Compare Syndt vs. ZebraCM

Syndt is an advanced polyphonic synthesizer that offers a wide range of creative options. Its oscillator waveform allows for seamless morphing from a pure sine wave to a square wave while also enabling pulse width adjustments. Two separate LFOs can modulate both the waveform shape and pulse width independently, providing extensive sound design capabilities. This synthesizer features finely tuned low pass and high pass filters, along with a customizable filter attack setting that can respond to velocity, allowing for the creation of raw and captivating sounds. Furthermore, an additional LFO, which can be shaped like the oscillator, has the ability to control filters, gain, and pitch through modulation wheels or automatic settings. This LFO can also easily synchronize with an AUv3 host. In terms of global effects, it includes a rich stereo chorus, a ping-pong stereo delay that can sync to the BPM of an AUv3 host, and an EQ for further sound shaping. The XY pad controls both the oscillator and LFO, with PWM modulation on the X-axis and waveform morphing on the Y-axis. Additionally, each axis of the oscillator XY pad is equipped with its own independent mini-LFO, generating sine wave modulation for even more dynamic sound manipulation. This allows musicians and sound designers to experiment and push the boundaries of their sonic creations.

ZebraCM is a more compact variant of Zebra2, featuring a curated selection of modules arranged in a straightforward layout. Despite its smaller size, ZebraCM proves to be a capable synthesizer, packed with sufficient functionality to engage users before they transition to the full capabilities of Zebra2. This version was specifically created for the readers of Computer Music magazine. It includes two wavetable oscillators, each containing 16 different waveforms, along with integrated sync and spectral filtering options. Users can take advantage of up to 16 voices, with modes available for duophonic, monophonic, and legato play. The synthesizer also features noise types such as white, pink, digital, and crackles. Additionally, it boasts 20 different modes that cover an array of filter types, including lowpass, bandpass, notch, shelf, and all-pass. For modulation, ZebraCM offers three LFOs and two ADSR envelopes that include rise and fall sustain controls. Effects like chorus, delay, and reverb are also incorporated, enhancing its sound design capabilities. The user interface is both resizable and skinnable, adjustable between 70% and 200% of its original size, allowing for personalized workspace arrangements. Furthermore, ZebraCM comes with a generous collection of 221 factory presets, giving users a solid foundation to explore its sonic possibilities.