"I don't tip the waitress until I get the check. "
No, but you do pay for the food. The content creator isn't asking for a tip...they are asking for a specific amount of money to watch their movie. In the case of a loaned DVD...the person paying for the DVD originally paid for the right to loan this. When I wrote software and it had to run from disc (this was YEARS ago), my only rule for loans was that you had to loan the original media -- not copies. I gave a shit load of my software away for free -- both opensourcing the older stuff (actually public domaining it and disavowing the code...I stripped all references to my name because most of what people were paying for was my personal service and support and for some reason people thought free software with the code gave them the right to call me an asshole publicly when I told them they could pay if they wanted any support or communication what so ever...and I specifically wrote in the code DO NOT CONTACT ME FOR SUPPORT).
Hell...then again, sometimes poor musicians would write me and ask for my software and I'd give them a copy if they weren't dicks about it. 90% of the time I did.
I'm not a bit fan of the current copyright code, but at the same time, I'm almost 40 and there is only about 5 years of my songwriting or code that wouldn't be covered by the 20 years. I would be happy with it being exactly as it was. And places like TPB would STILL be dealing with software that was 3 months old.
As for Doctorow...I've had conversations with him for 15 years and he has always been wrong about so many things. He use to be a hypercard 'hacker' back in the day...until Apple wouldn't suck his cock and he got righteous about it. His works suck. I use to buy them because I thought he was a decent guy...but my god the man cannot write. I know a lot of others that feel the same way and buy his works...almost like a pat on the head because he is the most outspoken opensores evangelist that doesn't publicly eat his toe cheese in public...he is grating, but acceptable company if he isn't lecturing you. As such, he is a big deal to a lot of nerds who reward him for this, not his writings. As for his other success stories...he points out artists that have made a shit ton of money through the use of their copyrights, live comfortably and then realize they can give a little back and STILL make a shit ton because they have the name to do it. He doesn't talk about the 99% of the people that try this and fail. For me? I sold a shit ton of music over my life and I love the obscurity. Every so often someone will find my name in the credits of an album, but even then...I'd rather my name be on the books in some labels safe and let those that are more talented in performing or comfortable doing PR and interviews take the credit. And they paid well to take the credit.
A true artist doesn't give a fuck who's name is on the works. All I ever cared about was making enough money to be able to continue to do what I needed to do. Fuck obscurity...it never hurt me a bit...it paid for my house and 4 years of college and I've been pimping some of my works to friends again after almost a decade out of the industry so that I can go to med school without having to take on loans. Van Gogh...did a lot of work in obscurity that paid the bills. His paintings were an afterthough and personal. His life as an art collector made a lot of things easier. He used his collection -- and the fact that these works were like currency -- to live a good life that allowed him to paint obscurely. And it didn't hurt him...what would have hurt him? If someone could have come along and made exact works of the paintings in his collection from others that allowed him to live well.
Point is, Cory is wrong about those going broke from piracy but starving from obscurity. They aren't connected...and yet, I've known a lot of talented well known people quit industries because their work was too widely available and they weren't getting compensation for their work (or the investment that it took to create it).