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Comment Not Retconning (Score 1) 325

I would say that Episodes I-III, which went back and revised/reinvented the backstory of the original trilogy, would be The Mother Of All Retcon Films before Episode VII would be.* Since that's what "retcon" actually means.

These upcoming films are simply a partial reboot, wiping out one semi-official post-RotJ continuity, and replacing it with an all-new all-different one.

*Actually there are other, better candidates, but let's confine ourselves to the Star Wars universe here.

Comment How is this surprising? (Score 1) 157

This should come as no surprise to anyone who understands how the world works. Spin-off works have never been binding on any franchise flagship. Sure, the Star Trek films and TV series have been free to pick up bits of continuity from the novels or comics, but they've freely ignored them when it suited the purposes of the story they were telling. Marvel Comics can take what they want from the films (e.g. Phil Coulson), but they're still going to ignore them and tell their own stories. Episodes I-III already contradicted the Expanded Universe; why in a galaxy far, far away would anyone expect Episodes VII and later not to do so? Expecting the writers of these films to read and accommodate the metric tonne of professional fanfic (however good it is, however authorized it is) that comprises the EU is totally unrealistic.

Comment Re:The actual website (Score 1) 164

Basically it parrots back to you the information you just gave it access to from your Facebook profile, does some simple statistical calculations from your posts, adds some horoscope-style comments about your personality (I think mine was based on the fact that "craft beer" is one of my Likes), then generates a list of the kinds of dumb passwords that people come up with, based on their birth year, interests, whatever (3dward1970).
 
I wish I made as much money as it thinks I do.

Comment missing the point? (Score 4, Insightful) 60

Traditionally, typeface designers have considered legibility and aesthetics in their work (in addition to typesetting limitations). Apparently those factors are optional now as well.

OK, these are interesting intellectual exercises. But don't try to sell them as examples of typeface design, because that's a creative discipline that goes beyond mathematical questions of "can it be done?"

Comment Re:The sad part here... (Score 1) 272

Yeah, I saw the low UID, which is why I wondered how you could be online and yet so unaware of what so many people were doing on the Web in 2000. Sure, it was mostly dial-up or bad DSL, but it was hardly just "hardcore geeks". They were e-mailing and chatting and looking at (still-image) porn and shopping and selling garbage on eBay, and talking about what a bust Y2K had been. There was that whole "dot-com bubble" that everyone was talking about (but not calling it a "bubble" yet because it was still the latest Big Thing). The following September, I distinctly recall everyone at my office flocking to news web sites trying to learn what was happening in New York on a Tuesday morning. So I have to figure that you were too preoccupied doing stuff with the geekier parts of the internet to notice that yes: the Web was already kind of a a big thing in 2000.

Comment Re:The sad part here... (Score 1) 272

Was the web on its own interesting enough in 2000 to make this a killer device?

Yes, it was. Were you still wading on CompuServ and Usenet or something at the time? :)

Also, what OS does it run, can it do anything but surf the web?

EPOC could do lots more than surf the web; it had apps for all the obvious personal-assistant functions (calendar, notes, to-do, contacts) and had a decent ecosystem of third-party apps. It powered the Psion PDAs (clamshells with decent thumb keyboards and stylus input), and was head-and-shoulders bettter than PalmOS or WinCE (its contemporaries) in terms of stability and ability to run on low-power hardware. I nursed one of the later Psions along for years after they were discontinued, until the iPhone came along and there was finally another pocket computer worth switching too. The devices' main weakness (other than nonexistent marketing) was the state of mobile connectivity in their day: slow-n-crappy cellular data, hard-to-find local wireless, and dial-up.

Comment basic createware (Score 1) 531

I use OS X, Windows, Linux, iOS, and Android, so exceptions/substitutions are made when an app isn't available for a given platform.

DropBox - Because that's where all the stuff I'm working on at any given time is.

Firefox - Because I'm a same-browser-on-everything kinda guy, and I'm too stuck in my ways for that to be Chrome.

LibreOffice - Because I'm a same-wp-on-everything kinda guy, but not so stuck in my ways that it has be OpenOffice.

Manga Studio - Because I create comics as a hobby, and even on the machines that don't have stylus input, I like to be able to open the projects I'm working on, and work on lettering or coloring. I don't use the GIMP because I think it's worth buying myself nice software sometimes, and I don't use Adobe Creative Shite anymore because that doesn't have to mean wasting money.

CyberDuck - Because a simple drag-and-drop ftp client is handy for getting my stuff where it's going.

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