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Comment The dangers of distraction... (Score 5, Interesting) 569

I wrote a post on Laptops, students, and distraction that explains why I forbid laptops in my classes (and the post grew out of a Slashdot comment like this one). From what I've seen, students are better off doing what can be done outside of class outside of class (like reading--which includes PowerPoint) and doing inside class what can't be done outside of class: spontaneous discussion, group questioning/answering/review, and the like.

This seems like the optimal division of time and one that keeps classroom discussions relevant. It also means that not having laptops and cell phones can actually make for a better overall experience.

Comment Re:9.99 isn't CHEAP for an ebook you don't own (Score 1) 538

What they're hoping is that you won't be bothered to go to the used bookstore to get that book. Or even when it is convenient (like Amazon Marketplace), you are too impatient to wait. So far, the sales figures seem to bear this out. Convenience wins.

I wonder how many people actually reread any particular book that they buy. If the answer is "never" or "almost never," then the convenience of eBooks more than makes up for buying them -- since you're only likely to read it once anyway.

Granted, you, the parent commenter, might read many of your books more than once, but if most people don't, the issue is not great for them.

Submission + - The mistakes commenters make (and how to fix them) (jseliger.com)

ThousandStars writes: Two days ago, /. picked up my post about the cognitively dissonant anti-technology bias in Avatar . The result was a ton of hits and a ton of comments, with most of the comments not being very good. I analyzed some of the comments and came up with some theories about why the comments section of many websites are so bad and what might be done help fix them through consciously cultivating better ideas.

Comment Re:Necessary skills (Score 1) 736

Funny, but once again, fails to RTFA. From said article:

Another possible explanation would be that engineers possess technical skills and architectural know-how that makes them attractive recruits for terrorist organizations. But the recent study found that engineers are just as likely to hold leadership roles within these organizations as they are to be working hands-on with explosives. In any case, their technical expertise may not be that useful, since most of the methods employed in terrorist attacks are rudimentary. It's true that eight of the 25 hijackers on 9/11 were engineers, but it was their experience with box cutters and flight school, not fancy degrees, that counted in the end.

Comment Re: Lets see - RTFA? No. (Score 2, Insightful) 736

From the Slate article:

Another possible explanation would be that engineers possess technical skills and architectural know-how that makes them attractive recruits for terrorist organizations. But the recent study found that engineers are just as likely to hold leadership roles within these organizations as they are to be working hands-on with explosives. In any case, their technical expertise may not be that useful, since most of the methods employed in terrorist attacks are rudimentary. It's true that eight of the 25 hijackers on 9/11 were engineers, but it was their experience with box cutters and flight school, not fancy degrees, that counted in the end.

Apparently few engineers are actually using their engineering skills in an engineering capacity, which would argue for something else going on. As the article notes, engineers are apparently more religious than their brethren in other majors.

Comment Re:Turn On, Tune In, Veg Out (Score 1) 870

This is the entire point he is trying to make:

This is a subsidiary point in support of a larger point, but Stephenson doesn't explicitly state the larger point because he knows the reader should be able to pick it up. I teach English 101 and 102 at the University of Arizona and use "Turn On, Tune In, Veg Out" in both classes, and it works pretty well at sorting those who can read for slightly sophisticated content for main point and those who can't.

By Neal Stephenson, whoever-in-the-hell that is.

I assume this is a troll, but I'll bite: see Amazon's author page or this hilarious /. interview.

Comment Re:it's called "entertainment" (Score 1) 870

it's just entertainment, for crying out loud.

My generic response is that if we had higher standards collectively, maybe we'd get better entertainment.

My specific response is that Avatar obviously aspires to have a message, whether it be about the eco system, greed, or whatever. So it deserves real criticism.

My third response is that entertainment is almost never just entertainment: it both reinforces, responds to, and creates social and ethical values through the story it presents; see Pierre Bourdieu's book The Field of Cultural Production for more on that topic. To deny that is to allow the thoughts of others as presented in story to replace your own.

Submission + - James Cameron's Avatar and Neal Stephenson (jseliger.com)

ThousandStars writes: "The anti-technological aspect [in James Cameron's Avatar] is strange because the movie is among most technically sophisticated ever: it uses a crazy 2D and 3D camera, harnesses the most advanced computer animation techniques imaginable, and has apparently improved the state-of-the-art when it comes to cinema. But Avatar’s story argues that technology is bad. Humans destroyed their home world through environmental disaster and use military might to annihilate the locals and steal their resources." The question is two-fold: why have a technically sophisticated, anti-technical movie, and why are we drawn to it? Part of the answer lies in Neal Stephen's Turn On, Tune In, Veg Out.

Comment Re:Why buy either? (Score 1) 260

I think the above is a troll, but just in case...

Unless you're blind, you've probably noticed that the screens on netbooks are terrible and that the "resolution" of paper is very nice. Most of us wouldn't want to spend eight hours reading a book on a netbook screen but would be more than happy to do so with a paperback. Consequently, the Kindle and Nook are trying to emulate paper rather than computer screens, and they do so fairly well.

Comment Re:No problem (Score 1) 215

DRM and Price is really a deal breaker, and the idea of rebuying books I already own so I can read them on my ebook reader is a little obnoxious. I love the Idea just hate the execution thus far, but I'm still hopeful for the tech to catch on.

I read a lot -- I'm a grad student in English, and see the /. link to my homepage for my book blog -- so I've paid a lot of attention to eBooks. For me, the DRM is still the big problem, as described in greater detail here. Like you, I find the idea of carrying around every book I've ever read appealing, along with one-click OED lookups. But the DRM is appalling.

That being said, I might try the Nook chiefly for its .pdf ability -- I have to read so many .pdfs that buying one might make sense just for the convenience of not having to print or be tethered to my computer.

Comment I firmly answer "maybe." (Score 1) 227

Setting aside completely any comparison among the three authors, is there something more intrinsically interesting and valuable, less ephemeral and interchangeable, about a typewriter vs. a computer as an instrument of literary creation?

Who knows? I suspect the answer to be no: we like the physical manifestations and possessions of the famous, as if we'll gain their powers or knowledge by proximity. And for writers, I don't think it matters what OS you use, although I like OS X; it probably doesn't even matter if you use a computer, a typewriter, or a pen: what matters most is your imagination and the power of expression. Everything else is secondary.

That being said, I can see the computers of famous authors one day being of value. For one thing, check out The Guardian's series on writers' rooms. If we're interested in the rooms, I bet we'll be interested in the tools.

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