Comment Their own worst enemy (Score 2) 318
I find it hard to be sorry for the music companies; They produce "by the numbers" music, and rip off next to all genuine artists, by calming that the cost of production through distribution is 99.9% of earnings... Akin the the movie industry claiming that a recent Harry Potter film didn't make profit...
But I don't support piracy either, artists need to eat, and diverse to profit from their work too...
It's not just digital downloads that have changed the music industry, i.e. distribution; an album can be recorded "at home", if ya know what your doing. So if the cost of production and distribution are not prohibitive factors, so how dose the industry justify the "mark-up"?
Radio you say. Yes the network to promote the music is "buttoned up tight", and the relationships go way back, so penetration is still an issue, though it shouldn't be...
Materialism vs. Virtual downloads: When I was a kid, there where these things called cassettes, you could even copy music on to them, but it was never as good as getting the whole package, album art, song lyrics, etc. Paying for a digital download still don't feel as "good value" as having the product sitting on my shelf.
If you buy an album these days, your lucky if you get more than a single sheet of paper, badly printed, and I cant remember the last time I saw lyrics...
So I pose the question; Has the reduction of the physical product made it easer to see value in the digital download, or has it blurred the line between a copy and the real product?
I see digital download(low profit) as eating in to physical record sales(higher profit), rather than offsetting the piracy numbers, so why dose the industry fixate on a non-markets rather than retaining(premium) paying customers?
PS. I've read statements recently that movie studios are becoming "more concerned about loosing distribution than the issue of piracy", very strong words...
But I don't support piracy either, artists need to eat, and diverse to profit from their work too...
It's not just digital downloads that have changed the music industry, i.e. distribution; an album can be recorded "at home", if ya know what your doing. So if the cost of production and distribution are not prohibitive factors, so how dose the industry justify the "mark-up"?
Radio you say. Yes the network to promote the music is "buttoned up tight", and the relationships go way back, so penetration is still an issue, though it shouldn't be...
Materialism vs. Virtual downloads: When I was a kid, there where these things called cassettes, you could even copy music on to them, but it was never as good as getting the whole package, album art, song lyrics, etc. Paying for a digital download still don't feel as "good value" as having the product sitting on my shelf.
If you buy an album these days, your lucky if you get more than a single sheet of paper, badly printed, and I cant remember the last time I saw lyrics...
So I pose the question; Has the reduction of the physical product made it easer to see value in the digital download, or has it blurred the line between a copy and the real product?
I see digital download(low profit) as eating in to physical record sales(higher profit), rather than offsetting the piracy numbers, so why dose the industry fixate on a non-markets rather than retaining(premium) paying customers?
PS. I've read statements recently that movie studios are becoming "more concerned about loosing distribution than the issue of piracy", very strong words...