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Comment Re:I can't wait . . . (Score 1) 449

To be pedantic, calling the Russian broad gauge the Soviet gauge is somewhat inaccurate, as it dates back to Czarist Russia. At the time when railways were being built in the 19th century, the Czar was paranoid about invasion from Prussia or the Habsburg Empire, and deliberately decreed an incompatible gauge as not to make moving troops rapidly into Russia easier. Finland (which was occupied by Russia at the time) has the same gauge.

Comment Soviet precedent (Score 1) 300

Didn't Lenin make chess a compulsory part of the Soviet educational curriculum shortly after the Russian Revolution, on the grounds that it taught the kinds of strategic thinking that are invaluable to revolutionaries? I don't know how long chess remained a school subject, but the USSR did produce a lot of chessmasters.

Comment Anachronistic expectations (Score 1) 267

To call early-1980s video-game box art "misleading" is to apply the expectations of the 21st century to society back then. Back then, everybody knew that computers and game consoles couldn't do realistic-looking graphics, and that video-game graphics were minimal and functional; good enough to play the game with. The idea of a video game, of images responding to joysticks and paddles, was novel enough, and it didn't occur to players to expect elaborate graphics. Meanwhile, since pixellated graphics were new, there was no nostalgia for them, and the age of pixel art hadn't yet arrived, so a frame grab of a game on a box would have just confused people.

The box art was in the same tradition as cover art from scifi/fantasy novels of the time: lurid, superficially exciting, and only tenuously related to the content of the product being sold. A dragon or spaceship could give a reader an idea of what kind of world the book is set in, without necessarily being from the same story. Similarly, racing cars or fighter planes on a game box would give some idea of the ostensible theme of the game.

Comment Britain = bad example (Score 1) 1139

In Britain, railways are expensive and slow, and most people catch coaches or fly. Mind you, this is not due to the inherent suckiness of railways as a technology but due to an unsympathetic and ideologically-driven privatisation of the state railway. The Tories in the 1980s hated public transport, seeing it as a form of socialism; Thatcher ran down British Rail, and Major finally privatised it, selling it off to several different companies. Rail fares went up, while the system continued to be dependent on government subsidies to keep the operators from leaving. (For some years, the annual subsidies amounted to three times as much as the entire British Rail budget of the last year of its operation.) Meanwhile, budget carriers like Ryanair and EasyJet have been running cheap flights between British provincial cities, undercutting the railways.

A better model for what railways can achieve would be found on the continent. France's state-run carrier, SNCF, manages to make a profit (its high-speed lines subsidise slower provincial lines), and internal flights in France are all but unknown. In Spain, meanwhile, the AVE high-speed rail system has all but killed the market for internal flights.

Comment Sony properties and competing platforms (Score 1) 268

The likelihood of Sony allowing a new port of Lemmings to non-Sony platforms is exactly the same as Nintendo allowing a Mario Bros. port to the iPhone or Xbox: exactly zero. The name, trademark and visual art of Lemmings is a valuable asset, and by making it exclusive to Sony hardware, Sony can claim a minor marketing advantage when the iPhone is eating their lunch. (Granted, few people would buy a PS3 for Lemmings these days, but exclusive ports to new Sony Ericsson phones or the next iteration of the PSP could be a selling point.) Even if someone at Sony wanted to play nice and allow some third-party developer to produce a Lemmings game for competing platforms, the legal department would quash that if they were doing their job.

However, the answer is simple. Games cannot be patented, and the infringing content is merely the name and the art/music. Rename the game, redraw all the graphics and replace the levels with new ones, and you're no longer taking off a Sony property. (Disclaimer: IANAL.)

Comment Why it'll probably get through (Score 1) 152

It's not quite a done deal, but has a smooth ride through Parliament. Party discipline in Australia is absolute, and any Labor member who votes against party lines (except during a declared "conscience vote") will be deselected automatically. Kevin Rudd, a self-defined social conservative, supports it. Meanwhile, the Coalition are headed by Tony Abbott, a hardline religious authoritarian culture-warrior often nicknamed the "Mad Monk"; for it to not get through, he would have to not only oppose it but exercise party discipline across the Coalition to prevent anyone from crossing the floor. And there are certainly enough social conservatives there to make up the numbers easily. The Greens, Xenophon, &c. are irrelevant at this point.

So if it gets to legislation being tabled and voted on before the election, it's as close to a dead certainty as can get in politics. The main chance of stopping it would be for the Labor Party to realise that they're making a terrible mistake and to kill or neutralise it. Which also looks unlikely; Rudd and Conroy are both ideologically committed to it, and polls show that opposition to it could only make a political difference in two electorates: the inner-city seats of Melbourne and Sydney, both safe Labor seats. So politically, it's not a liability (and probably an asset, given the legendary apathy of the Australian electorate).

Comment Re:Good luck mate (Score 4, Insightful) 464

Though Labor and the religiots are committed to forcing through a national censorship infrastructure. If that's in place, expanding what is restricted is a matter of mere administrative fiat, no troublesome democratic debate required.

Thankfully, the firewall plan seems to have trouble getting the numbers in the Senate, and the fiasco of the recent technical trials (deemed a "success" by the government with no actual objective criteria having been cited and scant detail) is unlikely to help. Hearing that Tom Cruise's crazy friends want to use it to stamp out criticism of them probably won't be any more helpful.

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