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There was a case I know of where one label (a larger independent label) got wind of which stores were the Soundscan stores. This was tricky information, because one album sold in these stores "represented" many more albums sold from the other stores, baed on that algorithm. So this label would send bands and artists on tour, and focus all of their in-story appearances on these Soundscan stores. This, of course, led to more sales in those stores, which tended to inflate the label's sales numbers for less effort than honest sales would have taken.
When I tried explaining what the link was, that his account had been hacked, and that he should change the password to his @aol.com email account, his response was "No, I think YOUR account was hacked, since the email came from you."
I went over it again, with a real-life analog of someone calling him on the phone and pretending to be me, but I'm not sure if that sunk in or not.
This uncle is far from tech savvy. He's in his 60's, and uses facebook several times a week. He knows I'm online much more and kind of know my way around. After his initial response, I didn't have it in me to get into the whole "NEVER click a link from an unfamiliar email address" bit; to him, this wasn't an unfamiliar email address, it was mine.
How do I explain this to him, and what else should I feel responsible for telling him?"
1. charge customers for caller ID on incoming calls.
2. charge customers for the ability to hide their ID on outgoing calls.
3. charge customers for the ability to "see" hidden ID's on incoming calls.
4. go to number 2. rinse and repeat.
I wonder if other genres do the same? I do dabble in a few others, but don't recall seeing like hip hop or electronica singles or LP's doing the same thing. Curious observation.
In addition to a completist mentality behind wanting to own every variant of a record, there is also a demand (ranging from "mildly interested" to "i will mortgage the house to get this") for "test pressings" of records. These are just like what they sound. There are usually fewer than 20 of these made per release. Often less than 10 or even 5. Plain white labels or possibly a boilerplate label with "artist, song title, label" info handwritten onto the labels. No printed cover. A few go to the label, some to the band, for listening to and final proofing before the "go ahead and make us 1000 copies" order is put in. It's very rare that there is a change to an album once the test pressings have been created and they are almost NEVER available for sale to the general public. I've mostly only seen them for sale after the album comes out, strictly as collector items.
The $50k asking price may be ridonkulous, but the demand for this one-off game makes perfect sense to me in light of what i've seen people get stupid over in the vinyl world.