Copyright infringement reduces the value that copyright has in the first place... so you are not just depriving them of something they *may* have otherwise possessed, but something that they were supposed to actually have already had... the exclusive right to control who can make a copy. That exclusivity is where copyright gets its value from, so depriving them of that lowers its value to the holder.
If you steal $20 from somebody, in actuality all you've really stolen is paper that is worth a few cents... it is the *value* of that paper that is determined to have actually been stolen, however. It is similar with copyright infringement... you take away the right holder's exclusivity and its value is diminished, just as certainly as if you had siphoned money out of their bank account, but not actually transferred the money to any other account. Still theft, even if you don't profit from it.
Theft is nothing more complex than taking something that you have no lawful permission to take. Trying to qualify it with notions of tangibility, intent, objective measure of value, or who apparently suffers for it are all wholly irrelevant.
I haven't alleged a darn thing about morality.... all I said was that copyright infringement is theft because it amounts to the taking of something that one has no lawfully recognized permission to take.
But theft itself is not necessarily immoral. For example, stealing something from somebody who himself has previously stolen in violation of recognized law, but has gotten away with it, in order to give the property back to the rightful owner is still quite clearly theft (and one may find themselves criminally responsible for such), but especially if they do not expect compensation for said return, one can hardly suggest that it is particularly immoral to do so.
Except that those worst cases are exactly the kinds of non-emergencies that people call 911 about... really stupid stuff that people should genuinely *know* better than to call 911 over. *THOSE* are the ones that can and sometimes actually do end up getting fined for such abuse
Of course, I could just assume that my friend was exaggerating, or maybe simply lying about his experiences on the job, but I really have no reason to do so.
The aforementioned example of a heart attack of unknown severity would never be considered to be a non-emergency, and would thus also never be fined.
Copyright is an extension to the *entirely* natural right to exclusivity that would exist if the creator had never published at all... After all, if nobody else even knows about it, then how an they copy it? To encourage creators to publish in the first place wen it s possible for others to copy e work (before the printing press, copying was sufficiently labour intensive and error prone that those barriers were considered to be adequate disincentive) copyright was invented to give such people some measure of such assurance.
If publishing without such assurance were genuinely a common trait, then why are even most freely distributed quality works *explicitly* copyrighted? That is simply that they may bother to expressly claim such a copyright... Even though they may have it implicitly, if it were not of some value, the creator of such a work would generally not bother to even mention it, or they may even try to explicitly donate their work to the public domain. But no... The vast majority of even freely available works are explicitly copyrighted. Copyright is therefore of value to creator, but it is that value which is harmed by copyright infringement.
If 30% of the calls to 911 were legitimate emergencies, what percentage of those emergencies would have been reported as promptly if there had been a requirement that a phone used to call 911 only be from a registered phone? If that percentage is not very high, then it's my opinion that they may have to simply factor in such non-emergencies into the "cost of business" as it were.
Of course, if that percentage actually works out to be something quite high, then I don't really see a huge problem with it.
1. I copy a CD borrowed from a friend. The studio still has as many copies of the album as they had before.
What the studio does *NOT* have in this case is precisely as much exclusivity to control who is allowed to copy that content as they would have had if you had not made the copy... since in this case, you would have done so without permission, costing them a measure of the exclusivity of control that they were lawfully supposed to possess. It's a right they may still technically always have, buts its value is still measured in what amount of control they have to actually exercise they right... and again, "exclusive" means nobody else is doing it, so it stands to reason that if anyone else is, then they don't really have that exclusivity... even if they still supposedly have that right on paper. In practice the only exclusivity that the consumer can lawfully deprive the copyright holder of is in the realm of copies that would be considered fair use, or fair dealing, which are typically for the personal and private use of the person that made the copy, and not for any form of public usage, whether it is commercial or not (publicly shared folders on one's personal hard drive, for example, particularly if they are shared outside of one's own household, would qualify as public use, even not commercial use, and copyrighted content in such a location may well be infringing if one has not received any permission to make copies for public use).
And if the cable company did not disconnect the cable after I cancelled the service, then I sure can watch TV without paying.
I was referring to if you take it upon yourself to hook up your own cable, actually... which is how cable theft generally occurs... or else using a neighbor's paid cable line, either with or without their knowledge.
The biggest difference between time and space is that you can't reuse time. -- Merrick Furst