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Comment Re:Just Maybe... (Score 0) 435

I'm just asking the question. Do you actually keep records and check them? Or do you just assume you couldn't possibly be biased in any way, at any stage? No, employers are not the only weak link in the chain. Doesn't mean they are never a problem. I also work in a STEM-heavy industry - not IT - and diversity in hiring isn't an issue for us because we work extremely hard at it.

Comment Re:Most qualified and motivated candidates? (Score -1, Troll) 435

So why is there such a disparity between Google & Yahoo's female proportions? Seriously, none of this shit passes the smell test. Women don't want to do this. Black people don't like doing that. It's utter bullshit from top to bottom. It's not nice to admit there is a massive fucking problem here but the first step really is admitting it.

Comment Re:Most qualified and motivated candidates? (Score -1, Troll) 435

If you say the most qualified get jobs, and the jobs are going to men, then the women most be less qualified. No? All I am asking is for you to back that statement up: either show women are underqualified/less motivated. The alternative is that job allocation is actually not 100% meritocratic.

Comment Re:Is it really about "art"? (Score 1) 121

I'm British. We don't subsidise as heavily as heavily as some European countries and we have much more mixed funding, but I'm still not keen on cultural subsidy. Not least because it picks winners and losers - traditional music? Screw you, here's a few million quid for opera. Broad based subsidy via tax law is one thing but throwing millions at 17th century art music sticks in my craw.

Comment Re:Is it really about "art"? (Score 1) 121

This is not a case of dispensing with the musicians to make money, this is about staging opera in a time and place where there is no way you could afford to produce a full scale production. And it's not like the avant garde of opera isn't already neck deep in digital production anyway; the ENO has produced stuff like Sunken Garden which integrated orchestra and digital music throughout, and done it brilliantly (from a technical point of view; the show itself was dross).

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