Comment Re:The article writer is a deaf idiot (Score 1) 841
The 192 is the red-herring. 44/24 would be fine (we don't need more than 44kHz sampling once processing has been done, but having the recording mastered to a 24bit format would change the requirements for compressing the dynamic range. Also, in the case of hi-hats being tapped, they are quite quiet, and so don't use all of the 16bit dynamic range of CD. You'd be lucky to be hearing 9bits of it unless the mastering engineer has overdone the compression. The effect, then is one of bitcrushing to 8-9bits (vs 16-17bits dynamic range left in a 24bit recording) which one can learn to hear even when subtle.