Dr. Romesberg dismissed concern that novel organisms would run amok and cause harm, saying the technique was safe because the synthetic nucleotides were fed to the bacteria. Should the bacteria escape into the environment or enter someone’s body, they would not be able to obtain the needed synthetic material and would either die or revert to using only natural DNA.
Yeah, and we all know how well that worked out with the dinosaurs in Jurassic Park.
Rather than bowing to the inevitability of the digital revolution, the U.S. Government (and others) could offer support for (or at least openness to) analog components as a backstop to advanced cyber attacks could create the financial incentive for aging systems to be maintained and the engineering talent to run them to be nurtured, Langner suggests." Or maybe you could isolate control systems from the Internet.
You're assuming that the art is solely the product of the sculptor but it's not. The piece is a collaboration between Scott and Van Hoeydonck. Without Scott to commission (in whatever sense), transport, and arrange the installation, then neither the sculpture or the the plaque (Van Hoeydonck's sense of artistic fulfillment notwithstanding) would have had a lot of significance.
If you want to get all classical greek about it, Van Hoeydonck, controlled the material and formal causes of the installation but Scott controlled the effective cause and, without Scott, there could not have been a teleological cause for the piece. So Scott definitely gets equal standing weighing in on "what it was meant for".
On a trip from Delhi to Agra in 2010, I saw so much scary driving. Entire families on the backs of motorbikes. A tractor popping wheelies cos the tow bar was grossly overloaded. Bus passengers jumping on and off the buses in the middle of the road, in traffic going 10-20mph. Another bus driving straight at us when we were on the inside lane of a dual carriageway.
Every car journey in India was like a roller-coaster squared worth of white knuckles.