An anonymous reader quotes a report from Ars Technica: Facebook may have to overhaul its entire ad-targeting system after a California court ruled (PDF) last month that the platform's practice of routinely targeting ads by age, gender, and other protected categories violates a state anti-discrimination law. The decision came after a 48-year-old Facebook user, Samantha Liapes, fought for years to prove that Facebook had discriminated against her as an older woman using the platform's ad-targeting system to shop for life insurance policies.

Liapes filed a class-action lawsuit against Facebook in 2020. In her complaint, Liapes alleged that "Facebook requires all advertisers to choose the age and gender of its users who will receive ads, and companies offering insurance products routinely tell it to not send their ads to women or older people." Further, she alleged that Facebook's ad-delivery algorithm magnifies the problem by using these required inputs to serve the ads to "lookalike audiences." Through its algorithm, Liapes alleged that she found that Facebook "discriminates against women and older people," by intentionally excluding them from seeing certain life insurance ads. This, Liapes alleged, caused harm by preventing her from signing up for deals that "often change and may expire" -- deals which she said were disproportionately being advertised on Facebook to younger and/or male audiences. As evidence, Liapes pointed to ads that Facebook did not serve to her -- allegedly because advertisers used the platform's Audience Selection and Lookalike Audience tools to exclude her -- as an older woman [...]. "As a result, she had a harder time learning about those products or services," Liapes' complaint alleged. [...]

Initially, a court agreed with Facebook's arguments that Liapes had not provided sufficient evidence establishing Facebook's intent or demonstrating harms caused, but rather than amend her complaint, Liapes appealed. Then, in what tech law expert Eric Goldman on his blog called a "shocking conclusion," a California court last month reversed that initial decision, finding instead that Facebook's ad-targeting tools are not neutral, discriminate against users by age and gender, and are not immune under Section 230 of the Communications Decency Act. Goldman -- who joked that Liapes wanting more Facebook ads is "a desire shared by almost no one" -- said that the potential impact of this ruling goes beyond possibly shaking up Facebook's ad system. It also seemingly implicates every other ad network by finding that "any gender- or age-based ad targeting for any product or service (and targeting based on any other protected characteristics) could violate the Unruh Act." If the ruling is upheld, that could "have devastating effects on the entire Internet ecosystem," Goldman warned. "The court's single-minded determination to find a valid discrimination claim under these conditions casts a long and troubling shadow over the online advertising industry," Goldman wrote in his blog. "Who needs new privacy laws if the Unruh Act already bans most ad targeting?"

"The opinion never expressly says that the Unruh Act regulates ad targeting," Goldman told Ars. "It takes some reading between the lines to reach that conclusion."

U2's inaugural performance at the opening of Las Vegas's Sphere included a generative AI video collage projected hundreds of feet into the air — showing hundreds of surreal renderings of Elvis Presley.

An anonymous reader shares this report from Time magazine: The video collage is the creation of the artist Marco Brambilla, the director of Demolition Man and Kanye West's "Power" music video, among many other art projects. Brambilla fed hours of footage from Presley's movies and performances into the AI model Stable Diffusion to create an easily searchable library to pull from, and then created surreal new images by prompting the AI model Midjourney with questions like: "What would Elvis look like if he were sculpted by the artist who made the Statue of Liberty...?"

While Brambilla's Elvises prance across the Sphere's screen — which is four times the size of IMAX — the band U2 will perform their song "Even Better Than The Real Thing," as part of their three-month residency at the Sphere celebrating their 1991 album Achtung Baby... Earlier this year, U2 commissioned several artists, including Brambilla and Jenny Holzer, to create visual works that would accompany their performances of specific songs. Given U2's love for the singer and the lavish setting of the Sphere, Brambilla thought a tribute to Elvis would be extremely fitting. He wanted to create a maximalist work that encapsulated both the ecstatic highs and grimy lows of not only Elvis, but the city of Las Vegas itself. "The piece is about excess, spectacle, the tipping point for the American Dream," Brambilla said in a phone interview.

Brambilla was only given three-and-a-half months to execute his vision, less than half the time that he normally spends on video collages. So he turned to AI tools for both efficiency and extravagance. "AI can exaggerate with no end; there's no limit to the density or production value," Brambilla says. And this seemed perfect for this project, because Elvis became a myth; a larger-than-life character..." Brambilla transplanted his MidJourney-created images into CG (computer graphics) software, where he could better manipulate them, and left some of the Stable Diffusion Elvis incarnations as they were. The result is a kaleidoscopic and overwhelming video collage filled with video clips both historical and AI-generated, that will soon stretch hundreds of feet above the audience at each of U2's concerts.

"I wanted to create the feeling that by the end of it," Brambilla says, "We're in a place that is so hyper-saturated and so dense with information that it's either exhilarating or terrifying, or both."
Brambilla created an exclusive video excerpting from the larger collage for TIME. The magazine reports that one of the exact prompts he entered was:

"Elvis Presley in attire inspired by the extravagance of ancient Egypt and fabled lost civilizations in a blissful state. Encircling him, a brigade of Las Vegas sorceresses, twisted and warped mid-chant, reflect the influence of Damien Hirst and Andrei Riabovitchev, creating an atmosphere of otherworldly realism, mirroring the decadence and illusion of consumption."

The Associated Press reports: The National Security Agency is starting an artificial intelligence security center -- a crucial mission as AI capabilities are increasingly acquired, developed and integrated into U.S. defense and intelligence systems, the agency's outgoing director announced Thursday. Army Gen. Paul Nakasone said the center would be incorporated into the NSA's Cybersecurity Collaboration Center, where it works with private industry and international partners to harden the U.S. defense-industrial base against threats from adversaries led by China and Russia.

Nakasone was asked about using AI to automate the analysis of threat vectors and red-flag alerts -- and he reminded the audience that U.S. intelligence and defense agencies already use AI. "AI helps us, But our decisions are made by humans. And that's an important distinction," Nakasone said. "We do see assistance from artificial intelligence. But at the end of the day, decisions will be made by humans and humans in the loop."

Nakasone said it would become "NSA's focal point for leveraging foreign intelligence insights, contributing to the development of best practices guidelines, principles, evaluation, methodology and risk frameworks" for both AI security and the goal of promoting the secure development and adoption of AI within "our national security systems and our defense industrial base." He said it would work closely with U.S. industry, national labs, academia and the Department of Defense as well as international partners.

Spotify is testing an AI-powered feature that will translate podcasts from the likes of Dax Shepard and Lex Fridman to other languages, the audio-streaming company said on Monday. From a report: The feature marks the latest attempt by the Swedish company to capitalize on generative artificial intelligence, the technology that has taken the world by storm after the rise of ChatGPT, to tap new users and boost revenue.

The translated versions, powered by Microsoft-backed OpenAI's newly released voice generation technology, would mimic the original speaker's style and will be more natural than traditional dubbing, Spotify said. The company had also worked with other podcasters including Monica Padman, Bill Simmons and Steven Bartlett for the feature. The voice translations would be available in languages including Spanish, French and German for a select number of catalog episodes and future episode releases, said Spotify, which could expand the audience of the shows.

70 million Americans live in a county without a newspaper, according to a 2022 report cited in this editorial by the Washington Post's editorial board"

Who's to blame? The internet, mostly. Whereas deep-pocketed advertisers formerly relied on newspapers to reach their customers, they took to the audience-targeting capabilities of Facebook or Google. Web-based marketplaces also siphoned newspapers' once-robust revenue from classified ads.
But the Post emphasizes one positive new development: "a large pile of cash." In an initiative announced this month, 22 donor organizations, including the Knight Foundation and the John D. and Catherine T. MacArthur Foundation, are teaming up to provide more than $500 million to boost local news over five years — an undertaking called Press Forward... The injection of more than a half-billion dollars is sure to help the quest for a durable and replicable business model.

The even bigger imperative, however, is to elevate local news on the philanthropic food chain so that national and hometown funders prioritize this pivotal American institution. Failure on this front places more pressure on public policy solutions, and government activism mixes poorly with independent journalism...

One of the goals for Press Forward, accordingly, is building out the infrastructure — "from legal support to membership programs" — relied upon by local news providers to deliver their product. Jim Brady, vice president of journalism at the Knight Foundation, says it's easier than ever for news entrepreneurs to launch a local site because they can plug into existing technologies hammered out by their predecessors — and there's more development work still to fund on this front.

So where to go from here? Local philanthropic interests across the country could take a cue from the Press Forward partners and invest in the news organizations down the street.

"Until now, China's influence campaigns have been focused on amplifying propaganda defending its policies on Taiwan and other subjects," reports the New York Times.

But a new piece co-authored by the newspaper's national security correspondent and its misinformation investigative reporter notes a new effort identified by researchers from Microsoft, the RAND Corporation, the University of Maryland, the intelligence company Recorded Future, and news-rating service NewsGuard. And that newly-discovered effort "suggests that Beijing is making more direct attempts to sow discord in the United States."

It began when, sensing an opportunity,"China's increasingly resourceful information warriors pounced" after high winds in Hawaii downed three power lines that sparked wildfires in Hawaii on August 8th... The disaster was not natural, they said in a flurry of false posts that spread across the internet, but was the result of a secret "weather weapon" being tested by the United States. To bolster the plausibility, the posts carried photographs that appeared to have been generated by artificial intelligence programs, making them among the first to use these new tools to bolster the aura of authenticity of a disinformation campaign... Recorded Future first reported that the Chinese government mounted a covert campaign to blame a "weather weapon" for the fires, identifying numerous posts in mid-August falsely claiming that MI6, the British foreign intelligence service, had revealed "the amazing truth behind the wildfire." Posts with the exact language appeared on social media sites across the internet, including Pinterest, Tumblr, Medium and Pixiv, a Japanese site used by artists. Other inauthentic accounts spread similar content, often accompanied with mislabeled videos, including one from a popular TikTok account, The Paranormal Chic, that showed a transformer explosion in Chile...

The Chinese campaign operated across many of the major social media platforms — and in many languages, suggesting it was aimed at reaching a global audience. Microsoft's Threat Analysis Center identified inauthentic posts in 31 languages, including French, German and Italian, but also in less prominent ones like Igbo, Odia and Guarani. The artificially generated images of the Hawaii wildfires identified by Microsoft's researchers appeared on multiple platforms, including a Reddit post in Dutch. "These specific A.I.-generated images appear to be exclusively used" by Chinese accounts used in this campaign, Microsoft said in a report. "They do not appear to be present elsewhere online."
The researchers "suggested that China was building a network of accounts that could be put to use in future information operations, including the next U.S. presidential election," according to the article. It adds that president Biden "has cut off China's access to the most advanced chips and the equipment made to produce them."

The article adds that the impact of China's misinformation campaign "is difficult to measure, though early indications suggest that few social media users engaged with the most outlandish of the conspiracy theories."

Star Trek: The Animated Series was a half-hour Saturday morning cartoon that premiered exactly one half century ago — yesterday. You can watch its opening credits sequence on YouTube — with its strange 1970s version of the theme song. CBS's YouTube channel also offers clips from various episodes.

Starting in 1973, it ran for two seasons — a total of just 22 episodes. But the BBC notes it kept Star Trek in people's minds after the original series had been cancelled in 1969: While The Original Series had struggled in the ratings during its initial run, the show thrived in syndication, and created the phenomenon of fan conventions (think Comic-con in the present day). Because of this, studios were interested in more Star Trek, but there was a problem: the sets had been scrapped, the costumes were gone, and it would have been cost-prohibitive to rebuild everything from scratch. NBC settled on a different approach: an animated series.

According to The Fifty-Year Mission by Mark Altman and Edward Gross (an oral history of Star Trek), Gene Roddenberry wasn't overly interested in an animated show in and of itself. However, he was willing to go along with it because he saw it as a stepping stone to another live-action show or a feature film. An animated show would energise fans, he thought, so he agreed on the condition that he would have full creative control of The Animated Series. After a fight, the network gave in. The full, regular cast returned, with the exception of Walter Koenig's Pavel Chekov, who was cut for budget reasons...

[I]t was very much conceived of as a continuation of The Original Series. Some of the episodes were direct sequels, such as More Tribbles, More Trouble, which is a continuation of the classic The Trouble with Tribbles, and featured the return of Cyrano Jones... [Another episode was a sequel to The City on the Edge of Forever.] Dorothy (DC) Fontana led a group of writers from the original show who mostly wrote for a traditional, adult Star Trek audience. That's why the show didn't catch on — while it was well-received by critics, it might have done better in prime time. The show won a Daytime Emmy for best children's series, but it was cancelled after two years because of low ratings. Roddenberry then moved on to work on another live-action series, called Phase II, which would eventually become Star Trek: The Motion Picture...

Whatever is decided regarding "the canon", The Animated Series sits firmly within Star Trek's guiding ethos: Gene Roddenberry's vision for a utopian future where humans coexist peacefully with aliens as part of a Federation, and there's no poverty or war.

Spotify is cracking down on white-noise podcasters, reducing the advertising support for programmers that provide little more than soothing sounds like rain or chirping birds. From a report: In an email to creators Friday, the company highlighted changes to its Ambassador Ads program -- promotional spots for Spotify that podcasters read. The company pays hosts to read ads to encourage more creators to make shows and join the platform. As part of the change taking effect Oct. 1, white noise podcasters will no longer be eligible for such support, according to a person with knowledge of the matter. The company is also raising the audience threshold that conventional podcasters must meet to qualify for those ads to 1,000 unique Spotify listeners over the past 60 days from 100.

The creators of four programming languages will appear together onstage for a historic conversation on September 19th.

- Adele Goldberg — Smalltalk
- Guido Van Rossum — Python
- Anders Hejlsberg — Turbo Pascal, C#, TypeScript
- James Gosling — Java

The announcement describes it as "a conversation about programming language design." The charity event brings together this unique group of computer science pioneers, unlike any event held before. These great minds come together for what will surely be a fantastic night of discussion as the panel delves into the past and future of programming language creation.
It's a fundraiser for two groups. NumFOCUS is a nonprofit charity sponsoring nearly all the major tools in the Python data science stack (including jupyter, numpy, pandas, and matplotlib), and it's also the group behind PyData conferences on open source data tools. And the Last Mile Education Fund offers financial support for low-income underrepresented students. It's being billed as the "inaugural charity event" of PyData Seattle.

This happened once before in 2019, when Puget Sound Programming Python arranged a four-way discussion with Python creator Guido van Rossum, Java creator James Gosling, Perl creator Larry Wall, and Anders Hejlsberg (Turbo Pascal, C#, TypeScript). They held a 90-minute discussion about "language design, the universe, and everything" as a benefit for CSforALL (a group promoting computer science classes at every grade level). During that discussion Gosling shared how Java "started out as kind of 'Do a better C', and it got out of control. The rest of the project really ended up just providing the context." And Anders Hejlsberg told the audience that TypeScript was inspired by massive "write-only" JavaScript code bases.

In their discussion on variable typing and its use in IDEs, Gosling mocked what he called the "real men use vi" mentality, leading to a lively back and forth. Perl's Larry Wall later acknowledged the importance of types and the careful consideration that went into implementing them for Perl 6, but also shared his unique perspective as a long-time designer of programming languages. "I think IDEs make language developers lazy."

At the end of the event, they all agreed that the most rewarding part of language design was the people — the excitement, the gratitude, and to see that community helping others in its community.

At the Washington Post, David Betancourt's title is "reporter focusing on comic book culture."

Saturday he wrote that the Blue Beetle movie "isn't just a good superhero movie, it's the best film from DC in its modern era, this past decade marked by their struggle to catch up to Marvel Studios..." "Blue Beetle" has heart. "Blue Beetle" has soul... There's a feeling that those of us who love superhero cinema get when we know we've seen something special. The feeling that compelled us to buy a ticket for a midnight screening back in the day. That feeling that makes you see a superhero flick four to five times in theaters because you want to see it again and can't wait for it to arrive on home video. "Blue Beetle" will leave you feeling that way when you walk out of the theater. It certainly made me feel that way...

Xolo Maridueña as Jaime Reyes (the kid under the Blue Beetle armor) gives a performance that I can only describe as Downey-esque. Yes, I have no qualms in saying "Blue Beetle" gave me "Iron Man"-in-2008 vibes. Not just in the individual performance of the lead actor or the high-tech suit of armor, but also in the feeling that this is the start of something big. The second "Blue Beetle's" credits started rolling I knew I had seen the best DC movie of the last decade. The movie had heart. Humor. Multiple complex villains...
The DC movie has a 91% audience score and a 75% critics' score on Rotten Tomatoes, notes this analysis from Forbes: The DC movie is projected to make between $25 million to $32 million through Sunday, Variety reported, though Deadline puts it at $25 million, making it DC's latest underperforming film as it struggles to compete with rival Marvel... By comparison, Marvel's Guardians of the Galaxy Vol. 3 pulled in $118.4 million in its opening weekend in May, while Ant-Man and the Wasp: Quantumania grossed $106.2 million in its opening weekend in February and Sony's Spider-Man: Across the Spider-Verse grossed $120.7 million in its first weekend.
"Warner Bros. has experienced underperformance with recent superhero films like Black Adam, Shazam! Fury of the Gods, and The Flash," writes Collider: Originally designed as a direct-to-streaming title, Blue Beetle now serves as the second-last installment of a bygone era of the DC Extended Universe, which will be rebooted under the supervision of James Gunn and Peter Safran with Superman: Legacy in 2025. The current DCEU era will officially come to a close with Aquaman and the Lost Kingdom later this year, which has a larger overall connection with the series, while Blue Beetle is a mostly standalone story. The movie's opening is in the same range as Birds of Prey some years ago. That film is generally considered to have underperformed at the box office, finishing with less than $100 million domestically and just around $200 million worldwide...

Barbie will take second place with an estimated $20 million fifth weekend, after grossing $6 million on Friday. By Sunday, the film's running domestic box office haul should hit $566 million. A few days after that, it'll overtake The Super Mario Bros. Movie's $574 million lifetime haul to become the year's biggest film...

[Oppenheimer] is also passing $700 million as we speak.

An anonymous reader quotes a report from Ars Technica: The Sotheby's auction house has been named as a defendant in a lawsuit filed by investors who regret buying Bored Ape Yacht Club NFTs that sold for highly inflated prices during the NFT craze in 2021. A Sotheby's auction duped investors by giving the Bored Ape NFTs "an air of legitimacy... to generate investors' interest and hype around the Bored Ape brand," the class-action lawsuit claims. The boost to Bored Ape NFT prices provided by the auction "was rooted in deception," said the lawsuit filed in US District Court for the Central District of California. It wasn't revealed at the time of the auction that the buyer was the now-disgraced FTX, the lawsuit said.

"Sotheby's representations that the undisclosed buyer was a 'traditional' collector had misleadingly created the impression that the market for BAYC NFTs had crossed over to a mainstream audience," the lawsuit claimed. Lawsuit plaintiffs say that harmed investors bought the NFTs "with a reasonable expectation of profit from owning them." Sotheby's sold a lot of 101 Bored Ape NFTs for $24.4 million at its "Ape In!" auction in September 2021, well above the pre-auction estimates of $12 million to $18 million. That's an average price of over $241,000, but Bored Ape NFTs now sell for a floor price of about $50,000 worth of ether cryptocrurrency, according to CoinGecko data accessed today. [...]

The amended lawsuit alleges that "[Bored Ape creator Yuga Labs] colluded with fine arts broker, Defendant Sotheby's, to run a deceptive auction." After the sale, a Sotheby's representative described the winning bidder during a Twitter Spaces event as a "traditional" collector, the lawsuit said. The lawsuit said it turned out the auction buyer was now-bankrupt crypto exchange FTX, whose founder Sam Bankman-Fried is in jail awaiting trial on criminal charges. Ethereum blockchain transaction data shows that after the auction, "Sotheby's transferred the lot of BAYC NFTs to wallet address 0xf8e0C93Fd48B4C34A4194d3AF436b13032E641F3,77 which, upon information and belief, is owned/controlled by FTX," the complaint said. Speculation that FTX was the buyer had been percolating since at least January 2023. The lawsuit alleges that Yuga Labs and Sotheby's violated the California Unfair Competition Law, the California Corporate Securities Law, the US Securities Exchange Act, and the California Corporations Code. The plaintiffs also claim that Sotheby's Metaverse, an NFT trading platform opened after the auction, "operated (or attempted to operate) as an unregistered broker of securities."

A U.S. judge revoked Sam Bankman-Fried's bail due to probable cause that he tampered with witnesses at least twice. U.S. District Judge Lewis Kaplan rejected a defense request to delay SBF's detention pending appeal of the bail revocation. Reuters reports: The decision could complicate Bankman-Fried's efforts to prepare for trial, where the 31-year-old former billionaire faces charges of having stolen billions of dollars in FTX customer funds to plug losses at his Alameda Research hedge fund. Bankman-Fried has pleaded not guilty. He was led out of the courtroom by members of the U.S. Marshals Service in handcuffs after removing his shoelaces, jacket and tie and emptying his pockets.

His parents, both law professors at Stanford University, were present in the courtroom's audience. His mother, Barbara Fried, nodded to him in tears as he left. His father, Joseph Bankman, placed his hand over his heart as he watched his son be led away. Bankman-Fried has been largely confined to his parents' Palo Alto, California, home on $250 million bond since his December 2022 arrest.

According to Gizmodo, CNET has deleted thousands of old articles over the past few months in a bid to improve its performance in Google Search results. From the report: Archived copies of CNET's author pages show the company deleted small batches of articles prior to the second half of July, but then the pace increased. Thousands of articles disappeared in recent weeks. A CNET representative confirmed that the company was culling stories but declined to share exactly how many it has taken down. The move adds to recent controversies over CNET's editorial strategy, which has included layoffs and experiments with error-riddled articles written by AI chatbots.

"Removing content from our site is not a decision we take lightly. Our teams analyze many data points to determine whether there are pages on CNET that are not currently serving a meaningful audience. This is an industry-wide best practice for large sites like ours that are primarily driven by SEO traffic," said Taylor Canada, CNET's senior director of marketing and communications. "In an ideal world, we would leave all of our content on our site in perpetuity. Unfortunately, we are penalized by the modern internet for leaving all previously published content live on our site."

CNET shared an internal memo about the practice. Removing, redirecting, or refreshing irrelevant or unhelpful URLs "sends a signal to Google that says CNET is fresh, relevant and worthy of being placed higher than our competitors in search results," the document reads. According to the memo about the "content pruning" the company considers a number of factors before it "deprecates" an article, including SEO, the age and length of the story, traffic to the article, and how frequently Google crawls the page. The company says it weighs historical significance and other editorial factors before an article is taken down. When an article is slated for deletion, CNET says it maintains its own copy, and sends the story to the Internet Archive's Wayback Machine. The company also says current staffers whose articles are deprecated will be alerted at least 10 days ahead of time. What does Google have to say about this? According to the company's Public Liaison for Google Search, Danny Sullivan, Google recommends against the practice. "Are you deleting content from your site because you somehow believe Google doesn't like 'old' content? That's not a thing! Our guidance doesn't encourage this," Sullivan said in a series of tweets.

If a website has an individual page with outdated content, that page "isn't likely to rank well. Removing it might mean, if you have a massive site, that we're better able to crawl other content on the site. But it doesn't mean we go, 'Oh, now the whole site is so much better' because of what happens with an individual page." Sullivan wrote. "Just don't assume that deleting something only because it's old will improve your site's SEO magically."

Amazon removed several books believed to be written using AI and listed under a real author's name. Decrypt reports: When professor Jane Friedman complained about books that she didn't write being attributed to her on Monday, ecommerce giant Amazon initially said that it would not remove them. But after she took her case to Twitter, earning the backing of the Authors Guild, Amazon relented early this morning. Friedman -- a non-fiction writer, journalist, and educator -- said Amazon had refused to remove the books even though they appeared to trade on her name and reputation as an author who has published how-to guides for other writers.

The "garbage books," which Friedman says were probably churned out using generative AI, had the titles "Your Guide to Writing a Bestseller eBook on Amazon," "Publishing Power: Navigating Amazon's Kindle Direct Publishing," and "Promote to Prosper: Strategies to Skyrocket Your eBook Sales on Amazon." When Friedman acknowledged that she could not prove that she owned the trademark on her own name, she said Amazon said it would leave the book up and for sale. But that stance changed late Monday night when the books began disappearing from Amazon's website, and after the Authors Guild offered to step in on Friedman's behalf.

"We have clear content guidelines governing which books can be listed for sale and promptly investigate any book when a concern is raised," Amazon spokesperson Ashley Vanicek told Decrypt by email. "We welcome author feedback and work directly with authors to address any issues they raise and where we have made an error, we correct it." Other authors responding to Friedman's tweet said the same thing had happened to them, and in some cases, the publisher of the fraudulent books did more than just use their names. [...] On Tuesday, Friedman again took to Twitter to confirm that the fraudulent works were removed from Amazon. She remained concerned, however, that other writers like Hayes -- who do not have the large audience that she does -- would not be able to raise such a "big red flag."

The Excel World Championship is coming back to ESPN this week. On Friday morning at 7AM ET, as part of ESPN's annual "The Ocho" event, a few of the world's foremost Excel experts will battle to solve puzzles on the biggest stage in sports. From a report: The Ocho is an ESPN event designed to show off otherwise un-televised sports -- Excel is on the docket alongside "2023 Slippery Stairs," the "Pillow Fight Championship," and competitions in everything from belt-sanding to sign spinning -- but it's still a big deal. When competitive Excel showed up on the network last year, the sport found a whole new audience. More than 800,000 people have since watched the full 2.5-hour competition on YouTube (ESPN showed a 30-minute edit of the battle), and the folks who started the World Championship say it changed the event's trajectory forever.

"Oscar-winning Canadian filmmaker James Cameron says he agrees with experts in the AI field that advancements in the technology pose a serious risk to humanity," reports CTV: Many of the so-called godfathers of AI have recently issued warnings about the need to regulate the rapidly advancing technology before it poses a larger threat to humanity. "I absolutely share their concern," Cameron told CTV News Chief Political Correspondent Vassy Kapelos in a Canadian exclusive interview... "I warned you guys in 1984, and you didn't listen," he said...

"I think the weaponization of AI is the biggest danger," he said. "I think that we will get into the equivalent of a nuclear arms race with AI, and if we don't build it, the other guys are for sure going to build it, and so then it'll escalate... You could imagine an AI in a combat theatre, the whole thing just being fought by the computers at a speed humans can no longer intercede, and you have no ability to deescalate..."

Cameron said Tuesday he doesn't believe the technology is or will soon be at a level of replacing writers, especially because "it's never an issue of who wrote it, it's a question of, is it a good story...? I just don't personally believe that a disembodied mind that's just regurgitating what other embodied minds have said — about the life that they've had, about love, about lying, about fear, about mortality — and just put it all together into a word salad and then regurgitate it ... I don't believe that have something that's going to move an audience," he said.
But the article notes about 160,000 actors and other media professionals are on strike, partly over "the use of AI and its need for regulation."

SAG-AFTRA president Fran Drescher has told reporters that if actors don't "stand tall right now... We are all going to be in jeopardy of being replaced by machines."

Last weekend in Portland, Oregon, the Software Freedom Conservancy hosted a new conference called the Free and Open Source Software Yearly.

And long-time free software activist Bradley M. Kuhn (currently a policy fellow/hacker-in-residence for the Software Freedom Conservancy) hosted a lively panel discussion on "the recent change" to public source code releases for Red Hat Enterprise Linux which shed light on what may happen next. The panel also included:

• benny Vasquez, the Chair of the AlmaLinux OS Foundation
• Jeremy Alison, Samba co-founder and software engineer at CIQ (focused on Rocky Linux). Allison is also Jeremy Allison - Sam Slashdot reader #8,157.
• James (Jim) Wright, Oracle's chief architect for Open Source policy/strategy/compliance/alliances

"Red Hat themselves did not reply to our repeated requests to join us on this panel... SUSE was also invited but let us know they were unable to send someone on short notice to Portland for the panel."

One interesting audience question for the panel came from Karsten Wade, a one-time Red Hat senior community architect who left Red Hat in April after 21 years, but said he was "responsible for bringing the CentOS team onboard to Red Hat." Wade argued that CentOS "was always doing a clean rebuild from source RPMS of their own..." So "isn't all of this thunder doing Red Hat's job for them, of trying to get everyone to say, 'This thing is not the equivalent to RHEL.'"

In response Jeremy Alison made a good point. "None of us here are the arbiters of whether it's good enough of a rebuild of Red Hat Linux. The customers are the arbiters." But this led to an audience member asking a very forward-looking question: what are the chances the community could adopt a new (and open) enterprise Linux standard that distributions could follow. AlmaLinux's Vasquez replied, "Chances are real high... I think everyone sees that as the obvious answer. I think that's the obvious next step. I'll leave it at that." And Oracle's Wright added "to the extent that the market asks us to standardize? We're all responsive."

When asked if they'd consider adding features not found in RHEL ("such as high-security gates through reproducible builds") AlmaLinux's Vasquez said "100% -- yeah. One of the things that we're kind of excited about is the opportunities that this opens for us. We had decided we were just going to focus on this north star of 1:1 Red Hat no matter what -- and with that limitation being removed, we have all kinds of options." And CIQ's Alison said "We're working on FIPS certification for an earlier version of Rocky, that Red Hat, I don't believe, FIPS certified. And we're planning to release that."

AlmaLinux's Vasquez emphasized later that "We're just going to build Enterprise Linux. Red Hat has done a great job of establishing a fantastic target for all of us, but they don't own the rights to enterprise Linux. We can make this happen, without forcing an uncomfortable conversation with Red Hat. We can get around this."

And Alison later applied a "Star Wars" quote to Red Hat's predicament. "The more things you try and grab, the more things slip through your fingers." That is, "The more somebody tries to exert control over a codebase, the more the pushback will occur from people who collaborate in that codebase." AlmaLinux's Vasquez also said they're already "in conversations" with independent software vendors about the "flow of support" into non-Red Hat distributions -- though that's always been the case. "Finding ways to reduce the barrier for those independent software vendors to add official support for us is, like, maybe more cumbersome now, but it's the same problem that we've had..."

Early in the discussion Oracle's Jim Wright pointed out that even Red Hat's own web site defines open source code as "designed to be publicly accessible — anyone can see, modify, and distribute the code as they see fit." ("Until now," Wright added pointedly...) There was some mild teasing of Oracle during the 50-minute discussion -- someone asked at one point if they'd re-license their proprietary implementation of ZFS under the GPL. But at the end of the panel, Oracle's Jim Wright still reminded the audience that "If you want to work on open source Linux, we are hiring."

Read Slashdot's transcript of highlights from the discussion.

The Cyber Police Department of the National Police of Ukraine dismantled another massive bot farm, seizing computer equipment, mobile phones, and roughly 150,000 SIM cards of multiple mobile operators. BleepingComputer reports: The bots were used to push Russian propaganda justifying Russia's war in Ukraine, to disseminate illegal content and personal information, and in various other fraudulent activities. In a joint operation, the cyber police and units of the Ukrainian National Police executed 21 search operations in Vinnytsia, Zaporizhzhia, and Lvivand.

"The cyber police established that the attackers used special equipment and software to register thousands of bot accounts in various social networks and subsequently launch advertisements that violated the norms and legislation of Ukraine," a cyber police press release reads [machine translation]. "In addition to spreading hostile propaganda, the accounts were also used for unauthorized distribution of personal data of Ukrainian citizens on the Internet, in Internet fraud schemes, and for sending known false messages about threats to citizens' safety, destruction or damage to property." Cyber police in Ukraine have busted several pro-Russian bot farms in the last year, including one last month called "Botoferma" and another one late last year that was working for the Russian secret services. Ukraine also traced a Russian propaganda operation to a bot farm that was secretly operating in the country's own capital of Kyiv last August. "The farm operated more than 1 million bot accounts, which helped the propaganda operation build an audience of over 400,000 users on social media," reports PCMag.

Google continues the rollout of its Privacy Sandbox APIs -- its replacement for tracking cookies for the online advertising industry. From a report: Today, right on schedule and in time for the launch of Chrome 115 into the stable release channel, Google announced that it will now start enabling the relevance and measurement APIs in its browser. This will be a gradual rollout, with Google aiming for a 99% availability by mid-August. At this point, Google doesn't expect to make any major changes to the APIs. This includes virtually all of the core Privacy Sandbox features, including Topics, Protected Audience, Attribution Reporting, Private Aggregation, Shared Storage and Fenced Frames. It's worth noting that for the time being, Privacy Sandbox will run in parallel with third-party cookies in the browser. It won't be until early 2024 that Google will deprecate third-party cookies for 1% of Chrome users. After that, the process will speed up though and Google will deprecate these cookies for all users by the second half of 2024.