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Average Ratings 0 Ratings

Total
ease
features
design
support

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Write a Review

Description

Since its inception in 2002, Audio Damage has been dedicated to creating innovative tools for musicians, ranging from experimental plugins designed for digital audio workstations to high-quality hardware sequencers. Our primary mission is to make sophisticated music technology both enjoyable and user-friendly. Founded with the vision of providing musicians with unique and experimental equipment crafted in the United States, we pride ourselves on our exceptional craftsmanship. Among our offerings, the RoughRider compressor stands out as one of the most sought-after dynamics processors globally, boasting over half a million downloads throughout its more than ten years in existence and is widely utilized by producers across the globe. With the introduction of RoughRider3, we have enhanced the original model to feature an external sidechain input, the option to disable the built-in "warming" filter, and significantly improved metering capabilities. Additionally, our Ratshack Reverb plugin delivers an authentic emulation of the iconic Realistic Electronic Reverb, allowing users to capture the essence of the first analog delay unit without the hassle of changing batteries. This commitment to innovation and quality continues to drive our passion for supporting creative musicians everywhere.

Description

AudioKit Synth One stands out as the first entirely free and open-source professional synthesizer app for iOS, created by a dedicated group of volunteers to deliver a comprehensive and ad-free platform for music production. This app boasts a hybrid analog/FM polyphonic synthesizer with the capability to produce six voices, alongside an impressive library of over 300 presets designed by acclaimed sound designers, all while ensuring accessibility features like VoiceOver for users with visual impairments. Seamlessly working with Audiobus 3 and Inter-app Audio (IAA), it is also compatible with popular applications such as AUM, BeatMaker 3, Cubasis, and GarageBand. The sound engine is robust, featuring five oscillators, two assignable LFOs with extensive routing possibilities, and a vintage-inspired 16-step sequencer. Users can also enjoy a classic poly arpeggiator, support for Ableton Link, and intuitive touchable ADSR envelopes for both the amplifier and filter. Additionally, it offers a 4-pole vintage low-pass filter, high-pass and band-pass filters, and a variety of effects, including reverb and multi-tap delay. With MIDI integration, musicians can connect and control the app using MIDI keyboards or digital audio workstations, expanding its versatility for creative expression. This makes AudioKit Synth One not just a synthesizer, but a powerful tool for any music creator looking to explore new sonic possibilities.

API Access

Has API No 

API Access

Has API No 

Screenshots View All

Screenshots View All

Integrations

Ableton Live No 
BeatMaker No 
Cubasis No 
GarageBand No 

Integrations

Ableton Live Yes 
BeatMaker Yes 
Cubasis Yes 
GarageBand Yes 

Pricing Details

$19 one-time payment
Free Trial No 
Free Version Yes 

Pricing Details

Free
Free Trial No 
Free Version Yes 

Deployment

Web-Based No 
On-Premises No 
iPhone App Yes 
iPad App Yes 
Android App No 
Windows Yes 
Mac Yes 
Linux Yes 
Chromebook No 

Deployment

Web-Based No 
On-Premises No 
iPhone App Yes 
iPad App Yes 
Android App No 
Windows No 
Mac No 
Linux No 
Chromebook No 

Customer Support

Business Hours No 
Live Rep (24/7) No 
Online Support Yes 

Customer Support

Business Hours No 
Live Rep (24/7) No 
Online Support Yes 

Types of Training

Training Docs Yes 
Webinars No 
Live Training (Online) No 
In Person No 

Types of Training

Training Docs Yes 
Webinars No 
Live Training (Online) No 
In Person No 

Vendor Details

Company Name

Audio Damage

Founded

2002

Country

United States

Website

www.audiodamage.com

Vendor Details

Company Name

AudioKit Pro

Founded

2017

Country

United States

Website

audiokitpro.com/synth/

Product Features

Product Features

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