Algorithmnast writes "The Economist has a short article on using big, slow-moving airships to move large objects without the need to dismantle them. The company mentioned, Skylifter, refers to the lifting ship as an 'aerial crane,' not a Thor weapon. It could easily help move research labs to new parts of the Antarctic, or allow a Solar Tower to be inserted into an area that's difficult to drive to, such as a mesa in New Mexico."

Zothecula writes "The first complete microwave image of the Moon taken by Chinese lunar satellite Chang'E-1 has been revealed. Chang'E-1 is China's first scientific mission to explore planetary bodies beyond Earth and the on-board Lunar Microwave Radiometer has made it possible for the first time to globally map the Moon in microwave frequencies. Radar observations of the Moon are unable to provide thermal information, and microwave observations taken from Earth cannot reach the far side of the moon. So Chang'E-1's (CE-1) orbit was conducted at an altitude of 200km (124 miles) and allowed it to observe every location of the moon with a nadir view and at high spatial resolution."

bgweber writes "There's been a lot of discussion about whether games should adapt to the skills of players. However, most current techniques limit adaptation to parameter adjustment. But if the parameter adaptation is applied to procedural content generation, then new levels can be generated on-line in response to a player's skill. In this adaptation of Infinite Mario (with source [.JAR]), new levels are generated based on the performance of the player. What other gameplay mechanics are open for adaptation when games adapt to the skills of specific players?"

Buffalo55 writes "For the most part, classic games manage to reappear on different systems. Just look at Nintendo. The publisher has done an excellent job bringing NES, SNES, Genesis and even old school Neo Geo titles to the Wii's Virtual Console, while Microsoft's Game Room brings the best of Atari's 2600 into the living room. Of course, not every console was a success. The '90s, in particular, saw quite a few flops from companies like Panasonic, Sega and Atari. Just because a system is a failure, though, doesn't mean all of its games suck. On the contrary, most of these machines have a few gems that fell between the cracks once the console croaked." What overlooked game on a failed platform would you like to see revived?

bswooden writes "Some rather important departments (DMV, Social Services, Taxation) in the state of Virginia are currently without access to documents and information as a technology meltdown has caused much of their infrastructure to be offline for over 24 hours now. State CIO Sam Nixon said, 'A failure occurred in one memory card in what is known as a "storage area network," or SAN, at Virginia's Information Technologies Agency (VITA) suburban Richmond computing center, one of several data storage systems across Virginia.' How does the IT for some of the largest departments in a state come to a screeching halt over a single memory card? Oh, and also, the state is paying Northrup Grumman $2.4 billion over 10 years to manage the state's IT infrastructure." Reader miller60 adds, "Virginia's IT systems drew scrutiny last fall when state agencies reported rolling outages due to the lack of network redundancy."

RedEaredSlider writes "Researchers at the US Army Medical Research Institute of Infectious Diseases have found a class of drugs that could provide treatment for Ebola and Marburg hemorrhagic fever. The new drugs are called 'antisense' compounds, and they allow the immune system to attack the viruses before they can do enough damage to kill the patient. Travis Warren, research scientist at USAMRIID, said while the work is still preliminary -— the drugs have been tested only on primates — the results are so far promising. In the case of Ebola, five of eight monkeys infected with the virus lived, and with Marburg, all survived. The drugs were developed as part of a program to deal with possible bioterrorist threats, in partnership with AVI Biopharma."

Wired is running a feature about how a growing number of game developers are abandoning jobs at major publishers and studios and taking their experience to the indie scene instead. Quoting: "They’re veterans of the triple-A game biz with decades of experience behind them. They’ve worked for the biggest companies and had a hand in some of the industry’s biggest blockbusters. They could work on anything, but they’ve found creative fulfillment splitting off into a tiny crew and doing their own thing. They’re using everything they’ve learned working on big-budget epics and applying it to small, downloadable games. The good news for gamers is that, as the industry’s top talents depart the big studios and go into business for themselves, players are being treated to a new class of indie game. They’re smaller and carry cheaper price tags, but they’re produced by industry veterans instead of thrown together by B teams and interns. Most importantly, unlike big-budget games that need to appeal to the lowest common denominator to turn a profit, these indie gems reveal the undiluted creative vision of their makers."

Crudely_Indecent writes "Not content to own just news stories, Rupert Murdoch is now going after individual words! His BSkyB is fighting a legal battle with Skype, claiming that it owns the 'Sky' in 'Skype.' From the article: 'A spokesman for Sky confirmed that the company has been involved in a "five-year dispute with Skype" over trademark applications filed by the telecomms company. These are, the spokesman added: "including, but not limited to, television-related goods and services."'"

suraj.sun writes "It's the same old story: young woman quits, uses dry erase board and series of pictures to let entire office know the boss is a sexist pig, exposes his love of playing FarmVille during work hours." Story seem too good to be true? It probably is, at least according to writer Peter Kafka. Even so, Jay Leno and Good Morning America have already reached out to "Jenny."

An anonymous reader writes "PIXAR Animator Angus MacLane has created an incredible series of LEGO 'CubeDudes' modeled after beloved characters from sci-fi movies and comic books. From Star Wars heroes R2D2 and C-3PO to Toy Story's Buzz Lightyear and Jessie, the pixellated creations bear a remarkable likeness to their forebears. MacLane says, 'When I had a moment here and there I chip away at a few at a time. I'll have the body of one Dude and a head of another that I will be working on at the same time. It takes me about 10-15 minutes to make one CubeDude and I average about two a day.' The hardest part is the color palette — LEGO doesn't make purple bricks, so villains like Lex Luthor, The Joker, and Grimace are a challenge."

Tara Fitzgerald couldn't find the nude pictures she planned on sending to her boyfriend, but instead of just taking more, she decided to see if a Dell tech support call could fix her problem. Apparently the tech support guy found them. Unfortunately, he then put them up on a site called "bitchtara."

If you're one of the three people in the world who actually reads Playboy for the articles, today is your lucky day. Every young boy's favorite magazine to find in their uncle's closet has launched a "safe for work" website. From the article: "TheSmokingJacket.com will contain none of the nudity that makes Playboy.com NSFW — not suitable for work. Instead, it'll rely on humor to reach Playboy's target audience, men 25 to 34 years old, when they are most likely to be in front of a computer screen."

jangel writes "While its strategy for mobile devices might be a mess, Microsoft has announced something we'll all benefit from. The company's patented design for battery contacts will allow users of portable devices — digital cameras, flashlights, remote controls, toys, you name it — to insert their batteries in any direction. Compatible with AA and AAA cells, among others, the 'InstaLoad' technology does not require special electronics or circuitry, the company claims."

The Moving Pixels blog has brief discussion of how gimmicky game mechanics often break a player's sense of immersion, making it painfully obvious that he's simply jumping through carefully planned hoops set up by the developers. The author takes an example from Singularity, which has a weapon that can time-shift objects between a pristine, functional state and a broken, decayed state. Quoting: "The core issue with this time control device is that it's just not grand and sweeping enough. It doesn't feel like it's part of a world gone mad. Instead it's just a gameplay tool. You can only use it on certain things in certain places. You can 'un-decay' this chalkboard but not that desk. You can dissolve that piece of cover but not most of the walls in the game. The ultimate failure of such cheap tricks is that they make the game world less immersive rather than more compelling. The world gets divided into those few things that I can time shift, that different set of things I can levitate, and that majority of things that I can't interact with at all. ... I'm painfully aware that all that I'm really doing is pushing the right button at the right place and time. Sure, that's what many games are when you get down to it, but part of the artistry of game design comes from trying to hide this fact."