similar to that of the Xbox One and Xbox 360, with updated hardware and specs. The other Xbox console in development will be limited to streaming games. The Verge reports: The streaming-only console will reportedly include a low amount of local compute for handling tasks like controller input, image processing, and collision detection. These tasks are essential to reducing latency in game streaming, and Microsoft is said to be planning to slice up processing between the game running locally and in the cloud in order to reduce input lag and other image processing delays. Microsoft is currently developing its next-generation Xbox console under the Scarlett codename. The software giant recently revealed it's also working on a game streaming service for Xbox that will work across any device. This is a key part of Microsoft's future plans with Xbox, and part of the company's vision for developing its "Netflix for video games" service, Xbox Game Pass.

Sources familiar with Microsoft's plans tell The Verge that Microsoft is currently "all hands" on creating datacenters capable of powering the company's game streaming service. Referred to as codename "XCloud" internally, Microsoft has been experimenting with combining four lots of custom Xbox consoles into a single server blade for its datacenters. These servers will launch initially with developers in mind to build and develop games in the cloud instead of local debug machines, and then to stream games to consumers.

ArenaNet narrative designer Jessica Price was fired last week after she accused a Twitter user of "mansplaining", and adding later "Don't expect me to pretend to like you here." (Her employer characterized this as "attacks on the community.")

So what happened in the week that followed? An anonymous reader writes: A Reddit user indicated he'd been speaking satirically when he posted that "We can probably fire anyone on the GW2 dev team as long we make a big enough stink," and expressed surprise later that no one had disagreed with him. But another female developer told Kotaku she saw a real call to action on 4chan, and that it was followed by angry letters to the game studio she freelances for calling for her firing too, complaining their games had declined since she was hired (along with another woman). The letters also complained her Twitter account set "a bad example for the letter-writer's children, who supposedly play this game." The company's CEO received "a three-digit number's" worth of angry letters -- though "Fifty or so of them glitched out with a lot of variables exposed, including %FEMALENAME."

"A deeper look at the names and emails associated with the letters went to Facebook bot profiles and people whose profiles indicated associations with Gamergate or 4chan," reports Kotaku -- and Brianna Wu made a similar charge on Twitter last week, citing research by a team of volunteers. "The overwhelming majority of people harassing Jessica Price today on Twitter are bots and sock puppets. These are throwaway accounts that are used as toys. Almost no one claiming to be upset is an established, normal Twitter user." The Verge reports that Wu monitored Jessica Price's account, and found harassment "as bad as she's ever seen," blocking at least 600 different accounts.

Another female narrative designer at Arkane Studios says her employer was messaged with a complaint that she'd "verbally abused" a Twitter user -- and discovered a (since-deleted) online petition calling for her firing. And an angry message was also sent to Opaque Space (collaborating with NASA on VR games and training), complaining the company should take responsibility for the "man hating ideals...spread through social media accounts" by their game design lead. "I know MANY people like me, especially women, who have frequent experience with people calling for their employers to fire them for speaking up, speaking out," she posted on Twitter.
The latest furor began with an accusation of mansplaining which a YouTube streamer defended as "my obvious attempt at creating dialogue and discussion", calling it "disheartening" that Jessica Price didn't "correct me in my false assumptions."

An anonymous reader quotes the Verge: On July 3rd, narrative designer Jessica Price tweeted a 29-tweet thread dissecting the challenges of writing player characters in an MMORPG. A streamer who goes by Deroir responded, "Really interesting thread to read! However, allow me to disagree slightly," and shared a three-tweet explanation of how narrative design influences player expression in the sort of games that Price narratively designs. Price both replied directly to Deroir, tweeting "thanks for trying to tell me what we do internally, my dude," and retweeted his response with the caption "today in being a female game dev: 'Allow me -- a person who does not work with you -- to explain to you how you do your job....'"

Price's suggestion that Deroir was mansplaining game development -- an area where he does not have the same knowledge or experience -- sparked anger among the ArenaNet community. She subsequently responded to those criticizing her on Twitter. [Here's the first lines of that tweet. "Since we've got a lot of hurt manfeels today, lemme make something clear: this is my feed. I'm not on the clock here. I'm not your emotional courtesan just because I'm a dev. Don't expect me to pretend to like you here. The attempts of fans to exert ownership over our personal lives and times are something I am hardcore about stopping."] Price was fired shortly after. Although many fans are comparing this to something like working in a restaurant -- be polite to the customer, or get fired -- Price says it's impossible to talk about this incident without larger context about systematic online harassment, particularly the sometimes abusive relationship between fans and game developers and the failure of game companies to address it. "Game companies are generally unwilling to be honest with themselves about how they're complicit in creating and sustaining that environment," she tells The Verge...

Price adds that she believes her firing was an emotional reaction on the part of ArenaNet co-founder Mike O'Brien. "He fired me personally, and the meeting was mostly him venting his feelings at me," she says. "I understand being afraid when you see the Reddit mob coming for you, but if people with less power can weather it -- and we do, regularly -- so can he...."

"We can probably fire anyone on the GW2 dev team as long we make a big enough stink," wrote one user on the Guild Wars 2 subreddit. "Nobody at Arenanet is safe from the hand of reddit. We're literally running the company now..." UPDATE (7/12/18): That user eventually clarified that their remark was satirical, identifying themself as an angry Reddit user who felt powerless and "surrounded by individuals who are so thoughtless and shitty I was hoping I'd appeal to some sort of sense of decency by writing the most vile shit I could think of... I took it down because I realized that nobody was going to disagree with me."
ArenaNet also fired Peter Fries, a writer who'd worked for them for 12 years, apparently for defending Price in a series of now-deleted tweets. (For example, "Here's a bit of insight that I legitimately hope [Deroir] reflects on: she never asked for his feedback.")

"The message is very clear, especially to women at the company," Jessica Price tells the Verge. "If Reddit wants you fired, we'll fire you. The quality of your work doesn't matter."

The World Health Organization has announced "gaming disorder" as a new mental health condition included in the 11th edition of its International Classification of Diseases, released Monday. From a report: "I'm not creating a precedent," said Dr. Vladimir Poznyak, a member of WHO's Department of Mental Health and Substance Abuse, which proposed the new diagnosis to WHO's decision-making body, the World Health Assembly. Instead, he said, WHO has followed "the trends, the developments, which have taken place in populations and in the professional field." However, not all psychologists agree that gaming disorder is worthy of inclusion in the International Classification of Diseases, known as the ICD.

A diagnosis standard, the ICD defines the universe of diseases, disorders, injuries and other related health conditions. Researchers use it to count deaths, diseases, injuries and symptoms, and doctors and other medical practitioners use it to diagnose disease and other conditions. In many cases, health care companies and insurers use the ICD as a basis for reimbursement. Poznyak said the expectation is that the classification of gaming disorder means health professionals and systems will be more "alerted to the existence of this condition" while boosting the possibility that "people who suffer from these conditions can get appropriate help."

Following the recent official repeal of net neutrality and approval of AT&T's acquisition of Time Warner, an anonymous reader shares an excerpt from a report via TechCrunch, written by Danny Crichton. Crichton discusses the options Alphabet, Netflix and other video streaming services have on how to respond: For Alphabet, that will likely mean a redoubling of its commitment to Google Fiber. That service has been trumpeted since its debut, but has faced cutbacks in recent years in order to scale back its original ambitions. That has meant that cities like Atlanta, which have held out for the promise of cheap and reliable gigabit bandwidth, have been left in something of a lurch. Ultimately, Alphabet's strategic advantage against Comcast, AT&T and other massive ISPs is going to rest on a sort of mutually assured destruction. If Comcast throttles YouTube, then Alphabet can propose launching in a critical (read: lucrative) Comcast market. Further investment in Fiber, Project Fi or perhaps a 5G-centered wireless strategy will be required to give it to the leverage to bring those negotiations to a better outcome.

For Netflix, it is going to have to get into the connectivity game one way or the other. Contracts with carriers like Comcast and AT&T are going to be more challenging to negotiate in light of today's ruling and the additional power they have over throttling. Netflix does have some must-see shows, which gives it a bit of leverage, but so do the ISPs. They are going to have to do an end-run around the distributors to give them similar leverage to what Alphabet has up its sleeve. One interesting dynamic I could see forthcoming would be Alphabet creating strategic partnerships with companies like Netflix, Twitch and others to negotiate as a collective against ISPs. While all these services are at some level competitors, they also face an existential threat from these new, vertically merged ISPs. That might be the best of all worlds given the shit sandwich we have all been handed this week.

Slashdot reader harrymcc writes, "If you want to play classic Nintendo games, you could buy a vintage Super NES. Or you could use an emulator. Or -- if you're really serious -- you could use floating point gate arrays to design a new console that makes them look great on modern TVs." He shares Fast Company's article about "some of the other folks using new hardware to preserve the masterworks of the past." Analogue created its system with HDTVs in mind, so every game looks as good or maybe even better than I remember from childhood. Playing the same cartridges on my actual Super Nintendo is more like looking through a dirty window... Another company called RetroUSB has also used Field Programmable Gate Arrays to create its own version of the original Nintendo. And if you already own any classic systems like I do, there's a miniature industry of aftermarket hardware that will make those consoles look better on modern televisions.
The article also notes "throwback consoles" from AtGames and Hyperkin, as well as the Open Source Scan Converter, "a crude-looking device that converts SCART input to HDMI output with no distinguishable lag from the game controller." Analogue's CEO Christopher Taber "argues that software emulation is inherently less accurate than re-creating systems at the hardware level," and describes Analogue engineer Kevin Horton as "someone who's obscenely talented at what he's doing... He's applying it to making perfect, faithful, aftermarket video game systems to preserve playing these systems in an unadulterated way."

And in the end the article's author feels that Analogue's Super NT -- a reverse-engineered Super Nintendo -- "just feels more like the real thing. Unlike an emulator, the Super Nt doesn't let you save games from any point or switch to slow motion, and the only modern gameplay concession it offers is the ability to reset the game through a controller shortcut. Switching to a different game still requires you to get off the couch, retrieve another cartridge, and put it into the system, which feels kind of like listening to a vinyl album instead of a Spotify playlist."

Slashdot reader Beacon11 writes that "Alan Pope, a community advocate for Ubuntu, has requested comments and ideas regarding the creation of a crowd-sourced promo video that, in 30 seconds, conveys that Ubuntu is for everyone." Alan Pope writes: So for example you might see a woman on a train typing an article, a guy in an office creating a presentation, a kid on the sofa playing a game with a controller on their TV, someone watching a film, someone developing code, kids playing with robots, a farmer planning animal feeding. You get the idea...

So I'd really like to do this as a shared community project, with video clips submitted by Ubuntu users from around the world, perhaps even taking in a landmark or two here and there. I'd expect the video to represent the diversity of users, and variety of activities people are able to do with Ubuntu.
Though they're currently just discussing its feasibility, Alan writes that "I think if we work together we could make something amazing."

Google and Ubisoft announced on Tuesday they have a new project intended to improve the performance of fast-paced, online multi-player video games. From a report: The search giant said it teamed with Ubisoft -- the publisher of popular video games like Assassin's Creed and Far Cry -- to create a gaming developer framework intended for coders that work on online video games. The project is called Agones, which is Greek for "contest" or "gathering," and it will be available in open-source, meaning developers can use it for free and also contribute to the underlying technology. Google pitches Agones as a more cutting-edge way for developers to build multi-player games that don't crash or stutter when thousands of video gamers play at the same time.

Each time people want to play their favorite first-person shooter or other computer resource-heavy online video game with others, the underlying infrastructure that powers the online video game must create a special gaming server that hosts the players. The Agones framework was designed to more efficiently distribute the computing resources necessary to support each online gaming match, thus reducing the complexity of creating each special server while helping coders better track how the computing resources are being used.

From an anonymous reader: "The web is dying, but mesh networks could save it," writes open source hacker Andre Staltz. He warns that Facebook, Google, and Amazon plan to "grow beyond browsers, creating new virtual contexts where data is created and shared," and predicts the next wave of walled gardens will be a "social internet" bypassing the web altogether. "The Web may die like most other technologies do, simply by becoming less attractive than newer technologies."

He wants to build a mobile mesh web that works with or without internet access to reach the four billion people currently offline, adding that all the tools we need are already in our hands: smartphones, peer-to-peer protocols, and mesh networks. His vision? "Novel peer-to-peer protocols such as IPFS and Dat help replace HTTP and make the web a content-centered cyberspace... Browsers can be made to work like that, and although it's a small tweak to how the web works, it has massive effects on social structures in cyberspace... Now that we have experience with some of the intricacies of the social web, we can reinvent it to put people first without intermediate companies... We can actually beat the tech giants at this game by simply giving local and regional connectivity to people in developing countries. With mobile apps that are built mesh-first, the smartphones would make up self-organizing self-healing mobile ad-hoc networks... In internet-less regions, there is potential for scaling quickly, and through that, we can spawn a new industry around peer-to-peer wireless mesh networks."

He cites mega-projects "to rescue the web from the internet", which include progress on peer-to-peer and mesh networking protocols, followed by adoption on smartphones (and then a new wave of apps) -- plus a migration of existing web content to the new protocols, "to fix the overutilization of the wirenet and the underutilization of airnets, bringing balance to the wire-versus-air dichotomy, providing choice in how data should travel in each case...But it can only happen if the web takes a courageous step towards its next level."

You asked, he answered!

For Slashdot's 20th anniversary -- and the 23rd anniversary of the first release of Red Hat Linux -- here's a special treat.

Red Hat CEO Jim Whitehurst has responded to questions submitted by Slashdot readers. Read on for his answers...

An anonymous reader quotes a report from The Verge: Google's AI subsidiary DeepMind has unveiled the latest version of its Go-playing software, AlphaGo Zero. The new program is a significantly better player than the version that beat the game's world champion earlier this year, but, more importantly, it's also entirely self-taught. DeepMind says this means the company is one step closer to creating general purpose algorithms that can intelligently tackle some of the hardest problems in science, from designing new drugs to more accurately modeling the effects of climate change. The original AlphaGo demonstrated superhuman Go-playing ability, but needed the expertise of human players to get there. Namely, it used a dataset of more than 100,000 Go games as a starting point for its own knowledge. AlphaGo Zero, by comparison, has only been programmed with the basic rules of Go. Everything else it learned from scratch. As described in a paper published in Nature today, Zero developed its Go skills by competing against itself. It started with random moves on the board, but every time it won, Zero updated its own system, and played itself again. And again. Millions of times over. After three days of self-play, Zero was strong enough to defeat the version of itself that beat 18-time world champion Lee Se-dol, winning handily -- 100 games to nil. After 40 days, it had a 90 percent win rate against the most advanced version of the original AlphaGo software. DeepMind says this makes it arguably the strongest Go player in history.

ZTE's new Axon M is a full-featured smartphone with a hinge that connects two full-size displays, making the Axon M a flip phone of sorts. "Its front screen is a 5.2-inch, 1080p panel, it has last year's Qualcomm Snapdragon 821 processor, 4GB of RAM, and a 20-megapixel camera," reports The Verge. "But flip the phone over and there's an identical 5.2-inch display on the back, making the Axon M anything but run-of-the-mill." From the report: The M's hinge allows the rear screen to flip forward and slot right next to the main display, creating an almost tablet sized canvas. You can stretch the home screen and apps across the two displays for a larger working area, or you can run two different apps at the same time, one on each screen. You can also "tent" the phone, and mirror the displays so two people can see the same content at the same time. ZTE says that it is utilizing Android's default split-screen features to enable many of the dual-screen functions, and it has made sure the "top 100" Android apps work on the phone. In the "extended" mode, which stretches a single app across both screens, the tablet version of the app is presented (provided there is one, which isn't always a guarantee with Android apps). It's even possible to stream video on both screens at the same time and switch the audio between them on the fly, which might be useful if you want to watch a sports game and YouTube at the same time, I guess.

Roger Cheng, writing for CNET: T-Mobile and Netflix are new BFFs. The primary beneficiaries of this new friendship will be subscribers to T-Mobile's "One" unlimited data plans, many of whom will get access to Netflix for free, T-Mobile CEO John Legere said on an "Un-carrier Next" webcast video on Wednesday. But the freebie only works if you have at least two T-Mobile One unlimited data plans (single line customers are out of luck). The free Netflix access arrives on Sept. 12. The alliance is just the latest proof that the worlds of video and mobile are colliding. AT&T is in the process of buying Time Warner -- home of "Game of Thrones" and Batman -- so it can own more of the content you watch, and has bundled HBO for free to some of its higher end wireless customers. Verizon has invested in creating short-form video geared towards younger audiences and a mobile video service called Go90.The offer is for the T-Mobile ONE plan with 2+ lines. You can compare T-Mobile plans here.