Best Music Production Software in the Middle East

You will find strings that fly, woodwinds that move, brass that commands, and a full symphony orchestra with sounds at your fingertips. All expertly performed with musical articulations that mimic real music that is played by real musicians. Miroslav Philharmonik 2, a virtual instrument that brings the orchestra alive, offers a wide range of musical styles, from flowing legatos and animated pizzicatos to elegant spiccatos and more. It is not enough to have great recordings of classical instruments. You need the best musicians performing the instruments, and a conductor or producer who is skilled in the fine art of creating living, breathing samples. Miroslav Vitous was the first to create a complete symphonic library for real composers. Now he has taken it further.

We collaborate with some of the most talented composers, producers, engineers, and studios in the world to create realistic, detailed recordings of instruments. Our virtual instruments and sample collections allow you to compose and perform within your DAW (Digital Audio Workstation), giving you thousands of sounds for endless inspiration. Register with us to get our libraries directly to you computer. Our LABS programme is a great place to start. It contains an endless number of software instruments that were created by musicians in London and are available for everyone. These plugins are easy to use and free to install. Originals is a new series that offers affordable and instant cinematic writing tools. These samples have been simplified and made available in our easy-to-use plugin. It is clutter-free and clear, with sliders for expression, dynamics, and a digital mode wheel that can easily be customized to your own workflow.

ValhallaSupermassive was designed from the ground up to provide MASSIVE delays, reverbs, and reverbs. Your mind and music will be blown to new heights. You'll be astonished by the soaring waves of feedback, otherworldly delays and reverb that will surround you. All Valhalla plugins can be self-documented, so simply roll over the controls to see the tool tip. It's also free with no strings attached. You just need to click the download links. Version 1.3.0 is now available for Windows and Mac. For Apple M1 computers, Intel and ARM builds are available. VST3 fixes available for Studio One and FL Studio. MODE is the most powerful Supermassive control because the different algorithms have different attack, sustain and decay characteristics. Combining these long delays with the WARP control will produce a range of echoes that gradually fade in to cascading harmonic echos to lush reverbs onwards to reverbs which decay slowly over the course a few minutes.

A digital recording is simply a sequence of numbers. Digital recordings can be easily quantified as ones and zeros. They are stored on physical media and combined into larger numbers to create a continuous stream. Surge can create truly stunning sequences of numbers. We are sure that your ears will agree. Surge is an architecturally complex synthesizer. It's easy to use because of the way it's assembled. Once you master it, you'll be able to convert the sounds in your head into audio much faster than ever before. It is impossible to appreciate the effortless workflow, attention and high quality sound without actually trying it. Try the demo! Each patch contains two scenes, which are separate instances (except for effects) of the entire synth engine. These can be used to layer or split patches. 8 flexible oscillator algorithms: Classic, Sine Wavetable, Window FM2, FM3, FM3, S/H noise and Audio-input.

TX16Wx Software Sampler plug-in is for the creative musician. It was inspired by the best hardware samplers and has all the new exiting and ease-of-use features of modern software. Two LFO's, two envelopes, and three-step sequencers per vocal. Modulation matrix connects any MIDI/automation or modulator to any sound element. Two-level modulation, base and additional controller. Tempo and voice synchronization for LFO and step sequencers. Selectable velocity and mapping curves, with an option to modify the shape. Quick browsing of sample libraries, including preview playback and nondestructive loading sound elements. To quickly locate and reference source material, create bookmarks and search paths. Reads WAV and Ogg files, FLAC, Ogg, FLAC, and Yamaha waves. Drag and drop copy/paste to switch between programs or groups. The revolutionary sample matrix allows you to trigger samples in two dimensions using any external source or modulator. You can trigger groups using MIDI keys, round-robin, random, or modulator-based methods.

NOVA is a parallel dynamic equalityizer. Each band is arranged in the same way as a parametric equalizer. However, each band also has a full featured dynamics section that allows the processor to cover a wide variety of applications. NOVA has the perfect solution for any problem, whether it's a master lacking density or a drum bus requesting more crispiness. The WYSIWYG drag-and-drop interface, paired with a classic knob interface, allows for quick and easy access to all parameters that drive NOVA's powerful processing abilities. NOVA can satisfy even the most extreme demands with its four dynamic EQ bands, additional high-pass or low-pass filter sections and additional high-pass/low-pass filters. The intuitive equal loudness functions allow you to find the best setting without being distracted by loudness differences. A preset manager, undo/redo and A/B are all available. You can also copy & paste, detailed documentation, and more.

DC1A is the smaller brother to the compression monster DC8C. I have taken some of my favorite settings from DC8C, and tried to make them work in a two-control context. It sounds similar to DC8C's PUNCH mode, but has a few more features such as stereo unlink and negative ratio. I have always wanted to make a compressor that only had an input and output knob. A compressor that works well, is gentle, faithful, and can do everything from smooth leveling to heavy pumping, with a nice crunchy saturation, and punchy enough for treating drums. DC1A seems like a one-trick pony. Don't be fooled by the absence of additional controls. It may surprise you at how well this little device can handle different materials. DC1A comes with a few tricks: negative (over), parallel (New York style), compression, the option to compress left or right channels independently (via DUAL MONO switch), peak compression (RELATED switch on) and DEEP activates high pass filters.

This model recreates the ballistics of the classic VU meters. The integrated peak bargraph and K-12, K-14, and K-20 scales can all be set in the RMS mode. The Meter ballistics can be customized. The VU has a unique overshoot parameter. VUMT has dedicated trim controls for easy gain staging. GUI-resizing is available. There are several options to hide the controls and display the meters only or a single meter display. VUMT has eight skins available. A customizable instance label is also available. VUMT Deluxe offers many more features than the standard version. These include more metering types (BBC and DIN), as well as various channel tools such as Mute, Polarity reverse buttons and various signal processing tools. HighPass and lowPass filters, a single-band dynamic EQ with different filter types, are useful for removing resonances or de-essing, and a monomaker to narrow the stereo image below certain frequencies.

DC8C is one the most versatile compressors available. It can be used in many different compression styles, but its general nature can be described as clear and distinct. The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost inevitable artifacts/distortion. This allows you to achieve almost invisible compression even for the most difficult mastering sessions. You can choose from two saturation models if you want to achieve color. Opto-style, peak compression and external side-chaining are all possible. You can also choose from feedback, feedforward, and negative ratios.

SDRR was designed to meet almost all your saturation needs. It offers a wide range of controls that can be used to adjust the saturation's character to your liking. The SDRR has four main modes: TUBE DIGI, FUZZ and DESK. Each mode reacts dynamically with the input signal. Each mode has its own crosstalk behavior that can be turned off or exaggerated. Level matching is made easy by the unique RMS level difference mode. SDRR can be used for many things. It can be a saturation, compressor, EQ, an EQ or a subtle stereo widener. You can also add movement to your tracks using the DRIFT control. SDRR can add warmth, depth, and character to your tracks. The free IVGI is the little brother to SDRR. It is based upon the SDRR DESK mode. SDRR is available for macOS as well as Windows (all in one license).

MJUC is the most difficult Klanghelm plugin. It took nearly two years of extensive, and I dare say "excessive" research and development. To create MJUC, I researched and analyzed every variable-mu solution I could find to bring the best of tube compression to a single processor. Three models were built to show the variety of this compression topology. These models are a time-travel through the history of tube compression in order to capture the essence and essence of each generation. Each model has its own signal path and control set. You can adjust the overall tone and saturation by using the TIMBRE and DRIVE knobs. DRIVE controls the input and output transformer loads as well as the saturation of tube gain stages. The TIMBRE allows MJUC to be used as a tone-shaper.

5 modules, RMS compressor, peak limiter, high-frequency limiter, clipper, true peak limiter. High-quality signal processing for mastering purposes. Brickwall and soft-limiting with different timing settings. M/S and multiband modes, optional 4-x oversampling. True inter-sample peak (ISP) limiting. Analog-style indicator, 2 different GUIs. Analog-style indicators can be used to indicate the signal limiting level in the corresponding module. Indicator scales are shown in dB format. The rightmost position is 0 dB signal limiting. Some host applications may have problems with the mouse wheel being used to change parameters. For Windows, the plugin window must be activated in order to use it. Click on the window header or any point in the background of the plugin to activate the window.

Unique way to surf between sounds. SyndtSphere is essentially a sphere version our polyphonic synthesizer Syndt. It is minimalistic and allows for "surfing" between presets. All parameters can be morphed depending on the proximity to the presets. Anyone can dial in the perfect sound by rotating a sphere made up of over 70 professionally designed states. You can also adjust the sphere to include a delay and some global settings. Innovative interface allows you to seamlessly navigate between 70+ professionally created presets. Requires macOS 10.9 and later, Windows 7 SP1 or later, running an AU or VST compatible 64 bit host. Requires iOS 9.3 or later. Compatible with iPhone, iPad, iPod touch. Presets are represented by the different nodes. The parameters of presets are morphed based on the proximity to all other nodes when you're in between them.

Kleverb is an algorithmic reverb effect that produces high quality sound. This effect is intuitively designed with a carefully calibrated network filter and delays that makes it powerful in any context, from acoustic to electronic music. You can simulate any room with three different room sizes (small, medium, and large). There are filters on early and late reflections, modulation and damping, diffusion, and many other options. The ducker also uses the dry signal as sidechain. It is very useful for keeping vocals and other solo instruments separate even when they are soaking wet. The Kleverb features are covered by the 64 factory presets.

Slammer is a multi-sampled drum plugin that includes 30 instruments. It is made from a large amount of carefully recorded and edited samples. Slammer is a flexible and versatile virtual instrument that can render anything from natural acoustic sounds to highly distorted and compressed drum sounds. It also has custom-built real time effects and clever routing. You can customize each sound with many settings, including pitch, filtering and effect sends, decay times, velocity mapping, and much more. You can also find a section called "Dirt" that allows you to add distortion or compression, as well as a reverb or tone control. Each instrument can adjust the amount of "dirt", reverb and tone control. Slammer also comes with a variety of factory presets that cover everything from light and slick, to heavy and gritty. This is the drum instrument that will give you instant gratification from your first hit.

Klevgrand's upgraded Haaze 2 v2 is a great solution to control stereo width and spatially position a sound in a stereo mix. Regular L-R panning doesn't mimic real-world acoustics. This is especially evident when trying to place mono sounds naturally in a stereo mix (especially with headphones). It still feels very "mono" Haaze, an audio plugin, makes positioning more natural, understandable, and pleasant for the ears. It divides the audio signal into 16 frequency band. You can adjust the width of each band by changing the delay (which will make listeners believe that the sound is coming from the right or left), pan it to the right or left, or make the lower frequencies more concentrated in the middle. You can also diffuse mono signals and make them wider with Haaze. This sounds complicated?

LUXE is a plugin that compresses and saturates audio signals in a subtle but musical manner. It can be used to make a track "fit in" the mix. It can be used with excellent results on a drumbus, vocal track, or any other type of audio signal. LUXE can be used in a simple way. Simply choose from the LUXE and FINESSE algorithms and select the desired processing level. Do not be fooled by the limited control options - underneath the hood, there are many sophisticated parameters that will treat your audio with great care, musicality, and warmth. The slider controls the intensity of the effect. This parameter controls a set (non-visible), internal parameters that make LUXE a simple tool for quick results. Alternate FINESSE algorithm provides a slightly different frequency response and adds some edge for the internal saturation module.

REAMP is a complex, spectral saturation processor that simulates a set of analog gears in a unique and innovative way. This algorithm has many benefits, including being extremely CPU efficient and adding (almost) no latency. The seven models are based on real analog gear. Each model is measured in two dimensions. Gain responses (-inf to +6dB) are available at frequencies 20Hz to 20kHz. This data is used for transforming input audio into output audio. The unit can be made to work even further with a four-band spectral driver. Seven profiles handpicked from gear we love. Many factory presets. Ultra low latency.

Garritan is the leading provider of high-quality virtual instruments. We are committed to developing new standards in music technology that remain at the forefront of the industry, but keep our focus on the human element of music and real performance. Garritan believes that every musician should have access to high-quality, expressive, and affordable software instruments. Garritan sounds are used on television, film, video, and on some of the most prestigious concert stages in the world. In any size studio, you can experience the power of a pipe organ, marching bands, or the drama of an entire symphony orchestra. There are many titles to choose from, so there is a Garritan library that will suit any project.

Our state-of the-art spatializer plugin will take your mix to the next level. You have complete control over whether you mix in binaural, Ambisonics, or multi-channel speaker formats. dearVR PRO is the all in one spatializing solution for professional audio productions. It offers state-of-the art binaural and Ambisonics as well as 26 multi-channel loudspeaker out formats up to 9.1.6. DearVR VHSP technology combines ultra-realistic room simulation and virtual height speaker perception in 5.1 and 7.1 setups. Place your listener in center of the sound! Drag your mouse using the plugin's graphical Z-pad to place audio sources anywhere within the immersive soundstage around the listener. DearVR PRO provides a 360 degree immersive panner.

DearVR spatializer plugins all rely on the advanced dearVR Core engine. This results in best-in class externalization and true to life immersion. You can create immersive mixes that give you a true sense of direction, distance and reflections. DearVR MUSIC can add depth and detail to music, post-production and VR video production. dearVR MUSIC can render high-quality 3D audio for most immersive audio productions. You can listen to your mixes in stunning 3D audio using the binaural output. The 4-channel Ambisonics format outputs spatial sound for YouTube 360deg video soundtracks. DearVR MUSIC's virtual environments can be used as stereo reverbs, which doubles their music production value.

It's not hard to see that creating great mixes is easier in a well-designed mix room. DearVR MIX makes it easy to translate your mixes to any sound system, regardless of whether you're creating rock, pop, R&B or classical music or your podcast. Dear Reality's exceptional virtual acoustics engine makes dearVR MIX possible to create realistic environments without any limitations. Dear Reality's Spatial Headphone Compensation technology (SHC) ensures the best binaural playback experience with the highest degree of out-of-head-localization by compensating the individual sound characteristics of different headphones. dearVR MIX transforms your studio headphones into a virtual mixing environment with three specially designed reference rooms. Dear Reality's unique technology supports 45 of the most popular studio headphones. Dear Reality has carefully optimized each model.

A set of AI-driven tools that will make your music-making process more efficient than ever. Save with the FAST Bundle which includes FAST Equaliser and FAST Compressor, as well as FAST Reveal and FAST Verb. These AI-driven plugs-ins will help you discover your unique sound. Do you need to add depth to your song? FAST Verb's AI will add depth to your songs with the right amount of reverb. It will also place your instruments in a natural or unworldly setting. Are you ever stuck where sounds should be placed in your mix? FAST Equaliser automatically adjusts the EQ curve to make sure you sound your best. Do you spend too much time tweaking the compressor? FAST Compressor dials in the best settings to ensure you stay in the zone. Are you having trouble balancing competing sounds FAST Reveal gives you the clarity and control you need to make your mixes shine. Your tracks are ready to stream on Spotify or Apple Music. The plugin can learn the best parameters for your sound by using the various profiles.

AI can compute infinite patterns, melodies, or basslines. Amazing musical patterns and loops can be created using state-of the-art technology. The user interface is simple and modern. You can control all parameters with a simple but powerful interface. Orb Producer Suite is compatible with all DAWs, except Protools. VST2/VST3 formats and AU/AUFX formats can be used. Drag and drop is all it takes to get the MIDI in your DAW. It is extremely easy to integrate into your workflow. Unique software for musicians, DJs and recording studios. Orb Chords lets you create unlimited chord progressions. You can modify everything, add colors and dissonance, as well as customize everything. The melody maker plugin offers unlimited melody options. It offers useful controls and options to help you create the perfect melody for your music. Get instant melodies now! The Bass module analyzes all the harmony and suggests the best bass lines to your song. Now you can call your bassist friend.

The human singing voice is known for its warmth and tonality. Synthesize V is a neural network-based synthesis engine that can generate singing voices that sound almost lifelike. Our first-of-its kind synthesizer runs at lightning fast speeds, and is 100% offline, unlike other solutions that use neural networks. No internet connection? You won't lose access to your work, but that's not a problem. Synthesizer V Studio offers a wide range of voices that you can plug and play. You can customize voices with dynamic vocal modes such as chest, belt, or breathy. Live rendering allows you to visualize your modifications in real-time in waveforms. This will help you reduce hearing fatigue and speed up the idea-to sound cycle. Synthesizer V AI voices can be used in English, Japanese, and Chinese. Cross-lingual synthesis breaks down language barriers, allowing any voice to sing in any one of our three languages.