Theaters are an outdated business model that have failed to adapt to changes in the industry. I am reminded of the music industry in the 90s/2000s. Ticket prices are sky high and the movie quality is mostly garbage. I, for one, welcome our streaming overlords.
Theaters are an outdated business model that have failed to adapt to changes in the industry. I am reminded of the music industry in the 90s/2000s. Ticket prices are sky high and the movie quality is mostly garbage. I, for one, welcome our streaming overlords.
The music industry is very healthy and very much alive, despite the "outdated" business model. In fact, you and I can probably agree things were better with the outdated model because you could own music. Most music today is streamed and that's it. Bil
It's a real mixed bag. I've found that some of the best originals were produced for non-US TV networks -- Babylon Berlin and Dark were both top-notch, HBO-quality shows, German-produced and starring German talent.
I'd say Netflix originals are about a 30% success rate. At this point, I can't tell if the worst ones were commissioned by Netflix or if they were produced externally and Netflix just bought them. The Crown is good, House of Cards (at least the first 2-3 seasons), and probably a few others, but
what they did after Spacey was cancel cultured was essentially destroy the show to the point it made the earlier great seasons seem like a travesty. Just complete and utter destruction of everything the show did right in that last season.
Let this be a shining, stinking example of the toxic effect of cancel culture.
Theaters are an outdated business model that have failed to adapt to changes in the industry. I am reminded of the music industry in the 90s/2000s. Ticket prices are sky high and the movie quality is mostly garbage. I, for one, welcome our streaming overlords.
The music industry is very healthy and very much alive, despite the "outdated" business model. In fact, you and I can probably agree things were better with the outdated model because you could own music. Most music today is streamed and that's it. Bil
I believe SuperKendall was referring to the quality of roles, not her presence in action films per se.
It's a real mixed bag. I've found that some of the best originals were produced for non-US TV networks -- Babylon Berlin and Dark were both top-notch, HBO-quality shows, German-produced and starring German talent.
I'd say Netflix originals are about a 30% success rate. At this point, I can't tell if the worst ones were commissioned by Netflix or if they were produced externally and Netflix just bought them. The Crown is good, House of Cards (at least the first 2-3 seasons), and probably a few others, but
what they did after Spacey was cancel cultured was essentially destroy the show to the point it made the earlier great seasons seem like a travesty. Just complete and utter destruction of everything the show did right in that last season.
Let this be a shining, stinking example of the toxic effect of cancel culture.