Which is sad because a single VGA cable can handle that without thinking about it.
Ever tried 2560x1600 over VGA? Unless you have a really good cable and hardware, I guarantee it will make your eyes bleed. The ringing is pretty terrible on most highres VGA setups I've seen.
Don't let these MPEG LA devils fool you.
Oh my, we're really in for it now.
By continuing to use h264, you support the developers who support intellectual property and DRM protected hardware. Do you really want to do that? I don't want to support developers who stand behind "intellectual property" and "Digital Rights Management" software and hardware.
Excuse me, but what does H.264 have to do with DRM?
It stifles innovation and widens the disparity between the rich and the poor because the poor will have less opportunity to learn how all of this hardware works in order to create and innovate similar products.
Hmm? Patents are freely viewable online, as is the H.264 spec. "create and innovate similar products"... similar products? I thought innovation generally resulted in original products? I digress.
Don't let all those intellectual assholes "smoke and mirrors" confuse you and and distract you by saying there are other codecs "technically superior" to Theora.
So you can magically make facts not important by enclosing them with double quotes?
I've been witness to all this video intellectual property crapola since the mid 1990's. All these different audio/video formats to obfuscate, divide and conquer the open-source world: mpeg, mp4, aac, nmr-nb, nmr-wb, 3gp, 3gp2. dirac, matroska, wav, mp3, flac.
Great job listing off open formats like dirac, matroska, wav, and flac, I see you really did your homework there. Also, mp4, 3gp, and 3gp2 are containers for the MPEG-4 format, of which aac is a component. I don't see a lot of division there - just different containers for certain specific applications with specific needs.
Not to mention the price to purchase the hardware had been quite exclusive for the longest time for the cameras and the encoder cards.
Man, if that $200 MPEG-4 encoding video camera was only $0.20 cheaper...
The phone makers and the MID makers should be supporting the open-source route because it makes their hardware less expensive to buy in the long-run.
Uhh, that's the whole point of selling or licensing things. To delegate production or R&D to other parties, so you don't have to reinvent the wheel.
Why is it they are still selling stuff with mp4/mpeg chipsets? Why are they supporting these intellectual property guys?
Consumers have buying power. They will vote for open-source with their money if well-informed.
Let's see... a well-informed customer would know that the Theora product would offer two advantages over the H.264 product... $0.20 cheaper and significantly worse video quality. This is assuming, of course, that Theora encoders and decoders are manufactured in great enough volumes to make the cost equal to H.264.
I know the real point of your post is promoting ideals, and I'm a bit of a practical type... but seriously, isn't there something better for you to campaign about?
It's not analog in the sense that we use op amps, we still use gates
What's the difference? A gate is just a high speed high gain ultra high distortion opamp.
And worse, in this application neither high gain nor high distortion are desired properties.
I'm not sure that this is to much of an issue, unless there is some kind of tone-mapping involved it would be near impossible to see the indirect lighting while have the direct component at the correct exposure level. I think that the way most games pump up the ambient term in order to show the contents of the shadows looks bad, it kills the contrast.
Go in a dark room, aim a bright flashlight at a ceiling, and see what happens.
Never trust a computer you can't repair yourself.