NewYorkCountryLawyer (email not shown publicly)
http://beckermanlegal.com/
I an an attorney in New York City, practicing at
Ray Beckerman, P.C. [beckermanlegal.com].
A member of the bar since 1979, I am primarily a commercial litigator, but also give advice, negotiate, and help to set up and maintain new businesses and not-for-profits.
I learned of Slashdot through my work doing battle with the RIAA and MPAA in online digital copyright litigation, and through my blog,
"Recording Industry vs. The People". [blogspot.com]
Nothing I say on Slashdot should be construed as legal advice; for that you need to consult with a lawyer with whom you have a one-on-one relationship.
Deliberate economic filtering of targets?? (Score:3, Interesting)
Now, my question becomes, exactly HOW are they so-accurately targeting this economic class? Seems to me they must do financial investigations of their intended targets prior to filing the named-target lawsuit. Could this violate conspiracy or other laws?? (beyond the "unlic. investigator" angle)
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What you *can* pay with every resource available to you, and what your budget says your limits are, are not necessarily the same thing. Frex, I have over $
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-R
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People "too rich" wouldn't bother fishing for music on p2p... they'd just grab everything off of the iTunes store for their iPod and buy the CDs for anything else. Duplicate copies wouldn't really register.
People "too poor" generally have better things to do like making a living, don't have enough money to have a decent computer and an always-on high speed internet connection. They're more likely to have a friend make a mix CD to play in their old Discman or portable s
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As you say, normally not a good business model, but they get away with it because even if you kill off 1% of your customers, the other 99% still buy, so no loss to the labels.
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I think one of the main issues here is that the same people who advise the industry are the ones who make a profit off of the way things are --
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I find it odd that the labels themselves have bought, hook line and sinker, the "facts" fed to them by the RIAA and their associates for so long.
In my view it's the 4 big record labels not the RIAA that is powering this; they use the RIAA as their 'cover' for activities might otherwise be subject to antitrust scrutiny. And it is not surprising to me that the management of these companies -- who are the very same people who failed to recognize and capitalize on the opportunity which the internet and digitalization offered them -- are the very same people endorsing and fostering the lawsuit mentality, since it is in their personal best interests to d
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Unless their investments tank, that doesn't seem very likely. And considering how diversified their(the entertainment industry) portfolios are, this will be seen as little more than a glitch. I think they could keep this up indefinitely. I'm afraid it will take the courts to recognize our rights and put a stop to it. And probably the Supreme Court at that.
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